Secrecy
Page 23
When I laid him on the slab in Pampolini’s operating theatre, his face was paler than the marble, and I was afraid he might already be dead. Pampolini used a pair of scissors to cut off the jacket, shirt and breeches. Cuif’s shoulders had been wrenched out of their sockets, and his right kneecap was shapeless, a mass of congealing blood and shattered bone.
‘Can you do anything for him?’ I said.
‘Not much. Even if he lives, I doubt he’ll walk again.’
‘I don’t want to live,’ Cuif murmured.
I leaned down close. ‘Don’t say that. You’ll be fine. You’re in good hands.’
Pampolini asked Earhole to fetch the dwale. It was a tincture made from henbane, mandragora, hemlock, mulberry juice and pape, he told me. It would put Cuif to sleep. After that, he would see what he could do. He filled a spoon with the brown liquid, lifted Cuif’s head and tipped the contents into his mouth.
I glanced at Earhole. ‘How’s the ankle?’
‘Much better, thanks.’
‘This man was one of the great entertainers of his age,’ I said. ‘His somersaults were legendary. I was lucky enough to watch him once, rehearsing in his room. But now they have destroyed him …’
‘They?’ Earhole said. ‘Who?’
Pampolini frowned. ‘Never you mind.’
I left Cuif with Pampolini, asking that the Frenchman be given the best available care and promising to cover all expenses. On my way home, I called in at the House of Shells to let the signora know what had happened. She began to cry again, her face buried in one of her elaborately embroidered shawls.
By the time I opened my front door, I was close to tears myself. A lighted candle wavered in a red glass lantern, and dark pink roses floated in a bowl that stood on a low table by the wall, but the air still smelled of my mother’s poultices and potions. My house had become a shrine to her distress.
‘Who’s that?’ she called out.
I put my head round the door. ‘It’s me.’
She was sitting up in bed, shuffling a pack of miniature cards.
‘Where’s Jacopo?’ she said.
‘He died, mother. In the earthquake.’
Her face emptied; the cards fell still between her fingers. The simplest exchanges were fraught with confusion and misunderstanding.
Then a brightness flooded back into her face, and she looked younger, almost girlish. ‘How’s your work going?’
‘I didn’t work today,’ I said.
She reached for her tumbler of acquerello. When she had taken a sip, she put the tumbler back on the bedside table and looked at me again, a smile precariously balanced on her lips, her eyes an eerie, bewildered pale-brown.
‘And what about your work, Gaetano? How’s it going?’
She could ask the same question three or four times in a single conversation, but since she seemed unaware of the fact that she was repeating herself it made no sense to point it out, and I tended to treat each new repetition as an original remark. I told her my work was going well. She needed to be reassured that things were stable.
That week I had trouble sleeping. One night, I was woken in the small hours by a terrible screaming. What a wind, I thought. I couldn’t remember hearing anything like it, not even on Ponza in 1688, when I was trapped on the island by a storm. It occurred to me to go outside and inspect the damage – I imagined trees uprooted, shattered roof-tiles, boats ripped from their moorings – but just as I was about to leave my bed a silence fell, and I heard the murmur of voices in the distance. These would be people like me, I thought, people who had been woken by the gale.
The next morning, as I walked down the track to my workshop, I came across Navacchio, supervising the trimming of a hedge. When I talked about the wind, he looked nonplussed.
‘You couldn’t have slept through it,’ I said. ‘No one could.’
Navacchio pinched a large, flat earlobe between finger and thumb.
I looked past him, into the gardens. There were no fallen branches, no flattened shrubs. There was no debris of any kind.
‘Did you hear the news?’ Navacchio said.
‘What news?’
‘The Grand Duke’s mother’s dead.’
Though Vittoria della Rovere had never been popular, Florence plunged into an orgy of sorrow, remorse and penitence. The palace was draped in black silk, which snapped and rippled in the raw March breeze, and noble families hung tapestries from their windows, the rich fabrics dimmed by strips of funereal ribbon. The streets leading to San Lorenzo were choked with endless candle-lit processions, which brought that part of the city to a standstill. Church bells sounded at all hours of the day and night. The Grand Duke, who had rarely felt confident of his place in his mother’s affections, and who had been ambivalent, to say the least, about her constant interference in affairs of state, wept openly, refused to eat, and spent so long in prayer that both his knees swelled up and he could barely walk. Her passing also revived his anxieties about the succession. ‘No births,’ somebody heard him moan, ‘only death, death, death!’
It wasn’t until after the requiem Mass had taken place that I summoned the courage to approach him. Toldo was guarding the entrance to the Vasari Corridor on the afternoon in question, and, once I had persuaded him that I had urgent private business with the Grand Duke and swore that I would shoulder all responsibility, he grudgingly stood aside and let me through.
I climbed a flight of carpeted steps. It was quiet in the corridor, with round windows set low down in the walls. There were soldiers stationed at regular intervals, and though they remained motionless I sensed their eyes on me when I walked past. As the corridor moved north, it gradually sloped down until it approached ground level, and I had a view of the palace gardens, scraps of muted greenery caught in the metal grilles that were fitted over the windows. According to Toldo, the Grand Duke was on his own. Had he followed the corridor all the way to the Uffizi? Once, in a burst of enthusiasm, a month or two after I delivered my commission, he had taken me to the gallery to show me a sculpture he admired. A portrayal of two wrestlers in combat, neither of whom appeared to have gained the upper hand, the piece was a study in tension and balance. Incongruously, perhaps, it reminded me of the Grand Duke’s foreign policy, the way in which he contrived both to avoid commitment and to keep all his options open, and I wondered if that was why the sculpture appealed to him. After spending a few moments thinking about how to frame the observation, I put it to him, and he turned to me with a look that was warm, almost grateful, and said, ‘Ah, Zummo, I knew you’d understand.’ How long ago that seemed!
Soon I was beyond the gardens, and the corridor began to climb again. I was able to peer down into Via Guicciardini, the street I used to travel every day during my first two years in the city. Had the passers-by glanced up, all they would have seen was a shadowy figure; they would have assumed I was a member of the ruling family, maybe even the Grand Duke himself.
Without being aware of it, I had speeded up, and as a result I nearly missed him altogether. He was sitting with his back to me, in an alcove that overlooked the nave of Santa Felicità. His head was bowed, as if in prayer; the great globe of his belly rose and fell. It was here – precisely here – that Fiore claimed to have seen him once. He had often told me how much he valued time spent in the corridor – it was one of the few places where he could escape the pressures of his position – and I knew I shouldn’t be imposing on him, but recent events had left me with no choice. I had burned my boats. My boats were ashes. I decided not to wake him, though. I would simply wait.
By the time his eyes opened, at least a quarter of an hour had gone by, and I had almost forgotten why I had come. Watching a man sleep had begun to seem like an end in itself.
‘Zummo?’
‘Forgive me for intruding, Your Highness, especially at a time like this.’
He brought a fist up to his mouth to hide a yawn. ‘It’s a sad time. Very sad.’
I told him I had been praying
for his mother’s soul.
‘But that’s not what brings you here,’ he said.
‘No.’ I took a breath. ‘I’ve never bothered you with anything personal before –’
I saw his gaze turn inwards. Had I lost him already? I should have prepared the ground with more subtlety, more care. After all, he had only been awake for a few seconds. But then I heard Cuif shriek in agony as I raised him up off the dungeon floor, and I pressed on regardless.
‘Bassetti has ordered the arrest and torture of a friend of mine,’ I said, ‘a man who is innocent of all charges.’
The Grand Duke brushed at the front of his tunic, then stood up and walked off down the corridor, towards the Ponte Vecchio. Uncertain of the protocol, I remained where I was.
‘My friend’s life has been ruined. He might even die.’ I paused. ‘The interrogation was unjustified and brutal.’
Some distance away, the Grand Duke turned to face me. In his sombre mourning clothes, he seemed to fill the narrow space. ‘I wonder if you realize what you’re saying.’
‘I’m simply describing what I saw, Your Highness. Such violence – and all for nothing.’
‘These are serious allegations.’
Allegations. His choice of words told me everything I needed to know. He had decided not to back me in the matter. What on earth had made me think he would? I was overwhelmed by dizziness. The grey air prickled.
‘Bassetti occupies a position of trust,’ he said, ‘and he has occupied that position for many years.’
‘I know. Of course. Your private secretary. Your uncle’s too. And more than that, by all accounts.’
‘More than that?’
‘He guards your values. He enforces morality. He encapsulates the very spirit of your reign.’ I was babbling. Worse still, my Sicilian accent had returned. I sounded abrasive. Foreign. I doubted he could understand a single word.
‘And yet,’ the Grand Duke said, ‘you appear to be finding fault with him –’
‘Not finding fault, Your Highness. Not with him. No, no. I just think he might have been poorly advised – on this occasion.’
Better. But not good enough.
The Grand Duke adjusted the extravagant curls and scrolls of his black wig and then strolled back along the corridor towards me. As I flattened myself against the wall to let him pass, I was enveloped in the English fragrance he used – a heady concoction of primrose, eglantine, and marigold. He stood in the alcove, close to the iron grille, and gazed down into the nave of Santa Felicità. I heard him sigh.
‘Perhaps you’re not aware of this, Zummo – in fact, I’m sure you’re not – but I have already showed my support for you by choosing to ignore certain information that has come to light –’
Madonna porca. I bit my bottom lip so hard I tasted blood.
‘Information which, if true,’ he said, still peering down, ‘would make your position here untenable.’
I didn’t speak. I couldn’t.
‘I have vouched for you personally because you’re important to me. I have given you the benefit of the doubt. All this behind your back, without you knowing, because I didn’t want to distract you from your work. But if you lodge a complaint against the very people who are making accusations …’ He faced me, his eyes solemn beneath their heavy lids.
‘And my friend?’
He pushed out his lips, then shook his head.
Staring at the ground, I nodded to myself. There would be no apology, no justice. No attempt at reparation. Cuif would join the hordes of cripples and beggars who slumped against the walls of the city’s many charitable institutions with crude paintings of John the Baptist round their necks.
‘Those who are for us,’ the Grand Duke said, ‘and those who are against us cannot be measured on the same set of scales. Enemies have more urgency, more focus. They will always tip the balance.’
I was pretty certain that Cuif’s arrest and torture had been intended as a warning to me, and a lesson. What had not occurred to me – not, that is, until that moment – was the idea that he might have been a decoy, and that Faustina might be the real target. In a hurry to leave suddenly, I thanked the Grand Duke for his patience and his advice, and apologized once again for having interrupted him.
‘Do your work,’ he said. ‘That, after all, is why you’re here.’
The sky had darkened, and thunder began to roll and tumble in the hills behind San Miniato. In the street below, I heard a child cry out in terror. I backed away down the corridor. The Grand Duke was eyeing me with regret, it seemed, or even, possibly, nostalgia. Just then, he leapt towards me, doubling in size, and becoming brighter, almost silver, and I thought for one demented, panic-stricken moment that he was attacking me. Then I realized he hadn’t moved.
It was just sheet lightning flashing through the window to his right.
It was just the beginning of the storm.
In the fading light I saw Siena up ahead, and I remembered how it coiled on its hill like the shell of a snail, with hardly a straight street to be found, and how the subtle but recurring bends and curves gave the city an atmosphere of mystery, a discreet sense of the infinite.
The day after my encounter with the Grand Duke, I had called on Magliabechi. When I knocked, a small panel slid open at head-height, and I heard the librarian’s irritable voice: ‘If it’s not important, you can go away.’
I spoke through the hatch. ‘It is important.’
The latch clicked, seemingly of its own accord, and the door swung inwards. Magliabechi was sprawled on his back in the middle of a large dusty room, not in a chair, but in the kind of wide, shallow cradle that one might use for sorting pears or peaches. He was surrounded by books, all stacked in vertiginous, fragile towers. As I approached, he reared into a sitting position. ‘Careful! Don’t hurt my spiders!’
In the grey light that fell in a column from the window above him, I saw that his cradle was linked to the piles of books by dozens of cobwebs.
‘Did you know that a spider can survive for months without food?’ Magliabechi peered at me as if I were a lesser species, chin jutting, bits of egg-white wedged in the gaps between his teeth.
‘No, I didn’t know that.’
I passed him the jar that contained the piece of the dead girl’s skin. He grasped it in both hands, his fingers hook-like, scaly.
‘Interesting specimen,’ he said. ‘My first thought? Domini canes. It’s a pun. Domini canes means Dominicans, obviously, but it also means “Hounds of the Lord”.’
‘That’s precisely the answer I was hoping for,’ I said.
He handed the jar back to me.
Talking of Dominicans, he said, had I by any chance heard about Stufa’s vigil? He had sat beside Vittoria’s body for more than a week, and had prayed without ceasing. He had hardly slept. His mind was beginning to unravel.
‘It doesn’t surprise me,’ I said. ‘She was like a mother to him, apparently.’
‘And more than that, some say.’ Magliabechi gave me a wily, tantalizing look, but wouldn’t elaborate.
Later that day, I walked over to Santa Maria Novella, intent on seeing the dogs for myself. Once in the Spanish Chapel, I approached the eastern wall. There they were, with their long, pointed muzzles and their teeth set in fierce, even rows. One of them had savaged a wolf and drawn blood, wolves symbolizing the unbelievers who threatened the fold. As I stood in front of the fresco, struck by the dogs’ uncanny resemblance to the crudely decorated piece of skin inside my bag, I heard footsteps and turned to see Stufa standing at my elbow.
‘The Exaltation of the Order of the Dominicans,’ he said. ‘Andrea di Bonaiuto at his most inspired.’
‘So it’s not true that all art leaves you cold.’
Stufa’s face looked even bonier than usual, and his eyes, though piercing, were lightless. His vigil had taken its toll, and he was still grieving, of course, but it also seemed likely that the death of his protector had left him feeling unanchored and exposed
.
‘I’m sorry for your loss,’ I said.
‘Is that why you came? To gloat?’
‘Actually, I wasn’t expecting to see you. Since you’re here, though, there’s something I want to put to you.’
‘Really?’ Stufa sounded sceptical, sarcastic. He clearly doubted I could say anything that would be of interest to him, and that prompted me to be more blunt than I had intended.
‘You’re a murderer,’ I said.
I had expected him to be startled, but he held my gaze. ‘What happened? Did that spineless Frenchman die?’
‘No, he didn’t. Not yet, anyway.’
‘In that case, I don’t know what you’re talking about.’
‘I’ve got evidence that connects you to the death of a girl.’
‘What girl would that be?’
‘She was found by the river. In Sardigna.’
‘As it happens,’ he said slowly, ‘there is a girl I’m interested in. It seems we’re destined to be together. Look inside her name. I’m there.’ He waited for me to understand. ‘You don’t see it? My name, her name – the one inside the other.’ His lips were thin and bloodless; his tongue showed between them, dark as a parrot’s. ‘I’ve already penetrated the girl you’re in love with. I’ve already had her.’
‘You’re just playing with words.’ But he had ruined Faustina’s name for me, and he knew it.
‘People like us should share things, don’t you think? That’s what you said, remember? People like us.’
I turned away, making for the cloister.
‘Are you going already? Don’t you want me to tell you where she is?’
I kept walking.
‘Put it like this. Tomorrow I leave for the south-east of the duchy. There’s a little village, on a hill …’
He was claiming to know where Faustina was, and I couldn’t afford not to believe him.
That afternoon I told my mother I was going to look at the gypsum quarries near Volterra, and that I might be gone for as long as a fortnight, then I borrowed a mare from Borucher, strapped a sword to the saddle and rode south to Siena, forty-seven miles down that lonely, stony switchback of a road, the sky low and dark, the weather unseasonably cold for March. In making for Torremagna, was I protecting Faustina or was I putting her at risk? I had no idea.