The Amok Runners

by Colin Cotterill

  The Amok Runners

  By Colin Cotterill

  The Amok Runners

  Copyright © Colin Cotterill, 2016

  First Published 2016

  eBook Edition published by

  Proglen Trading Co., Ltd.

  Bangkok Thailand

  http://ebooks.dco.co.th

  ISBN 978-616-7817-83-5

  All Rights Reserved

  This book is a work of fiction. All names, characters, and other elements of the story are either the product of the author's imagination or else are used only fictitiously. Any resemblance to real characters, living or dead, or to real incidents, is entirely coincidental.

  In loving memory of Khin Than Aye, wife of Clive.

  Also by Colin Cotterill

  Dr. Siri Paiboun series

  The Coroner's Lunch (2004)

  Thirty-Three Teeth (August 2005)

  Disco For the Departed (August 2006

  Anarchy and Old Dogs (August 2007)

  Curse of the Pogo Stick (August 2008)

  The Merry Misogynist (August 2009)

  Love Songs from a Shallow Grave (August 2010)

  Slash and Burn (October 2011)

  The Woman Who Wouldn't Die (January 2013)

  Six and a Half Deadly Sins (May 2015)

  Jimm Juree series

  Killed at the Whim of a Hat (July 2011)

  Grandad, There's a Head on the Beach (June 2012)

  The Axe Factor (April 2014)

  Other publications

  Evil in the Land Without (2003)

  Ethel and Joan Go to Phuket (2004)

  Pool and its Role in Asian Communism (2005)

  Cyclelogical (2006)

  Ageing Disgracefully (2009)

  Bleeding in Black and White (2015)

  Contents

  Prologue

  Prologue 2

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Prologue

  “Murdered. And somebody’s responsible.”

  Plan Nine From Outer Space. (1959)

  Sergeant Chat had ridden to the crime scene on his personal Honda Dream. It had a Serpico sticker on the back mud flap. The afternoon was 38 degrees centigrade but he wore a white Siam Commercial Bank windcheater over his uniform shirt. As soon as he stepped off the bike, beads of sweat formed on his forehead like wax melting off a deep-orange temple candle. The pomelo grove workers had discovered the body floating in the pond and now they stood staring as if they expected it to flip onto its back and do tricks. Chat told them they could go back to their work. This was police business. When they didn’t respond he raised his voice, ‘Go!’ They shrugged and shuffled off till they were swallowed by the tree line.

  Once he was alone, Chat shook his head and unbuckled his belt. For a Thai police officer nothing was straightforward. You were paid barely enough to live, you got no respect, and you were still expected to take care of bodies – alive or otherwise. He pulled off his boots and removed his trousers, folding them neatly over a branch. He’d only had his new uniform a week. The water was luminous green and it stank. He hung his shirt over the ‘Chemicals, No Swimming’ sign. He looked around for a heavy hunk of wood but fortune favoured him with a slab of concrete two feet long. He was a twig of a policeman and at first he could barely lift it but he managed to claw it free of the weeds and cradle it out into the water. With each step he sank deeper into the mud. Whatever chemicals were dumped there hadn’t completely decimated the pond life which in some ways was a good thing. But there was movement around his legs and beneath his feet. He hoped it was fish and not the Naga spirit of the water about to pull him down into its depths. And pray to the Lord Buddha - not snakes. He could abide snakes even less than demons.

  The pond was more of a saucer than a bowl. When he arrived at the unclothed body, the water barely reached his briefs. He could see the bullet hole through the woman’s scalp. The wound was clean and busy with flies. But that’s all he bothered to take in. He had no intention of spending more time with her than necessary. He thanked his stars that she was a broad woman with plenty of back. With his arms trembling he let out a puff of air and rested the concrete along her spine. She sank, not like a stone, more like a crippled oil tanker. She listed first this way then the other before disappearing beneath the surface. He held onto the slab until the body was securely pinned to the mud.

  Chat looked around once more to check the rim of the pomelo groves and a distant deserted road. Certain his shifty work had been undetected, he trudged back to the bank. As he dressed he kept his eye on the smooth greasy surface of the pond. His job was done. Now it was up to the algae and the water pollution to do theirs.

  Prologue 2

  “... you’ve got to ask yourself a question: Do I feel lucky?”

  Dirty Harry (1971)

  Dear Clint,

  That was what you movie people might call a ‘teaser’. As the daughter of a fisherman I’d prefer to call it a lure and I know for certain you’ve got the hook in your cheek now.

  But first, the niceties.

  I hope this email finds you in a better frame of mind. I’d like to think you had little input into the silly threatening PDF we received from your lawyer last month. I’m certain she and you realize that a restraining order only applies to our physical presence in your life, and not, as yet, to stalking by internet (SBI). As you are in California and my sister-cum-brother, Sissy, and I are all the way over here in Thailand, there is little chance of us climbing over your garden wall and stealing underwear from your clothesline. (Unless you decide to send us air tickets – ha ha). And as the world cyber policing community has yet to commit to a legal definition of ‘hacking’ as opposed to accidentally stumbling into an office computer network, you must realize that there is no legal way to be rid of us.

  To be fair, we are hardly your enemy, dear Clint. You must admit that Sissy’s recommendations on how to protect your budgeting software have led to a much safer security system for Malpasa Films, even though she can still access them. Once you sit back with a glass of beer and look at our relationship objectively, you’ll realize what a potential gold mine it could be. Don’t forget we could take all our scenarios and scripts to other companies. Don’t worry, we would never do that. We have loved you as both a cowboy and a director for most of our lives and we are determined to have you as our launching pad into the stratosphere of cinematic entertainment.

  But first some sad news. Perhaps you saw on CNN about the devastating tidal surge in December that took chunks out of the coastline along the Gulf of Thailand. As a result, the Lovely View Resort and Restaurant (which I’m sure you have come to see as a friend featuring in our two most recent screenplay offerings) was washed completely out to sea. Our home is no more. The land in which our deranged mother, Mair, invested her entire life savings now lies at the bottom of the gulf. Consequently, m
y family is destitute and scattered. Mair has moved into the cabin of Captain Kow, our long-lost father. My bodybuilder brother, Arny, is shacking up with his elderly fiancé. Ex traffic cop, grandfather Ja, has moved south to set up a detective agency with an old colleague, and I am back home in Chiang Mai in Sissy’s spare room.

  But I don’t want to bore you too much with our domestic strife, nor make you feel that our pleas for recognition have become desperate. In fact, the purpose of this email is to pass on good news. Out of every pile of buffalo dung a pretty toadstool grows. As you know I am a journalist at heart, if not currently in practice. But in my heydays I was the hottest crime reporter at the Chiang Mai Mail. Sissy and I were recently recalling some of my greatest hits over a bottle of Chilean red. And the story we recalled with the greatest affection was ‘The Case of the Amok Runners’.

  Clint, really, it has everything; murder, Hollywood stars, sex, corruption and the best damned treasure hunt I’ve ever been involved in. As I have plenty of time on my hands at the moment I decided to knock it into shape for your consideration. Trust me, this is the one. I would have gone ahead and written it as a screenplay but I know how touchy you are about such things. I tell you, hang onto your Stetson, Clint baby, because this story throws all our other submissions into the dark shadows.

  Mr. E, we know that you have reluctantly become a team player in the massive corporate game but inside you are still just like us. Admit it, you admire our passion. Before Wagon Train, you had dreams like ours. You wanted to make a difference. Dirty Harry, the man with no name and the orangutan guy all had to fight the suits to stick to their principles. It was only through perseverance that you made it to the top of the hill. Without great people like you and little but emerging talents like us there would be no art, no independent cinema and no passion.

  So, Clint, sit back and revel in the delights of your next blockbuster.

  Your greatest admirers,

  Jimm and Sissy

  (Address withheld)

  Chapter 1

  “It’s such a fine line between stupid and clever.”

  This Is Spinal Tap (1984)

  We were on the veranda, stoned. We had a darkening blurry view of most of Chiang Mai; me, Sissy, brother Arny and an unconscious Burmese called Khin.

  ‘Four,’ said Sissy.

  ‘Four, what?’ I asked.

  ‘That’s when I knew I was in the wrong body,’ he said. ‘That was the turning point.’

  ‘What of?

  ‘Of my life, Girl. Come on. Pay attention! You asked me a question. You’ve gotta stay focused long enough to get an answer.’

  There was no reason on earth why we should have been yelling at each other in English let alone with New York accents. We’re Thai, and apart from a disastrous home-stay in Melbourne I’d hardly spent any time out of the country. It was all Mair’s fault. Our mother had wanted us to be children of the world so she’d only spoken to us in Thai at weekends. For most of our lives we thought she was foreign. We picked up the accents from movies. We became bilingual and disjointed simultaneously.

  ‘You became a girl when you was four?’ I asked.

  When you were being New Yorkers you were supposed to say ‘fuck’ a lot but I wasn’t that partial to it.

  ‘Yeah.’

  ‘Nobody changes gender when they’re four, brother. At four you don’t even know the rules yet.’

  ‘I did.’

  ‘You’re messed up.’

  Sissy took another toke and held in the smoke, giving himself a stupid tight-lipped smile. He was wearing one of my sun dresses. On me it looked like drapery. On Sissy it was a figure-hugging shroud. I’d stopped growing vertically at twelve but continued to expand horizontally. It wasn’t fair that he had the body I’d fantasized for myself. This would be his last night as a woman for a while. The next morning he’d be strapping his chest and walking with a swagger.

  We had a mountain between us and the setting sun but in the distance the windows of the Ping River condominiums reflected its pink. There was a dirty orange tint to the sky. I was always impressed by the stains smeared across the Chiang Mai scenery by the March crop burn-offs. It would have made a good picture if I’d had a telephoto lens - if I’d seen any point in owning a camera. They were already making cell phones that took pictures but I’d have preferred a camera that talked to you; told you what you were doing wrong.

  ‘It’s true,’ Sissy said. ‘Four’s the turning point. You make a bad call. It sets you off on the wrong track and next thing you know you’re in a corrections facility mopping floors.’

  Sissy was never in jail. He’d become nominally female when he was in his teens and had a good life in transvestite cabarets, progressing to transsexual media entertainment, gender realignment and marriage – to a man. He looked at me. His expression was as flat as a paddy after a monsoon. The dope was sending him into a funk. It made me laugh through my nose and launch off on a giggle fit but he sat paddy-faced and solemn.

  ‘Let’s see if Khin thinks my early slide into transexualism is a laughing matter,’ he said. ‘Khin!’

  We looked to the shape in the third seat.

  Silence.

  ‘Obviously not.’

  ‘She’s dead, man,’ I said.

  Khin’s head hung over the back of the recliner with her mouth open like a fat-lipped ceremonial trumpet. The Burmese was built like a pipe. All those life-giving fluids and gasses had to pass up and down that narrow drain of a woman so it wasn’t surprising a few puffs of ganja might overpower her. Two cans of beer had the same effect. She never could keep up with me and Sissy. We watched her gasp for air. In six hours she’d be bloodied up and thrown into turmoil for fifteen hundred baht a day – not an insignificant sum for an illegal Burmese.

  Beyond Khin, in the last seat sat my younger brother, Arny, a magnificent specimen of musculature erected at the Body Great Gymnasium over fifteen years. He spoke little and despite the fact that he looked like a professional wrestler he was a pussy cat. He wasn’t asleep but he might as well have been. We often forgot he was there.

  Not for the first time, we languished peacefully on white plastic sun beds stolen from the pool of the Rincome Hotel. We were the odd foursome – the first line of a joke. ‘A fat girl, a bodybuilder, a transsexual and a Burmese historian were sitting on a deck overlooking the shimmering night lights of Chiang Mai. The fat girl turned to the transsexual and said, ‘What are we again?’

  ‘No shortage of answers to that, sister,’ said Sissy.

  ‘I mean tomorrow.’

  ‘We’re amok runners,’ he said.

  ‘Right. Right. And what is that again?’

  ‘We’re the guys that panic.’

  ‘So ‘amok’ …?’

  ‘Means panic. Kind of.’

  ‘So, I can say, “Okay guys, don’t amok!”.’

  ‘I knew you’d find a way of screwing that up. No, you can’t.’

  ‘Why not?’

  ‘If you don’t use it with ‘run’, nobody’ll know what you’re talking about.’

  ‘Got it.’

  I didn’t get it. Sissy had left my English in his dust when he got hooked up with the internet. He’d learned pretty much everything apart from how to hang on to a partner and keep the looks that had won him beauty titles in his twenties. He was forty now and starting to look used up. That’s why he only ventured out at night. He’d retreat to his room and was attempting to set up a fruitful business empire on-line. He only ever emerged to make movies and for that he disguised himself as a man. I had to call him, ‘he’. It was hard.

  ‘And, what are we run amoking from?’ I pushed.

  ‘I’d have to assume we’re run amoking from each other,’ Sissy decided. ‘Amok suggests a lack of teamwork. He pointed to the ground where documents had been fanned across the veranda by an evening breeze. They lay like stepping stones all the way to the sheer drop. According to these here extras notes, we’re all pretty much chasing around like hea
dless chickens for a few days.’

  ‘Do we get to die?’ I asked.

  ‘Repeatedly, I’d say. It’s kind of a reusable reincarnation. They sent me to Nirvana six times in Alexander. They just give you a fresh uniform with a brand new mortal wound and send you off to die another death.’

  ‘Cool.’

  ‘It’s a blast.’

  Sissy had almost been a television starlet in his pretty days. Channel Three had put together a drama around him but he couldn’t act. People tuned into the first few programs because of the novelty of it all. He was the first transvestite – non slapstick clown - female lead on television. (This was before the snip.) Once they realized he had no talent they deserted him. He had one or two moments in advertisements but never made it back to prime time. So, whenever there was a foreign movie shot in Thailand he’d apply to be an extra. He pumped up the macho when he was on set. He still hoped he’d be discovered and pulled from the ranks of amok runners. It never happened.

  The conversation staggered through other topics but inevitably fell back into the arms of the movie profession.

  ‘I got a question, Sissy,’ I said.

  ‘They call me Wikipedia.’

  ‘Why is Dan Jensen starring in this movie?’