Saxon's Bane

by Geoffrey Gudgion

  SAXON’S BANE

  First published 2013 by Solaris

  an imprint of Rebellion Publishing Ltd,

  Riverside House, Osney Mead,

  Oxford, OX2 0ES, UK

  www.solarisbooks.com

  ISBN (epub): 978-1-84997-628-2

  ISBN (mobi): 978-1-84997-629-9

  Copyright © Geoffrey Gudgion 2013

  Cover art by Clint Langley

  The right of the author to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owners.

  SAXON'S

  BANE

  GEOFFREY

  GUDGION

  ACKNOWLEDGEMENTS

  THIS IS FOR the Gudgies; Deborah, James, and Sophie, who have not only tolerated a fundamental change in lifestyle, but encouraged me to keep going. My son James paid me one of life’s purest compliments when he became so absorbed in an early draft that he missed two stops on the train. He has been demanding more ever since.

  Many others have helped me along the way:

  Early in this literary journey I discovered the Litopia online writing community, www.litopia.com. Numerous Litopians read and critiqued extracts at various stages, always constructively. I am particularly indebted to Lesley McLaren, Kristin Yates, Lisa Lieberman, and Lucy Lawrie, who were kind enough to critique the full manuscript. Their feedback was much-needed refreshment and direction.

  Marcus and Susie Bicknell have been supportive beyond any calls of friendship. And if a little equestrian joy has crept into these pages, its inspiration grazes happily in their fields.

  When I thought the book was ready, Debi Alper’s professional critique not only showed me how far there still was to travel, she signposted the way forward. Her advice was fundamental.

  The Verulam Writers Circle of St Albans accepted me into their talented group and provided invaluable feedback, writerly company, and the occasional libation.

  My agent Ian Drury, of Shiel Land Associates, was willing to back an unknown author. He had the courage to believe that even in the current brutal market, the manuscript was publishable. Which it clearly was, but only with the help of some very good friends.

  Finally, but only in the chronological sense, Jonathan Oliver and his wonderfully professional team at Solaris Books not only believed and enthused, they perfected.

  “You touched the shadow world.

  Very few people come back from that.

  Maybe you make it easier for the

  shadow world to touch this one.”

  T

  Part One

  Samhain

  November

  Chapter One

  THE STAG IN the road would change everything.

  Inside Kate’s BMW, the sound system thumped out the kind of music that made Fergus feel invincible. Its tribal rhythm tightened the tension, and probably encouraged Kate to squeeze a little more out of the accelerator. She was nodding her head in time with the beat, flexing her fingers around the steering wheel, and holding the car tight to the turns as they climbed. Beside her, Fergus checked his watch, again, and made a mental calculation of their chances of being on time. Maybe. Just maybe, with luck, and if this ancient back road over the Downs didn’t have flooded fords or flocks of sheep or any other obstacles that didn’t appear on maps.

  On the high ground the road straightened, and Kate floored the pedal so that the rain ran horizontally along the windows in the slipstream. Where they crested a watershed and grazed the clouds, ancient burial mounds lay humped in the bracken, half-seen through the mists.

  Fergus’s attention snapped back inside the car as it swerved.

  “Keep your eyes on the bloody road, will you?” Fergus heard the tension in his voice. Kate was prodding the GPS, searching for routes. Wobbles at this speed were alarming.

  “Then you work the sodding thing, you’re the techie.” Her voice was quite deep, with a purr-or-snarl kind of quality, and that had been a snarl.

  Fergus tapped at the satnav screen, unruffled. He and Kate scrapped the way people can only scrap if they are confident with each other, as if the barbs were a form of verbal grooming. They were the best, him and Kate. Choreographed, professional, hungry, top guns in the sales league and determined to stay there. She did the pitch; he talked technology. Hearts and minds, vision and practicality, between them they had it covered. Fergus expanded the range until a cross-roads and the icon of a village started dropping into view, stepping down in minute increments.

  Allingley.

  A sudden gust of wind punched the car, making him lift his eyes as Kate briefly fought for control.

  “Hey, slow down, for fuck’s sake!”

  Ahead of them a bend was approaching fast as the road dropped towards the woodland at the rim of a valley. Fergus could see a litter of freshly fallen leaves tumbling over the tarmac where the woods began, on a road scarcely wide enough for two cars to pass.

  “Scared, huh?” Kate glanced across at him, smiling her challenge as she ignored the road and pulled the car round the first dropping curve into the valley, burning rubber in a blast of performance motoring.

  “Shiiit!”

  Their final words together were screamed in harmony; teamwork to the last.

  The mind can do a lot of thinking in its final moments. Some strange corner of Fergus’s brain had time to know that the stag in the middle of the road was magnificent. Shaggy-maned and bearing its antlers with all the poise of a medieval jousting helm, the beast had been staring downhill with its nose into the wind as if the last gust had carried the sound of a distant call. At the first thump and shudder of the brakes it turned its head towards them, and did not move. It merely glared at them over its shoulder so that the grizzled, moisture-matted pelt folded into its neck like the stole of an ancient king.

  That same part of Fergus’s mind, the bit that wasn’t panicking and bracing his body for impact, wondered at the infinitesimal detail of the scene. A light fog snorting from a greying muzzle. Foliage, crystal sharp in the autumn patchwork of yellow-and-black, leaf-and-bark. The vibrations in a raindrop on the windscreen as the ABS juddered beneath them and they side-slipped over wet leaves with almost no check to their speed. On the edge of his vision the antlers turned to watch them glide past, but Fergus’s focus had switched from the stag to the edge of the road and the drop beyond.

  His first reaction was panic. The second was rejection. This isn’t happening, this isn’t real. But the verge still punched them nose-up into the air in a detonation of wheels and suspension, making the CD skip as they launched. Reality was a momentary hiccup in a digital scream. Weightless behind a whining engine, Fergus stared horrified at the canopy of an oak tree that loomed in front of them as the nose of the car started to drop. He sensed Kate’s arms pushing away from the wheel as if to force herself backwards through her seat, but he didn’t see her face. His eyes were locked on the trunk of the oak, a massive pillar of the woods that rushed at the centre of the bonnet. It filled the windscreen beyond wipers that counted them down to oblivion with their metronome beat. Three, two, one…

  His final reaction was acceptance. Just before they hit, Fergus knew that the moment was real, that this was the instant of his extinction. And with that knowledge came three heartbeats of calm in which a great sadness dragged him downwards, a sadness so profound it was beyond weeping.

  Chapter Two

  ON THE OUTSKIRTS of Allingley, Dick Hagman felt the rain trickling off his yellow safety helmet, and hunched de
eper into his donkey jacket. In front of him the mechanical digger belched diesel fumes, scooped another load of soil, and swung to dump the mess on the spoil pile. Hagman poked speculatively at the fallen slop with his shovel, watching for pickings. You never knew what might drop out from the stuff at the bottom of the old mill pond. Already he’d managed to pick out a couple of old coins, filched from the mud while the new owner’s attention was elsewhere. If Russell saw him, and objected, he’d share the proceeds, fair’s fair. But Russell was busy working the digger and might not notice.

  The owner was up there now in the shell of the old Mill House, standing in the gap where the great axle had once connected the water wheel to the grinding machinery inside. Bloody incomer with too much money, Hagman thought, sneering at the sight of him mincing round a building site in a yachting anorak and those stupid cream chinos. At least he wouldn’t come down into the mud dressed like that. The man started shouting at them and Russell killed the engine to hear.

  “... deeper, I want you to do a proper job.” Half a sentence spilled out into the sudden quiet. The accent sounded imperious, like a duchess on testosterone. Russell cupped his hand to his ear theatrically, forcing the man to repeat himself. Hagman hid his smirk by wiping the wet off his face onto his sleeve.

  “Take it down deeper. There’s no point in scraping the surface, it will only fill up again.” The accent became clipped and strained as the man tried to establish his authority. He turned away as a loud crash of dropped planks came from within the house, and Hagman winced as the noise jolted his hangover. He kept his face screwed into the collar of his jacket while the diesel restarted, waiting for the steady throb to anaesthetise his skull. Bloody Halloween party. Last night had got way out of hand. Bloody tight-arsed incomers lording it over us. Hagman wished he’d stayed nicely tucked up in a dry bed.

  Hagman didn’t want to waste time going deeper. Any good stuff would be nearer the surface, close to the edges where people could have dropped it, like from the earth bank where he stood. In the old days, this dam had given the Swanbourne enough of a drop to power the mill. When he was a kid, families had walked up from the village in the summer to picnic by the pond. Local children still played in the woods above it.

  It ought to have gone to a local, this place, but no one had the money. One of the old families should have taken it, kept it in the community, even if it meant the marsh stayed un-drained and the house had been left to crumble. It looked better that way. Natural, like. And Hagman would never have taken things from the ground while old Bert Millar was alive. Bert’s family had always been there, ever since one of them was called ‘Millar’ because that was his job, running the mill. Now the ancient wheel lay in pieces on the bank, rotted beyond repair but saved from the skip while His Royal Highness decided how to incorporate the fragments as features in his garden. Still, there’d be lots of ways to string this job out and take some of that money off him before they finished.

  In front of him, Russell reversed to the beginning of the trench, scowling, lips moving, and started again with another layer. At the limits of its reach the digger strained against the suction of the earth, tilting forwards with the diesel slowing to a near-stall at the effort. Hagman peered into the trench, wondering if some obstacle had snagged the bucket, but saw only black soil in a cut so saturated that the vertical sides wept. Then the ground yielded its grip with a sigh like the exhalation of a long-held breath, rocking the digger back on its tracks with the engine racing to recover.

  Hagman shrugged further into his donkey jacket and hissed back at a pair of swans that were arching their necks at him from the bank. He guessed it was only the digger that stopped them attacking. Maybe this was their nest site. Hagman reached into the spoil pile, pulled out a sodden tangle of old sticks, and threw it at them before wiping the slime off his hands onto his trousers. He missed, and the swans pushed their beaks inquisitively at the fallen twigs before settling beside them. Hagman sniffed noisily and wiped his nose on his sleeve. He’d meant to scare them away, not calm them down.

  The squall came from nowhere, thumping Hagman in the back and almost toppling him into the mud. More rain came with the wind, falling in great, heavy drops that turned into a chocolate cascade down the spoil pile. Hagman steadied himself and looked curiously at the swans, puzzled at their sudden calm. The sticks he’d thrown now lay curled around one bird, almost as if cradling it. As he watched, the rain sloughed away the surface dirt and a pattern of paler sticks began to emerge. With dry-mouthed disbelief Hagman watched bony digits appear, then an opposing thumb, all impossibly long in the absence of a palm. Behind them the twin bones of a human forearm emerged, splash by splash, from the covering slime.

  “Russell!” Hagman’s cry was a falsetto screech, the sound of a frightened child calling for a parent.

  As the workmen in the Mill House gathered to gawp at the severed arm, the squall rushed over them towards the Downs, stripping the leaves from the trees in swirling eddies of orange. Two miles beyond the village, where the Swanbourne sprang from under the hill, it struck the steep-sided coombe like an unseen wave. As it sprayed upwards it danced grotesquely with the wreckage of a car tumbling end-over-end downwards through the trees, and ruffled the mane of a stag before fading to nothing amidst the rabbit-riddled barrows of the high country beyond.

  Chapter Three

  INSIDE THE WRECK, Fergus felt no pain. Not yet. Just a succession of brutal impacts that crushed the car ever closer around him. None of them, within his cocoon of airbags, was quite enough to grant him the blessing of oblivion. Even the final blow, a backwards slam so harsh that the car’s rear must have cratered the ground, merely threw him doll-like against his headrest.

  Silence. At first just the deafening absence of breaking metal, and for a fleeting moment Fergus had time to wonder that he lived. Sights and noises started to push into the jangling wrongness of his head. Gravel sounds of disintegrating glass. Further away, the heavy thumps of a wheel still bounding downwards through the trees. Crushed branches shedding wood and leaves. And above the collapsing airbags, the glimpse of shattered banners of windscreen that turned light into diamonds at the rim of a void.

  Then the pain hit. It erupted through trapped and mangled limbs to fill his body, and when there was no flesh left untouched, it went for his mind. For a while he fought, thrashing, at the cliff-edge of madness. When he lost the battle, enough of his rational self remained for him to watch his own screaming fall and to despise what he had become.

  By the time the sun was at its zenith above the clouds, Fergus had gone beyond the madness into a hinterland mapped more by faiths than by science, a place beyond pain, beyond even the memory of pain, beyond all substance. He was drifting down a slope, formless, an identity within emptiness like a balloon bouncing gently down a velvet roof in the twilight. Something had happened, something bad, something from which he was now released. The slope stretched to infinity but it too was formless, a spectrum of light from living white above to a black abyss below. He had belonged with the light but the light held the horror and the falling was so easy, so restful, even if the dark held menace in its unknown depths.

  There were others above him, within the light. They too were formless, but it seemed natural to him that they should have identity, be individual in their formlessness. There was a man who was of the dark even though he was in the light, a man who wanted him to fade into the depths. There was another, shadowy identity beyond him, less substantial but larger and mightier, someone who watched his fall with regal indifference.

  Then there was the woman. She was of the light and in the light, and again it was natural that this faceless identity should be able to smile, to offer encouragement. In response Fergus’s mind braced against the slope but the easy downwards drift had become a current. The moment he turned his awareness towards the receding light he felt the pull of the dark. But with the shine of that unseen smile, the light now held more than pain, and at some unthinking level a dec
ision was made, a mere stubborn refusal to let go. If this had been a battle of flesh and blood he would have leaned into the flow’s force, bellowing his defiance as he staggered upstream. But Fergus was without substance, and nothing in his unremembered existence had been so hard as to counter that drag with just the will of his mind.

  As if respecting his fight, the tide eased, relinquishing its hold. Slowly, with monumental effort, he started the limbless crawl back, accepting the light and the smile and the pain that it held.

  Chapter Four

  “SO, DOCTOR HARVEY, tell me what you see.”

  Clare Harvey shifted her position in the trench, placing her feet carefully clear of the body, and looked up to where her Head of Department stood on the bank. A crowd of onlookers lined the hedge behind him. Two workmen, the ones who had found the remains, were standing in the garden, near a policewoman who had stayed to watch even though there was no recent crime to investigate. Their faces were twisted into identical grimaces of morbid fascination. Clare’s awkward position brought her backside into contact with the trench wall, and a saturating cold started to soak through her jeans. Miles Eaton, Professor of Archaeology and Anthropology, had spoken a little more loudly than was necessary, and put heavy emphasis on the ‘doctor’. Clare guessed that the professor’s overt use of her title had little to do with professional courtesy and a lot to do with massaging his ego. See, he was saying to the crowd, I am important, important enough to patronise doctors.

  Clare looked down into the trench, hiding her anger. Finish your posturing, you pretentious little prick, and let me do my job. And then let me publish a brilliant paper in the Journal of Anthropological Archaeology in my own name, or at least as Eaton and Harvey rather than Eaton et al. Et al, et alia, and others; the undistinguished fate of those who laboured in the shadow of Miles Eaton, ME, the Mighty Ego. She looked back at him, forcing an engaging smile. Don’t blow it now, girl, this is a chance in a lifetime.