Ghost of a Chance g-1

by Simon R. Green

  “Excuse me. This may be a silly question, but who’s driving this train? And do they have any particular destination in mind?”

  “We are driving,” said Natasha, not looking round, her voice disturbingly far away. “We are in control. And a little less distraction would be fine by us. This isn’t easy, you know.”

  “The train is fighting us,” said Happy. His voice sounded eerily like Natasha’s. “It isn’t really a train, you know. It’s something the Intruder brought with it and made over into a train. So it could abduct commuters without being suspected. The Intruder has a use for commuters.”

  JC leaned forward. “What use?”

  “The train doesn’t know,” said Natasha. “It doesn’t ask questions. I don’t know if I’d go so far as to say it’s sentient, but it’s as close as dammit. A living construct, something the Intruder made to love and serve it.”

  “So the enemy can make real things,” said JC. “Not only illusions.”

  “It’s growing stronger all the time,” said Happy. “The longer it stays in our world, the stronger it gets. Our world . . . is just something for it to play with. To change and manipulate as it chooses.”

  “What is it?” JC said urgently. “Can you see what it is?”

  “Old,” said Natasha. “So very old, and wild, and horribly powerful. It’s come here to kill us all. Isn’t it all simply too exciting for words?”

  “Ignore her,” said Erik. “I do, as much as possible.”

  “Take us back to our original base, on the southbound platform,” said JC. “You said you needed your equipment, Melody.”

  “Damn right.” She looked at Happy and leaned forward to stare into his face. “Are you all right? Your face is flushed, and the sweat is pouring off you. Have you been . . .”

  “Don’t need them,” said Happy. “For the moment. I’ve never experienced power like this. It’s like running in a top gear you didn’t even know existed.”

  Melody checked the pulse in his neck, then laid her hand briefly across his sweltering forehead. “Happy, you’re burning up! Your body isn’t designed to operate under such pressure!”

  “Nothing we can do,” said Natasha. Her face was flushed and perspiring heavily, too. “If we lose control of this train, even for a moment, it’ll turn on us. But don’t worry. This really is quite exhilarating.”

  “Yes,” said Happy. “Lovely.”

  Melody moved to sit at JC’s other side, so she could lean in close and whisper. “They’re spending too long locked together. They’re already acquiring each other’s speech patterns. God knows what information she’s picking out of his brain, or what nasty habits he’s picking up from her. We need to separate them while we still can.”

  “We can’t do anything until the train gets us where we’re going,” said JC. “You have to work your instruments, find us a way to fight back.”

  “Oh right; load everything on me.”

  “We all do what we have to,” said JC. “Now concentrate. The first thing we need is some idea of who or what our unseen enemy is. We need a name, an identity, some indication of its powers and limitations. And, hopefully, its weak spots. Next, we need to nail down its exact physical location in the Underground. It used the energies created by Kim’s murder to open a portal onto this plane, and now it’s using her continued ghostly existence to maintain its presence in our world. That makes it vulnerable. So we have to find and face the Intruder, hurt it enough to weaken it, then break the bonds that connect it to Kim so we can drive it out of our world and slam the door shut behind it.”

  “Oh,” said Melody. “Is that all?”

  “Isn’t he wonderful?” said Kim, beaming. “He’s got a plan for everything!”

  “Not necessarily,” said Melody. “It could be that the only way to banish the Intruder from our world . . . is to remove the focal point that holds this haunting together. Which is you, Kim. Your existence makes the Intruder’s presence possible. To get rid of him . . .”

  “We don’t know that for sure,” said JC. “There’s a lot of things we don’t know for sure yet.”

  “But could you sacrifice her?” said Melody relentlessly. “If that’s what it takes?”

  “He won’t have to,” said Kim. “I’ll do whatever’s necessary to save my world.”

  “Isn’t she wonderful?” said JC.

  “You poor damned fools,” said Melody. “There’s no way this can have a happy ending.”

  She turned her back on JC and Kim and wouldn’t look at them for the rest of the journey.

  * * *

  The train brought them back to the southbound platform without incident. The car doors opened, a little blood leaked out, and everyone disembarked. Melody ran straight to her waiting equipment and did her best to embrace them all at once.

  “Babies!” she said, not caring who heard her. “Mommy’s back, and everything’s going to be fine again.” She straightened up suddenly. “All right, who’s been messing with my equipment? These aren’t the settings I established. Somebody had better speak up right now if they like having their testicles where they are.”

  “It was me, I admit it!” said Eric. “I was very careful, and very respectful.” He looked at Natasha. “And I think I’m going to hide behind you for a while if that’s all right with you.”

  Natasha’s head snapped round suddenly, looking behind her. Happy’s head turned, too, at the exact same moment. Everyone else turned to look and found that the hell train had vanished, without a sound. Natasha let out her breath in a long sigh and shook her head slowly. Happy mopped sweat from his face with a handkerchief and smiled sickly.

  “Wow, what a rush . . . Can’t say I’m sorry it’s over, though.” He glared at Natasha. “That woman has a mind like a bucketful of boiling cats. Sharp and vicious and downright nasty.”

  “You loved it,” Natasha said calmly. “Your mind isn’t exactly a luxury hotel. I’ve never lived in such a small place. Though there were many interesting new chemical flavours . . . It’s a wonder to me your synapses still function.”

  Happy looked at JC. “Don’t ever ask me to do that again. There aren’t enough pills in the world to flush that woman’s thoughts out of my head. I may put in for compensation for post-traumatic stress disorder.”

  “You were born with that,” said JC.

  “True.”

  And then they all stopped talking to look at Kim as she advanced slowly but remorselessly on Erik. He backed away, clutching his cat-head computer to his chest. There was something new about Kim, something different, and disturbing. As though she wore the cold presence of death like a cloak. Erik swallowed hard as Kim drifted down the platform after him.

  “What . . . what do you want?” he said, his voice catching in his throat. “I’ve been good. I’ve done everything that’s been asked of me.”

  “Put down the computer,” said Kim.

  Erik clutched the machine tightly. “No. It’s mine. I made it. I dreamed it up. I made it real.”

  “Put down the computer,” said Kim. “While you still can.”

  Erik looked into her eyes, and whimpered. He put the box down on the platform and scuttled quickly backwards. Kim knelt and peered into the cat head’s unblinking eyes. It tried to purr for her.

  “Poor little kitty,” said Kim. “No more screaming, no more crying. Sleep.” She extended her ghostly hand down through the cat head and into the glowing workings of the box beneath; and the whole computer shuddered. It turned and twisted unnaturally, imploded, and was gone in a puff of displaced air. The cat’s head was left behind on the platform, quite dead. Kim smiled and turned back to face the others.

  “It’s at peace now,” she said.

  Melody looked at JC, but he stopped her with an upraised hand.

  “Work your equipment,” he said. “Find me the answers I need to take the fight to the enemy. I want this over with.”

  He walked off down the platform, and Kim drifted after him. They tried to walk ar
m in arm, but their arms kept passing in and out of each other.

  NINE

  LITTLE BILLY HARTMAN GETS HIS REWARD

  Unknown to all the agents in the Underground, there was someone else down in the station with them. Lost and alone, little Billy Hartman went scurrying through the empty corridors like a rat in a sewer. Not very big, never very big, Billy stuck to the shadows, hiding behind corners and peering warily through entranceways. No coat, only a grubby sweater and stained jeans, and a pair of knock-off trainers that had never been fashionable. Half out of his mind with fear and panic, driven on by rage and resentment, tormented by horror and loathing for the awful thing he’d done, little Billy spied on all the other people from a safe distance. None of them noticed him, but then, no-one ever did. He was far too small to be noticed by such powerful people.

  And besides, Billy was protected.

  He heard them speak, heard them argue, heard of the Carnacki Institute and the Crowley Project; but these names meant nothing to him. He listened to the great people, as they spoke of theories and fears and intentions, and didn’t care about any of that, either. He only had thoughts for himself and what might become of him. He’d done something, something big and important that no-one could ever put right again. If they knew, if they only knew . . .

  The day before, Billy Hartman had murdered Kim Sterling. Even though he had no real reason, no motive, no idea who she was. He’d never killed anyone before, never really wanted to. He wasn’t a murderer, wasn’t a beast or a monster. He was a little man with a little life and less ambition. A small cog in a small wheel in a small company that no-one else gave a damn about. But he woke up that morning with murder on his mind, and he couldn’t seem to shift it. He wanted to kill a beautiful woman . . . like all the ones who’d laughed at him, or spurned him, or worse still, ignored him. He wanted to hurt one of them the way they had hurt him. To strike back, just once, and let them feel the pain.

  So he took a big knife from his tiny kitchen in his shabby little flat and went out into the great big world, humming cheerfully. He descended into the Underground, and travelled up and down the lines, switching from platform to platform until finally . . . he saw her. And knew immediately that she was the one. He’d thought it would be a hard thing, a difficult thing, to actually kill another human being; but when the time came, he walked up behind her, stabbed her once in the back, and walked away. No-one saw or suspected him. Why should they? He was far too small and unimportant to be noticed. He went back to his flat, still humming cheerfully, made himself a meal-for-one in his little microwave, watched television, and went to bed.

  To dream of how it felt when the blade went in, and he twisted it, before withdrawing. He didn’t enjoy it. It felt like someone else’s dream.

  But this morning, a new feeling had driven him from his bed. The feeling that something had gone wrong. The morning news said that Oxford Circus Tube Station had been shut down, and serious news presenters said the word murder in their serious voices. And suddenly Billy knew he had to go back, that he had to go back down into the Underground and make sure there was no evidence left to link him to the crime. He couldn’t have anyone finding out what he’d done. That would be awful.

  Sneaking back in had proved surprisingly easy. On any other day the massed forces of uniformed police and security guards would have intimidated him into a frozen panic; but not that day. He walked right past them, and they never saw him. Partly because he was, after all, a small and insignificant person, but also because Someone was looking out for him. He could feel it. Someone big and powerful was protecting him.

  He walked right past them, right under their noses, and they couldn’t see him.

  But once he was down in the tunnels, moving in scurrying little runs through the fiercely bright light, from shadow to shadow and hiding-place to hiding-place, things happened that destroyed what little confidence he had. Bad things. Billy saw bad things. He saw ghosts and monsters and horrible, impossible things, nightmares broken loose and running wild in the world; and he ran and ran until finally he saw the worst thing of all. The ghost of the beautiful woman he’d killed the day before. She looked just as beautiful, dressed in white like an angel, her hair the same colour as the blood that had spilled down her back when he pulled out the knife.

  He crouched, in the deepest and darkest of the shadows, watching her with wide, confused eyes, scared out of his mind. He didn’t feel guilty, and he didn’t feel sorry; he knew now he’d only done what he’d done in the service of his Protector. But he was terrified that these big and important people, with their big and important voices, would tell the authorities what he’d done, then everyone would know. He’d be caught and punished and locked up in a cage, forever and ever. Billy had gone through most of his life afraid of being punished.

  First, he spied on JC and his team, then he spied on Natasha and Erik, trying to figure out who they all were and what they were doing. Trying to figure out what he should do. He saw them do amazing and awful things, then he saw them fight each other, and he saw them working together. None of it made any sense to Billy. The ghost was there, too, acting like she was still alive; and once she turned her head and looked right at Billy. He shot off immediately, running and running and not looking back, and when he finally stopped to glance fearfully around him, he was on a platform he didn’t recognise.

  He moved slowly, diffidently, down the platform. He was meant to be there. He could feel it. His unseen Protector had brought him there, for some important purpose. A train pulled into the station, moving smoothly and silently—a dream of train, come just for him. Billy made ooh and aah noises. The train was painted in bright colours, from end to end, all the fresh and vivid shades of childhood. A great big toy train, just for him. Bright and cheerful and not threatening at all. (So why were all the hairs standing up on his arms and the back of his neck?) The Protector had sent this train, the Protector who had hidden him from the authorities, who loved him and cared for him and looked after him. Who now called to Billy in the sweetest of voices, calling him . . . to come and meet his Protector, and get his reward for killing the beautiful woman.

  (Except . . . Billy hadn’t wanted to hurt her. Not really. He never wanted to hurt anyone. At the last moment he had hesitated; and some other force had moved his hand. Hadn’t it?)

  Billy stared in wonder at the candy-coloured train and was sure it was there to take him to a wonderful place, where he would find all the answers to all the questions that had ever troubled him. And in that place he would be made safe and happy and know pleasures he had only ever dreamed of before. Wriggling with excitement, little Billy Hartman walked confidently forward, and the brightly coloured car doors opened before him. He stepped on board and sat down, the doors closed silently, and the train took him away.

  * * *

  He passed through station after station, and many strange and wondrous sights revealed themselves to him through the car windows. Platforms made out of interlocked bones, the great curving station like a massive rib cage . . . huge plunging waterfalls of glistening solid crystal . . . rioting gardens full of huge flowers with thick pulpy petals and gasping pink mouths that sang sweet songs to him in high-pitched voices, like a choir of mice. Billy sighed and laughed and beat his hands together, almost drunk on the sheer splendour of it all.

  The train slowed as it approached its final destination, and Billy cried out in joy, pressing his face right up against the window to better view the shining city spread out before him. Ethereal spires and massive golden domes, spiralling fairy towers connected by elegant walkways . . . and beautiful women everywhere, smiling at him. At him! Angels floated down shimmering paths and bowed their haloed heads to him. Billy was so happy he could hardly breathe. He had left the plain, hurtful, ordinary world behind him, at last. His Protector had rescued him and brought him there, to where he should have lived all along.

  The train halted abruptly. The doors slammed open, and Billy hurried out onto the wait
ing platform, almost dancing in his eagerness to meet his Protector, and thank him, and start his new life. And then he stopped suddenly, and looked around him, confused. Something was wrong. Something was horribly wrong. The marvellous city was gone, the beautiful towers and the beautiful women were gone, and he was standing alone on a bare and empty platform. No name, no destinations, not even any posters on the walls. Billy looked back, and the brightly coloured train was gone, too. There weren’t even any rails. He’d been left here, alone, abandoned in an empty place. Billy started to cry.

  It was cold, and getting colder. Billy hugged himself tightly as his breath steamed thickly on the still air. His teeth began to chatter, and his tears froze on his cheeks. Thick patterns of hoarfrost formed on the bare walls, horrid images like staring eyes and gaping mouths. Heavy jagged icicles hung down from the ceiling, like glistening stalactites. There was a sound; and Billy turned to look.

  And when little Billy Hartman finally saw what it was that had been guiding and protecting him all this while, he screamed and screamed, until he tore out the lining of his throat, and blood sprayed from his mouth.

  TEN

  WHO’S AFRAID OF THE BIG BAD WOLF?

  Back on the southbound platform, Natasha was making herself useful. A quick spell (muttered under her breath in what sounded very like debased Coptic), and all the blood disappeared from everyone’s clothes, leaving them still battered and torn but comfortably dry and clean. And smelling not entirely unlike a country meadow. The blood basically leapt out of the clothing and ended up scattered in puddles all around them, steaming quietly. Everyone made polite, thankful sounds, while Natasha preened prettily.