The best swordsmen in my time were Manuel Vare, called Varelito, probably the best killer of my generation; Antonio de la Haba, called Zurito; Martin Aguero; Manolo Martinez and Luis Freg. Varelito was of moderate stature, simple, sincere and a consistently great killer. Like all killers of only moderate height he took much punishment from the bulls. Not yet recovered from the effects of a horn wound received the year before, he was unable to kill with his old style in the April fair in Seville in 1922 and, his work unsatisfactory, the crowd jeered and insulted him all through the fair. Turning his back on a bull after he had put the sword in the bull caught him and gave him a terrific wound near the rectum that perforated the intestines. It was almost the same wound that Sidney Franklin received and recovered from in the spring of 1930 and it was the same sort of wound that killed Antonio Montes. He, Varelito, being gored late in April, lived until May 13. As they were carrying him down the passageway around the ring to the infirmary, the crowd, which had been hooting him a minute before, now murmuring with the rush of talk that always follows a serious cogida, Varelito kept saying, looking up at them, "Now you've given it to me. Now I've got it. Now you've given it to me. Now you've got what you wanted. Now I've got it. Now you've given it to me. Now I've got it. Now I've got it. I've got it." He had it although it took nearly four weeks for it to kill him.
Zurito was the son of the last and one of the greatest of the old-time picadors. He was from Cordoba, dark and rather thin; his face very sad in repose; serious and with a deep sense of honor. He killed classically, slowly and beautifully with a sense of honor that forbade him to use any advantage, or trick, or to deviate from a straight line as he went in. He was one of four novilleros who were sensations in their class in 1923 and 1924 and when the other three, who were all much riper than he, though none of them were very ripe, became matadors he became one himself at the very end of the season although his apprenticeship, in the sense that an apprenticeship should continue until the craft has been mastered, was not finished.
None of the four had served a proper apprenticeship. Manuel Baez, called Litri, the most sensational of the four, was a prodigy of valor and wonderful reflexes, but insensate in his bravery and very ignorant in his fighting. He was a brownfaced, bowlegged little boy with black hair, a face like a rabbit and a nervous tic of vision which made his eyelids wink as he watched the bull come; but for a year he substituted bravery, luck and reflexes for knowledge and while he was tossed, literally, hundreds of times he was often so close to the horn that it could not get a good chop at him and his luck saved him from all but one serious horn wound. We all spoke of him as carne de toro, or meat for the bulls, and it really did not make much difference when he took the alternativa since he fought on a nervous valor that could not last, and with his faulty technique he was certain to be destroyed by a bull and the more money he made before it happened the better. He was fatally wounded in the first fight of the year in Malaga early in February of 1926 after he had been a matador one full season. He need not have died of that wound if it had not become infected with gaseous gangrene and his leg amputated too late to save his life. The bullfighters say, "If I must be gored let it be in Madrid," or if they are Valencian they substitute Valencia for Madrid, since it is in those two cities that there are most serious bullfights; therefore most horn wounds and, consequently, two of the greatest specialists in that surgery. There is no time for a specialist to come from one city to another for the most vital part of a wound treatment which is the opening and cleaning to avoid the possibility of infections of all the multiple trajectories a horn wound makes. I have seen a horn wound in the thigh with an opening no larger than a silver dollar which when probed and opened inside had as many as five different trajectories, these being caused by the man's body revolving on the horn and, sometimes, by the end of the horn being splintered. All of these inner wounds must be opened and cleaned and at the same time all incisions in the muscle must be made so that it will heal in the minimum of time and with the least possible loss of mobility. A bull ring surgeon has two aims; to save the man, the aim of ordinary surgery; and to place the torero back in the ring as soon as possible in order that he may fulfil contracts. It is his ability to get the fighter back to work rapidly that makes a horn-wound specialist able to command high fees. It is a very special sort of surgery, but its simplest form, which is the caring for the ordinary wound, which comes oftenest between knee and groin or between knee and ankle, since that is where the bull's lowered horns catch the man in goring, is to ligate the femoral artery with promptness if it has been opened, and then find, with the finger usually, or with a probe, open and clean all the various trajectories which a horn wound may have, at the same time keeping the patient's heart going with camphor injections and replacing the lost blood with injections of normal salt solution and so forth. Anyway, Litri's leg infected in Malaga and they amputated it, having promised him, when he was anaesthetized, it was only to clean the wound; and when he was conscious and found the leg gone he did not want to live and was in great despair. I was very fond of him and wished he might have died without the amputation since he was marked to die anyway when he took the alternative and was certain to be destroyed as soon as his luck ran out.
Zurito never had any luck. His apprenticeship uncompleted he had the shortest kind of repertoire with cape and muleta, the latter consisting principally of passes por alto and the easily learned trick of the molinete and the excellence of his swordsmanship and the purity of his style with the sword were obscured by the hair-raising campaign Litri was making and the great season Nino de la Palma had. Zurito had two good seasons after Litri's death, but before he ever had a chance to really become a dominating figure his work was old-fashioned since he made no improvement with the cape and muleta and, as he always aimed the sword for the very top of the opening between the shoulder blades and going in so high with his left shoulder forward it was difficult to keep the muleta low enough to get rid of the bull completely, he took much punishment from the bulls; especially those terrible blows from the flat of the horn against the chest with which the bulls lifted him off his feet nearly every time he killed. Then he almost lost a season from internal injuries and a growth of some sort that came on his lip where it had been hurt. In 1927 he was fighting in such bad physical condition that it was tragic to watch him. He knew that to lose out on a single season may put a bullfighter in the discard so that he will have only two or three fights a year and not be able to make a living and all that season Zurito was fighting; his face, that had been a healthy brown, now as gray as weathered canvas; so short of breath that it was pitiful to see him; yet attacking as straight, as close and with the same classic style and the same bad luck, When the bull bumped him off his feet or gave him one of those palatazos or strokes with the flat of the horn that the bullfighters claim harm as much as wounds since they cause internal hemorrhages, he would faint from weakness, be carried into the infirmary, brought to, and come out again, weak as a convalescent, to kill his other bull. Due to his style of killing he was bumped nearly every time he killed. He fought twenty-one times, fainted dead away in twelve of them, and killed all of his forty-two bulls. It was not enough though, because his work with the cape and muleta, never stylish, in the condition he was in was not even competent, and the publics did not like to see him faint. There was an editorial against it in the San Sebastian paper. That was the town where he had been most successful and they did not contract him again since his fainting was very repugnant to foreigners and the best people. So that season, in which he gave the most harrowing display of courage I have ever seen, did him no good. He married at the end of it. She wanted to marry him, they said, before he died, and instead he got much better; became rather fat, and loving his wife did not go in quite so straight on the bulls and fought only fourteen times. The next year he fought only seven times in Spain and South America. The next year he was going in as straight as ever, but he had only two contracts in Spain for the whole year; not eno
ugh to support his family. Of course his fainting that year was not pleasant to see, but he only knew one way to kill and that was perfectly and if, in attempting it, the horn or the muzzle struck him and he lost the consciousness of this world that was his hard luck and he always returned to fight as soon as he was conscious. The public did not like it. It became an old story so rapidly. I did not like it myself, but by Christ how I admired it. Too much honor destroys a man quicker than too much of any other fine quality and with a little bad luck it ruined Zurito in one season.
Old Zurito, the father, brought up one son to be a matador and taught him honor, technique and classic style and that boy is a failure in spite of great skill and integrity. He taught the other boy to be a picador and he has a perfect style, great courage, is a splendid horseman and would be the best picador in Spain but for one thing. He is too light to be able to punish the bulls. No matter how hard he pegs them he can barely draw blood. So he, with the most ability and style of any picador living, is pic-ing in novilladas at fifty to a hundred pesetas apiece when with fifty pounds more weight he would be continuing the great tradition of the father. There is another son, too, who is a picador that I have not seen; but they tell me he too is too light. They are not a lucky family.
Martin Aguero, the third of the killers, was a boy from Bilbao who did not look like a bullfighter at all but more like a husky, well-built, professional ballplayer, a third baseman or shortstop. He had a full-lipped face, German-American looking in the sense that Nick Altrock's was, and was no artist with cape or muleta although he managed a cape well enough; sometimes excellently; understood bullfighting; was not ignorant; and did what he did with the muleta well although he was altogether without artistic imagination. Put him down as a capable and close worker with the cape and a competent but dull performer with the muleta. With the sword he was a secure and rapid killer. His estocadas always looked wonderful in photographs because the photograph does not give any sense of time, but when you watched him kill he went in so lightning fast that even though he killed more securely than Zurito, crossing magnificently, and nine times out of ten getting the sword in all the way to the hilt yet one estocada of Zurito's was worth many of Aguero's to watch, since Zurito went in so slowly and directly, marking the time of the killing so completely that there was no element of taking the bull by surprise. Aguero killed like a butcher boy and Zurito like a priest at benediction.
Aguero was very brave and very efficient and was one of the leading matadors in 1925, 1926, and 1927, fighting fifty and fifty-two times in those last two years and almost never being tossed. In 1928 he was gored severely twice, the second cornada coming as a result of his fighting before he was in good shape after the first, and the two of them breaking down his fine health and physique. A nerve in one of his legs was so badly injured that it atrophied and this led to gangrene of the toes of his right foot and an operation for their removal in 1931. The last I heard his foot had been so mutilated that it was considered impossible that he would ever fight again. He leaves two younger brothers as novilleros with the same looks, the same athletic physique and the beginnings of the same skill with the sword.
Diego Mazquiaran "Fortuna" of Bilbao is another great killer of the butcher-boy type. Fortuna is curly-haired, bigwristed, husky, swaggering, married much money, fights just enough to have money of his own, is brave as the bull himself and just a little less intelligent. He is the luckiest man that ever fought bulls. He knows only one way to work with a bull, he treats them as though they were all difficult and chops them and doubles them into position with the muleta no matter what sort of faena they require. If the bull happens to be difficult this is very satisfactory, but if he is asking for a grand faena it is not. Once he gets their two front feet together, Fortuna furls the muleta, profiles with the sword, looks over his shoulder at his friends and says, "See if we can kill him this way!" and goes in straight, strong and well. He is so lucky that the sword may even cut the spinal marrow and drop the bull as though he were struck by lightning. If he is not lucky he will sweat and his hair will get more frizzy, he will explain to the spectators with gestures the difficulties of the animal; will call on them all to witness it is not his, Fortuna's, fault. The next day in his regular seat in tendido two (he is one of the few bullfighters who attend bullfights regularly), when a really difficult bull comes out for some other fighter to handle, he will tell all the rest of us, "That's not a difficult bull. That bull is good. He ought to do something with that bull." Fortuna is really brave though, brave and stupid. He has absolutely no nervousness about the fight. I have heard him say to a picador, "Come on. Come on. Hurry it up. I'm bored in here. The whole thing bores me. Hurry it up." Among the fragile artists, he stands out as a survival from a different time. But he will bore you blinder than he ever has been bored in the ring if you sit near him for a season.
Manolo Martinez of the barrio of Ruzafa in Valencia, slight, with his round eyes, his twisted-crooked face, his thin smile, looks as though he belonged around a race track or like one of the best of the tough citizens you knew around the poolrooms when you were a boy. Many critics deny he is a great killer because he has never had any luck in Madrid and the editors of the French bullfight paper, he Toril, a very good periodical, deny him all merit because he has sense enough not to risk his life when fighting in the south of France where any sword that disappears into the bull, no matter how placed, or how trickily inserted, is universally applauded. Martinez is as brave as Fortuna and he is never bored. He loves to kill and he is not conceited as Villalta is; when it comes out well he is pleased, seemingly as much for you as for himself. He has been greatly punished by the bulls and I saw him get a terrible cornada one year in Valencia. His work with cape and muleta is unsound, but if the bull is a frank, fast charger Martinez works as close as any man can pass bulls. This day he had a bull that hooked to the right and he seemingly did not notice the defect. The bull bumped him once in passing with the cape and the next time Martinez passed him on the same side and did not give him room he caught him with the horn and tossed him. He was unwounded, the horn had slid along the skin without catching and had only torn his trousers, but he had come down on his head and was groggy and on his next turn with the cape he took the bull all the way out into the centre of the ring and there, alone, tried to pass him closely on the right side again. Of course the bull caught him, his defect had been accentuated by his success at getting the man before, and this time the horn went in, and Martinez went into the air on the horn, the bull tossed him clear, and as he lay still on the ground, gored at him again and again before the other bullfighters running to the centre of the ring could attract the bull away. As Manolo rose to his feet he saw the blood pumping from his groin and knowing the femoral artery was severed he put both hands over it to try to contain the hemorrhage and ran as fast as he could for the infirmary. He knew his life was going out in that stream that spurted between his fingers and he could not wait to be carried. They tried to grab him, but he shook his head. Dr. Serra came running down the passageway and Martinez shouted to him, "Don Paco, I've got a big cornada!" and with Dr. Serra pressing with his thumb to stop the artery they went into the infirmary together. The horn had passed almost completely through his thigh, his loss of blood was so tremendous and he was so weak and prostrated no one believed he would live and at one time, being unable to get any pulse, they announced he was dead. The destruction in the muscle was so great no one thought he would be able to fight again if he lived, but being gored on the 31st of July he was well enough to fight in Mexico on the 18th of October due to his constitution and the skill of Dr. Paco Serra. Martinez has suffered terrible horn wounds, rarely when killing; but usually from his desire to work close to bulls that will not permit it and his fundamental unsoundness in handling the cape and muleta and desire to keep his feet absolutely together when letting the bull pass; but his horn wounds only seem to refresh his valor. He is a local fighter. I have never seen him really good except in Valencia,
but in 1927 in a fair that was built around Juan Belmonte and Marcial Lalanda and for which Martinez was not even contracted, when Belmonte and Marcial were gored he came in to substitute and fought three fights in which he was superb; doing everything with cape and muleta so closely and dangerously and taking such chances you could not believe it possible the bulls would not kill him, and then, when it was time to kill, profiling closely, arrogantly, rocking a little back on his heels to plant himself solidly, his left knee a little bent, settling his weight on the other foot, then going in and killing in a way no living man could better. In 1931 he was dangerously gored in Madrid and was still unrecovered when he fought in Valencia. The critics all say he is finished now, but he has made his living proving them wrong from the start and I believe as soon as his nerves and muscles will obey his heart again he will be the same as ever until a bull destroys him. With his unsoundness and inability to dominate a difficult bull coupled to his great bravery that seems inevitable. His valor is almost humorous. It is a sort of cockney bravery, while Villalta's is conceited, Fortuna's is dumb, and Zurito's is mystic.
Death in the Afternoon Page 25