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Clarkesworld: Year Six

Page 8

by Aliette de Bodard


  Yan sighs again. “I should never have picked him up and brought him back.”

  Xiao Qian whispers through the tears, “Where can we go if we leave Ghost Street?”

  Yan has no answer.

  The sound of Xiao Qian’s crying makes my heart feel constricted. Silently, I sneak away and leave the old temple through a hole in the wall.

  The thin layer of clouds chooses this moment to part. The cold moonlight scatters itself against the slate slabs of the street, congealing into drops of glittering dew. My bare feet against the ground feel so cold that my whole body shivers.

  A few stores are still open along Ghost Street. The vendors greet me enthusiastically, asking me to sample their green bean biscuits and sweet osmanthus cake. But I don’t want to. What’s the point? I’m just like them, maybe even less than them.

  Every ghost used to be alive. Their fake, mechanical bodies host real souls. But I’m fake throughout, inside and outside. From the day I was born, made, I was fake. Every ghost has stories of when they were alive, but I don’t. Every ghost had a father, a mother, a family, memories of their love, but I don’t have any of that.

  Xiao Qian once told me that Ghost Street’s decline came about because people, real people, found more exciting, newer toys. Maybe I am one of those toys: made with newer, better technology, until I could pass for the real thing. I can cry, laugh, eat, piss and shit, fall, feel pain, ooze blood, hear my own heartbeat, grow up from a simulacrum of a baby—except that my growth stops when I’m seven. I’ll never be a grown up.

  Ghost Street was built to entertain the tourists, and all the ghosts were their toys. But I’m just a toy for Xiao Qian.

  Pretending that the fake is real only makes the real seem fake.

  I walk slowly toward the eastern end of the street, until I stop under the Old Ghost Tree. The sweet fragrance of osmanthus fills the foggy night air, cool and calming. Suddenly I want to climb into the tree. That way, no one will find me.

  The Old Ghost Tree leans down with its branches to help me.

  I sit, hidden among the dense branches, and feel calmer. The crows perch around me, their glass eyes showing hints of a dark red glow. One of them speaks: “Ning, this is a beautiful night. Why aren’t you at Lanruo Temple, stealing vegetables?”

  The crow is asking a question to which it already knows the answer. The Old Ghost Tree knows everything that happens on Ghost Street. The crows are its eyes and ears.

  “How can I know for sure,” I ask, “that I’m a real person?”

  “You can chop off your head,” the crow answers. “A real person will die with his head cut off, but a ghost will not.”

  “But what if I cut off my head and die? I’ll be no more.”

  The crow laughs, the sound grating and unpleasant to listen to. Two more crows fly down, holding in their beaks antique bronze mirrors. Using the little moonlight that leaks through the leaves, I finally see myself in the mirrors: small face, dark hair, thin neck. I lift the hair off the back of my neck, and in the double reflections of the mirrors, I see a crimson bar code against the skin, like a tiny snake.

  I remember Xiao Qian’s cool hands against my spine on that hot summer night. I think and think, until tears fall from my eyes.

  Winter Solstice, the Twenty-Second Solar Term:

  This winter has been both dry and cold, but I often hear the sound of thunder in the distance. Xiao Qian says that it’s the Thunder Calamity, which happens only once every thousand years.

  The Thunder Calamity punishes demons and ghosts and lost spirits. Those who can escape it can live for another thousand years. Those who can’t will be burnt away until no trace is left of them.

  I know perfectly well that there’s no such thing as a “Thunder Calamity” in this world. Xiao Qian has been a ghost for so long that she’s now gone a little crazy. She holds onto me with her cold hands, her face as pale as a sheet of paper. She says that to hide from the Calamity, a ghost must find a real person with a good heart to stay beside her. That way, just like how one wouldn’t throw a shoe at a mouse sitting beside an expensive vase, the Duke of Thunder will not strike the ghost.

  Because of her fear, my plan to leave has been put on hold. In secret I’ve already prepared my luggage: a few stolen potatoes, a few old shirts. My body isn’t growing any more anyway, so these clothes will last me a long time. I didn’t take any of the old copper coins from Xiao Qian though. Perhaps the outside world does not use them.

  I really want to leave Ghost Street. I don’t care where I go; I just want to see the world. Anywhere but here.

  I want to know how real people live.

  But still, I linger.

  On Winter Solstice it snows. The snowflakes are tiny, like white sawdust. They melt as soon as they hit the ground. Only a very thin layer has accumulated by noon.

  I walk alone along the street, bored. In past years I would go to Lanruo Temple to find Yan Chixia. We would knock an opening in the ice covering the lotus pond, and lower our jury-rigged fishing pole beneath the ice. Winter catfish are very fat and taste fantastic when roasted with garlic.

  But I haven’t seen Yan Chixia in a long time. I wonder if his beard and hair have grown out a bit.

  Thunder rumbles in the sky, closer, then further away, leaving only a buzzing sensation in my ears. I walk all the way to the Old Ghost Tree, climb up into its branches, and sit still. Snowflakes fall all around me but not on me. I feel calm and warm. I curl up and tuck my head under my arms, falling asleep like a bird.

  In my dream, I see Ghost Street turning into a long, thin snake. The Old Ghost Tree is the head, Lanruo Temple the tail, the slate slabs the scales. On each scale is drawn the face of a little ghost, very delicate and beautiful.

  But the snake continues to writhe as though in great pain. I watch carefully and see that a mass of termites and spiders is biting its tail, making a sound like silkworms feeding on mulberry leaves. With sharp mandibles and claws, they tear off the scales on the snake one by one, revealing the flesh underneath. The snake struggles silently, but disappears inch by inch into the maws of the insects. When its body is almost completely eaten, it finally makes a sharp cry, and turns its lonesome head towards me.

  I see that its face is Xiao Qian’s.

  I wake up. The cold wind rustles the leaves of the Old Ghost Tree. It’s too quiet around me. All the crows have disappeared to who knows where except one that is very old and ugly. It’s crouching in front of me, its beak dangling like the tip of a long mustache.

  I shake it awake, anxious. It stares at me with two broken-glass eyes, croaking to me in its mechanical, flat voice, “Ning, why are you still here?”

  “Where should I be?”

  “Anywhere is good,” it says. “Ghost Street is finished. We’re all finished.”

  I stick my head out of the leaves of the Old Ghost Tree. Under the slate-grey sky, I see the murder of crows circling over Lanruo Temple in the distance, cawing incessantly. I’ve never seen anything like this.

  I jump down from the tree and run. As I run along the narrow street, I pass dark doors and windows. The cawing of the crows has awakened many of the ghosts, but they don’t dare to go outside, where there’s light. All they can do is to peek out from cracks in doors, like a bunch of crickets hiding under houses in winter.

  The old walls of Lanruo Temple, long in need of repairs, have been pushed down. Many giant mechanical spiders made of steel are crawling all over the main hall, breaking off the dark red glass shingles and sculpted wooden molding, piece by piece, and throwing the pieces into the snow on the ground. They have flat bodies, blue-glowing eyes, and sharp mandibles, as ugly as you can imagine. From deep within their bodies comes a rumbling noise like thunder.

  The crows swoop around them, picking up bits of broken shingles and bricks on the ground and dropping them on the spiders. But they are too weak and the spiders ignore them. The broken shingle pieces strike against the steel shells, making faint, hollow echoes.

>   The vegetable garden has been destroyed. All that remains are some mud and pale white roots. I see one of the Monk’s rusted arms sticking out of a pile of broken bricks.

  I run through the garden, calling for Yan Chixia. He hears me and slowly walks out of his cabin. He’s still wearing his battle gear: sedge hat over his head, the sword Demon Slayer in his hand. I want to shout for him to fight the spiders, but somehow I can’t spit the words out. The words taste like bitter, astringent paste stuck in my throat.

  Yan Chixia stares at me with his sad eyes. He comes over to hold my hands. His hands are as cold as Xiao Qian’s.

  We stand together and watch as the great and beautiful main hall is torn apart bit by bit, collapses, turns into a pile of rubble: shingles, bricks, wood, and mud. Nothing is whole.

  They’ve destroyed all of Lanruo Temple: the walls, the main hall, the garden, the lotus pond, the bamboo grove, and Yan Chixia’s cabin. The only thing left is a muddy ruin.

  Now they’re moving onto the rest of Ghost Street. They pry up the slate slabs, flatten the broken houses along the sides of the street. The ghosts hiding in the houses are chased into the middle of the street. As they run, they scream and scream, while their skin slowly burns in the faint sunlight. There are no visible flames. But you can see the skin turning black in patches, and the smell of burning plastic is everywhere.

  I fall into the snow. The smell of burning ghost skin makes me vomit. But there’s nothing in my stomach to throw up. So I cry during the breaks in the dry heaves.

  So this is what the Thunder Calamity looks like.

  The ghosts, their faces burned away, continue to cry and run and struggle in the snow. Their footprints criss-cross in the snow, like a child’s handwriting. I suddenly think of Xiao Qian, and so I start to run again.

  Xian Qian is still sitting in the dark bedroom. She combs her hair as she sings. Her melody floats in the gaps between the roaring, rumbling thunder of the spiders, so quiet, so transparent, like a dreamscape under the moon.

  From her body come the fragrances of myriad flowers and herbs, layer after layer, like gossamer. Her hair floats up into the air like a flame, fluttering without cease. I stand and listen to her sing, my face full of tears, until the whole house begins to shake.

  From on top of the roof, I hear the sound of steel clanging, blunt objects striking against each other, heavy footsteps, and then Yan Chixia’s shouting.

  Suddenly, the roof caves in, bringing with it a rain of shingles and letting in a bright patch of grey sky full of fluttering snowflakes. I push Xiao Qian into a dark corner, out of the way of the light.

  I run outside the house. Yan Chixia is standing on the roof, holding his sword in front of him. The cold wind stretches his robe taut like a grey flag.

  He jumps onto the back of a spider, and stabs at its eyes with his sword. The spider struggles hard and throws Yan off its back. Then the spider grabs Yan with two sharp claws and pulls him into its sharp, metallic, grinding mandibles. It chews and chews, like a man chewing kimchee, until pieces of Yan Chixia’s body are falling out of its mandibles onto the shingles of the roof. Finally, Yan’s head falls off the roof and rolls to a stop next to my feet, like a hard-boiled egg.

  I pick up his head. He stares at me with his dead eyes. There are no tears in them, only anger and regret. Then with the last of his strength, Yan closes his eyes, as though he cannot bear to watch any more.

  The spider continues to chew and grind up the rest of Yan Chixia’s body. Then it leaps down from the roof, and, rumbling, crawls towards me. Its eyes glow with a deep blue light.

  Xiao Qian jumps from behind me and grabs me by the waist, pulling me back. I pry her hands off of me and push her back into the dark room. Then I pick up Yan Chixia’s sword and rush towards the spider.

  The cold blue light of a steel claw flashes before my eyes. Then my head strikes the ground with a muffled thump. Blood spills everywhere.

  The world is now tilted: tilted sky, tilted street, tilted snow falling diagonally. With every bit of my strength, I turn my eyes to follow the spider. I see that it’s chewing on my body. A stream of dark red fluid drips out of its beak, bubbling, warm, the droplets slowly spreading in the snow.

  As the spider chews, it slows down gradually. Then it stops moving, the blue light in its eyes dim and then go out.

  As though they have received some signal, all the other spiders also stop one by one. The rumbling thunder stops, plunging the world into silence.

  The wind stops too. Snow begins to stick to the spiders’ steel bodies.

  I want to laugh, but I can’t. My head is now separated from my body, so there’s no way to get air into the lungs and then out to my vocal cords. So I crack my lips open until the smile is frozen on my face.

  The spiders believed that I was alive, a real person. They chewed my body and tasted flesh and saw blood. But they aren’t allowed to harm real people. If they do they must destroy themselves. That’s also part of the rules. Ghosts, spiders, it doesn’t matter. Everyone has to follow the rules.

  I never imagined that the spiders would be so stupid. They’re even easier to fool than ghosts.

  The scene in my eyes grows indistinct, fades, as though a veil is falling from the sky, covering my head. I remember the words of the crows. So it’s true. When your head is cut off, you really die.

  I grew up on this street; I ran along this street. Now I’m finally going to die on this street, just like a real person.

  A pair of pale, cold hands reaches over, stroking my face.

  The wind blows and covers my face with a few pale pink peach petals. But I know they’re not peach petals. They’re Xiao Qian’s tears, mixed with snow.

  Originally published in Chinese in Science Fiction World in 2010.

  And the Hollow Space Inside

  Mari Ness

  Doug reaches for my hand as the ship approaches. He continues to hold it as the great doors open, as we watch them leave the ship. They pause; they have been in space and ultra-low gravity for five years now. Five years, one month, and three days, to be precise; I cannot believe my mind has memorized this.

  We are too far away to see this, but I know their eyelids are blinking as they adjust, process, calculate, move, adjust again, the change in gravity no more than a problem to be solved.

  As always, I am struck by how human and inhuman they look. Even their pauses have a precise, calculated feel. No one has ever seen them show uncertainty. No one ever will.

  Gravity adjustments made, they walk with precision to the terminal, directly in front of us. It takes me a moment to recognize her, out of the eight faces. That is not surprising; it has been twelve years since I last saw her. What is surprising is how, even now, I am still desperately looking for any trace of my daughter’s smile in my daughter’s face.

  The Mars missions, we were assured, would be the eventual saving grace of humanity. Oh, certainly, we hadn’t managed to use up all of the world’s resources yet, but that was only a matter of time. Population growth had slowed, but not stalled out completely, and wars over resources kept getting bloodier—while not reducing the population much. Mars was the only planet we could reach in an acceptable period of time, terraform, and begin colonizing. Other worlds would come, but by the time we reached the next nearest acceptable planet—a forty-year journey each way, under optimum conditions that few scientists thought we would meet—it would be too late for Earth. The Mars missions offered us that saving grace.

  Only one problem: ordinary humans couldn’t survive the trip.

  Beside me, Doug takes a deep breath. “She looks good.”

  “Yes,” I agree.

  The four years in low gravity, not to mention the years of dehydrated food before that, should have taken their toll, but she still looks fit and considerably younger than her actual age. Then again, she always did. They all did, a side effect of programming and lack of temptation, and (but this is only my opinion) emotions and stress.

  Th
e eight of them reach the terminal, turn in unison, and wave in precision. I have to remind myself once again that I have been assured that they all have individual implants and computers, individual programming. They were all expected to perform different tasks, after all; it would make no sense to have them.

  They vanish into the facility.

  “They didn’t say hello,” says Doug.

  I do not tell him that I am relieved.

  The facility explained: humans needed interaction. A mere eight people, stuck together in the tight confines of a ship, and then on the almost equally tight confines of the first Mars base, could not be trusted to stay sane. The astronauts on the space stations had remained sane only because they were regularly rotated in and out, and could also continue to converse via radio and satellite to people back on earth. By the time the mission reached Mars, these transmissions would be delayed—not by much, but just enough to leave a long silence after a statement.

  Just enough to drive people over the edge—only this edge was out in space, or on a hostile planet with no real edge to go to.

  Unless they had no edge to fall off from.

  Amy is blind, navigating with touch, sound and precision memory. Her taste and pleasure centers are nonfunctional. She eats carefully balanced meals at carefully programmed times, although she is never hungry.

  “I don’t understand why they’re using the . . . children.” I shouldn’t have hesitated before that word, but I’d never been comfortable using it. They weren’t children. I didn’t know what they were, but they weren’t children, not by any definition of the word. But Doug hated the other, better word: implants. And adults just sounded wrong. The hesitation made Doug flinch. Which might have been why I’d hesitated. “If they think regular people can’t handle it, then why not just send out regular robots?”

  Doug flinched again. Any reminder that his—our—daughter was any sort of robot did that to him. “As I understand it, they want to understand and see the long term effects of Mars gravity and terraforming on human bodies, since eventually they do plan to send the rest of us out there.”

 

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