The Year's Best Science Fiction: Twenty-Third Annual Collection

by Gardner Dozois

  Time after time we woke her and tried a different approach. Greta said there was a window of a few minutes before the events she was experiencing began to transfer into long-term memory. If we knocked her out, the buffer of memories in short term storage was wiped before it ever crossed the hippocampus into long-term recall. Within that window, we could wake her up as many times as we liked, trying endless permutations of the revival scenario.

  At least that was what Greta told me.

  "We can't keep doing this indefinitely," I said.

  "Why not?"

  "Isn't she going to remember somethingl"

  Greta shrugged. "Maybe. But I doubt that she'll attach any significance to those memories. Haven't you ever had vague feelings of deja vu coming out of the surge tank?"

  "Sometimes," I admitted.

  "Then don't sweat about it. She'll be all right. I promise you."

  "Perhaps we should just keep her awake, after all."

  "That will be cruel."

  "It's cruel to keep waking her up and shutting her down, like a toy doll."

  There was a catch in her voice when she answered me.

  "Keep at it, Thorn. I'm sure you're close to finding a way in the end. It's helping you, focusing on Suzy. I always knew it would."

  I started to say something, but Greta pressed a finger to my lips.

  Greta was right about Suzy. The challenge helped me, taking my mind off my own predicament. I remembered what Greta had said about dealing with other crews in the same situation, before Blue Goose put in. Clearly she had learned many psychological tricks: gambits and shortcuts to assist the transition to mental well-being. I felt slight resentment at being manipulated so effectively. But at the same time I couldn't deny that worrying about another human being had helped me with my own adjustment. When, days later, I stepped back from the immediate problem of Suzy, I realized that something was different. I didn't feel far from home. I felt, in an odd way, privileged. I'd come further than almost anyone in history. I was still alive, and there were still people around to provide love and partnership and a web of social relations. Not just Greta, but all the other unlucky souls who had ended up at the station.

  If anything, there appeared more of them than when I had first arrived. The corridors—sparsely populated at first— were increasingly busy, and when we ate under the dome— under the Milky Way—we were not the only diners. I studied their lamp-lit faces, comforted by their vague familiarity, wondering what kinds of stories they had to tell, where they'd come from home, who they had left behind, how they had adjusted to life here. There was time enough to get to know them all. And the place would never become boring, for at any time—as Greta had intimated—we could always expect another lost ship to drop through the aperture. Tragedy for the crew, but fresh challengers, fresh faces, fresh news from home, for us.

  All in all, it wasn't really so bad.

  Then it clicked.

  It was the man cleaning out the fish that did it, in the lobby of the hotel. It wasn't just the familiarity of the process, but the man himself.

  I'd seen him before. Another pond full of diseased carp. Another hotel.

  Then I remembered Kolding's bad teeth, and recalled how they'd reminded me of another man I'd met long before. Except it wasn't another man at all. Different name, different context, but everything else the same. And when I looked at the other diners, really looked at them, there was no one I couldn't swear I hadn't seen before. No single face that hit me with the force of utter unfamiliarity.

  Which left Greta.

  I said to her, over wine, under the Milky Way: "Nothing here is real, is it?"

  She looked at me with infinite sadness and shook her head.

  "What about Suzy?" I asked her.

  "Suzy's dead. Ray is dead. They died in their surge tanks."

  "How? Why them, and not me?"

  "Something about particles of paint blocking intake filters. Not enough to make a difference over short distances, but enough to kill them on the trip out here."

  I think some part of me had always suspected. It felt less like shock than brutal disappointment.

  "But Suzy seemed so real," I said. "Even the way she had doubts about how long she'd been in the tank… even the way she remembered previous attempts to wake her."

  The glass mannequin approached our table. Greta waved him away.

  "I made her convincing, the way she would have acted."

  "You made her?"

  "You're not really awake, Thorn. You're being fed data. This entire station is being simulated."

  I sipped my wine. I expected it to taste suddenly thin and synthetic, but it still tasted like pretty good wine.

  "Then I'm dead as well?"

  "No. You're alive. Still in your surge tank. But I haven't brought you to full consciousness yet."

  "All right. The truth this time. I can take it. How much is real? Does the station exist? Are we really as far out as you said?"

  "Yes," she said. "The station exists, just as I said it does. It just looks… different. And it is in the Large Magellanic Cloud, and it is orbiting a brown dwarf star."

  "Can you show me the station as it is?"

  "I could. But I don't think you're ready for it. I think you'd find it difficult to adjust."

  I couldn't help laughing. "Even after what I've already adjusted to?"

  "You've only made half the journey, Thom."

  "But you made it."

  "I did, Thom. But for me it was different." Greta smiled.

  "For me, everything was different."

  Then she made the light show change again. None of the other diners appeared to notice as we began to zoom in toward the Milky Way, crashing toward the spiral, ramming through shoals of outlying stars and gas clouds. The familiar landscape of the Local Bubble loomed large.

  The image froze, the Bubble one among many such structures.

  Again it filled with the violent red scribble of the aperture network. But now the network wasn't the only one. It was merely one ball of red yarn among many, spaced out across tens of thousands of light-years. None of the scribbles touched each other, yet—in the way they were shaped, in the way they almost abutted against each other—it was possible to imagine that they had once been connected. They were like the shapes of continents on a world with tectonic drift.

  "It used to span the galaxy," Greta said. "Then something happened. Something catastrophic, which I still don't understand. A shattering, into vastly smaller domains. Typically a few hundred light-years across."

  "Who made it?"

  "I don't know. No one knows. They probably aren't around anymore. Maybe that was why it shattered, out of neglect."

  "But we found it," I said. "The part of it near us still worked."

  "All the disconnected elements still function," Greta said. "You can't cross from domain to domain, but otherwise the apertures work as they were designed. Barring, of course, the occasional routing error."

  "All right," I said. "If you can't cross from domain to domain, how did Blue Goose get this far out? We've come a lot farther than a few hundred light-years."

  "You're right. But then such a long-distance connection might have been engineered differently from the others. It appears that the links to the Magellanic Clouds were more resilient. When the domains shattered from each other, the connections reaching beyond the galaxy remained intact."

  "In which case you can cross from domain to domain," I said. "But you have to come all the way out here first."

  "The trouble is, not many want to continue the journey at this point. No one comes here deliberately, Thorn."

  "I still don't get it. What does it matter to me if there are other domains? Those regions of the galaxy are thousands of light-years from Earth, and without the apertures we'd have no way of reaching them. They don't matter. There's no one there to use them."

  Greta's smile was coquettish, knowing.

  "What makes you so certain?"

  "Be
cause if there were, wouldn't there be alien ships popping out of the aperture here? You've told me Blue Goose wasn't the first through. But our domain—the one in the Local Bubble—must be outnumbered hundreds to one by all the others. If there are alien cultures out there, each stumbling on their own local domain, why haven't any of them ever come through the aperture, the way we did?"

  Again that smile. But this time it chilled my blood.

  "What makes you think they haven't, Thom?"

  I reached out and took her hand, the way she had taken mine. I took it without force, without malice, but with the assurance that this time I really, sincerely meant what I was about to say.

  Her fingers tightened around mine.

  "Show me," I said. "I want to see things as they really are. Not just the station. You as well."

  Because by then I'd realized. Greta hadn't just lied to me about Suzy and Ray. She'd lied to me about the Blue Goose as well. Because we were not the latest human ship to come through.

  We were the first.

  "You want to see it?" she asked.

  "Yes. All of it."

  "You won't like it."

  "I'll be the judge of that."

  "All right, Thom. But understand this. I've been here before. I've done this a million times. I care for all the lost souls. And I know how it works. You won't be able to take the raw reality of what's happened to you. You'll shrivel away from it. You'll go mad, unless I substitute a calming fiction, a happy ending."

  "Why tell me that now?"

  "Because you don't have to see it. You can stop now, where you are, with an idea of the truth. An inkling. But you don't have to open your eyes."

  "Do it," I said.

  Greta shrugged. She poured herself another measure of wine, then made sure my own glass was charged.

  "You asked for it," she said.

  We were still holding hands, two lovers sharing an intimacy. Then everything changed.

  It was just a flash, just a glimpse. Like the view of an unfamiliar room if you turn the lights on for an instant. Shapes and forms, relationships between things. I saw caverns, wormed-out and linked, and things moving through those caverns, bustling along with the frantic industry of moles or termites. The things were seldom alike, even in the most superficial sense. Some moved via propulsive waves of multiple clawed limbs. Some wriggled, smooth plaques of carapace grinding against the glassy rock of the tunnels.

  The things moved between caves in which lay the hulks of ships, almost all too strange to describe.

  And somewhere distant, somewhere near the heart of the rock, in a matriarchal chamber all of its own, something drummed out messages to its companions and helpers, stiffly articulated antlerlike forelimbs beating against stretched tympana of finely veined skin, something that had been waiting here for eternities, something that wanted nothing more than to care for the souls of the lost.

  Katerina's with Suzy when they pull me out of the surge tank.

  It's bad—one of the worst revivals I've ever gone through. I feel as if every vein in my body has been filled with finely powdered glass. For a moment, a long moment, even the idea of breathing seems insurmountably difficult, too hard, too painful even to contemplate.

  But it passes, as it always passes.

  After a while I can not only breathe, I can move and talk.

  "Where…"

  "Easy, Skip," Suzy says. She leans over the tank and starts unplugging me. I can't help but smile. Suzy's smart—there isn't a better syntax runner in Ashanti Industrial—but she's also beautiful. It's like being nursed by an angel.

  I wonder if Katerina's jealous.

  "Where are we?" I try again. "Feels like I was in that thing for an eternity. Did something go wrong?"

  "Minor routing error," Suzy says. "We took some damage and they decided to wake me first. But don't sweat about it. At least we're in one piece."

  Routing errors. You hear about them, but you hope they're never going to happen to you.

  "What kind of delay?"

  "Forty days. Sorry, Thorn. Bang goes our bonus."

  In anger, I hammer the side of the surge tank. But Kate-rina steps toward me and places a calming hand on my shoulder.

  "It's all right," she says. "You're home and dry. That's all that matters."

  I look at her and for a moment remember someone else, someone I haven't thought about in years. I almost remember her name, and then the moment passes.

  I nod. "Home and dry."

  * * *

  Second Person, Present Tense

  Daryl Gregory

  Daryl Gregory (darylgregory.com) lives in State College, Pennsylvania, with his wife, a psychologist and university professor, and their two children. He is a full-time writer, although half of what he writes is web code for a software company. His stories have appeared in Asimov's Science Fiction Magazine, The Magazine of Fantasy & Science Fiction, Amazing Stories, and elsewhere. He's working on his first novel, a science-fantasy about demonic possession and golden age comics.

  "Second Person, Present Tense" appeared in Asimov's, and is certainly one of the stories that made that magazine a leader in the field in 2005. Gregory postulates a drug that can destroy the construction of self. A teenage girl overdosed, and the new replacement self has been, in effect, raised for a couple of years by her neurologist. Now she has to go back to the family that raised the original personality that she can remember, but whom she is not. Good science and good writing make this story a candidate for the single best SF story of the year.

  * * *

  If you think, "I breathe," the "I" is extra. There is no you to say "I." What we call "I" is just a swinging door which moves when we inhale or when we exhale.

  —Shun Ryu Suzuki

  I used to think the brain was the most important organ in the body, until I realized who was telling me that.

  —Emo Phillips

  When I enter the office, Dr. S is leaning against the desk, talking earnestly to the dead girl's parents. He isn't happy, but when he looks up he puts on a smile for me. "And here she is," he says, like a game show host revealing the grand prize. The people in the chairs turn, and Dr. Subramaniam gives me a private, encouraging wink.

  The father stands first, a blotchy, square-faced man with a tight belly he carries like a basketball. As in our previous visits, he is almost frowning, straggling to match his face to his emotions. The mother, though, has already been crying, and her face is wide open: joy, fear, hope, relief. It's way over the top.

  "Oh, Therese," she says. "Are you ready to come home?" Their daughter was named Therese. She died of an overdose almost two years ago, and since then Mitch and Alice Klass have visited this hospital dozens of times, looking fo her. They desperately want me to be their daughter, and so in their heads I already am.

  My hand is still on the door handle. "Do I have a choice?" On paper I'm only seventeen years old. I have no money, no credit cards, no job, no car. I own only a handful of clothes. And Robierto, the burliest orderly on the ward, is in the hallway behind me, blocking my escape.

  Therese's mother seems to stop breathing for a moment. She's a slim, narrow-boned woman who seems tall until she stands next to anyone. Mitch raises a hand to her shoulder, then drops it.

  As usual, whenever Alice and Mitch come to visit, I feel like I've walked into the middle of a soap opera and no one's given me my lines. I look directly at Dr. S, and his face is frozen into that professional smile. Several times over the past year he's convinced them to let me stay longer, but they're not listening anymore. They're my legal guardians, and they have Other Plans. Dr. S looks away from me, rubs the side of his nose.

  "That's what I thought," I say.

  The father scowls. The mother bursts into fresh tears, and she cries all the way out of the building. Dr. Subramaniam watches from the entrance as we drive away, his hands in his pockets. I've never been so angry with him in my life—all two years of it.

  The name of the drug is Zen, or Zombie, or j
ust Z. Thanks to Dr. S I have a pretty good idea of how it killed Therese.

  "Flick your eyes to the left," he told me one afternoon. "Now glance to the right. Did you see the room blur as your eyes moved?" He waited until I did it again. "No blur. No one sees it."

  This is the kind of thing that gets brain doctors hot and bothered. Not only could no one see the blur, their brains edited it out completely. Skipped over it—left view, then right view, with nothing between—then fiddled with the person's time sense so that it didn't even seem missing.

  The scientists figured out that the brain was editing out shit all the time. They wired up patients and told them to lift one of their fingers, move it any time they wanted. Each time, the brain started the signal traveling toward the finger up to I20 milliseconds before the patient consciously decided to move it. Dr. S said you could see the brain warming up right before the patient consciously thought, now.

  This is weird, but it gets weirder the longer you think about it. And I've been thinking about this a lot.

  The conscious mind—the "I" that's thinking, hey, I'm thirsty, I'll reach for that cold cup of water—hasn't really decided anything. The signal to start moving your hand has already traveled halfway down your arm by the time you even realize you are thirsty. Thought is an afterthought. By the way, the brain says, we've decided to move your arm, so please have the thought to move it.

  The gap is normally I20 milliseconds, max. Zen extends this minutes. Hours.

  If you run into somebody who's on Zen, you won't notice much. The person's brain is still making decisions, and the body still follows orders. You can talk to the them, and they can talk to you. You can tell each other jokes, go out for hamburgers, do homework, have sex.