Rising Fears

by Michaelbrent Collings

  Jason nodded shakily and turned to go. Then he heard Hatty's parting words: "And let's hope his problems don't end up being just the first crack in the dam."

  He felt himself jerk as though being shot, remembering the other words on Sean's papers, the drawings of the little Dutch boy.

  Stunned, he left without another word.

  And a moment later, he heard a click: Hatty turning on the light.

  Scared of the dark.

  ***

  Lenore pulled into the driveway of her small house on the outskirts of town. She looked at it, as she always did before entering. She did not pull into the carport: there were too many hiding places there, too many man-sized shadows that could hide...

  (his breath on her, his hands on her, oh, God, his hands)

  ...anything.

  She got out of the car, holding tight to the mace on her keychain, and went carefully to the door. Beside it was a sophisticated security keypad, one that she had had to special order from a store in Seattle. The shipping alone had cost almost a week's salary.

  And it had been worth it.

  The LED screen on the keypad glowed green, and Lenore took one last look around to make sure there was no one nearby before she switched her grip from mace to keys and unlocked the door.

  Inside the house she immediately went to a second security keypad. Same make, but different model, different code than the first one. She typed in the second code, and the LED blinked: "Scanning. No intrusions detected."

  Only after receiving this hopeful missive did Lenore move to close the door. She locked it, then secured it by pulling closed each of the three heavy duty deadbolts that she had installed herself the same week she moved in.

  She allowed herself a second to relax, but only a second. Then she went from room to room in the small abode, turning on all the lights as she went, once more holding the mace in front of her as she ritualistically checked each room, each closet, even under the sinks. The windows she did not check: they were permanently closed, covered on the outside with cast-iron grating and sealed from the inside.

  Finally, the house ablaze in comforting light, Lenore allowed herself to relax. She was back at the front door again, having made her customary circuit that brought her back to the security system for one more check. Still no intrusions detected.

  Still alone.

  And then she heard a noise.

  It was large, a large sound, if that were possible. A sound as of someone scuffling from one room to another in the back of the house.

  Lenore felt a chill come over her.

  No intrusions.

  Windows sealed.

  House empty.

  But she was not alone.

  ***

  TEN

  ***

  It was dark and getting darker. White tendrils of thick mist curled down from the mountains, licking hungrily at the edges of town as they made their way steadily inward, ever closer to the center of town.

  Jason stood in front of the general store. It was quaint: children’s' ads for lemonade and puppies for sale in the storefront windows; another poster board that loudly proclaimed an upcoming children's rodeo.

  Ox stood beside Jason, the large man gulping as he stared at the ladder that stood below the eaves of his store.

  "Sorry, Sheriff," said Ox. "Whatever's there, I think it may be knocking into my antenna. I tried to call the Fire Department, but Randy's busy."

  Jason sighed, and saw that Ox had noticed the movement. He saw embarrassment surge almost visibly through the huge man. "Sorry, Sheriff," said Ox again.

  "No, it's not you, Ox," Jason hastened to reassure him. "Just the fact that we have a one-man 'Fire Department' and he's always hiding from his 'fire dog' who I'm pretty sure hates him at best and has rabies at worst."

  Ox shrugged, half-smiling at the ridiculousness of it. Jason sighed again, and began to climb. He left Ox behind him as he clambered up to the roof. "You be careful, Sheriff," shouted Ox, looking terror stricken as though it were he and not the sheriff who was up on the rooftop.

  Jason waved at Ox to show he would take appropriate care, then cast about for the antenna. He saw it almost instantly: the old-fashioned kind of antenna that looked like a metal skeleton against the fog-ridden backdrop of the dark sky. The tips of the antenna waved back and forth gently, though Jason could feel no breeze, and he concluded that something must be hitting it at the base. What that might be, however, he could not tell: his view of the antenna cut off at the apex of the roof, which was between him and the point at which the antenna entered the building.

  Jason sighed again, then climbed further up the roof. Might as well do it right, he thought.

  "You okay, Sheriff?" came Ox's voice.

  Jason didn't answer, just kept climbing. He looked over the peak of the roof...and almost fell off as he felt himself go suddenly woozy and nauseous at the sight of what was moving the antenna.

  Jason blinked quickly. It couldn't be. Not this. What he was seeing was impossible. Frightening, disquieting...impossible.

  Sean Rand was holding onto the antenna, shaking it gently. The boy's eyes were the milky white cataracts of the dead, his skin was mostly white, though it shone with a deep, ugly purple around the bloodless red wounds that scarred him from toe to crown, as though he had died at the claws of a cougar or some other vicious cat.

  Or something worse.

  The little boy smiled, and Jason's vision grew even darker as he saw that most of the boy's teeth were splintered or missing: torn apart by the hideous violence that had been the source of his demise.

  Jason shouted in terror at the impossible sight that he was faced with. He stumbled on a loose shingle, and felt the thing peel off under his feet. He pitched forward, toward the heinous vision that was Sean Rand, the little boy's arms now open wide as though for a welcoming embrace. Then he pushed backward, trying desperately to overcome his own inertia and avoid that hideous grasp. The result was an awkward pitch to the side that almost had him falling headfirst over the side of the roof before he finally managed to arrest his momentum and stop the headlong flight into nothing. He stopped at the last second, coming to rest on his belly, his head hanging over the eaves and staring face to face at Ox below him.

  The big man looked like he was about to pass out with sympathetic fear. "Watch out," said Ox. "Heights."

  Jason didn't answer, but instead scrambled back up over the roof, over the top, back to the antenna.

  And saw a dead badger. It was huge, curled around the base of the antenna, pushing it askew with its dead weight.

  But no sign of little Sean Rand.

  Jason looked around, as though he could possibly find something that would make any sense out of what had just happened.

  The mountains stared down at him. The mist was coming toward him.

  And answers were nowhere to be found.

  ***

  A moment later Jason heard Ox's shout as he pitched the dead badger down, narrowly missing the big man. Jason followed the carcass down, crawling back onto the ladder and then reaching ground only a moment later. Both he and Ox looked at the dead badger for a long moment before Ox finally managed, "You okay, Sheriff?"

  Sure, thought Jason. I think I just found little Sean, and it turns out he's a ghost who looks like he's been the main cut at the butcher's shop, but other than that I'm hunky-dory.

  "I'm fine," was all he said aloud.

  Ox prodded at the dead badger with a size nineteen foot. "Thanks, Sheriff. I owe you."

  "No problem, Ox, just don't-"

  Jason was interrupted by a truck that screeched to a stop in front of the store. It was an old truck, worn and torn with use, but well cared for beneath its surface appearance. Out of the truck stepped Harold "Jonesy" Jones, one of the town's most prolific hunters when in season and one of the town's only plumbers the rest of the year 'round.

  The man was toting a shotgun.

  Jason nodded at the man, who was dressed in a flanne
l shirt, thick denim jacket, and heavy-duty camouflage pants. "Hey, Jonesy. Night hunting?"

  Jonesy nodded. "Hey, Sheriff; Ox. Yeah, I thought I'd skip town for a little while." Turning to Ox, he said, "Can I grab some shot?"

  Ox nodded and started to take down the ladder that Jason had used to scale the store's roof. "You know where I keep it."

  On a whim, Jason followed Jonesy into the general store. The place was as quaint on the inside as it was outside. One corner of the store was dominated by a real soda fountain with bar seating, the rest of the place held everything from animal seed to sugar to cereal to a few dresses: Rising's answer to Wal-Mart.

  Jonesy went behind the front counter to an ammo display and started looking through the boxes for his caliber. "How was your hunt?" Jonesy asked Jason. "Bag anything?"

  Jason hesitated, thinking of the deer he had shot, and then thinking of the empty truck bed with its bloody coiled ropes that held nothing. "Not sure," he said. Then, before the hunter could ask about his cryptic answer, Jason said, "What did you mean out there, Jonesy?"

  "Huh?" said the other man, still looking for the right kind of shot.

  "About skipping town...what did you mean by that?"

  "Just wanted to get out for a while," answered Jonesy.

  "Why?"

  Something in Jason's voice must have signaled to the hunter that this was more than just passing conversation, for he stopped his ammunition search and looked the sheriff in the eye. "You've seen it, Sheriff Meeks," said Jonesy. "Everyone's afraid. The whole town. More afraid than-"

  "- than they usually are," finished Jason, remembering Hatty's words back at his office.

  Jonesy nodded sagely and murmured a quick, "Just so," before going back to his search. "I figured I'd get out of town. Go up to the mountains where the only thing I have to worry about is a rogue dear impaling me or something." The hunter laughed as he said that last, but the laugh was dry of humor, the kind of laugh a child might utter on a dark night when it is trying desperately to stave off fear.

  Jonesy found the right box of shot then, and pocketed it after dropping several bills and a handful of change on the front counter. Jason followed the hunter back outside, then watched Jonesy drive off in his heavy pickup truck.

  "Did he leave exact change?" asked Ox. Jason nodded. "Jonesy's like clockwork," said the huge man.

  "He's a pro all right," agreed Jason. "No one better than-" then he cut off suddenly.

  "What is it?" asked Ox.

  Jason pointed at the storefront. "What's that?" he asked in a hushed voice.

  Ox glanced to where the sheriff was pointing. "Oh, you know as well as me," he said, then opened the front door to take the ladder back inside. "Kids come here, they put up their little ads for dogs for sale or lawnmowing or little jobs they'll do or-"

  "No," said Jason. He stopped Ox, pointing him directly at one of the signs. "That one," he reiterated.

  Ox squinted at the sign, which was tucked next to a child's poster announcing free bunnies. The sign was small, wrinkled...and Jason was quite sure that it hadn't been there just a moment ago.

  "Don't know," said Ox. "Wasn't there last time I checked."

  Jason touched the paper, half-expecting not to be able to feel anything. But he could. It was real; he could feel the crinkle of the white paper and the waxy feel of the crayon writing that was the only decoration on the paper. Dark, childish writing. A single, short message:

  cRak IN tHe DAm.

  ***

  ELEVEN

  ***

  Jason slammed into his office, moving quickly to his Rolodex, flipping through the cards until he found the one marked "FBI." He picked up the phone, and grimaced as he heard the dial tone. Staticky, whispery, it sounded like the pale echo of a real dial tone, as though he had stepped out of reality and into a nearby dimension that only lightly touched upon the normality he had come to expect in his everyday life.

  Jason dialed the number on his Rolodex card. The line rang a few times, then picked up. His stomach sank as he heard the voice. It was barely discernable through the static that all but obscured the words being spoken at the other end of the line. "FBI...office...may...-elp...you...."

  "Hello?" said Jason.

  "...an't...you..."

  The static on the line spiked, completely overpowering the thin voice of the FBI field office person, and then thinned out. When the static lessened, however, there was no longer any hint of a human voice on the other end of the line. Silence reigned for a moment. And then something else came on the line: a high-pitched whine, so low in volume as to be barely discernible, but undeniably there for all that. The sound was familiar to him somehow, as though Jason had heard it in another life, or the dream of another life. It chilled him like a shadow across the winter sun, drawing a cold cloth over his soul and making him shiver.

  Then the hissing stopped. The line cut out. Dead. Jason toggled the disconnect switch on the receiver a few times, but knew before he did it that he would have no success in coaxing the phone into working. Then he noticed something.

  The computer. It was back on. And just as he noticed it, he caught something moving across the screen. Just the barest glimpse before it was gone, but it was enough. Enough to be sure that he had seen it. Enough to wish that he hadn't.

  It was Aaron. His boy's mouth was open in that same silent scream that his wife had worn when he had seen her image in the screen. But his son was gone in just an instant, and once again the computer flared and went dark.

  At the same instant, the lights in his office went out, leaving him in a black room, his only illumination the dim moonlight that had managed to penetrate the fog that had invaded Rising in the last few hours. The light was cold and lifeless, the pale shading of a corpse.

  The phone rang a moment later. It was Hatty. And her voice was, thank goodness, strong and clear, the line easily audible. "You better get here," she said without preamble. As she said it, a crash sounded on the line, as though someone had dropped an armful of glassware onto a tile floor.

  "Hatty? Where are you?" said Jason. "What-" And that was when the screaming began.

  "I'm at Doc Peabody's!" shouted Hatty. Behind her voice, the screams could still be heard clearly, a thunderous shouting that rivaled anything Jason had ever heard before in terms of sheer power and volume. "You better come quick!"

  "What is it?" shouted Jason. "What's going on?"

  At that moment, his computer screen flared. A single word appeared: "Hoer-Verde."

  "It's the boy's mother," responded Hatty, sounding as though she were struggling with something - or someone. "It's Sean's mother."

  In the background of the phone call, Jason could hear a sudden, awful, almost inhuman scream of pain and terror. Then he heard Amy-Lynn's voice, grown awful and deep: the voice from beyond Hell. "It's here!" she shrieked, her voice gravelly and shredded. "The monster is here!"

  The computer continued to flare as the woman spoke, the single word appearing over and over again.

  Hoer-Verde.

  Hoer-Verde.

  Hoer-Verde. Hoer-Verde. Hoer-Verde. Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde Hoer-Verde....

  ***

  Jason pulled into the quaint two-story house that was both Doc Peabody's residence and his medical offices and was out of the truck and through the front door almost in a single movement. The sound of Amy-Lynn's scream resounded in his mind, and he couldn't shake the idea that every second lost meant a second closer to...

  (death)

  ...something truly awful. Something for which he had no words.

  He rushed into the front office area. It was deserted. Completely, spookily silent. "Doc?" he shouted. "Hatty?"

  "In here," came Doc's voice from nearby. Jason went through a sliding doo
r and into a small, convivially-furnished waiting room. Modern art graced the walls right next to pictures of Donald and Goofy, Mickey and Bugs; and newspapers like Modern Housekeeping took their places beside Teen Beat and a host of other periodicals where just about any patient of any age could find something of interest.

  Hatty and Doc were sitting beside one another on a couch in the waiting room, looking at the closed door to Doc's examination room. Jason glanced at the door. All was still. Tomb silent.

  "She calm down?" he asked with a hopeful smile. When neither Hatty nor Doc moved to answer, he said, "Guys?"

  "She stopped screaming," whispered the doctor at last, after far too long a pause had elapsed for Jason's comfort.

  "That's great," said the sheriff. "That's good, right?" Another long moment, then, "Right?"

  Doc looked directly at Jason for the first time, and Jason was dismayed to see how the man looked: his eyes were bloodshot, his entire demeanor that of someone who has been broken in some small but critical fashion, whose world had suddenly and irrevocably taken a step to one side and would never return to its "normal" state ever again. "You don't understand," said Doc Peabody. "She shouldn't have ever started screaming. Not with the amount of tranquilizer in her."

  Jason fought down the urge to shiver, knowing that the room was warm enough and also knowing that any outward display of fear was likely to slow down the process of getting to the bottom of what was going on here.