Last Enchantment

by Mary Stewart

  I had been right in supposing that a road would lead to the once-Roman fortress of Caer Camel. The road leaves Ynys Witrin by a causeway which skirts the base of the Tor, spans a narrow arm of the Lake, and reaches a strip of dry, hard land stretching toward the east. There it joins the old Fosse Way, then after a while turns south again for the village at the foot of Caer Camel. This had originally been a Celtic settlement, then the vicus to the Roman fortress, its occupants scraping some sort of living from the soil; and retiring uphill within walls in times of danger. Since the fortress had decayed, their lives had been hard indeed. As well as the ever-present danger to the south and east, they even had, in bad years, to beat off the people of the Summer Country, when the wetlands around Ynys Witrin ceased to provide anything but fish and marsh birds, and the young men craved excitement beyond the confines of their own territory. There was little to be seen as I rode between the tumbledown huts with their rotting thatch; here and there eyes watched me from a dark doorway, or a woman's voice called shrilly to her child. My horse splashed through the mud and dung, forded the Camel knee-deep, then at last I turned him uphill through the trees, and took the steep curve of the chariot-way at a plunging canter.

  Even though I knew what to expect, I was amazed at the size of the summit. I came up through the ruins of the southwest gateway into a great field, tilted to southward, but sloping sharply ahead of me toward a ridge with a high point west of center. I walked my horse slowly toward this. The field, or rather plateau, was scarred and pitted with the remains of buildings, and surrounded on all sides by deep ditching, and the relics of revetments and fortified walls. Whins and brambles matted the broken walls, and mole-hills had heaved up the cracked paving-stones. Stone lay everywhere, good Roman stone, squared in some local quarry. Beyond the ruined outworks the sides of the hill went down steeply, and on them trees, once lopped to ground level, had put out saplings and thickets of suckers. Between these the scarps were quilted with a winter network of bramble and thorn. A beaten pathway through sprouting fern and nettle led to a gap in the north wall. Following this, I could see where, half down the northern hillside, a spring lay deep among the trees. This must be the Lady's Well, the good spring dedicated to the Goddess. The other spring, the main water supply for the fortress, lay halfway up the steep road to the northeast gateway, at the hill's opposite corner from the chariot road I had taken. It seemed that cattle were still watered there: as I watched, I saw a herd, slow-moving, come up through the steep gap, and spread out to graze in the sunshine, with a faint, off-note chiming of bells. Their herd following them, a slight figure whom at first I took for a boy, then saw, from the way he moved, using his staff to lean upon, that it was an old man.

  I turned my horse's head that way, and walked him carefully through the tumble of stonework. A magpie got up and flew, scolding. The old man looked up. He stopped short, startled, and, I thought, apprehensive. I raised a hand to him in a sign of greeting. Something about the solitary and unarmed horseman must have reassured him, for after a moment he moved to a low wall that lay full in the sun, and sat down to wait for me.

  I dismounted, letting my horse graze.

  "Greetings, father."

  "And to you." It was not much more than a mumble, in the strong blurring accent of the district. He peered at me suspiciously, through eyes clouded with cataract. "You're a stranger to these parts."

  "I come from the west."

  This was no reassurance. It seemed that the folk hereabouts had had too long a history of war. "Why'd you leave the road then? What do you want up here?"

  "I came on the King's behalf, to look at the fortress walls."

  "Again?"

  As I stared at him in surprise, he drove his stick into the turf, as if making a claim, and spoke with a kind of quavering anger. "This was our land before the king came, and it's ours again in spite of him. Why don't 'ee let us keep it so?"

  "I don't think — " I began, then stopped, on a sudden thought. "You speak of a king. Which king?"

  "I don't know his name."

  "Melwas? Or Arthur?"

  "Maybe. I tell you I don't know. What do you want here?"

  "I am the King's man. I come from him —"

  "Aye. To raise the fortress walls again, then take away our cattle and kill our children and rape our women."

  "No. To build a stronghold here to protect your cattle and children and women."

  "It did not protect them before."

  There was silence. The old man's hand shook on his stick. The sun was hot on the grass. My horse grazed delicately round a thistle head growing low and circular, like a splayed wheel. An early butterfly alighted on a purple head of clover. A lark rose, singing.

  "Old man," I said gently, "there has been no fortress here in your lifetime, or in your father's. What walls stood here and looked south and north and westward over the waters? What king came to storm them?"

  He looked at me for a few moments, his head shaking with the tremor of age. "It's a story, only a story, master. My granda told it to me, how the folk lived here with cattle and goats and sweet grazing, and wove the cloth and tilled the high field, until the king came and drove them down through yon road into the valley bottom, and there was a grave for them all that day, as wide as a river and as deep as the hollow hill, where they laid the king himself to rest, and his time coming soon after."

  "Which hill was that? Ynys Witrin?"

  "What? How should they carry him there? It's a foreign country there. They call it the Summer Country, for all it's a sheet of lake water all the year round save through the dry time of midsummer. No, they made a way into the cave and laid him there, and with him the ones who were drowned with him." A sudden, high crackle. "Drowned in the Lake, and the folk watched and made no move to save him. It was the Goddess took him, and his fine captains along with him. Who could have stopped her? They say it was three days before she gave him back, and then he came naked, without either crown or sword." The crackling laugh again, as he nodded. "Your King had best make his peace with her, tell him that."

  "He will. When did this happen?"

  "A hundred years ago. Two hundred. How would I know?"

  Another silence, while I assessed it. What I was hearing, I knew, was a folk memory that had come down tongue to tongue in a winter's tale by some peasant's hearth. But it confirmed what I had been told. The place must have been fortified time out of mind. "The king" could have been any one of the Celtic rulers, driven eventually from the hilltop by the Romans, or the Roman general himself who had stayed here to invest the captured strongpoint.

  I said suddenly: "Where is the way into the hill?"

  "What way?"

  "The door to the king's tomb, where they made the way for his grave."

  "How do I know? It's there, that's all I know. And sometimes, on a night, they ride out again. I have seen them. They come wi' the summer moon, and go back into the hill at dawning. And whiles, on a stormy night, when dawn surprises them, one comes late, and finds the gate shut. So he is doomed for the next moon to wander the hilltop alone till..." His voice faltered. He ducked his head fearfully, peering. "A king's man, you said you were?"

  I laughed. "Don't be afraid of me, father. I'm not one of them. I'm a king's man, yes, but I have come for a living king, who will build the fortress up again, and take you and your cattle, and your children, and their children, into his hand, and keep you safely against the Saxon enemy from the south. And you will still get sweet grazing for your herd. I promise you this."

  He said nothing to that, but sat for a while, nid-nodding in the sun. I could see that he was simple. "Why should I be afraid? There has always been a king here, and always will be. A king is no new thing."

  "This one will be."

  His attention was leaving me. He chirrupped to the cows: "Come up, Blackberry, come up, Dewdrop. A king, and tend the cattle for me? Do you take me for a fool? But the Goddess looks after her own. He'd best tend to the Goddess." And he subsided,
mumbling his stick, and muttering.

  I gave him a silver coin, as one gives a singer the guerdon for his tale, then led my horse off toward the ridge that marked the summit of the plateau.

  3

  SOME DAYS LATER THE FIRST party of surveyors arrived, to begin their measuring and pacing, while their leader was closeted with me in the temporary headquarters that had been made for us on the site.

  Tremorinus, the master engineer who had taught me so much of his trade when I was a boy in Brittany, had died some time ago. Arthur's chief engineer now was a man called Derwen, whom I had first met years back, over the rebuilding of Caerleon in Ambrosius' time. He was a red-bearded, high-coloured man, but without the temper that often goes with that colouring; indeed, he was silent to the point of surliness, and could prove sullen as a mule when pressed. But I knew him to be competent and experienced, and he had the trick of getting men to work fast and willingly for him. Moreover, he had taken pains to be master himself of all trades, and was never above rolling up his sleeves and doing a heavy job himself if time demanded. Nor did he appear to mind taking direction from me. He seemed to hold my skills in the most flattering respect; this was not, I knew, because of my especial brilliance I had shown at Caerleon or Segontium — they were built to pattern on the Roman model, on lines laid down through time, and familiar to every builder — but Derwen had been an apprentice in Ireland when I had moved the massive king-stone of Killare, and subsequently at Amesbury, at the rebuilding of the Giants' Dance. So we got along tolerably well together, and understood each what the other was good for.

  Arthur's forecast of trouble in the north had come true, and he had gone up in early March. But during the winter months he and I, with Derwen, had spent many hours together over the plans for the new stronghold. Driven by my persistence, and Arthur's enthusiasm, Derwen had finally been brought to accept what he obviously thought of as my wild ideas about the rebuilding of Caer Camel. Strength and speed — I wanted the place ready for Arthur by the time the campaign in the north should near its close, and I also wanted it to last. Its size and force had to fit his state.

  The size was there: the hill's summit was vast, some eight acres in area. But the strength... I had had lists made of what material was already there, and, as best I could among the ruins, I had studied how the place had been built before, the Roman stonework on top of layer after layer of earlier Celtic wall and ditching. As I worked I kept in mind some of the fortifications I had seen on my travels abroad, strong-points thrown up in wilder places than this, and on terrain as difficult. To rebuild on the Roman model would have been a formidable, if not impossible, task; even if Derwen's masons had had the knack of the Roman type of stonework, the sheer size of Caer Camel would have forbidden it. But the masons were all expert at their own dry-stone kind of building, and there was plenty of dressed stone to hand, and a quarry nearby. We had the oak-woods and the carpenters, and the sawyers' yards between Caer Camel and the Lake had been packed all winter with maturing timber. So I had made my final plans.

  That they were carried out magnificently everyone can see. The steep, ditched sides of the place they now call Camelot stand crowned with massive walls of stone and timber. Sentries patrol the battlements, and stand guard over the great gates. To the northerly gate a wagon-road climbs between its guarded banks, while to the gate at the southwest corner — the one they call King's Gate — a chariot-way curves up, true-cambered to the fastest wheels, and wide enough for a galloping troop of horse.

  Within those walls now, as well kept in these times of peace as in the troubled days I built them for, a city has arisen, gay with gilding and the fluttering of banners, and fresh with gardens and orchard trees. On the paved terraces walk women in rich dresses, and children play in the gardens. The streets are crowded with folk, and full of talk and laughter, the chaffering of the market-place, the quick hoofs of Arthur's fleet and glossy horses, the shouts of the young men, and the clamour of the church bells. It has grown rich with peaceful commerce, and splendid with the arts of peace. Camelot is a marvellous sight, and one which is familiar now to travellers from the four corners of the world.

  But then, on that raw hilltop, and among the mess of abandoned buildings, it was no more than an idea, and an idea sprung out of the hard necessities of war. We would start, of course, with the outer walls, and here I planned to use the broken stuff that lay about; tiles from the old hypocausts, flagstones, bedding from the floors, even from the old road-work that had been laid in the Roman fortress. With these we would throw up a revetment of hard rubble which would retain the outer wall, and at the same time support a broad fighting platform laid along the inner side of the battlement. The wall itself would, on the outer side, rise straight out of the steep hillside, like a crown on a king's head. The hillside we stripped of its trees, and seamed with ditches, so that it became, in effect, a steep of breakneck minor crags, to be topped with a great wall faced with stone. For this we would use the dressed tufa found on site, along with materials quarried afresh by Melwas' masons and our own. Above this again I planned to set a massively smooth wall of wood, tied into the stonework and the rubble of the revetment by a strong timber frame. At the gateways, where the approach-roads ran uphill sunk between rocky banks, I designed a kind of tunnel which would pierce the fortified wall, and allow the fighting platform to run unbroken across, above the gates. These gated tunnels, high and wide enough to let horse-drawn traffic through, or riders three abreast, would be hung with huge gates which could fold back against the oak-lined walls. To do this we would have to sink the roadways still farther.

  This, and much else besides, I had explained to Derwen. He had been skeptical at first, and only his respect for me had kept him, I could tell, from flat and mulish disagreement — especially about the gates, for which he could see no precedent; and most engineers and architects work, reasonably enough, from well-proved precedent, especially in matters of war and defense. At first he could see no reason to abandon the well-tried model of twin turrets and guard-rooms. But in time, sitting hour by hour over my plans, and conning the lists I had had drawn up of the materials already available on the site, he came to a qualified acceptance of my amalgam of stone and woodworking, and thence to a sort of guarded enthusiasm over all. He was enough of a professional to find excitement in new ideas, especially since any blame for failure would be mine and not his.

  Not that blame was likely. Arthur, taking part in the planning sessions, was enthusiastic, but — as he pointed out when deferred to over some technical point — he knew his own business, and he would trust us to know ours. We all knew what the place's function would be; it was up to us to build it accordingly. Once we had built it (he concluded with the brevity of total and unconscious arrogance) he would know how to keep it.

  Now, on site at last, and with good weather come early and looking settled, Derwen started work with keenness and dispatch, and before the old herdsman had called the cows home for the first evening's milking, the pegs were driven in, trenches had been started, and the first wagon-load of supplies was groaning uphill behind its straining oxen.

  Caer Camel was rising again. The King was coming back.

  * * *

  He came on a bright day of June. He rode up from the village on his grey mare Amrei, accompanied by Bedwyr and his foster-brother Cei and perhaps a dozen others of his cavalry captains. These were now commonly known as the equites or knights; Arthur himself called them his "Companions." They rode without armour, like a hunting-party. Arthur swung from his mare's back, threw the reins to Bedwyr, and while the others dismounted and let their horses graze, he trod up the slope of blowing grass alone.

  He saw me, and lifted a hand, but did not hurry. He paused by the outer revetment, and spoke to the men working there, then walked out onto the planking that bridged a trench, while the labourers straightened from their tasks to answer his questions. I saw one of them point something out to him; he looked that way, and then all about him, before
he left them to mount the central ridge where the foundations for his headquarters had been dug. From there he could command the whole area, and make some sense, perhaps, out of the maze of trenching and foundations, half hidden as it was beneath the web of ropes and scaffolding.

  He turned slowly on his heel, until he had taken in the full circle. Then he came swiftly over to where I stood, drawings in hand.

  "Yes," was all he said, but with a glowing satisfaction. And then: "When?"

  "There will be something here for you by winter."

  He sent his eyes round again, a look of pride and vision that could have been my own. I knew that he was seeing, as I could see, the finished walls, the proud towers, the stone and timber and iron that would enclose this space of golden summer air, and make it his first creation. It was the look, too, of a warrior who sees a strong weapon being offered to his hand. His eyes, full of this high and fierce satisfaction, came back to me.

  "I told you to use a miracle, and I think you have. That is how I see it. Perhaps you are too much of a professional to feel that way, when you see what was only a drawing on clay, or even a thought in your mind, being built into something real that will last for ever?"

  "I believe all makers feel this way. I, certainly."