Death On Blackheath tp-29

by Anne Perry

  They had been seated and ordered their meal before she answered his question.

  ‘Thomas is in something of a cleft stick,’ she said, sipping her wine, which had been brought just before the hors d’oeuvres. ‘The evidence seems to indicate that Dudley Kynaston is involved in this poor servant’s death, and yet they have no definite proof that the body is hers, even though they cannot find her alive. Kynaston admits to having an affair, but with someone of his own social rank, and Pitt does not believe he would kill anyone to conceal that.’

  ‘And you?’ Narraway asked, watching her reaction.

  ‘It seems a little … excessive,’ she replied. ‘And I agree, I had not thought Kynaston a man of such …’

  ‘Stupidity?’

  ‘I was going to say “passion”.’

  ‘Sometimes people have far more passion than they appear to,’ he said quietly, his eyes on her face, tracing the outlines of it as if to make it indelible in his mind. ‘Everyone else thinks them cerebral and a trifle cold because they keep their feelings hidden.’

  She looked back at him. She wanted to press for his precise meaning, and was afraid to. It would leave her exposed as caring too much for the answer.

  ‘Do you think Kynaston is one of them?’ she asked, taking another sip of the wine. ‘I find I know less about him than I thought. I remember his brother, Bennett. He died young … well under forty. He had great promise, so it was particularly upsetting. Dudley took it very hard.’

  ‘I remember,’ Narraway said thoughtfully. ‘But that was several years ago — eight or nine, I think. They were very close, I believe.’

  They were interrupted by the arrival of the main course of a delicate white fish, dense-fleshed and tender. It was dessert before that particular conversation resumed. In the meantime they spoke of the kind of art, theatre, music they both enjoyed, and laughed at current political jokes.

  ‘You did not ask to see me as an excuse to dine,’ Narraway said at last, the gravity back in his face. ‘I might have done, but you have never needed to prevaricate.’ He was smiling very slightly as he said it, but his concern was real and it would be a rebuff to pretend she did not hear it.

  ‘I can though,’ she admitted. ‘I think there are strong currents beneath the surface of this. I feel them, but I don’t know what they are. In fact, the more details I discover, the less can I make sense of it. It seems an absurd mixture of trivia and tragedy.’

  He watched her without interrupting. His eyes looked almost black in the candlelight from the chandeliers.

  ‘A maid running off with a suitor is very inconvenient, but it happens quite often,’ she continued. ‘I think I have lost at least three that way, perhaps four, if you count a scullery maid. But a woman beaten to death and her body left in a public but deserted place, to be scavenged by animals, is both grotesque and tragic.’

  He nodded. ‘And they appear to be connected. I presume Pitt was called in because the missing maid worked for a man of great importance to the navy, and thus to the safety of the country. What else?’

  ‘Kynaston, by his own admission, is having an affair, which is grubby, but far from unique …’

  ‘By his own admission?’ Narraway interrupted.

  ‘Yes. When Thomas taxed him with it, he did not try to evade it.’

  ‘Which does not mean it is necessarily true,’ he pointed out.

  She was startled, and about to argue when she suddenly realised what he meant. ‘Oh! You think it is something worse? That an affair would be preferable to the truth?’

  He gave a small, slight smile. ‘I don’t know, only that we should not assume anything for which we have no proof.’

  ‘Of course not. You are quite right,’ she agreed. ‘So that is another strange contrast, an admitted affair, which may conceal something worse, or at least something he has a greater desire to keep secret. Victor, what do you know of this man Talbot? Why does he so desire to be rid of Thomas? Is it something as simple as prejudice because Thomas has no family background or military experience? That too is grubby, and completely irrelevant, but it is not uncommon, and it is certainly not a crime. Or is there something of which he is afraid?’

  ‘He has the Government’s confidence,’ Narraway said thoughtfully. ‘But the Government has no experience of criminal deviousness as opposed to moral or political.’ He sighed. ‘You may be right, Talbot dines at the right clubs and Pitt doesn’t. He will never be one of them; you have to be born to it, and of course go to the right schools.’

  ‘Pitt is better as he is, right schools and clubs or not,’ she said sharply. Then she felt the colour hot in her cheeks as she saw the laughter in his face.

  He leaned forward across the table. ‘I know that, my dear. I am as aware of Pitt’s worth as you are, professionally even more so. And in my own way, I am also fond of him.’

  She looked down, avoiding his eyes. ‘I apologise. Of course you are. I did not mean to doubt you. This conflict has me … wrong-footed.’

  He touched her hand where it lay on the table, gently, and only for a moment.

  ‘How charmingly you understate it. You make confusion about violence and murder sound like a missed step in a dance. I fear we shall run out of music before we reach that point. May I say what I think is really troubling you?’

  ‘Could I prevent you?’ she asked. Her voice was soft, but the words were a trifle defensive.

  ‘Certainly,’ he replied. ‘Just tell me that you are not yet ready to trust me with it — or perhaps that you do not wish to.’

  ‘Victor, I’m sorry. I am behaving with a discourtesy you do not deserve. I am evading the issue because I am afraid of it.’

  ‘I know,’ he said so quietly she barely heard him above the murmur of conversation around them. ‘It is Somerset Carlisle, isn’t it?’ he continued.

  ‘Yes …’

  ‘Would Pitt have let it go had Carlisle not asked the question about Kynaston in the House?’

  ‘I think so. That made it impossible,’ she agreed.

  ‘And what are you afraid of — exactly?’ he pressed.

  She must now either answer him honestly, or deliberately refuse to.

  He moved very slightly back again, no more than an inch, but she saw the shadow in his eyes. It was a moment of decision about far more than the admission as to what she feared regarding Carlisle: it was a moving closer, or apart, between Narraway and herself.

  It seemed to stretch endlessly, isolated as if it were unreal, an island in time. She was afraid because where it led to might be painful. The chance to prevaricate was slipping out of her hands.

  He moved back an inch further.

  ‘I am afraid that Somerset might have engineered the whole thing,’ she said huskily. ‘I don’t mean that he killed anyone,’ she amended. ‘I can’t believe that any cause, however intense, would make him do that …’ She took a deep breath. ‘But I think he may have used the police finding that tragic corpse; the continued disappearance of Kitty Ryder; the whole absurd episode of the hat with the red feather, which could have been hers and wasn’t; and the man who supposedly put it there, and found it, and so opened up the whole case again.’

  ‘And then blew it apart, and rescued Pitt?’ he asked curiously, but the shadow had gone from his face and his eyes were grave, and gentle. ‘For heaven’s sake, why?’

  ‘That is what troubles me,’ she confessed. ‘It is the mountain that is filling the sky, too big to see its boundaries, and yet too far away to touch. He is manoeuvring Pitt, Victor. That is what I am afraid of. And I have no idea why, so I can’t help.’

  ‘Have you warned him?’ he asked.

  ‘Thomas? Of what? He can remember Resurrection Row, and the bodies all over the place, not to mention various other … irregularities since.’

  His eyebrows shot up. ‘Irregularities! What a wonderful term for them! Yes, my dear, Somerset Carlisle has an art for irregularities that amounts to genius. What injustices does he care about enough
to do this?’

  ‘I don’t know: murder, betrayal, corruption at the highest level, treason?’ The moment she said that last word she wished she had not. ‘Or perhaps some personal debt of honour. He wouldn’t tell me, and place me in the position of having to betray his trust in order to stop him.’

  ‘But he would use Pitt, who showed him such unwise compassion before?’

  ‘Maybe that’s why Somerset rescued him from Talbot?’ she suggested.

  ‘You are being too idealistic,’ Narraway replied sadly. ‘He is perfectly prepared to use Pitt because he needs him, but I wish we knew for what purpose.’ He looked at her steadily and this time she did not look away. It was an admission of something, a difference in the relationship between them and she was not as afraid of it as she had expected to be. In fact she felt a relaxing of tension inside herself, almost a warmth.

  ‘We are going to do something about it, aren’t we?’ he asked.

  ‘Oh, yes,’ she answered. ‘I think we have to.’

  Again his fingers touched hers across the table, just tip to tip. ‘Then you must begin,’ he told her, ‘with Carlisle. I shall find out a great deal more about Mr Talbot.’

  She smiled. ‘Indeed.’

  The following morning over breakfast Vespasia returned her mind to the question of Kynaston and his involvement in Pitt’s case. She was concerned primarily for Pitt, because she was troubled by a fear that there was some element in it far more dangerous than a simple illicit affair. However, she had no idea yet what it was, except that it was ugly enough to provoke a particularly grotesque murder.

  Which was why it also troubled her that Jack Radley had apparently been offered a position working more closely with Kynaston. She had grown fond of Jack for himself, but she would care about him regardless because he was married to Emily, and Emily’s first marriage had been to Lord George Ashworth, who had been her nephew. The close affection had remained after George’s death. Indeed, she now felt the same kind of bond with Charlotte also, perhaps even closer. They were in some ways more alike in nature.

  If Kynaston were guilty in any way of Kitty Ryder’s death, then the stain of it would extend to those close to him professionally. And because of this suspicion, she could not rid herself of the fear that this ugly affair was more than a personal matter. Somerset Carlisle might deplore the betrayal of an affair, but she believed he would not appoint himself to any kind of judgement regarding it. He was too wise to imagine such things were one-sided.

  Was to suspect Carlisle in this the inevitable result of common sense, or was it an unfair prejudice, a leap to conclusions based on the past?

  She was not hungry. The crisp toast sat uneaten in the rack, all except for one piece taken with her boiled egg. Only the hot, fragrant tea appealed to her. This morning she must see Somerset Carlisle and ask him exactly how he was involved, and oblige him either to tell her the truth or to lie to her. If for some reason, even a good one, he lied, then that would open a chasm between them, perhaps narrow, but a division nevertheless, and something that could never again be completely closed. It would break a thread of trust that had been there for years, delicate and strong, like silk, throughout all kinds of fortune, good and bad.

  She had not appreciated before quite how precious that was to her. She had scores of acquaintances, but they had not known the people Vespasia had wept for. They had not lain awake at night, cold with dread because they knew what had actually transpired, and the terror that had not come to pass. For them it was not life, it was the pages of history.

  Not that Carlisle was her age — he wasn’t — but he had a fire, an idealism, for which he was willing to risk his own comfort, even his life. She admired him for that, and she was obliged to admit she liked him deeply. She did not yet wish to know exactly how he was involved in Dudley Kynaston’s life, or what he knew about Kitty Ryder.

  If she faced it with any degree of honesty, she was not yet prepared to deal with that knowledge. So long as she did not ask, she had left herself room to believe as she wished. Once she knew, she would be obliged to speak to Pitt and tell him all she was aware of and for which there was proof.

  And yet, of course, if she did not, then she was responsible for what occurred out of his innocence.

  Was Pitt naïve? No, that was not the word, he was simply not as subtle and devious of mind as she was — or Carlisle.

  Even the tea ceased to appeal to her. She rose from the table and walked out of the yellow dining room and across the hall to the stairs. It was too early yet to see Carlisle. First she would address the problem of Emily’s unhappiness.

  Emily was delighted she had come, and welcomed her into the magnificent hallway with its marble floor and sweeping double staircases. Emily was so pleased, Vespasia immediately felt guilty that she had come for a very specific purpose. If Emily had any suspicion of that, she gave no sign of it at all.

  ‘It’s lovely to see you,’ she said warmly. She looked well, if a little pale. ‘I get so tired of snatching a word or two at some function, and having to be polite to everyone else. Although that play was fun, wasn’t it? I enjoyed watching the audience almost as much as the stage.’

  She led the way into a garden room, which was light and airy, even in this wintry February where brief bars of sunlight shone between bands of cloud. The fire was burning and the air was warm. If one closed one’s eyes it was possible to believe in the illusion of summer. Vespasia was flattered that the shades so closely resembled those she had chosen for her own sitting room, which also faced on to the garden. They were subtle and yet there was depth to them, and nothing seemed chill or bleached of life.

  ‘Indeed, so did I,’ she agreed, sitting in one of the chairs by the fire and, when she was comfortable, Emily took the other. She was facing the light and Vespasia noted a tightness in her skin. It was perhaps due to nothing more than the usual effects of winter when one went outside less often, and riding in the park was hardly a pleasure. There was no grey in Emily’s fair hair, but there were tiny lines in her delicate skin and a shadow in her eyes.

  ‘Did you come for any special reason?’ Emily asked. She was a little more direct than her usual manner. After her encounters with Charlotte, was she afraid that there might be?

  ‘No, but if there is something you wish to speak of then I am always happy to hear.’ Vespasia practised the sort of evasion she had perfected over the years, both in society and within family. There were so many things one approached only in circles.

  Emily smiled and relaxed a little. ‘Loads of gossip,’ she answered lightly. ‘Did you hear that wonderful story from America in the newspaper?’

  Vespasia hesitated for a moment, uncertain if there were something behind Emily’s remark. ‘I hope you are about to tell me,’ she answered.

  ‘You haven’t?’ Emily said happily. ‘That’s marvellous. It’s absolutely gruesome. Her name was Elva Zona Heaster. Her death was ruled natural, but her mother claimed that her ghost came back and said her husband had broken her neck.’ Emily smiled and her eyes were dancing. ‘And to demonstrate, the ghost turned its head right around as she was describing her death, and walked away forwards, but with her head on backwards, still talking to her mother!’

  Vespasia stared at her, incredulous.

  ‘In a little town in West Virginia,’ Emily continued. ‘Honestly! That’s more interesting than that Margery Arbuthnott is about to marry Reginald Whately, which is probably totally predictable.’ Suddenly there was a flat note in her voice as the laughter vanished.

  Vespasia affected not to have noticed. ‘It seems to be a very repetitive cycle,’ she agreed. ‘And unless you know them well, it is not interesting. I used to find it easier to pretend I cared than I do now. It seems to me there are so many things more important.’

  ‘What is important, Aunt Vespasia?’ Emily said with a slight shrug. It was an elegant gesture, very feminine, and yet there was a thread of hurt through it, something deeper than the words.

>   ‘Anything that concerns those you love, my dear,’ Vespasia answered. ‘But that is not for social conversation. We often do not tell people what matters to us. It is not always easy to say it even to those we know well, because we care what they think of us.’

  Emily’s eyes widened with momentary disbelief.

  ‘Do you think I am too old to feel pain?’ Vespasia asked, aware that she was risking far too much in admitting it, and yet knowing there was no other way to reach whatever it was that coiled so tightly inside Emily, crushing the woman she used to be.

  Emily blushed scarlet. ‘No, of course I don’t!’

  ‘Yes, you do,’ Vespasia said gently. ‘Or else you would not be so embarrassed that I have observed it. I assure you, pain does not lessen just because you have known it before. It is new each time, and cuts just as sharply.’

  ‘What would hurt or frighten you?’ Emily’s voice was husky now. ‘You are beautiful, wealthy, admired by everyone, even those who envy you. You are safe. No one can take from you all the wonderful things you have done. See some people’s faces when you walk into a room. Everyone looks. No one ever thinks of ignoring you.’ She took a deep breath and let it out slowly. ‘You cannot lose who you are …’

  ‘Is that what frightens you, losing who you are?’ Vespasia looked at her carefully, searching her eyes. ‘What frightens me is no one else knowing who I am — not what I look like, or what I said that might have interested or amused them, but what I feel like inside.’ She gave a rueful little sigh. It was not the time for mock modesty. ‘It has always been pleasant to be beautiful; it is certainly not a gift one should be ungrateful for.’ She moved perhaps an inch. ‘But love concerns the beauty that is within — and the pain, the mistakes, the dreams, the things that make you laugh, and cry. It is about how you deal with failure and own your mistakes. It is about tenderness and the courage to admit your own need, to be grateful for passion and generosity of soul. That has nothing to do with whether your nose is straight or your complexion without blemish.’