Fashioning Fat: Inside Plus-Size Modeling
Page 19
7. Reported in 2006a; Greenberg 2006.
8. Reported in Burling 2006.
9. Reported in Monget 2006.
10. See 2004b.
11. Reported in Kovanis 2006. See Lane Bryant’s corporate website at http://www.ascenaretail.com/lanebryant.jsp.
12. See Cohen 2013.
13. Reported in Gogoi 2006; Kovanis 2006; Mikus 2006; Yao 2006.
14. Reported in Li 2012.
15. Ibid.
16. Ibid.; Yao 2006.
17. Reported in Chandler 2006.
18. Reported in Li 2012.
19. Reported in Mikus 2006.
20. Reported in Li 2012.
21. Reported in Amador 2006.
22. Reported in Seckler 2003.
23. Reported in 2004a.
24. Reported in Seckler 2003.
25. Reported in Sarkisian-Miller 2006.
26. Reported in Denizet-Lewis 2006.
27. Reported in Guo 2013.
28. Reported in Daswani 2004.
29. Reported in Li 2012.
30. Reported in Yadegaran McClatchy 2006.
31. Reported in Bloomfield 1989a, 1989b.
32. Reported in Bloomfield 1989a.
33. Reported in D’Innocenzio 1992.
34. Reported in Krupnick 2013.
35. Reported in Simon 1995.
36. Reported in D’Innocenzio 1997.
37. Reported in D’Innocenzio 1994.
38. Reported in Fung 2000.
39. Ibid.
40. Reported in Lee 1998.
41. Ibid.
42. Reported in Wilson 1997.
43. Reported in Simon 1995.
44. Reported in Amador 2007.
45. Reported in Jones 2007.
46. Reported in Sarkisian-Miller 2006.
47. Reported in Li 2012.
48. Reported in Simon 1995.
49. Reported in Greenberg 2005.
50. Reported in Li 2012.
51. Reported in McCall 2013b.
52. Reported in Black 2013.
53. See http://www.luscious-plus-lingerie.com/aboutus.sc.
54. Gruys 2012, p. 487.
55. Ibid., p. 494.
56. See Contrino 2007a, 2007b; Diadul 2007.
57. See http://www.hipsandcurves.com/about-us.
58. See Hips and Curves 2006, 2009.
59. See http://www.curvycouture.com.
60. See http://www.luscious-plus-lingerie.com/aboutus.sc.
61. Murray 2005b, p. 161.
NOTES TO CHAPTER 7
1. Blum 2003, p. 101.
2. See Bakhtin 2005.
3. Baudrillard 2005, pp. 278–79.
4. Ibid., p. 278.
5. This commercial persona of the plus-size woman is “a construction that performs the cultural work of personifying a market relation by giving a face and personality to a market category,” in other words, the consumer in the abstract. See Cook 2004; Cook and Kaiser 2004, p. 209.
6. Crossley 2004, pp. 40–41.
7. Goffman 1963b, p. 115.
8. Models inhabit the extremes in weight distribution—the ultra-skinny and the fat. Both a runway and plus-size model are strategically deviant. While a high-fashion runway model is deviant because of her extreme thinness and propensity to engage in disordered eating behaviors, she is generally not stigmatized because thinness is a master status. She stands out for her lack of fat, while the plus-size model stands out because of her fat.
9. Reported in Jones 2006.
10. Reported in 2006b.
11. Reported in 2007; Heckle 2007.
12. Reported in Johnson 2007.
13. Reported in Wilson 2012.
14. Reported in Olins 2008.
15. Reported in Figueroa-Jones 2007.
16. See Hamilton et al. 2007; Kilbourne 1999; Knauss et al. 2008; Wolf 1992.
17. Their work is no different from any other model of any size in fashion. All models must control and discipline their bodies.
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