This Glittering World
Page 1
Outstanding Praise for the Novels of T. Greenwood
This Glittering World
“This Glittering World is swift, stark, calamitous. Her characters, their backs against the wall, confront those difficult moments that will define them and Greenwood paints these troubled lives with attention, compassion and hope. As this novel about family, friendship, and allegiance swirls towards its tumultuous climax, This Glittering World asks us how it is that people sometimes choose to turn toward redemption, and sometimes choose its opposite—how it is, finally, that we become the people we become.”
—Jerry Gabriel, author of Drowned Boy and winner of the
Mary McCarthy Prize in Short Fiction
Undressing the Moon
“This beautiful story, eloquently told, demands attention.”
—Library Journal (starred review)
“Greenwood has skillfully managed to create a novel with unforgettable characters, finely honed descriptions, and beautiful imagery.”
—Book Street USA
“A lyrical, delicately affecting tale.”
—Publishers Weekly
“Rarely has a writer rendered such highly charged topics … to so wrenching, yet so beautifully understated, an effect…. T. Greenwood takes on risky subject matter, handling her volatile topics with admirable restraint…. Ultimately more about life than death, Undressing the Moon beautifully elucidates the human capacity to maintain grace under unrelenting fire.”
—The Los Angeles Times
The Hungry Season
“This compelling study of a family in need of rescue is very effective, owing to Greenwood’s eloquent, exquisite word artistry and her knack for developing subtle, suspenseful scenes…. Greenwood’s sensitive and gripping examination of a family in crisis is real, complex, and anything but formulaic.”
—Library Journal (starred review)
“A deeply psychological read.”
—Publishers Weekly
“Can there be life after tragedy? How do you live with the loss of a child, let alone the separation emotionally from all your loved ones? T. Greenwood with beautiful prose poses this question while delving into the psyches of a successful man, his wife, and his son…. This is a wonderful story, engaging from the beginning that gets better with every chapter.”
—The Washington Times
Turn the page for more outstanding
praise for the novels of T. Greenwood.
Two Rivers
“From the moment the train derails in the town of Two Rivers, I was hooked. Who is this mysterious young stranger named Maggie, and what is she running from? In Two Rivers, T. Greenwood weaves a haunting story in which the sins of the past threaten to destroy the fragile equilibrium of the present. Ripe with surprising twists and heart-breakingly real characters, Two Rivers is a remarkable and complex look at race and forgiveness in smalltown America.”
—Michelle Richmond, New York Times bestselling author of
The Year of Fog and No One You Know
“Two Rivers is a convergence of tales, a reminder that the past never washes away, and yet, in T. Greenwood’s delicate handling of time gone and time to come, love and forgiveness wait on the other side of what life does to us and what we do to it. This novel is a sensitive and suspenseful portrayal of family and the ties that bind.”
—Lee Martin, author of The Bright Forever and River of Heaven
“The premise of Two Rivers is alluring: the very morning a deadly train derailment upsets the balance of a sleepy Vermont town, a mysterious girl shows up on Harper Montgomery’s doorstep, forcing him to dredge up a lifetime of memories—from his blissful, indelible childhood to his lonely, contemporary existence. Most of all, he must look long and hard at that terrible night twelve years ago, when everything he held dear was taken from him, and he, in turn, took back. T. Greenwood’s novel is full of love, betrayal, lost hopes, and a burning question: is it ever too late to find redemption?”
—Miranda Beverly-Whittemore, author of The Effects of Light and the Janet Heidinger Kafka Prize-winning Set Me Free
“Greenwood is a writer of subtle strength, evoking small-town life beautifully while spreading out the map of Harper’s life, finding light in the darkest of stories.”
—Publishers Weekly
“T. Greenwood’s writing shimmers and sings as she braids together past, present, and the events of one desperate day. I ached for Harper in all of his longing, guilt, grief, and vast, abiding love, and I rejoiced at his final, hard-won shot at redemption.”
—Marisa de los Santos, New York Times bestselling author of Belong to Me and Love Walked In
“Two Rivers is a stark, haunting story of redemption and salvation. T. Greenwood portrays a world of beauty and peace that, once disturbed, reverberates with searing pain and inescapable consequences; this is a story of a man who struggles with the deepest, darkest parts of his soul, and is able to fight his way to the surface to breathe again. But also—maybe more so—it is the story of a man who learns the true meaning of family: When I am with you, I am home. A memorable, powerful work.”
—Garth Stein, New York Times bestselling author of The Art of Racing in the Rain
“A complex tale of guilt, remorse, revenge, and forgiveness … Convincing … Interesting …”
—Library Journal
“In the tradition of The Adventures of Huckleberry Finn and To Kill a Mockingbird, T. Greenwood’s Two Rivers is a wonderfully distinctive American novel, abounding with memorable characters, unusual lore and history, dark family secrets, and love of life. Two Rivers is the story that people want to read: the one they have never read before.”
—Howard Frank Mosher, author of Walking to Gatlinburg
“Two Rivers is a dark and lovely elegy, filled with heartbreak that turns itself into hope and forgiveness. I felt so moved by this luminous novel.”
—Luanne Rice, New York Times bestselling author
“Two Rivers is reminiscent of Thornton Wilder, with its quiet New England town shadowed by tragedy, and of Sherwood Anderson, with its sense of desperate loneliness and regret…. It’s to Greenwood’s credit that she answers her novel’s mysteries in ways that are believable, that make you feel the sadness that informs her characters’ lives.”
—Bookpage
Books by T. Greenwood
This Glittering World
The Hungry Season
Two Rivers
Undressing the Moon
Nearer Than the Sky
Breathing Water
This
GLITTERING
WORLD
T. Greenwood
KENSINGTON BOOKS are published by
Kensington Publishing Corp.
119 West 40th Street
New York, NY 10018
Copyright © 2011 by T. Greenwood
All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.
All Kensington titles, imprints, and distributed lines are available at special quantity discounts for bulk purchases for sales promotion, premiums, fund-raising, educational, or institutional use.
Special book excerpts or customized printings can also be created to fit specific needs. For details, write or phone the office of the Kensington Special Sales Manager: Kensington Publishing Corp., 119 West 40th Street, New York, NY 10018. Attn. Special Sales Department. Phone: 1-800-221-2647.
Kensington and the K logo Reg. U.S. Pat. & TM Off.
eISBN-13: 978-0-7582-6801-3
eISBN-10: 0-7582-6801-7
First Kensington Trade Paperback Printing: January 2011
10 9 8 7 6 5 4 3 2 1
CONTENTS
Books by T. Greenwood
ACKNOWLEDGMENTS
RED WORLD
BLUE WORLD
YELLOW WORLD
BLACK AND WHITE WORLD
THE GLITTERING WORLD
A READING GROUP GUIDE THIS GLITTERING WORLD
For my sisters—
Ceilidh Greenwood
and in memory of
Jillian and Miranda Greenwood
ACKNOWLEDGMENTS
With thanks to my parents, Paul and Cyndy Greenwood, for their tremendous help in researching this novel. To Derek M. Begay, Milford L. Belin, and Eric M. James, who, besides keeping my dad humble at the poker table, generously offered their insight into Navajo culture. To Duncan Thayer for giving me the spark that lit this story on fire. To my lovely student, Nada Shawish, whose early morning writing sessions got me from start to finish. To Henry Dunow, the best, best agent. To Peter Senftleben, my incomparable editor, who always knows exactly how to make my work better—and to the rest of my Kensington family for their tireless support. To my brilliant girls, Mikaela and Esmee, for making every day better than the one before it. And to the city of Flagstaff, Arizona, where long ago I found both a home and my amazing husband, Patrick.
Give sorrow words: the grief that does not speak
Whispers the o’er-fraught heart, and bids it break.
—Malcolm, Act IV, scene iii
Shakespeare’s Macbeth
RED WORLD
Winter came early to Flagstaff that year.
Ben hadn’t split the firewood that lay in a cluttered heap in the driveway. He hadn’t cleaned out the chimney or bought salt to melt the snow from the sidewalk in front of the house. Sara hadn’t gotten the winter coats out of storage, hadn’t taken down the artificial spiderwebs and plastic decals she’d hung in the windows for Halloween. The harvest dummy sat ill-prepared and coatless on the porch. The jack-o2019;-lanterns hadn’t even started to bruise and rot when the first storm brought twelve inches of snow.
They weren’t prepared.
It came while they were sleeping, as Sara dreamed of something that made her scowl and Ben dreamed of something that softened his features into a face he might not recognize in the mirror. This dreaming face was the face of his boyhood. Only in sleep did the hardness of the last twenty years subside. At thirty, his face already bore the quiet evidence of things gone wrong. It was etched in the fine lines in the corners of his eyes, in his clenched jaw, and in his worried brow. But in sleep, when he did sleep, the road map tracking the journey from possibility and promise to anger and ennui and disappointment almost disappeared.
The house was cold, though neither of them knew it. Sara insisted on sleeping with a heavy down comforter year-round. Usually, Ben slept on top of it while she lay nestled like a small bird underneath its feathers. But tonight, maybe sensing the coming storm, he too had hunkered down, his dog, Maude, at his feet. The one window in their room, the one that would have revealed the falling snow, was veiled in the heavy curtains Sara had bought to keep out the morning sun and prying eyes. She was worried about the neighbor, Mr. Lionel, who she claimed looked to her like he might be dangerous, a pedophile or worse. The one who spent hours rubbing Turtle Wax into his old blue Ford Falcon. The one Ben made sure to wave and nod to each time they both happened to be outside in their yards at the same time, as if this would make up for Sara’s paranoia.
The furnace was set toOFF. The woodstove was bone cold.
Sometime during the night, as they slept, it began to snow. And when it snows in Flagstaff, it doesn’t stop until the entire world is sheathed in white. Ben had lived here long enough to have experienced this, to have gone to sleep at night and awoken to a world obscured.
Ben moved to Flagstaff eight years ago because of the snow. He’d just graduated from Georgetown and was done with the city, done with its grit and grime and heat. He planned to get his Master’s, and maybe even his PhD, in history, and he wanted to go somewhere clean and quiet for grad school. Somewhere without steaming streets and honking horns and subways always rumbling under his feet. Then he cracked a tooth on a chicken bone on a Friday afternoon and wound up in the dentist’s office, where an issue of Arizona Highways lay buried beneath a pile of other magazines. If the dentist hadn’t been running so late, Ben might have simply finished the article in Newsweek about the missing girl in Utah and not even seen the picture of the San Francisco Peaks. He might never have seen the turquoise sky with the ocean of clean white snow beneath. He might never have felt that strange tug in his chest, amplified by the ache in his jaw, and decided then and there that this is exactly where he belonged.
Here, snow was no different from air or breath. It was simply part of the landscape, part of how one lived. And he loved everything about it: the cold pristine white of it, the soft sharpness of it. The crunch and glisten. He was never as happy as he was when it snowed, each storm like a small baptism. He knew, even after he had finished his dissertation, he wouldn’t leave, couldn’t leave. And so here he was eight years later, an underpaid adjunct and part-time bartender. Though all of it (the financial worries, the late hours, the work overload) was softened by the presence of snow. But still, he wasn’t expecting this. Winter, while a welcome guest, had shown up early to the party.
There had been no sign of a storm when they went to bed, Sara angry and Ben too drunk to care. They’d gone to a Halloween party at Sara’s best friend Melanie’s A-frame in Kachina Village the night before. He’d had too much to drink. Spent most of the party listening to a girl playing Jane’s Addiction songs on an acoustic guitar. Sara was furious, but she didn’t say so; she’d simply grabbed her coat and stood there waiting for him. They’d driven home in silence, gone to bed without saying good night.
And while they slept, Sara fitful and Ben oblivious, icy fingers curled around their ankles and hips. Winter crept in.
It wasn’t the cold that woke him. The shiver through the old window. The icy breath that skipped across his exposed cheek. It was Maude, his seventy-pound golden retriever, nudging, prodding. He ignored her for a moment, feeling shaky and too hungover to open his eyes. But she persisted, whimpering in his ear.
“Hush,” he said, and quietly got out of bed so as not to wake Sara, whose face had softened by now, the dream apparently having passed. He hoped that her anger also might fade by the time she woke.
The floors were icy. He grabbed the pair of socks he’d worn the night before, some long underwear, and a sweater that was crumpled up on the floor. But it wasn’t until he went into the dark living room and pulled back the curtains that he saw the obliterated sky. His head pounded, but his heart trilled. Maude knew too and raced to the door, anxious to go out and piss and play in the snow.
“Hold on, girl,” he said, his voice crackling like a fire. “Let me get the coffee on first.”
While the coffee bubbled and hissed and Maude romped in the backyard, sinking into the wadding of snow, Ben backtracked through his fuzzy recollections of the party, tripping and stumbling over the conversations until he remembered the girl, the guitar, and Sara standing over him, pissed. He remembered that the girl was very pretty, dressed up like Dorothy with sparkly red shoes, and that she had one slightly lazy eye which, for some reason, captivated him. He also remembered wanting only to curl up inside the hollow mahogany body of the instrument and listen to the music from the inside out, and he recalled whispering this to the girl. This is what Sara must have seen. Shit. It was Sunday, a day that should be easy, and already he knew he’d have to spend the day tiptoeing, making amends for this transgression and all the others she was sure to bring up.
He knew the Sunday paper wouldn’t be there yet. Theirs was the last house on the delivery route, he was convinced, because the paper almost never arrived before seven. He looked at the clock on the stove: 6:52. Maybe just this once it would be early, maybe today would be his day.
The ther
mometer hanging on a tree outside the kitchen window read twenty-five degrees. He found his winter coat in the back of the coat closet and his Sorels buried deep inside as well. He yanked them on and opened up the front door to the blizzard.
From the doorway, he contemplated the journey to the sidewalk for a newspaper that was likely not even there, and almost turned around to go back inside. But then the blue sliver of something in the distance caught his eye, and he imagined his newspaper lying swaddled in plastic. So he pulled his hat down over his ears, shoved his hands in his pockets, and trudged through the snow, squinting against the icy shards that seemed to be falling sideways.
But it was not his paper.
It took a minute before what he saw registered, before his brain, thick with the hangover and disbelief, could make sense of the image before his eyes. The absurdity of it was what hit him first, and he almost laughed; this would later make him wonder if it was evidence that he was, as Sara would suggest time and time again, incapable of empathy and capable of the most frightening cruelties.
At first he just thought the man was sleeping. He was curled on his side, facing the street, hands tucked quietly between his knees. But he wasn’t dressed for the cold: just a flannel shirt tucked into a pair of jeans held up by a concho belt. No coat, no hat, no gloves. Only a pair of Nike basketball sneakers on his feet. His black hair in a braid, curling like a snake into the snow.
There was a half inch of fresh powder covering his entire body.
Ben squatted down next to him and touched his shoulder, as if he could simply wake him up. “Hey,” he said.
The wind admonished Ben, and then hit him hard in the chest, like an angry fist. It was twenty-five degrees outside.