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Brown Girl Dreaming

Page 8

by Jacqueline Woodson


  Monopoly money to count

  and checkers to slam down on boards, ants to flip

  into blue plastic pants,

  chess pieces to practice moving until we understand

  their power

  and when we don’t, Roman and I argue

  that there’s another way to play

  called Our Way. But Hope and Dell tell us

  that we’re too immature to even begin to understand

  then bend over the chessboard in silence, each becoming

  the next chess champ of the house, depending on the day

  and the way the game is played.

  Sometimes, Roman and I leave Hope and Dell alone

  go to another corner of the room and become

  what the others call us—the two youngest,

  playing games we know the rules to

  tic-tac-toe and checkers,

  hangman and connect the dots

  but mostly, we lean over their shoulders

  as quietly as we can, watching

  waiting

  wanting to understand

  how to play another way.

  gifted

  Everyone knows my sister

  is brilliant. The letters come home folded neatly

  inside official-looking envelopes that my sister proudly

  hands over to my mother.

  Odella has achieved

  Odella has excelled at

  Odella has been recommended to

  Odella’s outstanding performance in

  She is gifted

  we are told.

  And I imagine presents surrounding her.

  I am not gifted. When I read, the words twist

  twirl across the page.

  When they settle, it is too late.

  The class has already moved on.

  I want to catch words one day. I want to hold them

  then blow gently,

  watch them float

  right out of my hands.

  sometimes

  There is only one other house on our block

  where a father doesn’t live. When somebody asks why,

  the boy says, He died.

  The girl looks off, down the block, her thumb

  slowly rising to her mouth. The boy says,

  I was a baby. Says, She doesn’t remember him

  and points to his silent sister.

  Sometimes, I lie about my father.

  He died, I say, in a car wreck or

  He fell off a roof or maybe

  He’s coming soon.

  Next week and

  next week and

  next week . . . but

  if my sister’s nearby

  she shakes her head. Says,

  She’s making up stories again.

  Says,

  We don’t have a father anymore.

  Says,

  Our grandfather’s our father now.

  Says,

  Sometimes, that’s the way things happen.

  uncle robert

  Uncle Robert has moved to New York City!

  I hear him taking the stairs

  two at a time and then

  he is at our door, knocking loud until our mother

  opens it,

  curlers in her hair, robe pulled closed, whispering,

  It’s almost midnight, don’t you wake my children!

  But we are already awake, all four of us, smiling

  and jumping around

  my uncle: What’d you bring me?

  Our mama shushes us, says,

  It’s too late for presents and the like.

  But we want presents and the like.

  And she, too, is smiling now, happy to see her

  baby brother who lives all the way over

  in Far Rockaway where the ocean is right there

  if you look out your window.

  Robert opens his hand to reveal a pair of silver earrings,

  says to my sister, This is a gift for how smart you are.

  I want

  to be smart like Dell, I want

  someone to hand me silver and gold

  just because my brain clicks into thinking whenever

  it needs to but

  I am not smart like Dell so I watch her press

  the silver moons into her ears

  I say, I know a girl ten times smarter than her. She gets

  diamonds every time she gets a hundred on a test.

  And Robert looks at me, his dark eyes smiling, asks,

  Is that something you made up? Or something real?

  In my own head,

  it’s real as anything.

  In my head

  all kinds of people are doing all kinds of things.

  I want to tell him this, that

  the world we’re living in right here in Bushwick isn’t

  the only place. But now my brothers are asking,

  What’d you bring me, and my uncle is pulling gifts

  from his pockets,

  from his leather briefcase, from inside his socks.

  He hands

  my mother a record, a small 45—James Brown,

  who none of us

  like because he screams when he sings. But my mother

  puts it on the record player, turned way down low

  and then even us kids are dancing around—

  Robert showing us the steps he learned

  at the Far Rockaway parties. His feet are magic

  and we all try to slide across the floor like he does,

  our own feet, again and again,

  betraying us.

  Teach us, Robert! we keep saying. Teach us!

  wishes

  When he takes us to the park, Uncle Robert tells us,

  If you catch a dandelion puff, you can make a wish.

  Anything you want will come true, he says as

  we chase the feathery wishes around swings,

  beneath sliding boards,

  until we can hold them in our hands,

  close our eyes tight, whisper our dream

  then set it floating out into the universe hoping

  our uncle is telling the truth,

  hoping each thing we wish for

  will one day come true.

  believing

  The stories start like this—

  Jack and Jill went up a hill, my uncle sings.

  I went up a hill yesterday, I say.

  What hill?

  In the park.

  What park?

  Halsey Park.

  Who was with you?

  Nobody.

  But you’re not allowed to go to the park without anyone.

  I just did.

  Maybe you dreamed it, my uncle says.

  No, I really went.

  And my uncle likes the stories I’m making up.

  . . . Along came a spider and sat down beside her.

  I got bit by a spider, I say.

  When?

  The other day.

  Where?

  Right on my foot.

  Show us.

  It’s gone now.

  But my mother accuses me of lying.

  If you lie, she says, one day you’ll steal.

  I won’t steal.

  It’s hard to understand how one leads to the other,

  how stories could ever

  make us criminals.

  It’s hard to understand

  the way my brain works—so different

  from everybody around me.

  How each new story

  I’m told becomes a thing

  that happens,

  in some o
ther way

  to me . . . !

  Keep making up stories, my uncle says.

  You’re lying, my mother says.

  Maybe the truth is somewhere in between

  all that I’m told

  and memory.

  off-key

  We start each meeting at Kingdom Hall with a song

  and a prayer

  but we’re always late,

  walking in when the pink songbooks are already open,

  looking over shoulders, asking Brothers and Sisters

  to help us find our place.

  If it’s a song I like, I sing loud until my sister shushes me

  with a finger to her mouth.

  My whole family knows I can’t sing. My voice,

  my sister says, is just left of the key. Just right

  of the tune.

  But I sing anyway, whenever I can.

  Even the boring Witness songs sound good to me,

  the words

  telling us how God wants us to behave,

  what he wants us to do,

  Be glad you nations with his people! Go preach

  from door to door!

  The good news of Jehovah’s kingdom—

  Proclaim from shore to shore!

  It’s the music around the words that I hear

  in my head, even though

  everyone swears I can’t hear it.

  Strange that they don’t hear

  what I hear.

  Strange that it sounds so right

  to me.

  eve and the snake

  The Sunday sermons are given by men.

  Women aren’t allowed to get onstage like this,

  standing alone to tell God’s story. I don’t

  understand why but I listen anyway:

  On the first day, God made the heavens and the earth

  and He looked at it, and it was good.

  It’s a long story. It’s a good story.

  Adam and Eve got made,

  a snake appeared in a tree. A talking snake.

  Then Eve had to make a choice—the apple the snake

  wanted her to eat

  looked so good—just one bite. But it was the only apple

  in a kingdom full of apples

  that God had said Don’t touch!

  It’s the best apple in all the world, the snake said.

  Go ahead and taste it. God won’t care.

  But we know the ending—in our heads, we scream,

  Don’t do it, Eve! That’s the Devil inside that snake!

  He’s tricking you!

  But Eve took a bite. And so here we are,

  sitting in a Kingdom Hall

  on a beautiful Sunday afternoon

  hoping that God sees it in His heart to know

  it wasn’t our fault. Give us another chance

  send that snake back and we promise

  we’ll say no this time!

  our father, fading away

  In all our moving, we’ve forgotten our family in Ohio,

  forgotten our father’s voice, the slow drawl

  of his words,

  the way he and his brother David made jokes

  that weren’t funny

  and laughed as though they were.

  We forget the color of his skin—was it

  dark brown like mine or lighter like Dell’s?

  Did he have Hope and Dell’s loose curls or my

  tighter, kinkier hair?

  Was his voice deep or high?

  Was he a hugger like Grandma Georgiana holding us

  like she never planned to let go or

  did he hug hard and fast like Mama,

  planting her warm lips to our foreheads where

  the kiss lingered

  long after

  she said I love you, pulled her sweater on and left

  for work each morning.

  In Brooklyn there are no more calls from Ohio.

  No more calls from our father or Grandpa Hope

  or Grandma Grace

  or David or Anne or Ada or Alicia.

  It is as if each family

  has disappeared from the other.

  Soon, someone who knows someone in Ohio

  who knows the Woodsons

  tells my mother that Grandpa Hope has died.

  At dinner that evening, our mother gives us the news but

  we keep eating because we hadn’t known

  he was still alive.

  And for a moment, I think about Jack . . . our father.

  But then

  quickly as it comes

  the thought moves on.

  Out of sight, out of mind, my brother says.

  But only a part of me believes this is true.

  halfway home #2

  For a long time, there is only one tree on our block.

  And though it still feels

  strange to be so far away from soft dirt

  beneath bare feet

  the ground is firm here and the one tree blooms

  wide enough to shade four buildings.

  The city is settling around me, my words

  come fast now

  when I speak, the soft curl of the South on my tongue

  is near gone.

  Who are these city children? My grandmother laughs,

  her own voice

  sad and far away on the phone. But it is

  a long-distance call

  from Greenville to Brooklyn, too much money

  and not enough time to explain

  that New York City is gray rock

  and quick-moving cars.

  That the traffic lights change fast and my sister must

  hold tight to my hand

  as we cross to where a small man singing

  Piragua! Piragua!

  sells shaved ices from a white cart filled

  with bottles and bottles of fruit-flavored syrup

  colored red and purple, orange and blue.

  That our mouths water in the hot sun as we hand him

  our quarters then wait patiently as he pours

  the syrup over the ice, hands it to us

  in paper cones.

  We’ll be coming home soon, Grandma

  each of us promises.

  We love you.

  And when she says, I love you, too

  the South is so heavy in her mouth

  my eyes fill up with the missing of

  everything and everyone

  I’ve ever known.

  the paint eater

  In the night in the corner of the bedroom

  the four of us share,

  comes a pick, pick, picking of plaster

  paint gone come morning.

  My younger brother, Roman,

  can’t explain why paint melting

  on his tongue feels good.

  Still, he eats the paint

  and plaster until a white hole

  grows where pale green paint used to be.

  And too late we catch him,

  his fingers in his mouth,

  his lips covered with dust.

  chemistry

  When Hope speaks, it’s always about comic books

  and superheroes

  until my mother tells him he has to talk

  about something else.

  And then it’s science. He wants to know

  everything

  about rockets and medicine and the galaxy.

  He wants to know where the sky ends and how,

  what does it feel like when gravity’s gone

  and what is the food men eat

  on the moon. His questions come so fast

  a
nd so often that we forget how quiet

  he once was until my mother

  buys him a chemistry set.

  And then for hours after school each day

  he makes potions, mixing chemicals that stink up

  the house, causing sparks to fly

  from shaved bits of iron,

  puffs of smoke to pop from strange-colored liquids.

  We are fascinated by him, goggled and bent

  over the stove

  a clamped test tube protruding

  from his gloved hand.

  On the days when our mother says

  she doesn’t want him smelling up the house

  with his potions, he takes his trains apart, studies

  each tiny piece, then slowly puts them together again.

  We don’t know what it is he’s looking for

  as he searches the insides of things, studies

  the way things change. Each whispered Wow

  from him makes me think that he

  with his searching—and Dell with her reading

  and even Roman with his trying to eat

  to the other side of our walls—is looking

  for something. Something way past Brooklyn.

  Something

  out

  there.

  baby in the house

  And then one day, Roman won’t get up,

  sun coming in bright

  through the bedroom window, the rest of us

  dressed and ready to go outside.

  No laughter—just tears when we hold him.

  More crying when we put him down.

  Won’t eat and even my mother

  can’t help him.

  When she takes him to the hospital, she comes back

  alone.

  And for many days after that, there is no baby

  in our house and I am finally

  the baby girl again, wishing

  I wasn’t. Wishing there wasn’t so much quiet

  where my brother’s laugh used to be, wishing

  the true baby in our house

  was home.

  going home again

  July comes and Robert takes us on the night train

 

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