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Collected Poems

Page 66

by Adrienne Rich


  Should blue air in its purity let you disdain

  the stink of artificial pine

  the gaunt architecture

  of cheap political solutions

  if there are philosophies to argue

  the moment when you would

  or wouldn’t spring to shield

  a friend’s body or jump

  into scummed waters after

  a stranger caught submerging

  or walk off to your parked

  car your sandwich your possible orange

  if theories rage or dance

  about this if in the eventany

  can be sure who did

  or did not act on principle or impulse

  and what’s most virtuous

  can we not be nodding smiling

  taking down notes like this

  and of all places

  in a place like this

  I’ll work with you on this bad matterI can

  but won’t give you the time of day

  if you think it’s hypothetical

  2006

  VIA INSOMNIA

  Called up in sleep: yourvoice:

  I don’t know where I am …

  A hand, mine, stroking a white fur surface

  you as a white fur hat unstitched, outspread

  white as your cold brancusian marble head

  what animal’s pelt resembles you?

  but these are my navigations:you don’t know where you are

  Is this how it is to be newly dead?unbelieving

  the personal soul, electricity unsheathing

  from the cortex, light-waves fleeing

  into the black universe

  to lie awake half-sleeping, wondering

  Where, when will I sleep

  For Tory Dent

  2006

  A BURNING KANGAROO

  leaping forwardescaping

  out of rock reamed

  on sky

  in violet shadow

  leapingscorched to the skin

  toward water

  (none for miles)

  Who did

  (and can you see

  this thing

  not as a dream

  a kangaroo

  and not in profile either

  Frontal

  in flameno halo

  no auraburning meat in movement

  Can

  you see with me

  (unverified

  otherwise

  (whoeverdid this thing

  2006

  EVER, AGAIN

  Mockingbird shouts Escape! Escape!

  and would I couldI’d

  fly, drive back to that house

  up the long hill between queen

  anne’s lace and common daisyface

  shoulder open stuck door

  run springwater from kitchen

  tapdrench tongue

  palate and throat

  throw window sashes up screens down

  breathe inmown grass

  pine-needle heat

  manure, lilacunpack

  brown sacks from the store:

  ground meat, buns, tomatoes, one

  big onion, milk and orange juice

  iceberg lettuce, ranch dressing

  potato chips, dill pickles

  the Caledonian-Record

  Portuguese rosé in round-hipped flask

  open the box of newspapers by the stove

  reread:(Vietnam Vietnam)

  Set again on the table

  the Olivetti, the stack

  of rough yellow typing paper

  mark the crashed instant

  of one summer’s mosquito

  on a bedroom door

  voices of boys outside

  proclaiming twilight and hunger

  Pour iced vodka into a shotglass

  get food on the table

  sitting with those wild heads

  over hamburgers, fireflies, music

  staying up late with the typewriter

  falling asleep with the dead

  2006

  V

  DRAFT #2006

  i

  Suppose we came back as ghosts asking the unasked questions.

  (What were you there for? Why did you walk out? What

  would have made you stay? Why wouldn’t you listen?)

  —Couldn’t you show us what you meant, can’t we get it right

  this time? Can’t you put it another way?—

  (You were looking for openings where they’d been walled up—)

  —But you were supposed to be our teacher—

  (One-armed, I was trying to get you, one by one, out of that

  cellar.It wasn’t enough)

  ii

  Dreamfaces blurring horrorlands: border of poetry.

  Ebb tide sucks out clinging rockpool creatures, no swimming

  back into sleep.

  Clockface says too early, body prideful and humble shambles

  into another day, reclaiming itself piecemeal in private ritual

  acts.

  Reassembling the anagram scattered nightly, rebuilding daily

  the sand city.

  iii

  What’s concrete for me: from there I cast out further.

  But need to be there. On the stone causeway. Baffled and

  obstinate.

  Eyes probing the dusk. Foot-slippage possible.

  iv

  Sleeping that time at the philosopher’s house.Not lovers,

  friends from the past.

  Music the vertex of our triangle.Bach our hypotenuse

  strung between philosophy and poetry.

  Sun loosening fog on the hillside, cantata spun on the

  turntable:Wie schön leuchtet der Morgenstern.

  Feeling again, in our mid-forties, the old contrapuntal ten-

  sion between our natures.The future as if still open, like

  when we were classmates.

  He’d met Heidegger in the Black Forest, corresponded

  with Foucault. We talked about Wittgenstein.

  I was on my way to meet the one who said Philosophers have

  interpreted the world:the point is to change it.

  v

  On a street known for beautiful shops she buys a piece of

  antique Japanese silk, a white porcelain egg.

  Had abandoned her child, later went after him, found the

  child had run away.

  Hurt and angry, joined a group to chant through the pain.

  They said, you must love yourself, give yourself gifts.

  Whatever eases you someone says, lets you forgive yourself,

  let go.

  America, someone says.

  Orphaning, orphaned here, don’t even know it.

  vi

  Silent limousines meet jets descending over the Rockies.

  Steam rooms, pure thick towels, vases of tuberose and jas-

  mine, old vintages await the après-skiers.

  Rooms of mahogany and leather, conversations open in

  international code.Thighs and buttocks to open later by

  arrangement.

  Out of sight, out of mind, she solitary wrestles a huge

  duvet, resheathes heavy tasseled bolsters.Bed after bed.

  Nights, in her room, ices strained arms.Rests her legs.

  Elsewhere, in Andhra Pradesh, another farmer swallows

  pesticide.

  vii

  Condemned, a clinic coughs up its detritus.

  Emergency exit, gurneys lined double, mercy draining

  down exhausted tubes.

  Drills and cranes clearing way for the new premises.

  As if I already stood at their unglazed windows, eyeing

  the distressed site through skeletal angles.

  Tenant already of the disensoulment projects.

  Had thought I deserved nothing better than these stark

  towers named for conglomerates?—a line of credit, a give-
r />   away?

  viii

  They asked me, is this time worse than another.

  I said, for whom?

  Wanted to show them something.While I wrote on the

  chalkboard they drifted out. I turned back to an empty room.

  Maybe I couldn’t write fast enough.Maybe it was too soon.

  ix

  The sheer mass of the thing, its thereness, stuns thought.

  Since it exists, it must have existed.Will exist.It says so

  here.

  Excruciating contempt for love.For the strained fibre of

  common affections, mutual assistance

  sifted up from landfill, closed tunnels, drought-sheared

  riverbeds, street beds named in old census books, choked

  under the expressway.

  Teachers bricolating scattered schools of trust.Rootlets

  watered by fugitives.

  Contraband packets, hummed messages.Dreams of the

  descendants, surfacing.

  Hand reaching for its like exposes a scarred wrist.

  Numerals.A bracelet of rust.

  In a desert observatory, under plaster dust, smashed lenses

  left by the bombardments,

  star maps crackle, unscrolling.

  2006

  VI

  TELEPHONE RINGING IN

  THE LABYRINTH

  i

  You who can be silent in twelve languages

  trying to crease again in paling light

  the map you unfurled that morningif

  you in your rearview mirror sighted me

  rinsing a green glass bowl

  by midsummer nightsun in, say, Reykjavík

  if at that moment my hand slipped

  and that bowl cracked to pieces

  and one piece stared at me like a gibbous moon

  if its convex reflection caught you walking

  the slurried highway shoulder after the car broke down

  if such refractions matter

  ii

  Well, I’ve held onpeninsula

  to continent, climber

  to rockface

  Sensual peninsula attached sostroked

  by the tides’ pensive and moody hands

  Scaler into thin air

  seen from below as weed or lichen

  improvidently fastened

  a mat of hair webbed in a bush

  A bush ignitedthen

  consumed

  Violent lithography

  smolder’s legacy on a boulder traced

  iii

  Image erupts from image

  atlas from vagrancy

  articulation from mammal howl

  strangeness from repetition

  even thisdefault location

  surveyed againone more poem

  one more Troy or Tyre or burning tire

  seared eyeball genitals

  charred cradle

  but a different turnworking

  this passage of the labyrinth

  as laboratory

  I’d have entered, searched before

  but that ball of threadthat clew

  offering an exit choice was no gift at all

  iv

  I found you by design or

  was it your design

  or: we were drawn, we drew

  Midway in this delicate

  negotiationtelephone rings

  (Don’t stop! … they’ll call again …)

  Offstage the fabulous creature scrapes and shuffles

  we breathe its heavy dander

  I don’t care how, if it diesthis is not the myth

  No ex/interior: compressed

  between my throat

  and yours, hilarious oxygen

  And, for the record, each did sign

  our true names on the register

  at the mouth of this hotel

  v

  I would have wanted to say it

  without falling back

  on wordsDesired not

  you so much as your life,

  your prevailingNot for me

  but for furtherancehow

  you would move

  on the horizonYou, the person, you

  the particlefierce and furthering

  2006

  TONIGHT NO POETRY

  WILL SERVE

  (2007–2010)

  SERVE (v.t.):

  to work for, be a servant to;

  to give obedience and reverent honor to;

  to fight for; do military or naval service for;

  to go through or spend (a term of imprisionment);

  to meet the needs of or satisfy the requirements of, be used by;

  to deliver (a legal document) as a summons

  —Webster’s New World Dictionary

  of the American Language (1964)

  I

  WAITING FOR RAIN, FOR MUSIC

  Burn me some musicSend my roots rainI’m swept

  dry from insideHard winds rack my core

  A struggle at the roots of the mindWhoever said

  it would go on and on like this

  Straphanger swaying inside a runaway car

  palming a notebook scribbled in

  contraband calligraphyagainst the war

  poetry wages against itself

  •

  Once under a shed’s eaves

  thunder drumming membrane of afternoon

  electric scissors slitting the air

  thick drops spattering few and far

  we could smell it then a long way off

  But where’s the rain coming to soak this soil

  •

  Burn me some musicThere’s a tune

  “Neglect of Sorrow”

  I’ve heard it hummed or strummed

  my whole life long

  in many a corridor

  waiting for tomorrow

  long after tomorrow

  should’ve come

  on many an ear it should have fallen

  but the bands were playing so loud

  2007

  READING THE ILIAD (AS IF) FOR THE FIRST TIME

  Lurid, garish, gash

  rended creature struggles to rise, to

  run with dripping belly

  Blood making everything more real

  pounds in the spearthruster’s arm as in

  the gunman’s neck the offhand

  moment—Now!—before he

  takes the bastards out

  •

  Splendor in black and ochre on a grecian urn

  Beauty as truth

  The sea as background

  stricken with black long-oared ships

  on shore chariots shields greaved muscled legs

  horses rearingBeauty!flesh before gangrene

  •

  Mind-shifting gods rush back and forthDelusion

  a daughter seized by the hairswung out to bewilder men

  Everything here is conflictual and is called man’s fate

  •

  Ugly glory: open-eyed wounds

  feed enormous flies

  Hoofs slicken on bloodglaze

  Horses turn away their heads

  weeping equine tears

  Beauty?

  a wall with names of the fallen

  from both sidespassionate objectivity

  2009

  BENJAMIN REVISITED

  The angel

  of history is

  flown

  now meet the janitor

  down

  in the basementwho

  shirtlesssmoking

  has the job of stoking

  the so-called past

  into the so-called present

  2007

  INNOCENCE

  … thought, think, I did

  some terrible

  thing back then

  —thing that left traces

  all over you

  your work / how your figure

  pressed into the world?

>   Had you murdered

  —or not—something if not

  someoneHad blindly—or not—

  followed custom needing to be

  brokenBroken

  —or not—with custom

  needing to be kept?

  Something—a body—still

  spins in aira weaving weight

  a scorching

  However it was done

  And the folks disassembling

  from under the tree

 

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