Be Safe I Love You: A Novel
Page 25
Peej lunged for him but he was already in the car.
Danny locked the doors and pulled out of the parking lot, running over a curb. The power of the car was a shock after driving the little Nissan, and the steering was so sensitive he swerved wildly, put the brakes on abruptly, throwing his chest into the wheel. Jack and PJ were running up to the vehicle as he hastily fastened his seatbelt, revved the engine and sped out, back toward their base camp. When he adjusted the rearview mirror he saw his father still running after the car, sobbing, his arms in the air, hands beckoning him back in time. He watched his father’s slow defeated gait and thought if it was Low chasing him, she’d have caught the car and thrown him out of it by now.
Motherfucking Christ! What the fuck had they been waiting for? They could have called the cops from the fucking car. And he was not about to stand around describing things for the police and having them handle it. He knew where she was. She would be down in the basin, she would be taking the coastal road to the rigs. At some point she would have figured out she didn’t have a gun and then she would do something stupid, something dictated by their family’s faulty wiring and whatever made her scream in her sleep.
The sky was blindingly bright blue and he wished he had her aviator glasses. He drove cautiously toward the last intersection in town before the logging road and he could see troopers in their stupid tall hats. They had already closed one lane and set up a checkpoint, and it was his fucking father’s fault. There were two officers and both were out of their car, stopping traffic. They were leaning into the windows of the first two cars in a line of three. He drove on the shoulder of the road and pulled up beside the car that was stopped at the front of the line. When the trooper motioned for him to stop, he hit the gas. The fastest way to get them to follow.
He raced down Route 1, passing nothing but logging trucks and oil company cars, and turned, skidding and spinning onto the coastal road. He could see the tracks of another smaller vehicle that had passed this way, and when the wheels of the SUV hit gravel he sped up, panicked, and punched the steering wheel with one fist. He took the narrow seasonal road for about a mile and then turned onto the wide paved and plowed road the oil company had put down, but he knew that he was too far behind, could feel her being swallowed up by the snow.
Down in the basin before the frozen coast where the rigs were distant beacons dotting the shoreline, he saw the beat-up Nissan parked and relaxed for a moment. She must be looking at the rigs again. He had her gun, there was nothing she could do.
When he pulled up to the car she was not inside. A monstrous fear that was frozen in his chest cracked and he began to sob, looking around wildly for any sense of her. He didn’t know if he was hearing sirens in the distance or imagining it.
The sun was coming up orange in the east and casting a glow upon the snow. Her tracks were small leading away to nowhere, and he could not see her walking, then in the distance he made out an olive and black figure lying flat against the snow.
His lungs ached from the cold as he ran the long yards to her, screaming her name, and through bleary eyes he realized that what he had seen was her coat. When he saw the rest of her clothes he knew she was dead and he ran even faster, unzipped his parka as he sprinted, took his sweatshirt off and was assaulted by the cold. It tore at him and he knew he was too late. Her dark hair spilled out like ink over the snow. The black bands of her tattoos against the white land made her arms look as if they’d been severed from her body.
“Low!” he shouted, but his voice was destroyed. He was terrified that none of it was real, his dead sister and the black towers of the rigs in the distance. She’d brought him to the Snow Queen’s castle, where he lost his mind.
And then he thought he saw her hand move, her fingers closing as if she were clutching something. He threw his coat down around her, wrapped her head in his sweatshirt, and her legs and feet in the coat she’d discarded, pulled two hand warmers out of his pocket, activated them, and put them in her armpits, and then he pulled her up against him off the snow, grabbed her face and held it, tears streaming from his eyes and falling onto her cheeks. Her lips were blue, her fingers burned like ice where she had touched him, and he was terrified to take her pulse. Then he saw her breath white and rising above her. He clenched his teeth and held his own breath and rocked her back and forth, and then what seemed like minutes later she took another slow, shallow breath.
The sirens were getting louder at last and he took her gun from the back of his belt and fired a shot to let them know where they were, to make them hurry. In the distance he could hear the chopping reverberation of a helicopter, and then the sirens stopped. Doors slammed and bodies raced to them in heavy boots, tearing up the snow around them.
“Low,” he said, holding her tight, grateful for her heartbeat. He looked out at the towers rising from the black water and the blank white coastline. And to the west the rounded mountain ranges blue and dark green with the slow life of trees. The sun was turning the sky in the east the color of flame, and all around them the snow glittered like a mirror turned to dust.
“Lauren,” he said, shivering, his tears falling onto her face. The shadow of the helicopter passed above and his body was wracked with trembling.
“Low,” he whispered. “Open your eyes. Open your eyes. It’s beautiful here.”
Forty-six
SEBASTIAN HUDDLED DOWN and curled his small warm body beside her, and she slipped her numb fingers beneath his collar, rested her cheek against him. She could smell his wet fur. She could feel him trembling.
The lights of the rig burned and bled to white, and before she closed her eyes, she could see the desert and the dunes out in the distance. Placid and silent and stretching on forever. She opened her eyes again at the sound of the air above her reverberating as it was beaten by the blades of the medic’s chopper landing beside her. It was too bright. It was cold, not hot. There was no desert and the dog wasn’t moving anymore. She tried to hold him but she was being pulled, lifted.
Then she was a part of the sky and he was small and black against the snow. She was leaving him. People stood around the dog’s body, looking up. And even with her eyes shut, she knew that he was frozen. That he was gone.
Forty-seven
TIME HAD CHANGED. Seconds took any amount of time to pass, a week, a year. Scenes that repeated themselves did so without measure or meter. Visits lasted the duration of a remembered month. Holly and Shane stood beside her bed, their forms flickering beneath the bright fluorescent lights, talking like everything was normal but looking like they’d opened a drawer at the morgue. It made her laugh. That or whatever was in the drip. Shane bent down and kissed her mouth, and she put her damaged hands in his hair. Tasted him. He whispered something against her cheek.
People came and sat and left. At some point clocks began to measure time properly.
After a week when she could finally leave her room, she didn’t want to. The sanitized brutality of the place made her feel weak. They were all warehoused there, haunting their own forms: soldiers coming back from the heat of the desert and her with her frostbite. They looked at one another in the common room and talked about the places they’d left. The people they’d abandoned. Crimes that would never be called crimes.
Troy visited weekly. First he brought the CD of her final recital, then the copies of the jury comments from her All State and All Eastern competitions. Then the full folder of her repertoire. And finally some paperwork she’d never seen before; an enrollment deferral filed years earlier, and a schedule for a fifteen-minute audition. Reading it raised the hairs on her neck and made her face flush. She looked up at him in disbelief.
“You sign here”—he pointed—“and here and here. I’ll pick you up a week from Wednesday and they’ll jury the Donizetti piece the following Thursday. And you owe me one hundred and fifty dollars.”
He sat straight shouldered, pent up as always, with the pressure of whatever was coiled inside him dispassionately watchi
ng. He was wearing a frayed pink button-down shirt and jeans, and his hair had grown longer and unkempt. He bounced his knee as he sat in the fake leather chair, his pale blue eyes looking at her with amusement over his black-framed glasses. At the table beside them, a fit middle-aged man with a prosthetic arm was playing Scrabble with his young daughters.
“They won’t want me,” she said.
“Perhaps they won’t, perhaps they won’t now. But you don’t have a lot of other options as I see it.
“What are you going to do?” he asked her. “Live upstate? Work in a restaurant? Babysit? Have you entirely forgotten who you are?” He leaned forward now and looked straight into her face. “You worked in this ghastly hole your entire life for two untalented men and a structure made of wood, plastic siding, and cement. I don’t care how much you love your daddy and your little lookalike, that’s literally what you did. Then you went to another ghastly hole and you worked for hundreds of men who wanted you to drive things around, kill people, and give orders to drive things around and kill people. Let’s be very clear about the facts, otherwise it’s not possible to make a decision, right? Do you have one small thing to show for what you’ve done? I say no. I say no, you don’t. Nothing. Unless you count frostbite and windburn and months of your life wasted.”
He reached forward and rested his finger in the hollow at her throat. “There’s nowhere else to go from here, Lauren.”
She was quiet, looked out the window for some time. She wanted her fearlessness back. The enormous freedom of it. A secret strength that stilled her grief, that made anything possible. But she had to sit there now without it. She’d entered into fear so completely she was at its center. The calm at the eye of the storm. To step out in any direction could mean being swept away. She thought of the stations of the cross, a new stations of the cross: ornately colored stained glass showing the flipped car, the hole in the throat, the Madonna with a broken nose, the soldier with one eye blooming dark red, the missing lanyard, the face and head of the other soldier snapping back, then vanishing in flying fleshy parts revealing exposed bone and teeth, hinges and sockets. The boy thin and dying in her arms, not his mother’s, as he lay on the roadside. A narrow river of red. The still bodies and the falling bodies; the mother the son and the weight of the neverborn all pulling, blood pooling, toward the earth where Lauren stood armored, the color of desert dust, holding tight to the same kind of instrument that had cut them low.
The cathedral in her head shone with this iconography. Light passed through these three silent bodies and also the faces and eyes of the medics, the illuminated stream of red that a mother brought forth to save the failing hope of a remaining child.
What sacred song could pass through her lips now? What choir could shield her from the sound of her own voice?
“I did terrible things,” she said.
“Of course you did,” Troy said calmly. “Don’t let anyone tell you otherwise.”
Epilogue
Dispatch #217
Dear Sistopher,
I opened the link you sent where you’re all dressed in black trying to smash everyone’s glasses with your voice. There should be a superhero called Coloratura. When faced with danger she could shatter the glasses of her enemies. The video made Dad cry and I’m sure if Sebastian were here it would have made him howl. But seriously, Low, it made Dad cry, he was totally amazed. Then I was like, Chin up old man, it’s not like she’s out dying in the snow by some shitty oil rig or stuck at the VA hospital looney bin. That got him really pissed. I thought he was going to actually raise his voice.
Dad and I and Peej and Mom will be there Thursday to see your recital. You probably heard already but Mom got offered a position at St. Lawrence—a real one with medical coverage and stuff like that—and she’s moving back this way. She’s got a boyfriend who as far as I can tell does some kind of research on post-colonial-interlinguistic-sumarian-cryptographic-recursion theory as an aspect of primate finger painting. Not a thing he says makes sense and I’m pretty sure he’s legally blind without his glasses. Dad and Peej have been helping Mom look for an apartment and she’s been helping Dad paint the crappy upstairs hall, it looks good. She said she’d drive me to visit you whenever they can’t but I have a feeling those cheapskates will be carpooling. All they need is a Volkswagen bus and to grow their hair out again and they’ll look like the geriatric Mod Squad. It’s hilarious, Low. You wouldn’t believe the stories these nerds keep telling me about each other. And they play the same Jefferson Airplane album every time they’re all here in the house.
School is fine. Boring but fine. I was so bored I joined track. I was so bored I learned how to build a radio. It is much much easier than you think. If I want to work in Antarctica I have to learn how to do practical things.
Dad wants to eat at that Indian place when we get to Philadelphia but I said we’d rather find a nice motel and have some MREs. And at that point he was so pissed he called me “Daniel.” “What’s wrong with you, Daniel? How can you laugh about these things?” And I’m like, ’Cause crying only gets you halfway there, duh. ’Cause my sister’s a badass and she’s alive. WTF?
Anyway, I can’t wait to see you. I can’t wait to hear you sing. I can’t wait for us all to be there.
Low, we’re safe now.
I love you.
She folded his letter and tucked it into her libretto and made her way down Locust Street to Rittenhouse Square, striding in her low heels beneath the brick, slate-roofed buildings and the gleaming sunlit steeples of downtown Philadelphia. The gutters were just beginning to fill with orange and yellow leaves. Her hair was pulled up into a bun, she wore a black sleeveless dress, carried PJ’s watchcap in her little olive day pack out of habit. Soon she would be in the echoing hall and a rush of instruments and murmurs and warming voices would greet her.
She would sing her benediction, and the sound for which she was a vessel would be at last entirely clear; filling her mouth, liquid and shining, and black as the end of night. Like a cold glass bell, like a stone worn smooth. A voice like ice ready to be set alight, rising from her throat in a silent ancient refrain:
I sing now with the air I have taken from your lungs.
Acknowledgments
I want to thank my brothers Noah and John, and our loving parents John and Kaye and Nick.
I want to thank my friends Marc Lepson, Emily Goldman, Jamie Newman, Ann Godwin, Susan Godwin, Alexis Kahn, Rebecca Friedman, Ella Meital, Sarah Knight, Kate Steciw, Karestan Koenen, Molly Lindley, Lauren Wolfe, Derek Owens, John Bryant, Joe Schmidbauer, Kelly Caragee, Franklin Crawford, Merry Whitney, Sonia Simeoni, Tommy Fritz, Liz Hand, Barb Borelli, Steve Borelli, Rachel Pollack, Ellen Klein, Annie Campbell, Harley Campbell, Johnny Fuchs, Michelle Novak, Ellen Cusick, Xan Underhill, Bianca Shannon, Selena Shannon, Marco Shannon, Sebastian Shannon, Jon Frankel, Jan Clausen, Clint Swank, Charles Hale, Rob Bass, Joe Ricker, Mitchell Sunderland, Tiffany Viruet, Will Fertman, Jacob Bennett, Erin Kelly.
Thanks also to my students in the Bronx for their hard work and good humor, and to the Saint George Choral Society, a source of pure joy in my life. Soprano Angela Leson and Artistic Director Matthew Lewis were particularly helpful with early drafts of this manuscript.
While I studied voice when I was young, any real understanding I may have of music came from my friend and stepbrother Matthew Borelli, who was magic.
Reading Group Guide
Be Safe I Love You
Cara Hoffman
Introduction
Returning to her upstate New York hometown after serving in Iraq, Lauren Clay is haunted by emotional battle scars and has trouble adjusting to civilian life. She struggles to reconnect with family and friends before setting out with her younger brother on a winter road trip to visit Canada’s remote wilderness—a journey that will determine her future, for better or for worse. Be Safe I Love You is a poignant, impassioned novel about the devastating effects of war, both on the front lines and at home.
&
nbsp; Topics and Questions for Discussion
1. “She was back but didn’t feel so far away from Iraq,” Lauren admits. How does she see her family and friends in a new light since returning from the war zone? How do they, in turn, view her? Why are they so quick to believe that Lauren is fine or, in Jack’s case, that he can help her simply by offering snacks and a willing ear?
2. How do Lauren’s roles as soldier and caregiver become intertwined? Why does she find it so difficult to relinquish her position as a commanding officer when she returns to civilian life?
3. Lauren confides in Holly that it seems as if Jack Clay was “replaced by an imposter” while she was gone. Why isn’t she happier to see her father working and taking care of Danny? How does his recovery affect not only her postmilitary plans but also her identity as her brother’s surrogate parent?
4. What is your opinion of Jack and Meg Clay as parents? Meg says to Lauren that, although she loved her children, “Sometimes leaving makes the most sense, does the least damage. Sometimes it’s the better option.” Do you agree with Meg’s reasoning about why she left? Why or why not?
5. For two weeks after Lauren received an acceptance from Curtis Institute, she felt as if “she could do anything before the first foreclosure notices came in the mail.” What, if anything, might she have done other than join the military? What would you have done if you were in her situation?
6. Of the soldiers in her unit, why was it Daryl with whom Lauren developed a close friendship? “Daryl got it,” she claims, while Shane “she wasn’t so sure about.” When she compares Shane to Daryl, why does Shane come up lacking?