Mr. X

by Peter Straub

  “AN IRRESISTIBLE TALE with surprising twists right up to the last sentence … Peter Straub is a master at keeping secrets…. He lures his reader into a complex plot, replete with dark undercurrents [and] sinister ghostly figures.”

  —St. Louis Post-Dispatch

  “Mr. X marks Straub’s triumphant return to the tale of the paranormal and the supernatural…. The plot is challenging, the characters are intriguing in their complexity, and the language is a delight.”

  —STEPHEN KING

  “There’s no shortage of memorable players in [Straub’s] latest effort, Mr. X…. A classic doppelgänger tale with supernatural elements, passages of H. P. Lovecraft parody, and an unexpected stable of wickedly droll oddball characters.”

  —Entertainment Weekly

  A Main Selection of the

  Book-of-the-Month Club

  “PETER STRAUB IS A

  NATIONAL TREASURE.”

  —LAWRENCE BLOCK

  “A continually surprising narrative … [Straub] caps it off with a wonderfully devious final sentence that makes you question everything you’ve just read and almost makes you want to go back and start from the beginning.”

  —The Miami Herald

  “I loved this book…. Mr. X is a fun romp through the roots of supernatural horror.”

  —Rocky Mountain News

  “PETER STRAUB IS A FINE STORYTELLER.”

  —The Washington Post

  “One of the most invigorating horror reads of the year … Straub has specialized in macabre mysteries dense with the details of small-town life and cast with ordinary people who find that the extraordinary crimes they investigate raise doubts about their own moral integrity. In this bravura new outing, he returns to his horror roots, lacing an ingenious whodunit with an intoxicating shot of the supernatural…. Discerning readers will recognize this surprise-filled tale of tortuous family relationships as a modern variation on Lovecraft’s classic shocker The Dunwich Horror. But Straub turns his pulp model inside out, transforming its vast cosmic mystery into an ingrown odyssey of self-discovery and a probing study of human nature.”

  —Publishers Weekly (starred review)

  “[An] impressive new novel … As crafty as it is well-crafted, Mr. X soars.”

  —LOCUS

  “Compelling … Straub is worthy of his reputation as a master of horror.”

  —Library Journal

  Also by Peter Straub:

  Novels

  Marriages

  Under Venus

  Julia

  If You Could See Me Now*

  Ghost Story

  Shadowland

  Floating Dragon

  The Talisman (with Stephen King)

  Koko

  Mystery

  Mrs. God

  The Throat

  The Hellfire Club*

  Poetry

  Open Air

  Leeson Park & Belsize Square

  Collections

  Wild Animals

  Houses Without Doors

  Peter Straub’s Ghosts (editor)

  Magic Terror

  *Published by Ballantine Books

  Books published by The Random House Publishing Group are available at quantity discounts on bulk purchases for premium, educational, fund-raising, and special sales use. For details, please call 1-800-733-3000.

  For my brothers, John and Gordon Straub

  I could not weigh myself—Myself—

  My size felt small—to me—I read your Chapter in the Atlantic—and experienced honor for you—I was sure you would not reject a confiding question—

  Is this—Sir—what you asked me to tell you?

  E—Dickinson

  —Emily Dickinson,

  letter to Thomas Wentworth Higginson, April 25, 1862

  CONTENTS

  1 How I Came Home, and Why

  2 How I Learned About River-Bottom

  3 How I Nearly Was Killed

  4 How I Found My Shadow at Last, and What It Did

  5 How I Learned to Eat Time

  6 How I Spent My Birthday

  Author’s Note

  1 HOW I CAME HOME, AND WHY

  1

  Stupid me—I fell right into the old pattern and spent a week pretending I was a moving target. All along, a part of me knew that I was hitching toward southern Illinois because my mother was passing. When your mother’s checking out, you get yourself back home.

  She had been living in East Cicero with two elderly brothers above their club, the Panorama. On weekends she sang two nightly sets with the house trio. She was doing what she had always done, living without worrying about consequences, which tends to make the consequences come harder and faster than they do for other people. When she could no longer ignore her sense of fatality, my mother kissed the old brothers goodbye and went back to the only place I’d be able to find her.

  Star had been eighteen when I was born, a generous, large-souled girl with no more notion of a settled life than a one-eyed cat, and after I turned four I bounced back and forth between Edgerton and a parade of foster homes. My mother was one of those people who are artists without a specific art. She apprenticed herself sequentially and many times over to painting, writing, pottery, and other crafts as well as to the men she thought embodied these skills. She cared least about the one thing she was best at, so when she stood up and sang she communicated a laid-back, good-humored ease her audiences found charming. Until the last few years of her life she had a soft, melting prettiness that was girlish and knowing, feline and earthy, all at once.

  I lived with six different couples in four different towns, but it wasn’t as bad as it sounds. The best of my six couples, Phil and Laura Grant, the Ozzie and Harriet of Naperville, Illinois, were almost saintly in their straightforward goodness. One other couple would have given them a run for their money if they hadn’t taken in so many kids they wore themselves out, and two others were nice enough, in a this-is-our-house-and-these-are-the-rules way.

  Before I went to Naperville, now and then I did go back to Cherry Street, where the Dunstans lived in their various old houses. Aunt Nettie and Uncle Clark took me in as though I were an extra piece of luggage Star had brought along. For a month, maybe six weeks, I shared a room with my mother, holding my breath and waiting for the next earthquake. After I moved in with the Grants, this pattern changed, and Star visited me in Naperville. She and I had come to an agreement: one of those deep agreements people don’t need words to strike.

  The core of our agreement, around which everything else wrapped itself, was that my mother loved me and I loved her. But no matter how much she loved me, Star didn’t have it in her to stay in one place longer than a year or two. She was my mother, but she couldn’t be a mother. Which meant that she couldn’t help me deal with the besetting problem that frightened, distressed, or angered the foster parents I had before the Grants. The Grants accompanied me on a procession through doctors’ offices, radiology departments, blood tests, urine tests, brain tests, I can’t even remember them all.

  Boiled down to essentials, it comes out this way: even though Star loved me, she could not care for me as well as the Grants could. On those days when Star came to Naperville, we put our arms around each other and we cried, but we both knew the deal. She usually showed up just after Christmas and almost always right at the start of summer, after I got out of school. But she never came on my birthdays, and she never sent me anything more than a card. Birthdays were when my problem came down on me, and my problem made her feel so rotten she didn’t want to think about it.

  I think I always understood this, but it didn’t make conscious sense, a sense I could use, until two days after my fifteenth birthday. I came home from school to find waiting on the hall table an envelope addressed in my mother’s back-sla
nted handwriting. It had been mailed from Peoria on my birthday, June 25. I took the envelope into my room, dropped it on my desk, put Gene Ammons’s Groove Blues on the turntable, and, once the music began flowing into the air, opened the envelope and looked at the card my mother had sent me.

  Balloons, streamers, and lighted candles floated above an idealized suburban house. Inside, beneath the printed Happy Birthday!, she had written the only message she ever put on one of her cards:

  My beautiful boy—

  I hope …

  I hope …

  Lots o love,

  Star

  I knew that her wishes weren’t for a happy birthday but an untroubled one, which would have been happiness enough. A half second after this insight opened the door, the first adult recognition of my life slammed into me, and I saw that my mother slighted my birthdays because she blamed herself for what befell me then. She thought I got it from her; she could not bear to think about my birthdays because they made her feel guilty, and guilt was the emotion free spirits like Star could least handle.

  The sound of Gene Ammons playing “It Might as Well Be Spring” soared out of the speakers and passed straight into the center of my body.

  In khaki shorts and polo shirts, the Grants were monitoring the progress of herbs and vegetables in their garden. In the moment before they noticed me, I experienced the first in about a month of those What’s wrong with this picture? moments, an animal awareness of my incongruity in this sweet suburban landscape. Danger; shame; isolation: exposure. Me and my shadow, there we were. Laura turned her head, and the bad feeling vanished even before her face warmed and somehow deepened, as if she knew everything going on inside me.

  “Action Jackson,” Phil said.

  Laura glanced at the card, then back into my eyes. “Star could never forget your birthday. Can I see it?”

  Both Grants liked my mother, though they liked her in different ways. When Star came to Naperville, Phil turned on an old-fashioned courtliness he thought was suave but Laura and I found hilarious, and Laura made room to talk by going out with her for an hour’s shopping. I think she usually slipped her fifty or sixty bucks, too.

  Laura smiled at the elegant white house and birthday-party froufrou on the front of the card and looked up at me. The second grown-up recognition of my life flew between us like a spark. Star had chosen this card for a reason. Laura did not evade the issue. “Wouldn’t it be nice if we had dormer windows and a wraparound porch? If I lived in a place like that, I’d impress myself.”

  Phil moved closer, and she opened the card. Her eyebrows contracted as she read the message. “ ‘I hope …’ ”

  “I hope for that, too,” I said.

  “Of course you do,” she said, getting it.

  Phil squeezed my shoulder, getting into executive mode. He was a products manager at 3M. “I don’t care what these clowns say, it’s a physical problem. Once we find the right doctor, we’re going to lick that thing.”

  “These clowns” were my pediatrician, the Grants’ GP, and the half dozen specialists who had failed to diagnose my condition. The specialists had concluded that my problem was “not of organic origin,” another way of saying that it was all in my head.

  “Do you think I got it from her?” I asked Laura.

  “I don’t think you got it from anybody,” Laura said. “But if you’re asking me does she feel terrible about it, sure she does.”

  “Star?” Phil said. “Star would have to be nuts to blame herself.”

  Laura was watching to see how much I understood. “Mothers want to take on anything that could hurt their kids, even the things they can’t do anything about. What happens to you makes me feel terrible, and I can’t even imagine what it does to Star. At least I get to see you every day. If I were your real mother, and my only chance to end world hunger for the next thousand years meant I had to go out of town on your birthday, I’d still feel awful about letting you down. I’d feel awful anyway, real mother or not.”

  “Like you weren’t doing the right thing,” I said.

  “Your mother loves you so much that sometimes she can’t stand not being Betty Crocker.”

  The idea of Star Dunstan being anything like Betty Crocker made me laugh out loud.

  Laura said, “Doing the right thing doesn’t always make you feel good, no matter what anybody says. Doing the right thing can hurt like the dickens! If you want my opinion, you have a great mom.”

  I would have laughed again, this time at her Girl Scout’s notion of cursing, but my eyes stung and a thick obstruction filled my throat. A little while ago, I said that two days after my fifteenth birthday I came to understand my mother’s feelings in a way I could use, and this is what I meant. I learned to ask questions about the things that scare you; that doing right could make you hurt too bad to think straight; that once you are you that’s who you are, and you have to pay the price.

  2 Mr.X

  O Great Old Ones, read these words inscribed within this stout Journal by the hand of Your Devoted Servant and rejoice!

  I always liked walking late at night. In a comfortable city like Edgerton, the enormous blanket of darkness cushions even the sound of your footsteps on the pavement. I walk down the avenues, past the empty department stores and movie theaters. I drift down Hatchtown’s narrow lanes and look up at shuttered windows I could pass through in a second, but do not: part of my happiness is in the weighing and measuring of the lives about me. And like anyone else, I enjoy getting out of the house, escaping the captivity of that sty to which I am self-condemned. During my rambles I avoid street lamps, though regardless of the season I am dressed in a black coat and hat—a moving shadow, invisible in the darkness.

  Or: nearly invisible. Invisible to all but a deeply unfortunate few, many of whom I admit to killing less from the need to protect myself than out of … pique, maybe, or whimsy. There was one exception.

  I subtracted from the world the gangly hooker in stacked, high-heel sandals and a skirt the size of a washcloth who launched herself toward me from a Chester Street doorway, so high on whatever girls were doing for fun that year that she grabbed my elbow to keep from swaying. I looked at the pinpoint dots of her pupils and let her pull me toward the doorway, opened her up like a can of sardines, and broke her neck before she remembered to scream.

  I gave more or less the same treatment to the kid wearing a black sweatshirt and fatigue pants who saw me because he thought he was looking for someone like me, surprise, surprise, and the young woman with a black eye and swollen lips who wavered out of a parked car at the sound of my footsteps and tried to get back into the car once she saw me, but it was too late, poor baby. And let us not forget the actual baby I found abandoned atop a Dumpster and assisted in its departure from an inhospitable world by detaching its darling little hands and excising its little outraged eyes.

  The baby had not seen me, true. I believe that requires an especially heightened degree of sorrow or misery, loss so irreparable as to make the rest of life an eternal wound, and the baby was merely cold and hungry. But long ago, an untimely arrest and imprisonment kept me from doing the same to another newborn, and anger got the better of me. I never claimed to be perfect.

  The noisome, Night Train–reeking dwarf I killed to protect myself had pulled himself upright between the garbage cans in the alley alongside Merchants Hotel and gaped at my approach. All but a few of his ilk fail to see me even when they are looking directly at me, and those few have the sense to back away. This fellow was still too foggy for sense. A ragged shaft of star-shine caught his eye. “Root-toot-toot, fuckin’ Dracula,” he said. He giggled and leaned shakily over the garbage cans to inspect the grubby cement. “Hey, where’d Piney go to? You seen Piney, Drac?” He referred to a more functional version of himself, a shabby outcast of whose existence I had long been vaguely aware.

  “Rooty-tooty,” said the wretch, who would have gone on destroying himself without my assistance had he not followed his mantra by sud
denly peering at me with a hideous mixture of delight and confusion and saying, “Hey, man, talk about long time no see. I thought I heard … I thought you was … aah …”

  He was one Erwin “Pipey” Leake, some thirty years previous a hard-drinking young English instructor at Albertus University and a hanger-on of my bohemian period.

  “Is Star … Star Dunstan, isn’t she …”

  I gripped his throat and slammed his head against the bricks. He tugged at my wrist, and I clamped my free hand over his face and twice more drove his head against the wall. The eyes of the former acolyte floated upward, and a stench of dead fish came from his mouth. When I let go, he crumpled between the garbage cans. I smashed my boot onto his head, heard his skull crack, and kept stamping until the side of his head turned soft.

  These idiots should know enough to keep their mouths shut.

  Great Beings, You who in aeons to come shall linger over these words penned by Your Devoted Servant, You alone comprehend my certainty that a great change is in the air. The culmination of that Sacred Mission entrusted to me and so teasingly adumbrated by the Providence Master has begun to declare its appearance upon the earthly stage. As I walk unseen through the city, the flow of information sharpens and intensifies, bringing with it the promise of that destiny for which I have waited since I was a boy taking lessons from the foxes and owls in Johnson’s Woods.

  Here, in a room stacked with microwave ovens and laptop computers, a professional thief and occasional arsonist named Anton “Frenchy” La Chapelle lies unconscious in sleeping embrace with one Cassandra “Cassie” Little, a hard-bitten little scrubber. Hello, Frenchy, you delightfully nasty piece of work! You don’t know it, but I imagine that your pointless life is going to serve some purpose after all.