Men Who United the States : America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible (9780062079626)
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PART II
WHEN AMERICA’S STORY WENT BENEATH the EARTH
1809–1901
. . . we pass each other alternately until we emerge from the fissure, out on the summit of a rock. And what a world of grandeur is spread before us! Below is the canyon through which the Colorado runs. We can trace its course for miles, and at points catch glimpses of the river. From the northwest comes the Green in a narrow winding gorge. From the northeast comes the Grand, through a canyon that seems bottomless from where we stand. Away to the west are lines of cliffs and ledges of rock—not such ledges as the reader may have seen where the quarryman splits his rocks, but ledges from which the gods might quarry mountains.
—JOHN WESLEY POWELL, ON FIRST SEEING THE GRAND CANYON, JULY 1869
At Pacific Springs, one of the crossroads of the western trail, a pile of gold-bearing quartz marked the road to California; the other road had a sign bearing the words “To Oregon.” Those who could read took the trail to Oregon.
—DOROTHY JOHANSEN, “A WORKING HYPOTHESIS FOR THE STUDY OF MIGRATIONS,” 1967
THE LASTING BENEFIT OF HARMONY
The small southwestern Indiana town of New Harmony is not much to see these days—just a clutch of frame houses on the banks of the slow-drifting Wabash River. It is neat and tidy, quiet and peaceful. Nine hundred or so people live there, deep in the lush countryside where Kentucky, Illinois, and Indiana meet, down in the broad alluvial farmlands of the Ohio and the Mississippi Rivers that sidle past, not too far away.
A closer look at the town will hint at links with an interesting past. There is a museum designed by Richard Meier; a roofless church of curious design, which turns out to have been built by Philip Johnson; and a pair of spectacular gates designed by the cubist sculptor Jacques Lipchitz. All were created to memorialize that brief time in the early nineteenth century when New Harmony, as its name might now suggest, was founded to be the spiritual center of a great social experiment.
It was among the earliest of a scattering of similarly optimistic, hope-filled communities that sprang up in the early days of the United States, but New Harmony enjoyed a peculiar connection with that most elemental and unifying aspect of the stripling American nation: its geology.
To understand the geology of a country is to understand and then to realize all of its possibilities—its wealth, its strengths, the nature and kinds and value of its resources. Geology, after all, and without any intended pun, underlies everything. Human settlement on an unknown landscape perforce depends on a deep knowledge of what and where is potentially being settled—on whether the geology of this region suits it to farming, to mining, or to industry heavy or light; whether this range of hills is traversable, this cold prairie is cultivable, this wide river is fordable.
There can be no gainsaying the importance of the first crude discoveries made by the geological pioneers of early America: their findings, surveys, maps, and forecasts were the guides and lures that tempted and then scattered millions of people across the country. Eighteenth-century geology, infant science though it still may have been, offered the keys to unlock the country’s promise, bringing men out to inhabit the farther reaches of this country and create their nation.
And the town of New Harmony, Indiana, was where this realization of geology’s importance was born.
The town, first simply named Harmonie, was settled initially by early-nineteenth-century Germans, men and women fleeing to America much as the Pilgrim Fathers had fled two centuries before, to escape religious restrictions back home. Their piety and hard work paid off quickly, and they eventually moved on to larger quarters, selling their tiny settlement to another idealist adventurer, the campaigning Welsh socialist Robert Owen. He, flushed with the success of a millworkers’ commune that he had organized outside Edinburgh, planned to establish a utopian beachhead in America, based on socialist ideals. He renamed the former German village New Harmony; and once he had settled during the winter of 1825, he invited like-minded idealists to join him.
Such was the educational reputation of Owen’s earlier Scottish experiment that New Harmony became an immediate magnet for intellectuals, philosophers, teachers—and, in particular, scientists. Geologists, most notably, pitched in with a special enthusiasm, such that at the peak of New Harmony’s fortunes, no fewer than seven geologists of considerable later distinction could be counted among the inhabitants.
This tiny town briefly became “a scientific center of national significance,” as the University of Southern Indiana describes it today. New Harmony can fairly be regarded more specifically as the birthplace of American geology—not least because Robert Owen’s closest colleague and ideological soul mate, an equally eccentric visionary who came to join him on the banks of the Wabash River, is generally acknowledged today to be American geology’s founding father. He, too, was a foreigner, a middle-aged Scotsman of wealth and distinction whose fortune was in no way connected to the science of the earth—William Maclure.
THE SCIENCE THAT CHANGED AMERICA
Robert Owen and William Maclure were both strange and remarkable men. Owen was a social reformer of lasting repute—though his fame remains largely in his home country, to which he eventually returned. But when it comes to the story of geology as a unifying force in the making of the United States, the person of William Maclure is the one to be remembered preeminently—even though, ironically, he was not really a geologist at all.
Maclure, born in southern Scotland in 1763, was by his early thirties already a very rich man. He had amassed a fortune as a trader, helped by the annuity from his equally successful Ayrshire father, in whose mercantile footsteps he followed. He had come to the American colonies when he was a teenager, had set up his own import-export business when he was only nineteen, and soon afterward, profoundly influenced by the revolutionary events of 1776 and 1789 in America and France, moved to Philadelphia, throwing in his lot with a society that seemed to him to embrace his own beliefs in fairness and equality. He assumed American citizenship in 1796 and promptly established himself as a fully paid-up member of Pennsylvania’s fast-growing patrician society.
William Maclure, the wealthy Scotsman whose immense fortune allowed him time to indulge an early passion for American geology, and who in 1809 drew the country’s—and the world’s—first geological map.
Except that being merely patrician held little interest for a man of such a restless nature. No more than a year after becoming a citizen, when he might otherwise have started to enjoy the sedate comforts of early middle age, he made two important decisions.
He first decided to devote much of his remaining life to promoting educational reforms among America’s working classes. He vowed, as Robert Owen had already vowed, unbeknownst to Maclure, that the farmer, the miller, and the forge master would each have the same access to society’s potential as he and his wealthy peers had already been granted. It might take him years, but he would at least now begin to make plans.
At thirty-six, he believed himself young enough and fit enough to take on such a challenge. He had already achieved great eminence among the East Coast thoughtful: he was a leading light in the fiercely intellectual American Philosophical Society, founded by Benjamin Franklin, and would later go on to help found and run the American Academy of Natural Sciences, the oldest such institution in the country today. He believed deeply in the unifying powers of democratized science.
His second idea was more precise, as he explained in a letter to a friend. He “adopted rock-hunting as an amusement.” Geology, he declared, was far preferable to the conventional bourgeois pursuits of hunting and fishing, not least because it was “most applicable to useful practical purposes.” Moreover, “it has always appeared to me that the science of geology was one of the simplest and easiest to acquire: the number of names to be learned is small, and the present nomenclature, although rather generic than specific, is not difficult.”
He first toyed with the science during a brief stay in Europe,
delving into the small mysteries of its nomenclature at the very time when the numerous schisms that plagued the calling were at their most dramatic. Perhaps no science has ever been caught up in such turmoil. On the one hand, geologists were busily unleashing themselves from centuries of dogmatic interference from the church. The less pious of their number were no longer content to believe unquestioningly in such literal Bible-based teachings as the creation of the earth on a precise October date in 4004 BC, for instance.
There were also continuing disputes raging within the science—between the plutonists and the neptunists, for example, or between the catastrophists and the calmer-minded supporters of uniformitarianism. And the aristocrats who had claimed the science for themselves—rich men who amassed gaudy collections of minerals and fossils to decorate the drawing rooms of their mansions—were also at the time beginning to yield to a wider public sense of inquiry, with every farmer and walker and settler keeping an eye on the land, curious to know what it was made of and why.
But for some, the academic din in Europe proved perhaps just a little too much. William Maclure soon came back to America, admitting to being overwhelmed by the topographic complexity of the European landscape. He decided he would instead be more suitably self-employed discovering the geology of his newly adopted homeland. He would find out what America was made of, he decided. And he would draw a map of it.
DRAWING THE COLORS OF ROCKS
This was in 1799. For the next ten years, Maclure tramped and stagecoached relentlessly up and down and across the narrow swath of territory that lay between the Appalachians and the Atlantic—the country’s most known and settled region. He wandered on the far side of the Alleghenies, too, through what is now Arkansas and Mississippi, though it is not certain if he managed to get as far north as the sparsely settled territories of Ohio and Indiana. He managed to get himself all the way down to Georgia. We cannot be certain that he got all the way up to Maine, but he did claim to have crossed the hills and valleys of the Appalachians at least twenty-two times—which, given the condition of the roads at the time, was no mean achievement.
But however he did it, wherever he happened to go, however many miles he walked, rode, or went in greater comfort by carriage and diligence and cart, he achieved something truly memorable, with a significance that went beyond what might have seemed its purely American relevance. He announced it in an address before an evening meeting of the American Philosophical Society in 1809 after offering his first thoughts on the geology of the nation. Crucially, he included with his seventeen pages of explanation a hand-colored map—the first geological map in the world, some say, and certainly the first recognizable geological map of the United States.
It is a document of curious beauty, even though its simple innocence rendered it of little real use. It is based on a topographic map engraved by Samuel Lewis, a Philadelphia mapmaker who was at the time perhaps the country’s preeminent cartographer.* Maclure used vivid watercolors—yellow, red, blue, pink, and green—to paint onto the base map’s eastern half the five main divisions, as early geology was inclined to see them, of America’s rocks.
The swaths of color he used—to show different kinds of rock, not different ages, as maps do today—all trend across the states from the southwest up to the northeast. They sweep along in approximate parallel to the lines of the Appalachian hills—which on the map sheet are picked out in caterpillarlike lines of ugly fuzziness; that was the device Lewis had employed to depict chains of mountains on all of his maps.
The results of Maclure’s estimated fifty survey journeys across the Appalachians led to the publication in 1809 of this crude but memorable first geological map of the then United States. It predated by six years the much more famous British map by William Smith.
Four basic types of rock make up the geology of America, as it was described in 1809. On the western side of the mountains, everything on Maclure’s map is colored pale blue, indicating the presence of so-called secondary rocks, fossil-bearing sediments, by and large. On the eastern side, the ocean side, all is by contrast hand-colored yellow, indicating alluvial rocks, gravels and sands and fresh-from-the-ocean clays.
The summits of the Appalachian mountain ranges Maclure showed to be quite geologically different and painted them in vivid streaks of deep blue and deep red denoting what early geological theorists called transition rocks. He also noted the presence of hard granitic outcrops of what he called primitive rocks; these he colored in pink. And for good measure, he also invented a fifth category for deposits of rock salt.
As art, Maclure’s maps—he made a revised version in 1818—are undeniably pretty; but as science, they were confusing and, in truth, pretty useless. Had they been Maclure’s sole achievement, he might then have slipped into obscurity. But that was not to be.
THE WELLSPRING OF KNOWLEDGE
Maclure’s eagerness to instill in American working-class youth a love for the practical—for the skills of farming; for a knowledge of geography; for the learning of natural history, statistics, biology—remained for years little more than an unrealized dream. But all changed in 1824, when he traveled to Scotland and had his first meeting with Robert Owen. That was when he was first seized with the idea of joining a utopian commune, transforming himself from a mapmaker into a missionary, and becoming America’s first geological messiah.
Owen was a Welshman who had made his fortune from the spinning of cotton in Scotland. He had carefully created in New Lanark a showpiece of social engineering for his mill workers—a near-ideal industrial environment, as he saw it, a community that was clean, healthy, well paid, disciplined, and morally sound, its children better educated than those in the finest paid schools in the land. So successful and admired had been New Lanark that Owen decided to expand. In the winter of 1824, he took his millennial dreams and blueprints for popular communal perfection across to America and started the process without delay by buying all of the land and real estate that the departing German settlers had created for themselves in New Harmony.
He reasoned that two thousand or so people could live together around an immense quadrangle he would build in the town. They would govern themselves, farm the land collectively and intelligently, live congenially without money, commune among themselves in the gardens within the buildings, and discipline themselves to hard work and moderate celibacy. His ideals were to all intents and purposes the ideals of the early Soviets, with communities to be run according to the familiar Marxist precept of fifty years later: “From each according to his ability, to each according to his needs.”
After settling his purchase of New Harmony, he came back east on a whirlwind recruiting mission. The fame he had won from his Scottish experiment preceded him, and as a successful industrialist, he found immediate and ready acceptance everywhere. At least, he did at first. He was able to meet without difficulty all of the privileged and the progressive figures of the Philadelphia Main Line, as well as chiefs of two Indian tribes. He won an audience with President Monroe, took tea with Thomas Jefferson and James Madison, and gave two public lectures in the Capitol. John Quincy Adams, the president-elect, came to both talks, and was so taken that he had Owen build a scale model of his proposed New Harmony building and display it at the White House.
It was while he was in Pennsylvania that Owen achieved his greatest coup, the one whose effects would linger longest, in managing to persuade William Maclure to come on board.
At the time, Maclure, his mapmaking success well in his past, had won fresh fame as a campaigning education reformer; and as president of the American Academy of Natural Sciences, he was seen not just as one of the preeminent scientists of his time, but as a great educational theorist, too. At their first meeting, Owen lost no time in reminding Maclure of his own, rather similar credentials. He assured him that what Maclure had seen of his success back in Scotland just a matter of months earlier could and should now be re-created in America.
What followed was an epiphany. After an ini
tial bout of dithering—he was shrewdly wary of Owen’s eccentricities and shortcomings, even then—William Maclure finally and decisively bought into the revolutionary plans. He agreed. He would uproot himself from the comforts of his Pennsylvania life, move the eight hundred miles across and down to New Harmony, and throw in his lot with Owen’s strange new settlement.
Moreover, and more important still, he persuaded a number of his scientific colleagues to come along with him. They were a die-hard group, young men and women, also largely from Pennsylvania, who thought the idea of going off to live in Owen’s eccentric new commune was both worthy and noble. Most of those who volunteered were younger than Maclure. All were as eager as he was to teach youngsters the knowledge they had accrued. All were dreamy and impractical idealists.
So he made the journey a suitably impractical adventure. Rather than have the party travel down to Indiana in the comfort of the stagecoach, Maclure had them all go down on a boat. It was a shallow-draft keelboat, with barely room for forty, rowed by six oarsmen. Officially it was named the Philanthropist, but Owen proclaimed that “it contained more learning than ever was before contained in a boat,” so it was and still is informally known as the Boatload of Knowledge.
The vessel took off down the Ohio River from Pittsburgh on a bitter Sunday in late November 1825. After punching its way though the ice for the next seven weeks—its passengers listening to the onboard piano, taking off for skating ventures, reciting poetry and reading, reading—everyone arrived at New Harmony on a bitter cold day in late January. Fifty tons of books and what was termed “philosophic apparatus” joined them a few days later, whereupon the team promptly began—under the supervision of Maclure and Owen (who had come down at ease, on the stagecoach)—a hyperactive program of teaching to all and any of the youngsters from the towns nearby, just what they had to offer.