The Boarded-Up House

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The Boarded-Up House Page 2

by C. Clyde Squires


  “Now,” declared Joyce, “this is the beginning of something interesting, I hope!” Cynthia said nothing, having, indeed, much ado to appear calm and hold herself from making a sudden bolt back to the cellar window. With candle held high, Joyce proceeded to investigate their surroundings. They seemed to be in a wide, central hall running through the house from front to back. A generous stairway of white-painted wood with slender mahogany railing ascended to an upper floor. Some large paintings and portraits hung on the walls, but the candle did not throw enough light to permit seeing them well. The furniture in the hall consisted of several tall, straight-backed chairs set at intervals against the walls, and at one side a massive table covered thick with the dust of years. There was a distinctly old-fashioned, “different” air about the place, but nothing in any other way remarkable.

  “You see!” remarked Cynthia. “There is n’t anything wonderful here, and the air is simply horrid. I hope you’ re satisfied. Do come back!”

  “But we have n’t seen a quarter of it yet! This is only the hall. Now for the room on the right!” Joyce hauled open a pair of closed folding-doors, and held the candle above her head. If they were searching for things strange and inexplicable, here at last was their reward! Both girls gasped and stared incredulously, first at the scene before them, then at each other.

  The apartment was a dining-room. More portraits and paintings shone dimly from the walls. A great candelabrum hung from the ceiling, with sconces for nearly a hundred candles and ornamented with glittering crystal pendants. An enormous sideboard occupied almost an entire end of the room. In the middle, a long dining-table stood under the candelabrum.

  But here was the singular feature. The table was still set with dishes, as though for a feast. And the chairs about it were all pushed awry, and some were overturned. Napkins, yellowed with age, were fallen about, dropped apparently in sudden forgetfulness. The china and glassware stood just as they had been left, though every ancient vestige of food had long since been carried away by the mice.

  As plain as print, one could read the signs of some feasting party interrupted and guests hastily leaving their places to return no more. The girls understood it in a flash.

  “But why—why,” said Joyce, speaking her thought aloud, “was it all left just like this? Why were n’t things cleared up and put away? What could have happened? Cynthia, this is the strangest thing I ever heard of!” Cynthia only stared, and offered no explanation. Plainly, she was impressed at last.

  “Come on!” half whispered Joyce, “Let’s see the room across the hall. I’m crazy to explore it all!” Together they tiptoed to the other side of the hall. A kind of awe had fallen upon them. There was more here than even Joyce had hoped or imagined. This was a house of mystery.

  The apartment across the hall proved to be the drawing-room. Though in evident disarray it, however, exhibited fewer signs of the strange, long-past agitation. In dimensions it was similar to the dining-room, running from front to back of the house. Here, too, was another elaborate candelabrum, somewhat smaller than the first, queer, spindle-legged, fiddle-backed chairs, beautiful cabinets and tables, and an old, square piano, still open. The chairs stood in irregular groups of twos and threes, chumming cozily together as their occupants had doubtless done, and over the piano had been carelessly thrown a long, filmy silk scarf, one end hanging to the floor. Upon everything the dust was indescribably thick, and cobwebs hung from the ceiling.

  “Do you know,” spoke Joyce, in a whisper, after they had looked a long time, “I think I can guess part of an explanation for all this. There was a party here, long, long ago,—perhaps a dinner-party. Folks had first been sitting in the drawing-room, and then went to the dining-room for dinner. Suddenly, in the midst of the feast, something happened,—I can’t imagine what,—but it broke up the good time right away. Every one jumped up from the table, upsetting chairs and dropping napkins. Perhaps they all rushed out of the room. Anyway, they never came back to finish the meal. And after that, the owner shut the house and boarded it up and went away, never stopping to clear up or put things to rights. Awfully sudden, that, and awfully queer!”

  “Goodness, Joy! You’re as good as a detective! How did you ever think all that out ?” murmured Cynthia, admiringly.

  “Why, it’s very simple,” said Joyce, “The drawing-room is all right,—just looks like any other parlor where a lot of people have been sitting, before it was put to rights. But the dining-room’s different. Something happened there, suddenly, and people just got their things on and left, after that! Can’t you see it? But what could it have been? Oh, I’d give my eyes to know, Cynthia!

  “See here!” she added, after a moment’s thought. “I’ve the loveliest idea! You just spoke of detectives, and that put it into my head. Let’s play we’re detectives, like Sherlock Holmes, and ferret out this mystery. It will be the greatest lark ever! We will come here often, and examine every bit of evidence we can find, and gather information outside if we can, and put two and two together, and see if we can’t make out the whole story. Oh, it’s gorgeous! Did two girls ever have such an adventure before!” She clasped her hands ecstatically, first having presented the candle to Cynthia, because she was too excited to hold it. Even the placid and hitherto objecting Cynthia was fired by the scheme.

  “Yes, let’s!” she assented. “I’ll ask Mother if she knows anything about this old place.”

  “No you won’t!” cried Joyce, coming suddenly to earth. “This has got to be kept a strict secret. Never dare to breathe it! Never speak of this house at all! Never show the slightest interest in it! And we must come here often. Do you want folks to suspect what we are doing and put a stop to it all? It’s all right, really, of course. We’re not doing any actual wrong or harming anything. But they would n’t understand.”

  “Very well, then,” agreed Cynthia, meekly, cowed but bewildered. “I don’t see, though, how you’re going to find out things if you don’t ask.”

  “You must get at it in other ways,” declared Joyce, but did not explain the process just then.

  “This candle will soon be done for!” suddenly announced the practical Cynthia. “Why didn’t you bring a bigger one?”

  “Could n’t find any other,” said Joyce. “Let’s finish looking around here and leave the rest for another day.” They began accordingly to walk slowly about the room, peering up at the pictures on the walls and picking their way with care around the furniture without moving or touching anything. Presently they came abreast of the great open fireplace. A heavy chair was standing directly in front of it, but curiously enough, with its back to what must have been once a cheery blaze. They moved around it carefully and bent to examine the pretty Delft tiles that framed the yawning chimney-place, below the mantel. Then Joyce stepped back to look at the plates and vases on the mantel. Suddenly she gave a little cry:

  “Hello! That’s queer! Look, Cynthia!” Cynthia, still studying the tiles, straightened up to look where her companion had pointed. But in that instant the dying candle-flame sputtered, flickered, and went out, leaving only a small mass of warm tallow in Cynthia’s hand. For a moment, there was horrified silence. The heavy darkness seemed to cast a spell over even the irrepressible Joyce. But not for long.

  “Too bad!” she began. “Where are the matches, Cynthia? I handed them to you. We can light our way out by them.” Cynthia produced the box from the pocket of her sweater and opened it.

  “Mercy! There are only three left!” she cried, feeling round in it.

  “Never mind. They will light us out of this room and through the hall to the cellar stairs. When we get there the window will guide us.”

  Cynthia struck the first match, and they hurriedly picked their way around the scattered furniture. But the match went out before they reached the door. The second saw them out of the room and into the long hall. The third, alas! broke short off at its head, and proved useless. Then a real terror of the dark, unknown spaces filled them both. Breathles
s, frantic, they felt their way along the walls, groping blindly for the elusive cellar door. At length Joyce’s hand struck a knob.

  “Here it is!” she breathed. They pulled open the door and plunged through it, only to find themselves in some sort of a closet, groping among musty clothes that were hanging there.

  “Oh, it is n’t, it is n’t!” wailed Cynthia. “Oh, I’ll never, never come into this dreadful house again!” But Joyce had regained her poise.

  “It’s all right! Our door is just across the hall. I remember where it is now. She pulled the shuddering Cynthia out of the closet, and felt her way across the wide hall space.

  “Here it is! Now we are all serene!” she cried triumphantly, opening a door which they found gave on a flight of steps. And as they crept down, a dim square of good, honest daylight sent their spirits up with a bound. It was raining great pelting drops as they scrambled out and scampered for Cynthia’s veranda. But daylight, even if dismal with rain, had served to restore them completely to their usual gaiety.

  “By the way, Joyce,” she said, as they stood on the porch shaking the rain from their skirts, “what was it you were pointing at just when the candle went out? I did n’t have time to see.

  “Why, the strangest thing!” whispered Joyce. “There was a big picture hanging over the mantel. But what do you think? It hung there with its face turned to the wall!”

  CHAPTER III

  AMATEUR DETECTIVES

  WHILE Cynthia was bending over her desk during study-hour, struggling with a hopelessly entangled account in Latin of Caesar and his Gallic Wars, her next neighbor thrust a note into her hand. Glad of any diversion, she opened it and read:

  This afternoon for the B. U. H. How much pocket-money have you?

  J.

  Cynthia had no difficulty in guessing the meaning of the initials, but she could not imagine what pocket-money had to do with the matter, so she wrote back:

  All right. Only thirty cents. More next week.

  C.

  She passed it along to Joyce at the other end of the room, and returned to Caesar in a more cheerful frame of mind. Joyce, she knew, would explain all mysteries later, and she was content to wait.

  Almost a week had passed since the first adventure of the Boarded-up House, and nothing further had happened. Joyce and Cynthia were healthy, normal girls, full of interests connected with their school, with outdoor affairs, and with social life, so they had much to occupy them beside this curious quest on which they had become engaged, A fraternity meeting had occupied one afternoon, dancing-school another, a tramping-excursion a third, and so on through the ensuing week. Not once, however, in the midst of all these outside interests, had they forgotten their strange adventure. When they were alone together they talked of it incessantly, and laid elaborate plans for future amateur detective work.

  “It’s just like a story!” Joyce would exclaim. “And who would ever have thought of a story in that old, Boarded-up House. And us in the midst of it!” Cynthia’s first question that afternoon, on the way home from high school, was:

  “What did you ask about pocket-money for? I’m down pretty low on my allowance, but I don’t see what that’s got to do with things.” Joyce laughed.

  “Well, I’m lower yet—ten cents to last till the month’s out! But has n’t it struck you that we’ve got to have candles—plenty of them—and matches, and a couple of candlesticks at least? How else can we ever get about the place, pitch-dark as it all is? And if we tried to get them from home, some one would suspect right away.”

  “Ten cents’ worth of candles ought to last us quite a while,” began the practical Cynthia; “and ten cents more will buy a whole package of safety-matches. And for five cents we can get a candlestick, but we’d better stop at one for the present, or we won’t have a cent left between us! Let’s get them right now.” While they were making their purchases, Cynthia had another idea.

  “I’ll tell you what, Joyce, I’m going to take along a dust-cloth and clean up around the window where we get in. My sweater was just black with dirt and cobwebs last time, and Mother almost insisted on an explanation. Fortunately she was called away for something, just then, and afterward did n’t think of it. I’ve washed the sweater since!”

  “Good idea!” assented Joyce. “Momsie wanted to know how I’d torn mine and got it so mussy, too. I told her I’d been chasing up, Goliath,—which was really quite true, you know.”

  “I never can think of things to say that will be the truth and yet not give the whole thing away!” sighed the downright Cynthia. “I wish I were as quick as you!”

  “Never mind! You’ve got the sense, Cynthia! I never would have thought of the dust-cloth.”

  Getting into the Boarded-up House this time was accompanied by less difficulty than the first. Before entering, Cynthia thoroughly dusted the window-ledge and as far about it as she could reach, with the result that there was less, if any, damage to their clothes. Armed as they were with plenty of candles and matches, there were no shudders either, or fears of the unknown and the dark. Even Cynthia was keen for the quest, and Joyce was simply bursting with new ideas, some of which she expounded to Cynthia as they were lighting their candles in the cellar.

  “You know, Cyn, I’ve been looking at the place carefully from the outside. We have n’t seen a third of it yet,—no, not even a quarter! There’s the wing off the parlor toward your house, and the one off the dining-room toward mine. I suppose the kitchen must be in that one, but I can’t think what’s in the other, unless it’s a library. We must see these to-day. And then there’s all up-stairs.”

  “What I want to see most of all is the picture you spoke of that hangs in the parlor,” said Cynthia. “Do you suppose we could turn it around?”

  “Oh, I’d love to, only I don’t know whether we ought! And it’s heavy, too. I hardly think we could. Perhaps we might just try to peep behind it. You know, Cynthia, I realize we’re doing something a little queer being in this house and prying about. I’m not sure our folks would approve of it. Only the old thing has been left so long, and there’s such a mystery about it, and we’re not harming or disturbing anything, that perhaps it isn’t so dreadful. Anyhow, we must be very careful not to pry into anything we ought not touch. Perhaps then it will be all right.” Cynthia agreed to all this without hesitation. She, indeed, had even stronger feelings than Joyce on the subject of their trespassing, but the joy of the adventure and the mystery with which they were surrounding it, outweighed her scruples. When they were half-way up the cellar steps, Joyce, who was ahead, suddenly exclaimed:

  “Why, the door is open! Probably we left it so in our hurry the other day. We must be more careful after this, and leave everything as we find it.” They tiptoed along the hall with considerably more confidence than on their former visit, pausing to hold their candles up to the pictures, and peeping for a moment into the curiously disarranged dining-room.

  But they entered the drawing-room first and stood a long while before the fireplace, gazing up at the picture’s massive frame and its challenging wooden back. A heavy, ropelike cord with large silk tassels attached the picture to its hook, and the cord was twisted, as if some one had turned the picture about without stopping to readjust it.

  “How strange!” murmured Cynthia. But Joyce had been looking at something else.

  “Do you see that big chair with its back close to the mantel?” she exclaimed. “I’ve been wondering why it stands in that position with its back to the fireplace. There was a fire there. You can tell by the ashes and that half-burned log. Well, don’t you see? Some one pulled that chair close to the mantel, stepped on it, and turned the picture face to the wall. Now, I wonder why!”

  “But look here!” cried Cynthia. “If some one else stood up there and turned the picture around, why couldn’t we do the same? We could turn it back after we’d seen it, could n’t we?” Joyce thought it over a moment.

  “I’ll tell you, Cynthia (and I suppose you’ll think
me queer!), there are two reasons why I’d rather not do it right now. In the first place, that silk cord it’s hanging by may be awfully rotten after all these years, and if we touch it, the whole thing may fall. And then, somehow, I sort of like to keep the mystery about that picture till a little later,—till we’ve seen the rest of the house and begun ‘putting two and two together’ Wouldn’t you?” Cynthia agreed, as she was usually likely to do, and Joyce added:

  “Now let’s see what’s in this next room. I think it must be a library. The door of it opens right into this.” Bent on further discovery, they opened the closed door carefully. It was, as Joyce had guessed, a library. Book-shelves completely filled three sides of the room. A long library table with an old-fashioned reading-lamp stood in the middle. The fourth side of the room was practically devoted to another huge fireplace, and over the mantel hung another portrait. It was of a beautiful young woman, and before it the girls stopped, fascinated, to gaze a long while.

  There was little or nothing in this room to indicate that any strange happening had transpired here. A few books were strewn about as though they had been pulled out and thrown down hastily, but that was all. The one thing that attracted most strongly was the portrait of the beautiful woman—she seemed scarcely more than a girl—over the fireplace. The two explorers turned to gaze at it afresh.

  “There’s one thing I’ve noticed about it that’s different from the others,” said Joyce, thoughtfully. “It’s fresher and more—more modern than the rest of the portraits in the drawing-room and hall. Don’t you think so?” Cynthia did.

  “And look at her dress, those long, full sleeves and the big, bulging skirt! That’s different, too. And then her hair, not high and powdered and all fussed up, but low and parted smooth and drawn down over her ears, and that dear little wreath of tiny roses! She almost seems to be going to speak. And, oh, Cynthia, isn’t she beautiful with those big, brown eyes! Somehow I feel as if I just loved her—she’s such a darling! And I believe she had more to do with the queer things in this house than any of those other dead-and-alive picture-ladies. Tell you what! We’ll go to the public library to-morrow and get out a big book on costumes of the different centuries that I saw there once. Then, by looking up this one, we can tell just about what time she lived. What do you say?”

 

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