The Big Exit

by David Carnoy

  BY THE SAME AUTHOR

  Knife Music

  Copyright

  This edition first published in hardcover in the United States in 2012 by

  The Overlook Press, Peter Mayer Publishers, Inc.

  NEW YORK

  141 Wooster Street

  New York, NY 10012

  www.overlookpress.com

  For bulk and special sales, please contact sales@overlookny.com

  Copyright © 2012 by David Carnoy

  All rights reserved. No part of this publication may be reproduced or

  transmitted in any form or by any means, electronic or mechanical,

  including photocopy, recording, or any information storage and retrieval

  system now known or to be invented, without permission in writing from the

  publisher, except by a reviewer who wishes to quote brief passages in connection

  with a review written for inclusion in a magazine, newspaper, or broadcast.

  ISBN: 978-1-46830-377-3

  Contents

  By the Same Author

  Copyright

  Dedication

  0/ Prologue

  Part 1

  1/ The Perfect Candidate

  2/ Math for the Reproductively Challanged

  3/ Not Fade Away

  4/ You Look Clean

  5/ The Mercy of Your Investors

  6/ Oddjob

  7/ The Nuances of Hate

  8/ A Paradox

  Part 2

  9/ Crappy Construction

  10/ Tears to Dry

  11/ Real Phony

  12/ Money on Money

  13/ Scoop Whore

  14/ Blindsides

  15/ Sedition

  16/ Talk to the Mitt

  17/ Unintimidatable

  18/ Controlling the Narrative

  19/ Going Low

  20/ Forbidden Fruit

  21/ Intercourse Way

  22/ Happy Hunting

  23/ Crossed-Up

  24/ The Issue of Custody

  Part 3

  25/ The Golden Arches

  26/ You Say Grail, I Say Fail

  27/ Ass or Arm

  28/ A Radical Form of Capitalism

  29/ Protecting Your Sources

  30/ Chumps Like You

  31/ The Price of Economic Necessity

  32/ Hitmwherethesundontshine

  33/ Jailbreak

  34/ The Timing of Everything

  35/ Simple As That

  36/ Lost in the Lights

  37/ The Texas Sharpshooter Fallacy

  38/ Timid by S & M Standards

  39/ Never Lost

  40/ A Little Secret

  41/ Escape Clause

  Acknowledgments

  For Lisa, the one who didn’t get away.

  Don’t get even, get mad.

  —Frank Sinatra

  0/ PROLOGUE

  911 dispatcher: 911, state your emergency.

  Hill: It’s my husband.

  911 dispatcher: Yes, go ahead.

  Hill: Please get someone here. (Incoherent).

  911 dispatcher: Miss, I can’t hear you. Can you please speak into the phone?

  Hill: My husband’s dead. Someone’s killed my husband.

  911 dispatcher: Okay. Are you certain he’s dead?

  Hill: He didn’t have a pulse. There’s blood everywhere. Oh my God.

  911 dispatcher: Ma’am, can you please tell me your name?

  Hill: Beth Hill.

  911 dispatcher: Are you in your home?

  Hill: No, I’m outside. Please get someone here quickly. [redacted] Robert S Drive. I’m afraid he’s still here.

  911 dispatcher: Who’s still there?

  Hill: Whoever did this. My God. I can’t breathe.

  911 dispatcher: Ma’am, are you in a safe room? Are you in a room where the door can be locked?

  Hill: No, I’m outside near the garage.

  911 dispatcher: But the phone you’re on, it’s cordless?

  Hill: It’s my cell phone. I’m going inside now.

  911 dispatcher: Is there anybody else in the house?

  Hill: No.

  911 dispatcher: Do you have children?

  Hill: No. (Sound of door opening). Okay, I’m in the den. I’m shutting the door.

  911 dispatcher: Good. Okay. Someone will be right over. A police officer will be there shortly. And I’ll stay on the phone until he comes. My name is Susan. Can you tell me, where in the house did you find your husband?

  Hill: He wasn’t in the house. He was in the garage.

  911 dispatcher: And you said there was a lot of blood. Did someone shoot him?

  Hill: I don’t know. I don’t think so. There was so much blood it was hard to tell. I didn’t think it was Mark. I kept saying, it’s not him. It couldn’t be. But I saw his watch. He wears a Rolex.

  911 dispatcher: And you said you touched him?

  Hill: I touched his wrist to feel his pulse.

  911 dispatcher: And you couldn’t feel anything?

  Hill: I knew it. As soon as I saw him. I knew he was dead.

  911 dispatcher: Can you tell me how you found him?

  Hill: I came home. I went to pull the car in the garage and there he was. I saw him in my headlights. He was on the floor of the garage.

  911 dispatcher: His car was in the garage?

  Hill: No, just outside. Well, the one car—the one he was driving—was outside the garage and the other was inside. He has two cars.

  911 dispatcher: Was the garage door open?

  Hill: Yes.

  911 dispatcher: The lights are off, though? The car wasn’t running?

  Hill: No, the car wasn’t running.

  911 dispatcher: Beth, the police should be there any minute. So hang on, okay?

  Hill: (Incoherent).

  911 dispatcher: If you want to say anything, you just go right ahead.

  Hill: I can’t believe this is happening.

  911 dispatcher: Beth, can you tell me whether you saw anything unusual? Was there a car you didn’t know parked down the street?

  Hill: No. I didn’t see anything.

  911 dispatcher: And do you know when your husband came home? Did he tell you when he was coming home?

  Hill: Not exactly. He BlackBerry’d me around four to say that he was leaving the office early today and that he wouldn’t be late. But I don’t know when he left.

  911 dispatcher: And how long does it take him to get home?

  Hill: Around twenty minutes, depending on the traffic.

  911 dispatcher: So you think somewhere around—(Beeping noise). Is someone trying to call?

  Hill: (pause) It’s my neighbor.

  911 dispatcher: You see the number in caller ID?

  Hill: Yes. They must have heard me screaming.

  911 dispatcher: Do you want to put me on hold and speak with them?

  Hill: No. Wait, I hear something.

  911 dispatcher: Is someone in the house? (pause) Beth, do you hear someone in the house?

  Hill: It’s outside. I think they’re here.

  911 dispatcher: Is there a window in the room you’re in?

  Hill: (pause) Yes, there’s a police car outside.

  911 dispatcher: Okay, Beth. I’m going to stay on the phone until you let them in. They’re aware of the situation.

  Hill: Thank you. Thank you for your help. I’m sorry. I’m so sorry you had to deal with this.

  911 dispatcher: It’s all right. It’s quite all right.

  END OF CALL

  PART 1

  1/ THE PERFECT CANDIDATE

  A MONTH BEFORE BETH HILL MADE HER 911 CALL, RICHIE FORMAN saw the job posted on Craigslist.

  Case assistant. Exoneration Foundation.

  He’
d been looking for weeks, but this was the first listing that really jumped out at him, truly suited him, and that he thought he had a shot at.

  “Candidates must have strong analytic skills, attention to detail, commitment to social justice,” the ad read. “Interest in criminal justice issues, collegial and collaborative work style are a must, candidates should be skilled in writing and presenting information clearly and succinctly and dealing with emotionally charged situations professionally.”

  Check, check, and check.

  So there he was ten days later sitting on a worn black leather sofa, wearing a navy pinstripe suit that he’d picked up at a thrift shop. It hung off him a little loosely. He’d walked from his apartment. He was downtown, in SoMa—South of Market—on Third Street, in a small, cheerless reception area that didn’t look so different from the waiting areas of the state and city agencies he’d been obliged to visit in recent months.

  The Exoneration Foundation.

  He’d known about the place before he saw the ad. Some called it the “court of last resort,” but the foundation preferred a different, less dramatic description. It was a nonprofit, pro-bono legal clinic that represented prisoners whose wrongful convictions might be overturned through biological evidence, the kind that was overlooked, misinterpreted, or botched in one way or another.

  The founder was an attorney named Marty Lowenstein, a preeminent DNA expert. To prison inmates he was simply known as the DNA Dude. That’s what they called him. “Get the DNA Dude on it,” was their mantra for every guy who claimed he was actually innocent. “Dial that mofo up. He’ll get your actual ass off.” Fucking idiots. No one believed it.

  Marty Lowenstein was a do-gooder. An actual one. The poor, the forgotten, the innocent schmuck on death row, the royally screwed were his meat. The irony was that he owed his reputation to representing a handful of rich pricks in high-profile cases that got big spreads in Vanity Fair. Those people you didn’t always exonerate. You got them off. You created reasonable doubt. But you didn’t get to walk a guy out of prison after twenty-two years for a crime the evidence clearly showed he didn’t commit and maybe even someone else had copped to in the meantime. That was exoneration. Lowenstein got off on it.

  Richie Forman looked around. His suit fit right in. There was something a decade or two passé about the décor, a little off, a little tired. The furniture had obviously once served in another office, probably a corporate law firm.

  Smack at ten, the receptionist, a young black woman with straightened hair, said the case director was coming out, she’d see him now. That got his heart going. You’re going to crush this, he thought. This one’s yours.

  A moment later, a heavyset Hispanic woman with a pleasant face came out and greeted him. Her name was Lourdes Hinojosa, and after she shook his hand, she walked him back to her office. She looked fairly young, early forties, but she had a pair of reading glasses on a chain around her neck that made her look older, especially when she put them on to scan his résumé.

  He sat there anxiously watching her. As she read, she nodded a couple of times but made no comment. The silence made him nervous. He crossed, then uncrossed his legs. Finally, she took off her glasses and looked at him with a renewed intensity.

  “Richard—”

  “Rick,” he said. “You can call me Rick.”

  “Okay, sorry. Rick. I see you were in marketing at a dot-com.”

  “Yes.”

  “I suppose you’re looking for a more noble calling. You understand, though, that the case assistant position is an entry-level position.”

  She obviously had seen his type before—or at least the type she thought he was.

  “Yes, I know. But—”

  “We get a lot of people applying for this who are right out of college, including schools back East,” she said, referencing his résumé. “You’ll be doing a lot of grunt work. When was the last time you did grunt work?”

  He almost said “yesterday,” but he held his tongue. He was prepared for this, the not-so-subtle age discrimination. He looked good for thirty-seven—but not that good.

  “You might want to look again, Ms. Hinojosa. I was in marketing—but a long time ago.”

  She put her glasses back on and looked at the sheet.

  “Oh,” she said, reading the dates more carefully. “Wow. Seven years.” She looked at him again. “What have you been doing since then?”

  “Time,” he said.

  Her eyes opened wide.

  “Out in gold country,” he added. “Mule Creek.”

  “You’ve been in prison?”

  “Yes.”

  He noticed her eyes zeroing in on the long scar on the right upper side of his forehead. He could have hidden the blemish better, but he kept his dark hair slicked back and parted to the other side—the left. The style was a little short to be a true pompadour, but it was longer on top and had some wave to it. She’d noticed the scar when he was in the outer office but probably thought it was some sort of athletic injury. Now it seemed to take on new meaning for her.

  “If you don’t mind my asking, what did you do?”

  “Technically speaking, in the eyes of the court, I was responsible for the death of a twenty-four-year-old woman. Felony vehicular manslaughter with gross negligence.”

  “Oh.”

  “But there were extenuating circumstances.”

  He reached in his bag and pulled out a small sheaf of papers that he’d stapled together. They were mostly news clips, but he also had a couple reference letters thrown in at the end, both of them from the owners of restaurants where he’d worked recently.

  He handed the packet to her. “In the interest of full disclosure, I thought you should have this.”

  She leafed through the clips, starting with the San Francisco Chronicle piece that would forever label the post-bachelor party accident the “Bachelor Disaster,” then moved on to the San Jose Mercury News’s similarly provocative headline, TRADING PLACES, with the subhead, “Bachelor Party Boy Says He Wasn’t Behind Wheel, Friend Switched Seats After Accident.” There were pieces from the local papers, too, covering the trial and subsequent civil lawsuit.

  “I vaguely remember this,” she murmured, her eyes betraying conflicting emotions: she seemed partly empathetic, partly perturbed.

  “As you might imagine,” he said, “I feel uniquely qualified for the position. How many recent college graduates do you know who can say they have a corporate background and the kind of personal experience I have with this foundation’s potential clients?”

  She didn’t seem to know quite how to respond. Perhaps she expected him to smile after he made his declaration, inject it with a little humor, but he didn’t. He said it with a straight face, deadly serious.

  For good measure, he added: “I also have a keen understanding of what it’s like to be in a place where you don’t think you should be.”

  She looked at his scar again. Then, touching the side of her forehead in the same spot, she asked:

  “Did you get that in prison?”

  “Yes.” He pointed to a smaller scar just under his left eyebrow. “This one, too. But on the basketball court.”

  Before he was sent away, he’d been in decent shape. He ran twice a week and played some pickup games at the Jewish Community Center in Palo Alto. In the joint, though, he’d gotten ripped. He was putting up close to three hundred on the bench, which, for a guy his size—five-eleven, one seventy-five—was serious. And since getting out, he’d mostly kept up his workout regimen. The fact that he could wear the Boss suit, a size fifty, was a testament to that. Before he went up, he was two sizes smaller.

  “I had six bad months behind bars, Ms. Hinojosa,” he said. “The rest wasn’t cake. But it was manageable. I helped some guys. I wrote some of the letters you probably received at one time or another. I have, as your ad says, an understanding of criminal justice issues.”

  She nodded.

  “And you also understand that the starting s
alary for the job is twenty-seven thousand dollars?”

  “That’s better than I thought.”

  “How much were you making before you went to prison?”

  “In a good year, counting stock and bonus, multiply by ten.”

  Now he did smile. And she did, too.

  “Long gone,” he said. “Whatever wasn’t taken up in legal fees went to the accident victims’ families.”

  Seeing her confusion, he quickly added: “A second woman was injured. Her roommate.”

  “Not your fault, though. You were innocent?”

  “I didn’t say that. There were extenuating circumstances.”

  With that, she looked at his résumé again.

  “Well, Mr. Forman,” she said. “You certainly meet the qualifications. But ultimately, I have to run this past a few other people. We have two case coordinators, one of whom isn’t here today, and a second case assistant who you’d share an office with.”

  “I’ll tell you what,” he said. “I’ll volunteer for a couple of weeks. You keep interviewing all the recent college grads you want. You’re not going to find anybody more grateful to do grunt work. In that folder, I’ve included my parole officer’s info, as well as the manager at a restaurant in Sacramento where I worked. I encourage you to talk to them.”

  She considered his request.

  “We wouldn’t be able to pay you.”

  “That’s okay. I work nights. I have an income.”

  “What do you do?”

  “I sing. Mostly at parties. Corporate gatherings. Sometimes at the wax museum at Fisherman’s Wharf. Did a Bar Mitzvah last week.”

  “What do you sing?”

  “Sinatra.”

  “What else?”

  “Just Sinatra.”

  She raised an eyebrow, not quite believing him.

  “I’m a Sinatra impersonator.”

  She laughed, and then looked down at his résumé again, stalling.

  “Ms. Hinojosa,” he went on, “you know damn well how hard it is for a guy like me to get a corporate job, even a low-paying one. Eventually, I want to start my own company. But today I’m just looking to get back in the game somewhere. If I have to start from the bottom, I at least want to do it at a place like this, where I’m personally invested in the mission.”