The Year's Best Science Fiction: Twenty-Third Annual Collection

by Gardner Dozois

  "Oh, Therese," she says. "Are you ready to come home?" Their daughter was named Therese. She died of an overdose almost two years ago, and since then Mitch and Alice Klass have visited this hospital dozens of times, looking fo her. They desperately want me to be their daughter, and so in their heads I already am.

  My hand is still on the door handle. "Do I have a choice?" On paper I'm only seventeen years old. I have no money, no credit cards, no job, no car. I own only a handful of clothes. And Robierto, the burliest orderly on the ward, is in the hallway behind me, blocking my escape.

  Therese's mother seems to stop breathing for a moment. She's a slim, narrow-boned woman who seems tall until she stands next to anyone. Mitch raises a hand to her shoulder, then drops it.

  As usual, whenever Alice and Mitch come to visit, I feel like I've walked into the middle of a soap opera and no one's given me my lines. I look directly at Dr. S, and his face is frozen into that professional smile. Several times over the past year he's convinced them to let me stay longer, but they're not listening anymore. They're my legal guardians, and they have Other Plans. Dr. S looks away from me, rubs the side of his nose.

  "That's what I thought," I say.

  The father scowls. The mother bursts into fresh tears, and she cries all the way out of the building. Dr. Subramaniam watches from the entrance as we drive away, his hands in his pockets. I've never been so angry with him in my life—all two years of it.

  The name of the drug is Zen, or Zombie, or just Z. Thanks to Dr. S I have a pretty good idea of how it killed Therese.

  "Flick your eyes to the left," he told me one afternoon. "Now glance to the right. Did you see the room blur as your eyes moved?" He waited until I did it again. "No blur. No one sees it."

  This is the kind of thing that gets brain doctors hot and bothered. Not only could no one see the blur, their brains edited it out completely. Skipped over it—left view, then right view, with nothing between—then fiddled with the person's time sense so that it didn't even seem missing.

  The scientists figured out that the brain was editing out shit all the time. They wired up patients and told them to lift one of their fingers, move it any time they wanted. Each time, the brain started the signal traveling toward the finger up to I20 milliseconds before the patient consciously decided to move it. Dr. S said you could see the brain warming up right before the patient consciously thought, now.

  This is weird, but it gets weirder the longer you think about it. And I've been thinking about this a lot.

  The conscious mind—the "I" that's thinking, hey, I'm thirsty, I'll reach for that cold cup of water—hasn't really decided anything. The signal to start moving your hand has already traveled halfway down your arm by the time you even realize you are thirsty. Thought is an afterthought. By the way, the brain says, we've decided to move your arm, so please have the thought to move it.

  The gap is normally I20 milliseconds, max. Zen extends this minutes. Hours.

  If you run into somebody who's on Zen, you won't notice much. The person's brain is still making decisions, and the body still follows orders. You can talk to the them, and they can talk to you. You can tell each other jokes, go out for hamburgers, do homework, have sex.

  But the person isn't conscious. There is no "I" there. You might as well be talking to a computer. And two people on Zen—"you" and "I"—are just puppets talking to puppets.

  It's a little girl's room strewn with teenager. Stuffed animals crowd the shelves and window sills, shoulder to shoulder with stacks of Christian rock CDs and hair brushes and bottles of nail polish. Pin-ups from Teen People are taped to the wall, next to a bulletin board dripping with soccer ribbons and rec league gymnastics medals going back to second grade. Above the desk, a plaque titled "I Promise…" exhorting Christian youth to abstain from premarital sex. And everywhere taped and pinned to the walls, the photos: Therese at Bible camp, Therese on the balance beam, Therese with her arms around her youth group friends. Every morning she could open her eyes to a thousand reminders of who she was, who she'd been, who she was supposed to become.

  I pick up the big stuffed panda that occupies the place of pride on the bed. It looks older than me, and the fur on the face is worn down to the batting. The button eyes hang by white thread—they've been re-sewn, maybe more than once.

  Therese's father sets down the pitifully small bag that contains everything I've taken from the hospital: toiletries, a couple of changes of clothes, and five of Dr. S's books. "I guess old Boo Bear was waiting for you," he says.

  "Boo W. Bear."

  "Yes, Boo W!" It pleases him that I know this. As if it proves anything. "You know, your mother dusted this room every week. She never doubted that you'd come back."

  I have never been here, and she is not coming back, but already I'm tired of correcting pronouns. "Well, that was nice," I say.

  "She's had a tough time of it. She knew people were talking, probably holding her responsible—both of us, really. And she was worried about them saying things about you. She couldn't stand them thinking that you were a wild girl."

  "Them?"

  He blinks. "The Church."

  Ah. The Church. The term carried so many feelings and connotations for Therese that months ago I stopped trying to sort them out. The Church was the red-brick building of the Davenport Church of Christ, shafts of dusty light through rows of tall, glazed windows shaped like gravestones. The Church was God and the Holy Ghost (but not Jesus—he was personal, separate somehow). Mostly, though, it was the congregation, dozens and dozens of people who'd known her since before she was born. They loved her, they watched out for her, and they evaluated her every step. It was like having a hundred overprotective parents.

  I almost laugh. "The Church thinks Therese was wild?"

  He scowls, but whether because I've insulted the Church or because I keep referring to his daughter by name, I'm not sure. "Of course not. It's just that you caused a lot of worry." His voice has assumed a sober tone that's probably never failed to unnerve his daughter. "You know, the Church prayed for you every week."

  "They did?" I do know Therese well enough to be sure this would have mortified her. She was a pray-er, not a pray-ee.

  Therese's father watches my face for the bloom of shame, maybe a few tears. From contrition it should have been one small step to confession. It's hard for me to take any of this seriously.

  I sit down on the bed and sink deep into the mattress. This is not going to work. The double bed takes up most of the room, with only a few feet of open space around it. Where am I going to meditate?

  "Well," Therese's father says. His voice has softened. Maybe he thinks he's won. "You probably want to get changed," he says.

  He goes to the door but doesn't leave. I stand by the window, but I can feel him there, waiting. Finally the oddness of this makes me turn around.

  He's staring at the floor, a hand behind his neck. Therese might have been able to intuit his mood, but it's beyond me.

  "We want to help you, Therese. But there's so many things we just don't understand. Who gave you the drugs, why you went off with that boy, why you would—" His hand moves, a stifled gesture that could be anger, or just frustration. "It's just… hard."

  "I know," I say. "Me too."

  He shuts the door when he leaves, and I push the panda to the floor and flop onto my back in relief. Poor Mr. Klass. He just wants to know if his daughter fell from grace, or was pushed.

  When I want to freak myself out, "I" think about "me" thinking about having an "I." The only thing stupider than puppets talking to puppets is a puppet talking to itself.

  Dr. S says that nobody knows what the mind is, or how the brain generates it, and nobody really knows about consciousness. We talked almost every day while I was in the hospital, and after he saw that I was interested in this stuff—how could I not be?—he gave me books and we'd talk about brains and how they cook up thoughts and make decisions.

  "How do I explain this?" he always
starts. And then he tries out the metaphors he's working on for his book. My favorite is the Parliament, the Page, and the Queen.

  "The brain isn't one thing, of course," he told me. "It's millions of firing cells, and those resolve into hundreds of active sites, and so it is with the mind. There are dozens of nodes in the mind, each one trying to out-shout the others. For any decision, the mind erupts with noise, and that triggers… how do I explain this… Have you ever seen the British Parliament on C-SPAN?" Of course I had: in a hospital, TV is a constant companion. "These members of the mind's parliament, they're all shouting in chemicals and electrical charges, until enough of the voices are shouting in unison. Ding! That's a 'thought,' a 'decision.' The Parliament immediately sends a signal to the body to act on the decision, and at the same time it tells the Page to take the news—"

  "Wait, who's the Page?"

  He waves his hand. "That's not important right now." i Weeks later, in a different discussion, Dr. S will explain that the Page isn't one thing, but a cascade of neural events in the temporal area of the limbic system that meshes the neural map of the new thought with the existing neural map—but by then I know that "neural map" is just another metaphor for another deeply complex thing or process, and that I'll never get to the bottom of this. Dr. S said not to worry about it, that nobody gets to the bottom of it.) "The Page takes the news of the decision to the Queen."

  "All right then, who's the Queen? Consciousness?"

  "Exactly right! The self itself."

  He beamed at me, his attentive student. Talking about this stuff gets Dr. S going like nothing else, but he's oblivious to the way I let the neck of my scrubs fall open when I stretch out on the couch. If only I could have tucked the two hemispheres of my brain into a lace bra.

  "The Page," he said, "delivers its message to Her Majesty, telling her what the Parliament has decided. The Queen doesn't need to know about all the other arguments that went all the other possibilities that were thrown out. She simply needs to know what to announce to her subjects. The Queen tells the parts of the body to act on the decision."

  "Wait, I thought the Parliament had already sent out the signal. You said before that you can see the brain warming up before the self even knows about it."

  "That's the joke. The Queen announces the decision, and she thinks that her subjects are obeying her commands, but in reality, they have already been told what to do. They're already reaching for their glasses of water."

  I pad down to the kitchen in bare feet, wearing Therese's sweatpants and a T-shirt. The shirt is a little tight; Therese, champion dieter and Olympic-level purger, was a bit smaller than me.

  Alice is at the table, already dressed, a book open in front of her. "Well, you slept in this morning," she says brightly. Her face is made up, her hair sprayed into place. The coffee cup next to the book is empty. She's been waiting for hours.

  I look around for a clock, and find one over the door. It's only nine. At the hospital I slept in later than that all the time. "I'm starved," I say. There's a refrigerator, a stove, and dozens of cabinets.

  I've never made my own breakfast. Or any lunch or dinner, for that matter. For my entire life, my meals have been served on cafeteria trays. "Do you have scrambled eggs?"

  She blinks. "Eggs? You don't—" She abruptly stands. "Sure. Sit down, Therese, and I'll make you some."

  "Just call me 'Terry,' okay?"

  Alice stops, thinks about saying something—I can almost hear the clank of cogs and ratchets—until she abruptly strides to the cabinet, crouches, and pulls out a non-stick pan.

  I take a guess on which cabinet holds the coffee mugs, guess right, and take the last inch of coffee from the pot. "Don't you have to go to work?" I say. Alice does something at a restaurant supply company; Therese has always been hazy on the details.

  "I've taken a leave," she says. She cracks an egg against the edge of the pan, does something subtle with the shells as the yolk squeezes out and plops into the pan, and folds the shell halves into each other. All with one hand.

  "Why?"

  She smiles tightly. "We couldn't just abandon you after getting you home. I thought we might need some time together. During this adjustment period."

  "So when do I have to see this therapist? Whatsisname." My executioner.

  "Her. Dr. Mehldau's in Baltimore, so we'll drive there tomorrow." This is their big plan. Dr. Subramaniam couldn't bring back Therese, so they're running to anyone who says they can. "You know, she's had a lot of success with people in your situation. That's her book." She nods at the table.

  "So? Dr. Subramaniam is writing one too." I pick up the book. The Road Home: Finding the Lost Children of Zen.

  "What if I don't go along with this?"

  She says nothing, chopping at the eggs. I'll be eighteen in months. Dr. S said that it will become a lot harder for them to hold me then. This ticking clock sounds constantly my head, and I'm sure it's loud enough for Alice and Mitch to hear it too.

  "Let's just try Dr. Mehldau first."

  "First? What then?" She doesn't answer. I flash on an image of me tied down to the bed, a priest making a cross over twisting body. It's a fantasy, not a Therese memory—I tell the difference. Besides, if this had already happened Therese, it wouldn't have been a priest.

  "Okay then," I say. "What if I just run away?"

  'If you turn into a fish," she says lightly, "then I will turn nto a fisherman and fish for you."

  "What?" I'm laughing. I haven't heard Alice speak in anying but straightforward, earnest sentences.

  Alice's smile is sad. "You don't remember?"

  "Oh, yeah." The memory clicks. "Runaway Bunny. Did he like that?"

  Dr S's book is about me. Well, Zen O.D.-ers in general, but there are only a couple thousand of us. Z's not a hugely popular drug, in the U.S. or anywhere else. It's not a hallucinogen. It's not a euphoric or a depressant. You don't speed, mellow out, or even get high in the normal sense. It's hard to see what the attraction is. Frankly, I have trouble seeing it.

  Dr. S says that most drugs aren't about making you feel better, they're about not feeling anything at all. They're about numbness, escape. And Zen is a kind of arty, designer escape hatch. Zen disables the Page, locks him in his room, so that he can't make his deliveries to the Queen. There's no update to the neural map, and the Queen stops hearing what Parliament is up to. With no orders to bark, she goes silent. It's that silence that people like Therese craved.

  But the real attraction—again, for people like Therese—is the overdose. Swallow way too much Zen and the Page can't get out for weeks. When he finally gets out, he can't remember the way back to the Queen's castle. The whole process of updating the self that's been going on for years is suddenly derailed. The silent Queen can't be found.

  The Page, poor guy, does the only thing he can. He goes out and delivers the proclamations to the first girl he sees.

  The Queen is dead. Long live the Queen.

  "Hi, Terry. I'm Dr. Mehldau." She's a stubby woman with a pleasant round face, and short dark hair shot with gray. She offers me her hand. Her fingers are cool and thin.

  "You called me Terry."

  "I was told that you prefer to go by that. Do you want me to call you something else?"

  "No… I just expected you to make me say my name is 'Therese' over and over."

  She laughs and sits down in a red leather chair that looks soft but sturdy. "I don't think that would be very helpful, do you? I can't make you do anything you don't want to do, Terry."

  "So I'm free to go."

  "Can't stop you. But I do have to report back to your parents on how we're doing."

  My parents.

  She shrugs. "It's my job. Why don't you have a seat and we can talk about why you're here."

  The chair opposite her is cloth, not leather, but it's still nicer than anything in Dr. Subramaniam's office. The entire office is nicer than Dr. S's office. Daffodil walls in white trim, big windows glowing behind white cloth
shades, tropically colored paintings. .

  I don't sit down.

  "Your job is to turn me into Mitch and Alice's daughter. I'm not going to do that. So any time we spend talking is just bullshit."

  "Terry, no one can turn you into something you're not."

  "Well then we're done here." I walk across the room—though "stroll" is what I'm shooting for—and pick up an African-looking wooden doll from the bookshelf. The shelves are decorated with enough books to look serious, but here are long open spaces for arty arrangements of candlesticks and Japanese fans and plaques that advertise awards and appreciations. Dr. S's bookshelves are for holding books, and books stacked on books. Dr. Mehldau's bookshelves are for selling the idea of Dr. Mehldau.

  "So what are you, a psychiatrist or a psychologist or what?" I've met all kinds in the hospital. The psychiatrists MDs like Dr. S and can give you drugs. I haven't figured ut what the psychologists are good for.

  "Neither," she says. "I'm a counselor."

  "'So what's the 'doctor' for?"

  "Education." Her voice didn't change, but I get the impression that the question's annoyed her. This makes me stangely happy.

  "Okay, Dr. Counselor, what are you supposed to counsel about? I'm not crazy. I know who Therese was, I know what she did, I know that she used to walk around in my body." I put the doll back in its spot next to a glass cube that could be a paperweight. "But I'm not her. This is my body, and I'm not going to kill myself just so Alice and Mitch can have their baby girl back."

  Terry, no one's asking you to kill yourself. Nobody can make you into who you were before."

  "Yeah? Then what are they paying you for, then?"

  "Let me try to explain. Please, sit down. Please."

  I look around for a clock and finally spot one on a high shelf. I mentally set the timer to five minutes and sit opposite her, hands on my knees. "Shoot."

  "Your parents asked me to talk to you because I've helped other people in your situation, people who've overdosed on Z."