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Brown Girl Dreaming

Page 3

by Jacqueline Woodson


  I’m gonna figure out how to grow myself a pecan tree.

  God gives you what you need, my grandmother says.

  Best not to ask for more than that.

  Hmph, my grandfather says. And goes back

  to working the land, pulling from it all we need

  and more than that.

  gunnar’s children

  At dusk, just as the fireflies flicker on, my grandfather

  makes his way

  home.

  We see him coming slow down the road,

  his silver lunch box bouncing

  soft against his leg. Now,

  as he gets closer, we hear him

  singing:

  “Where will the wedding supper be?

  Way down yonder in a hollow tree. Uh hmmm . . .”

  Good evening, Miz Clara. Evening, Miz Mae.

  How’s that leg, Miz Bell?

  What you cooking, Auntie Charlotte, you thinking

  of making me something to eat?

  His voice ringing down Hall Street, circling

  round the roads of Nicholtown

  and maybe out into the big, wide world . . .

  Maybe all the way up in New York,

  Aunt Kay’s hearing it,

  and thinking about coming on home . . .

  Then he is close enough to run to—the three of us

  climbing him like a tree until he laughs out loud.

  We call him Daddy.

  This is what our mother calls him.

  This is all we know now.

  Our daddy seems taller than anyone else

  in all of Greenville.

  More handsome, too—

  His square jaw and light brown eyes

  so different from our own

  narrow-faced, dark-eyed selves. Still,

  his hand is warm and strong around my own

  as I skip beside him,

  the wind blowing up around us. He says,

  Y’all are Gunnar’s children.

  Just keep remembering that.

  Just keep remembering . . .

  This is the way of Nicholtown evenings,

  Daddy

  coming home,

  me

  jumping into his arms,

  the others

  circling around him

  all of us grinning

  all of us talking

  all of us loving him up.

  at the end of the day

  There are white men working at the printing press

  beside Daddy, their fingers blackened

  with ink so that at the end of the day, palms up

  it’s hard to tell who is white and who is not, still

  they call my grandfather Gunnar,

  even though he’s a foreman

  and is supposed to be called

  Mr. Irby.

  But he looks the white men in the eye

  sees the way so many of them can’t understand

  a colored man

  telling them what they need to do.

  This is new. Too fast for them.

  The South is changing.

  Sometimes they don’t listen.

  Sometimes they walk away.

  At the end of the day, the newspaper is printed,

  the machines are shut down and each man

  punches a clock and leaves but

  only Colored folks

  come home to Nicholtown.

  Here, you can’t look right or left or up or down

  without seeing brown people.

  Colored Town. Brown Town. Even a few mean words

  to say where we live.

  My grandmother tells us

  it’s the way of the South. Colored folks used to stay

  where they were told that they belonged. But

  times are changing.

  And people are itching to go where they want.

  This evening, though,

  I am happy to belong

  to Nicholtown.

  daywork

  There is daywork for colored women.

  In the mornings their dark bodies

  fill the crosstown buses,

  taking them away

  from Nicholtown

  to the other side

  of Greenville

  where the white people live.

  Our grandmother tells us this

  as she sets a small hat with a topaz pin on her head,

  pulls white gloves

  over her soft brown hands.

  Two days a week, she joins the women,

  taking on this second job now

  that there are four more mouths to feed

  and the money

  she gets from part-time teaching isn’t enough

  anymore. I’m not ashamed, she says,

  cleaning is what I know. I’m not ashamed,

  if it feeds my children.

  When she returns in the evening, her hands

  are ashen from washing other people’s clothes,

  Most often by hand,

  her ankles swollen from standing all day

  making beds and sweeping floors,

  shaking dust from curtains,

  picking up after other people’s children, cooking,

  the list

  goes on and on.

  Don’t any of you ever do daywork, she warns us.

  I’m doing it now so you don’t have to.

  And maybe all across Nicholtown, other children

  are hearing this, too.

  Get the Epsom salts, she says, leaning back

  into the soft brown chair, her eyes closing.

  When she isn’t in it, Hope, Dell and I squeeze in

  side by side by side and still, there is space left

  for one more.

  We fill a dishpan with warm water, pour

  the salts in, swirl it around and carefully

  carry it to her feet. We fight to see who will get

  to rub the swelling from my grandmother’s ankles,

  the smile back onto her face,

  the stories back into the too-quiet room.

  You could have eaten off the floor by the time

  I left this one house today,

  my grandmother begins, letting out a heavy sigh. But

  let me tell you,

  when I first got there, you would have thought

  the Devil himself had come through . . .

  lullaby

  At night, every living thing competes

  for a chance to be heard.

  The crickets

  and frogs call out.

  Sometimes, there’s the soft

  who-whoo of an owl lost

  amid the pines.

  Even the dogs won’t rest until

  they’ve howled

  at the moon.

  But the crickets always win, long after

  the frogs stop croaking

  and the owl has found its way home.

  Long after the dogs have lain down

  losing the battle against sleep,

  the crickets keep going

  as though they know their song

  is our lullaby.

  bible times

  My grandmother keeps her Bible on a shelf

  beside her bed. When the day is over,

  she reads quietly to herself, and in the morning

  she’ll tell us the stories,

  how Noah listened

  to God’s word

  pulled two of each animal inside his ark, waited

  for the rains to come and floated safely

  as the sinners drowned.

 
It’s morning now and we have floated safely

  through the Nicholtown night,

  our evening prayers

  Jehovah, please give us another day,

  now answered.

  Biscuits warm and buttered stop halfway

  to our mouths. How much rain did it take

  to destroy the sinners? What lies did they tell

  to die such a death? How loud was the rain

  when it came? How did Noah know

  that the cobra wouldn’t bite, the bull

  wouldn’t charge, the bee wouldn’t sting?

  Our questions come fast but we want

  the stories more than we want the answers

  so when my grandmother says,

  Hush, so I can tell it!

  We do.

  Jacob’s dream of a ladder to heaven, and Jesus

  with the children surrounding him. Moses

  on the mountain, fire burning words into stone.

  Even Salome intrigues us, her wish for a man’s head

  on a platter—who could want this and live

  to tell the story of that wanting?

  Autumn is coming.

  Outside, there’s the sound of wind

  through the pine trees.

  But inside there are stories, there are biscuits

  and grits and eggs, the fire in the potbellied stove

  already filling the house with warmth.

  Still we shiver at the thought of evil Salome,

  chew our biscuits slowly.

  We are safe here—miles and years away

  from Bible Times.

  the reader

  When we can’t find my sister, we know

  she is under the kitchen table, a book in her hand,

  a glass of milk and a small bowl of peanuts beside her.

  We know we can call Odella’s name out loud,

  slap the table hard with our hands,

  dance around it singing

  “She’ll Be Coming ’Round the Mountain”

  so many times the song makes us sick

  and the circling makes us dizzy

  and still

  my sister will do nothing more

  than slowly turn the page.

  the beginning

  I cannot write a word yet but at three,

  I now know the letter J

  love the way it curves into a hook

  that I carefully top with a straight hat

  the way my sister has taught me to do. Love

  the sound of the letter and the promise

  that one day this will be connected to a full name,

  my own

  that I will be able to write

  by myself.

  Without my sister’s hand over mine,

  making it do what I cannot yet do.

  How amazing these words are that slowly come to me.

  How wonderfully on and on they go.

  Will the words end, I ask

  whenever I remember to.

  Nope, my sister says, all of five years old now,

  and promising me

  infinity.

  hope

  The South doesn’t agree

  with my brother.

  The heat sandpapers his skin.

  Don’t scratch, my grandmother warns. But he does

  and the skin grows raw beneath his fingers.

  The pollen leaves him puffy eyed, his small breaths

  come quick, have too much sound around them.

  He moves slow, sickly now where once

  he was strong.

  And when his body isn’t betraying him, Ohio does.

  The memories waking him in the night, the view

  from my father’s shoulders, the wonder

  of the Nelsonville house, the air

  so easy to breathe . . .

  You can keep your South, my father had said.

  Now Hope stays mostly quiet

  unless asked to speak, his head bent

  inside the superhero comic books my grandfather

  brings home on Fridays. Hope searches for himself

  inside their pages. Leaves them

  dog-eared by Monday morning.

  The South

  his mortal enemy.

  The South,

  his Kryptonite.

  the almost friends

  There’s the boy from up the road

  with the hole in his heart. Some afternoons

  he comes to sit in our yard and listen

  to our stories. Our aunt Kay, we tell him,

  lives in New York City and maybe we will, too,

  someday. And yes it’s true, once

  we lived in Ohio, that’s why

  we speak the way we do.

  We don’t ask about the hole

  in his heart. Our grandmother warns us

  we know better than that.

  There is Cora and her sisters, across the road.

  One word in my grandmother’s mouth—You stay away

  from Coraandhersisters, their mother

  left the family, ran off

  with their church pastor.

  Coraandhersisters

  sometimes

  sit watching us.

  We watch them back not asking

  what it feels like not to have a mother because

  our grandmother warns us

  we know better than that.

  There are three brothers who live down the road

  we know this only because

  our grandmother tells us. They live

  inside their dark house

  all summer, coming out

  in the evening when their mother returns from work

  long after we’ve bathed and slipped into

  our summer pajamas, books curled into

  our arms.

  These are our almost friends, the people

  we think about when we’re tired of playing

  with each other.

  But our grandmother says,

  Three is plenty. Three is a team.

  Find something to do together.

  And so over and over again,

  we do. Even though we want to ask her,

  Why can’t we play with them? we don’t.

  We know better than that.

  the right way to speak

  The first time my brother says ain’t my mother

  pulls a branch from the willow tree growing down

  the hill at the edge

  of our backyard.

  As she slips her closed hand over it,

  removing the leaves,

  my brother begins to cry

  because the branch is a switch now

  no longer beautifully weeping at the bottom of the hill.

  It whirs as my mother whips it

  through the air and down

  against my brother’s legs.

  You will never, my mother says,

  say ain’t in this house.

  You will never

  say ain’t anywhere.

  Each switching is a warning to us

  our words are to remain

  crisp and clear.

  We are never to say huh?

  ain’t or y’all

  git or gonna.

  Never ma’am—just yes, with eyes

  meeting eyes enough

  to show respect.

  Don’t ever ma’am anyone!

  The word too painful

  a memory for my mother

  of not-so-long-ago

  southern subservient days . . .

  The list of what not to say

  goes on and on .
. .

  You are from the North, our mother says.

  You know the right way to speak.

  As the switch raises dark welts on my brother’s legs

  Dell and I look on

  afraid to open our mouths. Fearing the South

  will slip out or

  into them.

  the candy lady

  On Fridays, our grandfather takes us

  to the candy lady’s house,

  even though our grandmother worries he’s going

  to be the cause of our teeth rotting

  right out of our heads.

  But my grandfather just laughs,

  makes us open our mouths

  to show the strong Irby teeth we’ve inherited

  from his side of the family.

  The three of us stand there, our mouths open wide,

  strong white teeth inside,

  and my grandmother has to nod, has to say,

  They’re lucky before sending us on our way.

  The candy lady’s small living room is filled

  with shelves and shelves of chocolate bars

  and gumdrops, Good & Plenty and Jujubes,

  Moon Pies and Necco Wafers,

  lollipops and long red licorice strings.

  So much candy that it’s hard to choose

  until our grandfather says,

  Get what you want but I’m getting myself some ice cream.

  Then the candy lady, who is gray-haired

  and never smiles, disappears

  into another room and returns a few minutes later

  with a wafer cone, pale yellow

  lemon-chiffon ice cream dripping from it.

  Outside, even this late in the afternoon,

  the sun is beating down

  and the idea of lemon-chiffon ice cream cooling us,

  even for a few minutes,

  makes us all start saying at once—Me, too, Daddy.

  Me, too, Daddy. Me, too.

  The walk home from the candy lady’s house

  is a quiet one

  except for the sound of melting ice cream

  being slurped up

  fast, before it slides past our wrists,

  on down our arms and onto

  the hot, dry road.

 

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