From all the different sources I have read and all contemporary accounts the epoch of biggest bulls and true golden age in Madrid was that of Lagartijo and Frascuelo who were the greatest bullfighters of the last sixty years until Joselito and Belmonte. Guerrita's was no golden age and he was responsible for introducing younger and smaller bulls (I've looked up the weights and the photographs), and in the twelve years that he fought he had only one truly great year as a fighter, that of 1894. Big bulls were brought back during the epoch of Macha-quito, Bombita, Pastor and Gallo and the size of the bulls was sensibly decreased during the golden age of Joselito and Belmonte although they fought the biggest kind of bulls many times. At present the bulls are big and old for the matadors without influence and small and young whenever the bullfighter is powerful enough to have any hand or influence in their selection. Bulls are always as big as they can be bred at Bilbao in spite of the matadors and usually the Andalucian breeders send their biggest and finest bulls to the July fair at Valencia. I have seen Belmonte and Marcial Lalanda triumph in Valencia with bulls as large as any ever fought in the history of that ring.
This historical summary started with regrets for the disappearance of the killing of the bulls recibiendo, which, to recapitulate, disappeared because it is not taught nor practised, since the public does not demand it, and since it is a difficult thing which must be practised, understood and dominated and is much too dangerous to be improvised. If it were practised it could be performed readily enough if the bulls were allowed to reach the end of the fight in proper condition for it. But any suerte which can be approximated in bullfighting by another almost equal in public appeal and with less chance of death if its execution goes wrong, will surely die out in bullfighting unless the public demands that fighters perform it.
The volapié to be properly executed demands that the bull be heavy on his feet and that he have his two front feet on a line and together. If he has one foot farther forward than the other the top of one shoulder blade will be moved forward and the opening through which the sword must go, and which is shaped rather like that between the palm of your hands if you place them with finger tips touching and wrists a little way apart, will be closed just as that between your hands will close if you bring the wrist of one hand forward. If the bull's feet are spread wide this opening is narrowed by the shoulder blades being forced together and if the feet are not together it is closed entirely. It is through this opening that the point of the sword must enter to penetrate into the body cavity, and it will only continue on in if it does not strike a rib or the spine. In order to make it have a better chance of going in and taking a downward course in the direction of the aorta the tip of the sword is curved so that it dips down. If the man goes in to kill the bull from in front with his left shoulder forward, if he puts the sword in between the shoulder blades he will automatically come within reach of the bull's horns; in fact his body must pass over the horn, at the moment of putting in the sword. If his left hand, crossed in front of him and holding the muleta almost to the ground, does not keep the bull's head down until the man has passed over the horn and come out along the bull's flank, the man will be gored. To avoid this moment of very great danger to which the man exposes himself each time he kills a bull according to the rules bullfighters who wish to kill without exposition profile at a considerable distance from the bull so that the bull, seeing the man coming in, will be in motion himself and the man running across the line of the bull's charge with his right arm forward rather than his left shoulder tries to drive the sword in without ever letting his body come within range of the horn. The way that I have just described is the most flagrant form of bad killing. The farther forward in the bull's neck the sword is put in and the lower down at the side the less the man exposes himself and the surer he is of killing the bull since the sword is driven into the chest cavity, the lungs, or cuts the jugular or other veins, or the carotid or other arteries of the neck all of which can be reached by the point of the sword without the man exposing himself to the slightest danger.
It is for this reason that a killing is judged by the place in which the sword is put in and by the manner in which the man goes in to kill rather than by the immediate results. To kill the bull with a single sword thrust is of no merit at all unless the sword is placed high between the bull's shoulders and unless the man passed over and had his body within reach of the horn at the moment he went in.
Many times in Southern France and occasionally in provinces in Spain where they have few bullfights I have seen a matador applauded enthusiastically because he killed his bull with a single entry when the killing was no more than a risk-less assassination; the man having never exposed himself at all, but merely slipped the sword into an unprotected and vulnerable spot. The reason the man is required to kill the bull high up between the shoulders is because the bull is able to defend that place and will only uncover it and make it vulnerable if the man brings his body within range of the horn provided he enters according to the rules. To kill a bull in his neck or his flank, which he cannot defend, is assassination. To kill him high up between the shoulders demands risk by the man and studied ability if great danger is to be avoided. If the man uses this ability to make the proper execution of the entry with the sword as secure as possible, exposing his body but protecting it through his skill with his left hand, then he is a good killer. If he uses his ability merely to trick the killing so that he gets enough of the sword into the correct place to kill without ever exposing his body then he is an able remover of bulls but, no matter how quickly or securely he kills them off, he is no killer.
The truly great killer is not the man who is simply brave enough to go in straight on the bull from a short distance and get the sword in somehow high between the shoulders, but is a man who is able to go in from a short distance, slowly, starting with the left foot and being so skillful in the management of his left hand that as he goes in, left shoulder forward, he makes the bull lower his head and then keeps it down as he goes over the horn, pushes in the sword and, as it is in, goes out along the bull's flank. The great killer must be able to do this with security and with style and if, as he goes in left shoulder first, the sword strikes bone and refuses to penetrate, or if it strikes ribs or the edge of the vertebrae and is deviated so that it goes in only a third of the way, the merit of the attempt at killing is as great as though the sword had gone all the way in and killed, since the man has taken the risk and the result has only been falsified by chance.
A little over a third of a sword, properly placed, will kill a bull that is not too big. Half a sword will reach the aorta on any bull there is, if the sword is directed properly and placed high enough up. Many bullfighters, therefore, do not follow the sword all the way with their body but only try to slip in half of the blade, knowing it will account for the bull if in the right spot and realizing they themselves are much safer if they do not have to push in that last foot and a half. This practice of skillfully administering half estocades, originated by Lagartijo, is what has robbed killing of its emotion since the beauty of the moment of killing is that flash when man and bull form one figure as the sword goes all the way in, the man leaning after it, death uniting the two figures in the emotional, aesthetic and artistic climax of the fight. That flash never comes in the skillful administering of half a blade to the bull.
Marcial Lalanda is the most skillful of present matadors at getting the sword in, holding it high up on a level with his eyes, as he sights, taking one or more backward steps before he starts the voyage in and with the point of the blade tilted up, he enters, avoids the horn skillfully, and leaves the sword nearly always perfectly placed yet without there having been the least exposition or emotion in the killing. He can kill well too. I have seen him execute the volapié perfectly; but he gives them their money's worth in the other departments of the fight and relies on his ability to remove the bull from in front of him speedily so that the memory of how good he was with cape, banderillas and muleta will
not be spoiled. His ordinary manner of killing, as I have described it, is a sorry parody of what killing can be. From much reading of contemporary accounts I believe Marcial Lalanda's case, not his early trials but his present continuous mastery, his philosophy of the bullfight and his manner of killing are very comparable to the middle period of the great Lagartijo, although Lalanda certainly cannot compare with the grace, style and naturalness of the Cordovan; but no one can be the present Lalanda's superior in mastery. I believe ten years from now people will be referring to the years 1929, 1930, 1931 as the golden age of Marcial Lalanda. Now he has as many enemies as any great bullfighter attracts, but he is unquestionably the master of all present fighters.
Vicente Barrera kills in worse style than Lalanda, but he has a different system. Instead of having a skillful way of placing half a blade in the correct spot he relies on a tricky entry to place part of a blade anywhere above the neck, thus complying with the law which requires at least one entry by the matador, in order that, having gone in once, he may kill the bull with a descabello. He is the living virtuoso of the descabello which is a push with the point of the sword between the cervical vertebrae to cut the spinal cord, supposedly for use as a coup de grâce on a bull which is dying and is too far gone to follow the muleta with his eyes, thus preventing the matador from going in another time to kill. Barrera uses his first entry, required by law of every matador, according to the regulations of bullfighting, simply to try his luck at getting the sword in without exposing himself in any way. No matter what the effect of this sword thrust Barrera plans to kill the live bull with a descabello. He relies on his foot-work, tricks the bull with the muleta into lowering his muzzle and exposing the spot between the vertebrae at the base of his skull while he raises the sword slowly from behind him, bringing it high over his head, keeping it carefully out of sight of the bull and then, with it poised point down, controlled by the wrist and with the precision of a juggler he drives it down and severs the spinal marrow, dropping the bull dead as suddenly as an electric light is extinguished by the pushing of a button. Barrera's method of killing, while it keeps within the letter of the rules, is the negation of the whole spirit and tradition of the bullfight. The descabello which is administered by surprise as a coup de grâce designed to avoid the suffering of an animal which can no longer defend itself is used by him to assassinate live bulls that he is supposed to expose his body to in killing with the sword. He has developed such a deadly precision in its use, and the public know from experience that nothing will influence him to expose a hair in killing, that they have come to tolerate his abuse of the descabello and even sometimes to applaud it. To applaud him for cheating in the killing because he performs a trick with skill, assurance and security that is made safe by his sureness in his foot-work before the bull, and ability to make a live bull lower his head as though he were dying, is about as low as the mentality of a bull ring public can go.
Manolo Bienvenida is the worst at killing of any of the first series of matadors except Cagancho. Both of these make no pretense of observing the rules in killing and usually go in running on a bias to stab the bull with the sword with less exposing of themselves than a banderillero suffers in putting in the banderillas. I have never seen Bienvenida kill a bull well and only twice in twenty-four times, in 1931, did I see him kill a bull even decently. His cowardice at the moment of killing is disgusting. Cagancho's cowardice when he has to kill is more than disgusting. It is not the sweating, dry-mouthed fear of the nineteen-year-old boy who cannot kill properly having been too frightened of it with big bulls ever to take the chances necessary to attempt it in order to learn to dominate it properly and so is sick afraid of the horn. It is a coldblooded gypsy defrauding of the public by the most shameless, anger-arousing obtainer of money under false pretenses, that ever went into a bull ring. Cagancho can kill well, he has height, which makes killing much easier, and any time he wants to he can kill competently, well and with good style. But Cagancho never takes a chance on performing anything that he thinks might cost him a horn wound. Killing is admittedly dangerous, even to a great killer, therefore Cagancho, sword in hand, will not let his body come within range of the bull's horn unless he has become convinced that the bull is candid and inoffensive and will follow the cloth as though his muzzle were glued to it. If Cagancho has proved to his satisfaction that the bull offers him no danger he will kill with style, grace, and absolute security. If he believes there is the faintest danger he will not let his body approach the horn. His cynical cowardice is the most disgusting negation of bullfighting that can be seen; worse even than the panic of Nino de la Palma for Nino de la Palma no longer can execute his passes correctly, he is altogether unnerved by his fear, while nearly everything that Cagancho does when he is confident could serve as a model and illustration of perfection in artistic bullfighting. He only performs, however, if he is certain that there is no danger to a man working with the bull; not that the chances are all in the man's favor; that is not enough for him. He does not take chances. He must be certain in his own mind that danger does not exist or he will flop a cape from two yards away, wave the spike end of a muleta and assassinate with a side-running stab. He will do this to bulls which are not criminal or even particularly dangerous to a matador with average ability and good courage. He has not the courage of a louse since his amazing physical equipment, his knowledge and his technique permit him to be much safer in the bull ring than any one is crossing a street in traffic provided he attempts nothing close to the bull. A louse takes chances in the seams of your garments. It may turn out that you are in a war and eventually be de-loused, or you may hunt the louse down with a thumb nail, but you cannot de-louse Cagancho. If there were any commission to regulate bullfighters and suspend matadors as faking boxers are occasionally deprived of their licenses, when their political protection is inadequate, Cagancho might be eliminated from the bull rings or he might, through fear of the commission, become a great bullfighter.
The one really great fight that Manolo Bienvenida made in all of 1931 was the last day at Pamplona when he was more afraid of the public and their anger at his previous cowardly performances than he was of the bulls. He had asked the governor for troops to protect him before the fight and the governor told him if he went into the ring and performed well he would need no protection. Each night at Pamplona Manolo had been on the long-distance telephone hearing news of the chopping down of trees on his father's ranch by the peasant jacquerie in Andalucia; groves of trees being cut down and charcoal burnings started, pigs and chickens killed, cattle driven off; the ranch, which was not yet paid for and which he was fighting bulls to complete the payment on, being gradually pillaged in the sound Agrarian sabotage plan of the Andalucian revolt and being nineteen years old and hearing his world destroyed over the telephone each night, he was worried enough. But the boys at Pamplona and the peasants from the country around who were spending their savings to see bullfights and not seeing them, through the cowardice of matadors, could not go into the economic causes of a matador's abstraction and lack of interest in his work and they rioted against Manolo so violently and so scared him that finally, afraid of being lynched, he gave a splendid afternoon on the last day of the fair.
If there was a penalty of suspension from his profitable business operations, Cagancho might give a good afternoon oftener. His excuse is that he runs danger and the spectator does not, but one is being paid proportionately and the other is paying, and when the spectators protest is when Cagancho refuses to run danger. True, he has been gored, but each time through an accident such as a sudden gust of wind that left him uncovered when he was working close to a bull that he believed safe. There is the one chance he cannot eliminate and after he comes back to the ring from the hospital he will not even come close to a bull he believes to be harmless since there is no guaranty the wind will not blow up while he is working, or the cape get between his legs, or that he might not step on the cape or even that the bull may not go blind. He is
the only bullfighter I have been glad to see gored; but goring him is no solution since he behaves much worse on coming out of the hospital than before he went in. Yet he keeps on having contracts and robbing the public because they know that when he wishes he can do a complete and splendid faena, a model of perfect execution, and end it by killing beautifully.
The best killer to-day is Nicanor Villalta who started in by tricking his killing, using his height to lean over the bull as he blinded him with his huge muleta and has now so purified, so mastered, and so perfected the art that, in Madrid at least, he kills nearly every bull he faces closely, confidently, correctly, securely and emotionally, having learned the way to profit by his magic left wrist really to kill instead of merely tricking. Villalta is an example of the simple man that I spoke of at the beginning of this chapter. In intelligence and in conversation he is not as smart as your twelve-year-old sister if she is a backward child and he has a sense of glory and belief in his greatness that you could reach high enough to hang your hat upon. Added to this he has a semi-hysterical bravery that no cold valor can compete with in intensity. Personally 1 find him insufferable although he is pleasant enough if you do not mind conceited hysteria, but with sword and muleta in Madrid he is the bravest, most secure, and most consistent and emotional killer in Spain to-day.
Death in the Afternoon Page 24