Onslaught mtg-1
Page 9
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While her workers labored, Phage sat upon an iron throne. She could not sit in camp chairs, nor could she reside in a tent of canvas and wood. The masons and mages had fashioned her a stone house. It stood on high ground along the natural path toward the northern peninsula. With pillars of limestone, slab roofs, and even rock doors, the house was cold, powerful, and forbidding. It suited her.
Phage sat on a stone portico and took her breakfast. She watched slaves and taskmasters march in gangs from the tent city to the work site. None came near. She had forbidden her underlings from approaching while she ate, for the retractor fork distorted her face gruesomely.
Again she lifted the device to her lips and squeezed. Metal curves forced her lips back, and the fork jutted a warm gobbet between her teeth. Gingerly, Phage bit down. One tine dragged briefly across her lower lip, and the juice on the implement immediately went rancid, emitting a nauseous vapor. Phage flicked the device and dipped it into a cup of alcohol on her tray. Lifting the sterile thing, she speared more meat.
Phage's gaze roamed the work site. The teams had made much progress in the last month. Already, the foundations were laid, a circle a thousand feet in diameter, sinking fifty feet into the ground. Footings for massive buttresses jutted all around the perimeter. Paths radiated to the ports and bridge footings. At dawn, the foundation seemed a giant sun inscribed on the ground. In a way it was. Whole nations would orient themselves on the great coliseum. At noon, the foundations seemed the mouth of a drawstring bag. It was another pleasant resemblance. This one building would cinch up the whole continent. At night, the footings seemed a toothy pit. That was its best aspect. It was the Pit, let loose to roam the world.
The final morsel settled on her tongue. Phage withdrew the retractor. She set the tray aside on a small iron table. It was the signal that she was ready to receive her underlings.
The slave queues continued to march. The taskmasters kept their heads bent. The masons and mages remained busy.
That was her greatest difficulty. Her officers rarely reported in person and never consulted with her. They received her written orders-set down by a scribe-followed her directions without question, and sent back reports. When she toured the work sites, every last worker fell prostrate. Phage could see their ardent, fearful labors. Each team exceeded its daily assignments. Never did unforeseen obstacles impede progress. No one would report problems or deficits to Phage.
Today that would end. She had summoned her chief taskmaster and would make it clear that he must report in person every morning. Already he was late-a grave offense. Phage's wrath was known to be absolute. Gerth had better be dead, or soon he would be.
Phage stood, her eyes narrow with anger. She studied the workers, some marching wearily to work, others slogging more wearily away. Dwarf stonecutters, human joiners, centaur haulers, merfolk longshoremen, lich taskmasters… Gerth was not among them. He was not even among the slave apes or the shorn rhinos.
Phage stepped from the portico. The moment of grace was ended. Had he been in the crowd, she would have spared him, but now, even if she met him en route, he was a dead man.
She strode down the hill. The workers in the slave queue seemed to notice her approach and recoiled just slightly-all except a little old woman leading a mule.
The woman was not a slave like so many others. She was one of a handful of free folk who had answered the First's summons and hired on to work on the coliseum. Though bent and craggy-faced, the skinner had a sharp gleam in her eye. She peered fearlessly at Phage. Only as she approached did Phage realize the woman wasn't so small; her mule was monstrously big. It was the size of a horse, though with all the hardy sturdiness of its species. It clumped along beside its owner, ears back as the woman poured out a torrent of complaint. "-think your hooves had been turned to glue already, with how slow you're walking. You'd be better company in a pot." The woman strode straight toward Phage.
Some slaves lingered to witness the apparent suicide.
Reaching Phage, the crone bowed her white head and executed a crusty curtsey. "Hello, Mistress Phage. I've been sent by Gerth to report."
Phage stopped in her tracks, standing within hand's reach of the skinner. Black corruption spread from her feet through the grass. She looked the old woman up and down. "Gerth sent someone?"
"Yes, if I qualify," the skinner replied with a wink. "He said he was real sorry not to come himself. Just this morning, he impaled his foot on a sculptor's chisel, so he can't come. He sent me instead."
"You? A mule skinner?"
"I'm the only one who's not afraid of you."
Phage stared at her levelly. She wasn't sure whether to be angry or impressed. Still, she knew what she felt about Gerth. "You will take me to him." She walked on toward the cringing crowd of slaves.
The skinner gaped, then hauled on the reins and muscled her beast around. She growled at the animal and urged it along. They ran side by side, crone and mule, until they reached Phage.
The women, young and old, strode like sisters down the bank. Before them, the stream of slaves parted. All watched, goggle-eyed.
Phage said to the old woman, "Your duty to Gerth is discharged. Your duty is now to me. Gerth claims to have wounded his foot on a chisel. What is the truth?"
"He has… Mistress," panted the skinner.
"Intentionally?"
The crone smiled beneath her white mop of hair. "They say you can see through things to the truth. I guess they're right."
Phage chewed on that. The man would rather maim himself than report to her. He would have to die. She had no jobs for cowards. This crone, though, showed not the slightest fear. "Why aren't you afraid of me?"
The woman shrugged, struggling to keep pace. "I'm too old to worry about dying."
"Perhaps I'll kill you now."
"No, you won't," said the skinner. She seemed to note the anger in Phage's eyes. "Not that you couldn't, but that you won't."
"I won't?" asked Phage.
"You kill traitors, laggards, spies-folks who might destroy what you' re building. You won't kill me. I'm on your side." The old woman paused. "I'm not afraid of you because I understand you."
"You presume to understand me?"
The crone laughed. "I'm an old, wrinkled woman. Folks recoil from me. Yes, I understand you."
A smile tugged at Phage's lips. "You do not know how it feels to be full of horrors."
"Did you ever play dead while a raider found uses for you? Terrible to experience. Even worse to survive. I'm full of horrors. I know what it is to keep them locked away in my skin."
Phage looked with new eyes on this old creature. Behind the crow's feet and the sagging jowls lurked a deep sadness. Here was a fearless woman-honest and hard working. "What is your name?"
"I'm Zagorka. This here's Chester."
"How would you like to be a taskmaster, Zagorka?"
Chester snorted, and Zagorka agreed. "Wouldn't. Just 'cause I can wrangle this one thick-headed ass don't mean I want to be in charge of a hundred of them. Besides, they'd not listen to me."
"Then you will be my messenger. They'll listen to you then. You'll tell them not just what I say, but what I mean. You'll tell me not just what they say, but what they mean."
Zagorka hobbled along. "I'm a little gimped up for all that running."
"Ride Chester."
The skinner and her mule traded dubious glances.
"Or I'll kill you both."
"She will," Zagorka warned her mule. "She's at the end of her patience."
"You do know me."
"We'll do it," Zagorka decided.
It was done. The gulf was bridged. Here was a woman who understood Phage without hours of fruitless discussion. Zagorka would speak honestly about all aspects of the job. The taskmasters would not fear to talk with her, and Zagorka would not fear to talk with Phage. With this new mouthpiece and earpiece among her taskmasters, Phage would know everything.
Phage and Zagorka strode down among fie
lds of cut stone. There, masons labored with hammers and chisels. The steady ring of steel on stone faltered and hushed. Dwarves and men lifted their heads and stared at the two woman.
They paid no heed, striding on toward the taskmaster.
Gerth sat in a camp chair at the edge of the field. One foot, wrapped in white gauze, rested on a log. Fresh blood spotted the top and bottom of the foot. When he noticed his commander, Gerth gaped stupidly and pushed himself to his feet.
"He drove the chisel right through?" asked Phage quietly.
"Right through," affirmed Zagorka.
Phage pursed her lips. She strode to where the man stood and ignored his deep bow. "I summoned you."
"Forgive me, Commander. I wounded myself."
"Who is your next-in-command?"
Gerth went to his knees. His voice trembled. "The lich Terabith, my lady."
Phage stared angrily at the man's bowed head. She lifted her hand and imagined setting it on his shoulder and rotting him to nothing.
Without looking up, Gerth said, "Are you going to kill me?"
That was the question. He was a worm, kneeling there. Somehow, though, Phage could not set her hand down. It was his fear that made him disobey.
Zagorka blurted, "Will he be a better lesson dead or enslaved?"
At last, Gerth lifted his eyes. Hope was there, but also terror. The other slaves would not be kind to a former taskmaster. Still, it was better than death. Phage's hand cast a black shadow across his face. Gerth said, "I will be your slave and work hard for you and be ever faithful. I will go to the other taskmasters and warn them against my fate."
"If they disobey," Zagorka said, "she'll kill them and you too. You rive only as long as you're a lesson."
Phage could not have put it better. "Your death sentence is commuted but not canceled."
Zagorka said, "First warn Terabith not to fall to your fate. Then tell the others. Last, report to the slave pens."
Gerth bowed his head in thanks. "Yes. I will tell them. It will not happen again."
Phage looked to her new mouthpiece. "I think you are right."
CHAPTER NINE: IMAGE MAGIC
The delusions of night cleared away, and the sun rose upon Ixidor in his undreamed land. Doubt had proven false. The mirage had proven true.
Ixidor dived. It was deep enough here. The sandy shore gave way to tan contours in clay, and they in turn to green depths. Water enveloped him-cool, clean, bracing. It washed away dirt and salt scales. The water was life. Ixidor opened his mouth and drank as he swam. Water poured through and around him. Life filled him.
He had almost missed it. Three days of tortures in the desert, mirage after mirage, rainstorms that turned to sandstorms, dunes that turned to graves-all of it had taught him to distrust hope. A man who distrusts hope is a dead man. When he had found his paradise, he had nearly been unable to recognize it. He had to drink sand before he knew.
Ixidor rose. A cry of joy began in his throat and burst up through struggling bubbles toward the surface. His shout erupted from the water just as he did. Amid leaping waves, Ixidor roared the defiant cry of survival. He had wrestled death and pinned it.
Ixidor's feet dug into the clay. Small curls of mud streamed away from his toes as he climbed the bank. His hair rained water down around his shoulders, and he laughed in the midst of it. He sat on the bank. The river tugged insistently at his feet as if it were eager to bear him to the dark cave where the waters were swallowed.
Drips ran like tears down his face. Ixidor had not truly defeated death. It had defeated him.
Nivea was gone.
Rolling over into the shadow of a palm, Ixidor cried until he slept.
The waters tugged at him. The dark cave growled like a hungry stomach.
Nivea haunted his dreams. She had brought him here to live. He had brought her to the pits to die.
Bleakly, Ixidor woke. The sun had reached midday, driving away palm shadows, and burning him. His feet were numb and cold. His heart was too. It would have been unbearable except that hunger eclipsed all else.
Ixidor sat up and peered into the blue-green stream. There should have been fish darting through its verdant waters. He saw none. He had not seen any as he swam either. How could there be fish? The spring rose from killing sand only to descend into a voracious cave.
What of animals? The oasis should have swarmed with creatures. Ixidor stood and stalked among the curving boles of the palms. He followed the sandy shores, looking for footprints, droppings, any sign that other creatures had come to this spot. Only his own tracks marked the sand. He saw not so much as a bird flitting among the trees or a line of ants rising up a palm. More telling still was the profound silence. Only the murmur of water, wind, and his own breath disturbed the quiet.
Surely the palms would hold something-dates, coconuts, fruits… He walked among them, his head craned back. There were at least three separate species of palm but no fruit on any of them.
Ixidor seated himself beside the stream. He would die in paradise after all. It was another mirage, promising life but offering death. Waters flowed, deep and cool, away to the yawning cave mouth. Ixidor had been a fool to hope. All the while that he jeered death, it only tightened its grip.
Absently, Ixidor dragged his fingers through the clay. It curled up in little rolls that looked almost like prawns. Ixidor stared at them. His stomach rumbled. In trembling fingers, he lifted a single curl of mud. The outside of the clump was smooth and round while the inside was jagged like the jutting legs of a crayfish. Ixidor lifted the thing to his mouth and bit. Sand crunched, clay clung to his tongue, and mud dissolved and spread. Ixidor spat the clod from his mouth. Angrily, he backhanded the other curls of mud.
They struck the stream and sank. The clods left ribbons of mud as they spun slowly through the water. Halfway down, currents grabbed the clay and flung it in circles. Ixidor watched, fascinated. There was something familiar about that churning motion. Ixidor crouched on his knees above the stream and stared down. The clods were swimming. They weren't just hunks of clay, but actual prawns. They had transformed.
Ixidor glanced back at the mud curl he had spat out. It was undoubtedly clay. It had never been alive. He stared into the flood again. The other clods had become living things.
It all was beginning to make sense-the sand that became water, the shadows that became trees, the clay that became crayfish… a new power.
Nivea's death had given it birth. Ixidor's desperation had nursed it. He had been buried alive, but someone had dug him out. He had been lost in desolation, but someone had led him to water. Nivea had become his muse, inspiring him to create.
Image magic. Instead of making images into illusions, he was making them into realities.
Ixidor stooped at the stream bank and dipped his hands into the water. The crayfish shied from his touch. He swiped down to catch them. They darted and spun away. He was their creator, true, but he would also be their killer, and they evaded him.
Ixidor dived into the water. He rushed down among them, hair streaming and hands lashing. He caught one of the creatures in a tight fist. Not even waiting to surface, he rammed the thing into his mouth and bit. It was not clay anymore but a creature-flesh, fins, scales, head. It crunched between his teeth. The last of its life fled as he swallowed. It was real. The thing tumbled uneasily in his stomach, the first food it had held in three days. Ixidor reached out to snatch another of the creatures, but they were gone. They had escaped downstream.
There would be easier prey. Stroking to the bank, Ixidor climbed. He sat, water streaming down the clay. The blood of the prawn lingered on his tongue, but it was time for better fare.
Kneeling, Ixidor murmured, "Nivea." He closed his eyes.
She hovered there, gleaming and beautiful, within his mind. She seemed an angel, with white pinions glowing fiercely.
Opening his eyes, Ixidor dug his hands into the clay bank. Two great scoops of mud came up in his grip. He pressed the hunks togeth
er and began to shape the mass. Fingers traced lines into the clay. He narrowed one end and twisted it into a conic shape. The other end flattened to a tapered edge. A small avian head took form. Mud smoothed into a downy body, and wings tucked up tightly. At first, it was only the approximation of a bird. Ixidor added scales to the feet, an idiosyncratic tuft behind the head, and deep slanting nostrils. To be real, it had to be individual. Creators moved from general forms to specific actualities.
Every medium struggles against the artist, but this clay began to struggle in earnest. No sooner was it a specific bird than it had a will. Will made mud into feather, skin, muscle, and bone. The bird-the gull, for Ixidor had grown up beside the water-squawked loudly. Hollow bones flapped and bent like a fan struggling to open.
Ixidor dug his fingers in. This was to be his meal.
The creation had other ideas. It fought free. Downy feathers whirled in the air and pasted themselves to Ixidor's hands. The gull's wings stroked once, twice. It leaped into the palm-cluttered sky and rose to a high roost. In utter rejection of its maker, it shat a great white stream onto the undergrowth below. The bird laughed raucously.
Covered in feathers, Ixidor glared after it. His eyes were mad with hunger but also with discovery. He had made a bird, a rebellious bird whose insides apparently included a gastrointestinal tract. The prawns had been one thing-cold blooded and irabecilic. This bird was a higher life form. It lived and wanted to go on living, just like Ixidor himself.
Gleeful, Ixidor stood and applauded the raucous gull. Feathers flew in a gray flurry.
"Go on, you glorious horrible meal!" he shouted. "Go on and live! Far be it from me to create a creature who wants to live and then make it die." The gladness went out of his face. His own creator had done the same to him.
Ixidor turned and dived back into the water. It would cleanse him of feathers and mud. As he swam, he thought. His next creation would be different. He would not make something in slavish imitation of nature, for no beast wished to die. He would make something simple and new, perfectly suited to be a meal.