Carl Hiaasen - Native Tongue

by Native Tongue [lit]

  "Then don't say anything, you understand?" Bud Schwartz got out the money that Molly had given them to buy the admission tickets. He counted out thirty-six dollars and handed the cash to his partner.

  "Just hold up one finger, that's all you gotta do," said Bud Schwartz. "One finger means one ticket. Don't say a goddamn thing."

  "All right," Danny Pogue said. "Man, I can't believe the whale croaked, can you?"

  "Shut up," said Bud Schwartz. "I'm not kidding."

  Danny Pogue didn't seem the least bit nervous about returning to the scene of their crime. To him the Amazing Kingdom of Thrills was a terrific place, and he strutted around with a permanent grin. Bud Schwartz thought: He's worse than these damn kids.

  Outside the Magic Mansion, Danny Pogue stopped to shake hands with Petey Possum. A tourist lady from Atlanta took a photograph, and Danny Pogue begged her to send him a copy. At this point Bud Schwartz considered ditching the dumb shit altogether and pulling the job alone.

  Golf duds and all, Bud Schwartz was antsy about being back on the premises so soon after" the rat-napping; it went against his long-standing aversion to dumb risk. He wanted to hurry up and get the hell out.

  It wasn't easy locating Francis X. Kingsbury's office because it didn't appear on any of the colorful maps or diagrams posted throughout the amusement park. Bud Schwartz and Danny Pogue checked closely; there was the Cimarron Trail Ride, Orky's Undersea Paradise, the Wet Willy, the Jungle Jerry Amazon Boat Cruise, Bigfoot Mountain, Excitement Boulevard, and so on, with no mention of the administration building. Bud Schwartz decided Kingsbury's headquarters must be somewhere in the geographic center of the Amazing Kingdom of Thrills, and for security reasons probably wasn't marked.

  "Why don't we ask somebody?" Danny Pogue suggested.

  "Very smart," said Bud Schwartz. "I got a better idea. Why don't we just paint the word 'thief' in big red letters on our goddamn foreheads?"

  Danny Pogue wasn't sure why his partner was in such a lousy mood. The Kingdom was awesome, fantastic, sensational. Everywhere they went, elves and fairy princesses and happy animal characters waved or shook hands or gave a hug.

  "I never seen so much friendliness," he remarked.

  "It's the crutch," said Bud Schwartz.

  "No way."

  "It's the damn crutch, I'm tellin' you. They're only being nice because they got to, Danny. Anytime there's a customer on crutches, they make a special point. You know, in case he's dying a some fatal disease."

  Danny Pogue said, "You go to hell."

  "Ten bucks says it's right in the training manual."

  "Bud, I swear to God."

  "Gimme the crutch and I'll prove it."

  Danny Pogue said, "You're the one's always on my ass about attitude. And now just listen to yourself—all because people're actin' nice to me and not to you."

  "That's not it," said Bud Schwartz, but when he turned around his partner was gone. He found him on line at the Wild Bill Hiccup rodeo ride; Danny Pogue had stashed his crutch in the men's room and was determined to give Wild Bill Hiccup a go. Bud Schwartz was tired of bickering.

  The ride was set up in an indoor corral that had been laboriously fabricated, from the brown-dyed dirt to the balsa fence posts to the polyethylene cowshit that lay in neat regular mounds, free of flies. Twenty-five mechanical bulls (only the horns were real) jumped and bucked on hidden tracks while a phony rodeo announcer described the action through a realistically tinny megaphone.

  During this particular session, the twenty-five bulls were mounted by twenty-three tourists and two professional crooks. Before the ride began, Bud Schwartz leaned over to Danny Pogue and told him to be sure and fall off.

  "What?"

  "You heard me. And make it look good."

  When the bell rang, Bud Schwartz hung on with his good hand and bounced back and forth for maybe a minute without feeling anything close to excitement. Danny Pogue, however, was launched almost instantly from the sponge hump of his motorized Brahma—a tumble so spectacular that it brought three Company Cowpokes out of the bronco chute at a dead run. They surrounded Danny Pogue, measured his blood pressure, palpated his ribs and abdomen, listened to his heart, shined a light in his eyeballs and finally shoved a piece of paper under his nose.

  "Why don't you put your name on this, li'l pardner?" said one of the Cowpokes.

  Danny Pogue examined the document, shook his head and handed it to Bud Schwartz for interpretation.

  "Release of liability," Bud Schwartz said. He looked up with a dry smile. "This means we can't sue, right?"

  "Naw," said the solicitous Cowpoke. "All it means is your buddy's not hurt."

  "Says who?" said Bud Schwartz. "Bunch a dumb cowboy shit-kickers. Thanks, but I think we'll try our luck with an actual doctor."

  The Cowpokes didn't look so amiable anymore, or so Western. In fact, they were starting to look like pissed-off Miami insurance men. Danny Pogue got to his feet, dusted off his butt and said, "Hell, Bud, it's my fault anyhow—"

  "Not another word." Bud Schwartz seized his partner by the elbow, as if to prop him up. Then he announced to the Cowpokes: "We'd like to file a complaint about this ride. Where exactly is the administration office?"

  The Cowpoke in charge of the blood-pressure cuff said, "It's closed today."

  "Then we'll come back Monday," said Bud Schwartz. "Where is the office, please?"

  "Over Sally's Saloon," the Cowpoke answered. "Upstairs, ask for Mr. Dexter in Risk Management."

  "And he'll be in Monday?"

  "Nine sharp," muttered the Cowpoke.

  The other tourists watched curiously as Bud Schwartz led Danny Pogue haltingly out of the corral. By this time the Wild Bill Hiccup attraction had come to a complete and embarrassing stop (a man with a sprocket wrench had beheaded Danny Pogue's bull), and Bud Schwartz wanted to depart the arena before his partner spoiled the plan by saying something irretrievably stupid.

  Into Danny Pogue's ear he said, "You're doing fine."

  "It wasn't on purpose."

  "Yeah, I had a feeling."

  As they watched Danny Pogue's genuine hobble, the three Cowpokes from Risk Management began to worry that they might have missed something during their quickie medical exam.

  One of them called out: "Hey, how about a wheelchair?"

  Without turning around, Bud Schwartz declined the offer with the wave of an arm.

  "No thanks, li'l pardner," he called back.

  The same tool that picked the lock on Francis X. Kingsbury's office did the job on the rosewood file cabinet.

  "So now what?" Danny Pogue said.

  "We read." Bud Schwartz divided the files into two stacks. He showed his partner how to save time by checking the index labels.

  "Anything to do with banks and property, put it in the bag. Also, anything that looks personal."

  "What about Falcon Trace?" asked Danny Pogue. "That's what Mrs. McNamara said to get."

  "That, too."

  They used pocket flashlights to examine the files because Bud Schwartz didn't want to turn on the lights in Kingsbury's office. They were on the third floor of the administration building, above Sally's Cimarron Saloon. Through the curtains Bud Schwartz could watch the Wild West show on the dusty street below. Tourists shrieked as two scruffy bank robbers suddenly opened fire on the sheriff; bloodied, the sheriff managed to shoot both bandits off their horses as they tried to escape. The tourists cheered wildly. Bud Schwartz grunted and said, "Now there's a job for you. Fallin" off horses."

  Sitting on the floor amid Kingsbury's files, Danny Pogue looked orphaned. He said, "I know lawyers that couldn't make sense a this shit." He couldn't take his eyes off a portable Canon photocopier: seventy-five bucks, staring him in the face.

  "We'll give it an hour," said Bud Schwartz, but it didn't take him that long to realize that his partner was right. The files were impenetrable, stuffed with graphs and pie charts and computer printouts that meant nothing to your average break-in artist. T
he index tabs were marked with hopelessly stilted titles like "Bermuda Intercontinental Services, Inc.," and "Ramex Global Trust, N.A.," and "Jersey Premium Market Research."

  Bud Schwartz arbitrarily selected the three thickest files and stuffed them in the camera bag. This would keep the old bat busy for a while.

  "Look here," said Danny Pogue, holding up a thin file. "Credit cards."

  The index tab was marked "Personal Miscellany." Inside was a folder from the American Express Company that listed all the activity on Francis X. Kingsbury's Platinum Card for the previous twelve months. Bud Schwartz's expression warmed as he skimmed the entries.

  Reading over his shoulder, Danny Pogue said. "The guy sure knows how to eat."

  "He knows how to buy jewelry, too." Bud Schwartz pointed at some large numbers. "Look here."

  "Yeah," said Danny Pogue, catching on. "I wonder where he keeps it, all that jewelry."

  Bud Schwartz slipped Kingsbury's American Express folder into the camera bag. "This one's for us," he told his partner. "Don't show the old lady unless I say so."

  Danny Pogue said, "I heard a that place in New York. Cartier's." He pronounced it "Car-teer's." "That's some expensive shit they sell."

  "You bet," said Bud Schwartz. Another thin file had caught his attention. He opened it on his lap, using his good hand to hold the flashlight while he read. The file contained Xeroxed copies of numerous old newspaper clippings, and three or four letters from somebody at the U.S. Department of Justice. The letterhead was embossed, and it felt important.

  "Jesus," said Bud Schwartz, sizing things up.

  "What is it?"

  He thrust the file at Danny Pogue. "Put this in the damn bag, and let's get going."

  Danny Pogue peered at the index tab and said, "So what does it mean?"

  "It means we're gonna be rich, li'l pardner."

  Danny Pogue contemplated the name on the file folder. "So how do you pronounce it anyway?"

  "Gotti," said Bud Schwartz. "Rhymes with body."

  THIRTEEN

  Rummaging through a dead man's belongings at midnight was not Joe Winder's idea of fun. The lab was as cold and quiet as a morgue. Intimate traces of the late Will Koocher were everywhere: a wrinkled lab coat hung on the back of a door; a wedding picture in a brass frame on a corner of his desk; a half-eaten roll of cherry-flavored Turns in the drawer; Koocher's final paycheck, endorsed but never cashed.

  Winder shivered and went to work. Methodically he pored through the vole file, and quickly learned to decipher Koocher's daily charts: size, weight, feeding patterns, sleeping patterns, stool patterns. Some days there was blood work, some days there were urine samples. The doctor's notes were clinical, brief and altogether unenlightening. Whatever had bothered Koocher about the mango-vole program, he hadn't put it in the charts.

  It was an hour before Joe Winder found something that caught his eyes: a series of color photographs of the voles. These were different from the glossy publicity pictures—these were extreme close-ups taken from various angles to highlight anatomical characteristics. Typed labels identified the animals as either "Male One" or "Female One." Several pictures of the female had been marked up in red wax pencil, presumably by Will Koocher. In one photograph, an arrow had been drawn to the rump of the mango vole, accompanied by the notation "CK. TAIL LENGTH." On another, Koocher had written: "CK. MICROTUS FUR COLOR—is THERE BLOND PHASE?" In a third photograph, the animal's mouth had carefully been propped open with a Popsicle stick, which allowed a splendid frontal view of two large yellow incisors and a tiny indigo tongue.

  Obviously the female vole had troubled Koocher, but why? Winder slipped the photos into his briefcase, and turned to the next file. It contained a muddy Xerox of a research paper titled, "Habitat Loss and the Decline of Microtus mango in Southeastern Florida." The author of the article was listed as Dr. Sarah Hunt, PhD, of Rollins College. In red ink Koocher had circled the woman's name, and put a question mark next to it. The research paper was only five pages long, but the margins were full of Koocher's scribbles. Winder was trying to make sense of them when he heard a squeaking noise behind him.

  In the doorway stood Pedro Luz—pocked, bloated, puffy-eyed Pedro. "The fuck are you doing?" he said.

  Joe Winder explained that a janitor had been kind enough to loan him a key to the lab.

  "What for?" Pedro Luz demanded.

  "I need some more information on the voles."

  "Haw," said Pedro Luz, and stepped inside the lab. The squeaking came from the wheels of his mobile steroid dispenser, the IV rig he had swiped from the hospital. A clear tube curled from a hanging plastic bag to a scabby junction in the crook of Pedro Luz's left arm; the needle was held in place by several cross-wraps of cellophane tape.

  The idea had come to him while he was hospitalized with the ferret bites. He had been so impressed with the wonders of intravenous refueling that he'd decided to try it with his anabolic steroids. Whether this method was effective, or even safe, were questions that Pedro Luz hadn't considered because the basic theory seemed unassailable: straight from bottle to vein, just like a gasoline pump. No sooner had he hung the first bag than he had felt the surge, the heat, the tingling glory of muscles in rapture. Even at ease, his prodigious biceps twitched and rippled as if prodded by invisible electrodes.

  Joe Winder wondered why Pedro Luz kept staring down at himself, smiling as he admired the dimensions of his own broad chest and log-sized arms.

  "Are you feeling all right?" Winder asked.

  Pedro Luz looked up from his reverie and blinked, toadlike.

  Affably, Winder remarked, "You're working mighty late tonight."

  Pedro Luz grunted: "I feel fine." He walked up to the desk and grabbed the briefcase. "You got no authorization to be here after hours."

  "Mr. Chelsea won't mind."

  Invoking Charlie's name made no impression on Pedro Luz, who plucked a leaf out of Joe Winder's hair. "Look at this shit on your head!"

  "I spent some time in the mangroves," Winder said. "Ate snake-on-a-stick."

  Pedro Luz announced: "I'm keeping your damn briefcase." He tucked it under his right arm. "Until I see some fucking authorization."

  "What's in the IV bag?" Joe Winder asked.

  "Vitamins," said Pedro Luz. "Now get the hell out."

  "You know what I think? I think Will Koocher was murdered."

  Pedro Luz scrunched his face as if something toxic were burning his eyes. His jaw was set so rigidly that Joe Winder expected to hear the teeth start exploding one by one, like popcorn.

  Winder said, "Well, I guess I'll be going."

  Pedro Luz followed him out the door, the IV rig squeaking behind them. To the back of Winder's neck, he growled, "You dumb little shit, now I gotta do a whole report."

  "Pedro, you need some rest."

  "The doctor wasn't murdered. He killed hisself."

  "I don't think so."

  "Man, I used to be a cop. I know the difference between murder and suicide."

  Pedro Luz turned around to lock the laboratory door. Joe Winder thought it would be an excellent moment to snatch his briefcase from the security man and make a run for it. He figured Pedro Luz could never catch him as long as he was attached to the cumbersome IV rig. Winder pondered the daring maneuver too long.

  Pedro Luz glanced over his shoulder and caught him staring at the briefcase.

  "Go ahead," the big man taunted. "Just go ahead and try."

  Francis X. Kingsbury and Jake Harp had an early starting time at the Ocean Reef Club, up the road a few miles from the Amazing Kingdom of Thrills. Kingsbury played golf two or three times a week at Ocean Reef, even though he was not a member and would never be a member. A most exclusive outfit, the Ocean Reef board had voted consistently to blackball Kingsbury because it could not verify several important details of his biography, beginning with his name. Infuriated by the rejection, Kingsbury made himself an unwelcome presence by wheedling regular golf invitations from all acquaint
ances who happened to be members, including the famous Jake Harp.

  Reluctantly Jake Harp had agreed to play nine holes. He didn't like golf with rich duffers but it was part of the deal; playing with Francis X. Kingsbury, though, was a special form of torture. All he talked about was Disney this and Disney that. If the stock had dropped a point or two, Kingsbury was euphoric; if the stock was up, he was bellicose and depressed. He referred to the Disney mascot as Mickey Ratface, or sometimes simply The Rat. "The Rat's updating his pathetic excuse for a jungle cruise," Kingsbury would report with a sneer. "The fake hippos must be rusting out." Another time, while Jake Harp was lining up a long putt for an eagle, Kingsbury began to cackle. "The Rat's got a major problem at the Hall of the Presidents! Heard they had to yank the Nixon robot because his jowls were molting!"