I sketched out the complete scenario with precise indication of the dialogue for three acts, and with a heavy heart decided to hand it over to my Parisian author to be worked out. Liszt thought he saw a means of making my music known through his relations with Seghers, the musical director of a society then known as the 'Concerts de St. Cecile.' In January of the following year the Tannhauser Overture was to be given under his baton, and it therefore seemed advisable that I should reach Paris some time before this event. This undertaking, which appeared to be so difficult owing to my complete lack of funds, was at last facilitated in a manner quite unexpected.
I had written home for help, and had appealed to all the old friends I could think of, but in vain. By the family of my brother Albert in particular, whose daughter had recently entered upon a brilliant theatrical career, I was treated in much the same way as one treats an invalid by whom one dreads to become infected. In contrast to their harshness I was deeply touched by the devotion of the Ritter family, who had remained in Dresden; for, apart from my acquaintance with young Karl, I scarcely knew these people at all. Through the kindness of my old friend Heine, who had been informed of my position, Frau Julie Ritter, the venerable mother of the family, had thought it her duty to place, through a business friend, the sum of fifteen hundred marks at my disposal. At about the same time I received a letter from Mme. Laussot, who had called upon me in Dresden the year before, and who now in the most affecting terms assured me of her continued sympathy.
These were the first signs of that new phase in my life upon which I entered from this day forth, and in which I accustomed myself to look upon the outward circumstances of my existence as being merely subservient to my will. And by this means I was able to escape from the hampering narrowness of my home life.
For the moment the proffered financial assistance was very distasteful to me, for it seemed to forbid my raising any further objections to the realisation of the detested Paris schemes. When, however, on the strength of this favourable change in my affairs, I suggested to my wife that we might, after all, content ourselves with remaining in Zurich, she flew into the most violent passion over my weakness and lack of spirit, and declared that if I did not make up my mind to achieve something in Paris, she would lose all faith in me. She said, moreover, that she absolutely refused to be a witness of my misery and grief as a wretched literary man and insignificant conductor of local concerts in Zurich.
We had entered upon the year 1850; I had decided to go to Paris, if only for the sake of peace, but had to postpone my journey on account of ill-health. The reaction following upon the terrible excitement of recent times had not failed to have its effect on my overwrought nerves, and a state of complete exhaustion had followed. The continual colds, in spite of which I had been obliged to work in my very unhealthy room, had at last given rise to alarming symptoms. A certain weakness of the chest became apparent, and this the doctor (a political refugee) undertook to cure by the application of pitch plasters. As the result of this treatment and the irritating effect it had upon my nerves, I lost my voice completely for a while; whereupon I was told that I must go away for a change. On going out to buy my ticket for the journey, I felt so weak and broke out into such terrible perspiration that I hastened to return to my wife in order to consult her as to the advisability, in the circumstances, of abandoning the idea of the expedition altogether. She, however, maintained (and perhaps rightly) not only that my condition was not dangerous, but that it was to a large extent due to imagination, and that, once in the right place, I would soon recover.
An inexpressible feeling of bitterness stimulated my nerves as in anger and despair I quickly left the house to buy the confounded ticket for the journey, and in the beginning of February I actually started on the road to Paris. I was filled with the most extraordinary feelings, but the spark of hope which was then kindled in my breast certainly had nothing whatever to do with the belief that had been imposed upon me from without, that I was to make a success in Paris as a composer of operas.
I was particularly anxious to find quiet rooms, for peace had now become my first necessity, no matter where I happened to be staying. The cabman who drove me from street to street through the most isolated quarters, and whom I at last accused of keeping always to the most animated parts of the city, finally protested in despair that one did not come to Paris to live in a convent. At last it occurred to me to look for what I wanted in one of the cites through which no vehicle seemed to drive, and I decided to engage rooms in the Cite de Provence.
True to the plans which had been forced upon me, I at once called on Herr Seghers about the performance of the Tannhauser Overture.
It turned out that in spite of my late arrival I had missed nothing, for they were still racking their brains as to how to procure the necessary orchestral parts.
I therefore had to write to Liszt, asking him to order the copies, and had to wait for their arrival. Belloni was not in town, things were therefore at a standstill, and I had plenty of time to think over the object of my visit to Paris, while an unceasing accompaniment was poured out to my meditations by the barrel-organs which infest the cites of Paris.
I had much difficulty in convincing an agent of the government, from whom I received a visit soon after my arrival, that my presence in Paris was due to artistic reasons, and not to my doubtful position as a political refugee.
Fortunately he was impressed by the score, which I showed him, as well as by Liszt's article on the Tannhauser Overture, written the year before in the Journal des Debats, and he left me, politely inviting me to continue my avocations peacefully and industriously, as the police had no intention of disturbing me,
I also looked up my older Parisian acquaintances. At the hospitable house of Desplechins I met Semper, who was trying to make his position as tolerable as possible by writing some inferior artistic work. He had left his family in Dresden, from which town we soon received the most alarming news. The prisons were gradually filling there with the unfortunate victims of the recent Saxon movement Of Rockel, Bakunin, and Heubner, all we could hear was that they had been charged with high treason, and that they were awaiting the death sentence.
In view of the tidings which continually arrived concerning the cruelty and brutality with which the soldiers treated the prisoners, we could not help considering our own lot a very happy one.
My intercourse with Semper, whom I saw frequently, was generally enlivened by a gaiety which was occasionally of rather a risky nature; he was determined to rejoin his family in London, where the prospect of various appointments was open to him. My latest attempts at writing, and the thoughts expressed in my work, interested him greatly, and gave rise to animated conversations in which we were joined by Kietz, who was at first amusing, but evidently boring Semper considerably. I found the former in the identical position in which I had left him many years ago: he had made no headway with his painting, and would have been glad if the revolution had taken a more decided turn, so that, under cover of the general confusion, he might have escaped from his embarrassing position with his landlord. He made at this time quite a good pastel portrait of me in his very best and earliest style. While I was sitting I unfortunately spoke to him about my Das Kunstwerk der Zukunft, and thereby laid the foundation for him of troubles that lasted many years, as he tried to instil my new ideas into the Parisian bourgeoisie at whose tables he had hitherto been a welcome guest. Notwithstanding, he remained as of old a good, obliging, true-hearted fellow, and even Semper could not help putting up with him cheerfully. I also looked up my friend Anders. It was a difficult matter to find him at any hour of the day, since out of sleeping hours he was closeted in the library, where he could receive no one, and afterwards retired to the reading-room to spend his hours of rest, and generally went to dine with certain bourgeois families where he gave music lessons. He had aged considerably, but I was glad to find him, comparatively speaking, in better health than the state in which I had last seen him had allowed m
e to hope, as when I left Paris before he had seemed to be in a decline. Curiously enough, a broken leg had been the means of improving his health, the treatment necessary for it having taken him to a hydro, where his condition had much improved. His one idea was to see me achieve a great success in Paris, and he wished to secure a seat in advance for the first performance of my opera, which he took for granted was to appear, and kept repeating that it would be so very trying for him to occupy a place in any part of the theatre where there would be likely to be a crush. He could not see the use of my present literary work; in spite of this I was again engaged on it exclusively, as I soon ascertained there was no likelihood of my overture to Tannhauser being produced. Liszt had shown the greatest zeal in obtaining and forwarding the orchestral parts; but Herr Seghers informed me that as far as his own orchestra was concerned, he found himself in a republican democracy where each instrument had an equal right to voice its opinion, and it had been unanimously decided that for the remainder of the winter season, which was now drawing to a close, my overture could be dispensed with. I gathered enough from this turn of affairs to realise how precarious my position was.
It is true, the result of my writings was hardly less discouraging. A copy of the Wigand edition of my Kunstwerk der Zukunft was forwarded to me full of horrible misprints, and instead of the expected remuneration of twenty louis d'or, my publisher explained that for the present he could only pay me half this sum, as, owing to the fact that at first the sale of the Kunst und Revolution had been very rapid, he had been led to attach too high a commercial value to my writings, a mistake he had speedily discovered when he found there was no demand for Die Nibelungen.
On the other hand, I received an offer of remunerative work from Adolph Kolatschek, who was also a fugitive, and was just going to bring out a German monthly journal as the organ of the progressive party. In response to this invitation I wrote a long essay on Kunst und Klima ('Art and Climate'), in which I supplemented the ideas I had already touched upon in my Kunstwerk der Zukunft. Besides this I had, since my arrival in Paris, worked out a more complete sketch of Wieland der Schmied. It is true that this work had no longer any value, and I wondered with apprehension what I could write home to my wife, now that the last precious remittance had been so aimlessly sacrificed. The thought of returning to Zurich was as distasteful to me as the prospect of remaining any longer in Paris. My feelings with regard to the latter alternative were intensified by the impression made upon me by Meyerbeer's opera The Prophet, which had just been produced and which I had not heard before. Rearing itself on the ruins of the hopes for new and more noble endeavour which had animated the better works of the past year-the only result of the negotiations of the provisional French republic for the encouragement of art-I saw this work of Meyerbeer's break upon the world like the dawn heralding this day of disgraceful desolation. I was so sickened by this performance, that though I was unfortunately placed in the centre of the stalls and would willingly have avoided the disturbance necessarily occasioned by one of the audience moving during the middle of an act, even this consideration did not deter me from getting up and leaving the house. When the famous mother of the prophet finally gives vent to her grief in the well-known series of ridiculous roulades, I was filled with rage and despair at the thought that I should be called upon to listen to such a thing, and never again did I pay the slightest heed to this opera.
But what was I to do next? Just as the South American republics had attracted me during my first miserable sojourn in Paris, so now my longing was directed towards the East, where I could live my life in a manner worthy of a human being far away from this modern world. While I was in this frame of mind I was called upon to answer another inquiry as to my state of health from Mme. Laussot in Bordeaux. It turned out that my answer prompted her to send me a kind and pressing invitation to go and stay at her house, at least for a short time, to rest and forget my troubles. In any circumstances an excursion to more southerly regions, which I had not yet seen, and a visit to people who, though utter strangers, showed such friendly interest in me, could not fail to prove attractive and flattering. I accepted, settled my affairs in Paris, and went by coach via Orleans, Tours, and Angouleme, down the Gironde to the unknown town, where I was received with great courtesy and cordiality by the young wine merchant Eugene Laussot, and presented to my sympathetic young friend, his wife. A closer acquaintance with the family, in which Mrs. Taylor, Mme. Laussot's mother, was now also included, led to a clearer understanding of the character of the sympathy bestowed upon me in such a cordial and unexpected manner by people hitherto unknown to me. Jessie, as the young wife was called at home, had, during a somewhat lengthy stay in Dresden, become very intimate with the Ritter family, and I had no reason to doubt the assurance given me, that the Laussots' interest in me and my work was principally owing to this intimacy. After my flight from Dresden, as soon as the news of my difficulties had reached the Ritters, a correspondence had been carried on between Dresden and Bordeaux with a view to ascertaining how best to assist me. Jessie attributed the whole idea to Frau Julie Ritter who, while not being well enough off herself to make me a sufficient allowance, was endeavouring to come to an understanding with Jessie's mother, the well-to-do widow of an English lawyer, whose income entirely supported the young couple in Bordeaux. This plan had so far succeeded, that shortly after my arrival in Bordeaux Mrs. Taylor informed me that the two families had combined, and that it had been decided to ask me to accept the help of three thousand francs a year until the return of better days. My one object now was to enlighten my benefactors as to the exact conditions under which I should be accepting such assistance. I could no longer reckon upon achieving any success as a composer of opera either in Paris or elsewhere; what line I should take up instead I did not know; but, at all events, I was determined to keep myself free from the disgrace which would reflect upon my whole life if I used such means as this offer presented to secure success. I feel sure I am not wrong in believing that Jessie was the only one who understood me, and though I only experienced kindness from the rest of the family, I soon discovered the gulf by which she, as well as myself, was separated from her mother and husband. While the husband, who was a handsome young man, was away the greater part of the day attending to his business, and the mother's deafness excluded her to a great extent from our conversations, we soon discovered by a rapid exchange of ideas that we shared the same opinions on many important matters, and this led to a great feeling of friendship between us. Jessie, who was at that time about twenty-two, bore little resemblance to her mother, and no doubt took after her father, of whom I heard most flattering accounts. A large and varied collection of books loft by this man to his daughter showed his tastes, for besides carrying on his lucrative profession as a lawyer, he had devoted himself to the study of literature and science. From him Jessie had also learned German as a child, and she spoke that language with great fluency. She had been brought up on Grimm's fairy- tales, and was, moreover, thoroughly acquainted with German poetry, as well as with that of England and France, and her knowledge of them was as thorough as the most advanced education could demand. French literature did not appeal to her much. Her quick powers of comprehension were astonishing. Everything which I touched upon she immediately grasped and assimilated. It was the same with music: she read at sight with the greatest facility, and was an accomplished player. During her stay in Dresden she had been told that I was still in search of the pianist who could play Beethoven's great Sonata in B flat major, and she now astonished me by her finished rendering of this most difficult piece. The emotion aroused in mo by finding such an exceptionally developed talent suddenly changed to anxiety when I heard her sing. Her sharp, shrill voice, in which there was strength but no real depth of feeling, so shocked me that I could not refrain from begging her to desist from singing in future. With regard to the execution of the sonata, she listened eagerly to my instructions as to how it should be interpreted, though I could not feel that s
he would succeed in rendering it according to my ideas. I read her my latest essays, and she seemed to understand even the most extraordinary descriptions perfectly. My poem on Siegfried's Tod moved her deeply, but she preferred my sketch of Wieland der Schmied. She admitted afterwards that she would prefer to imagine herself filling the role of Wieland's worthy bride than to find herself in the position and forced to endure the fate of Gutrune in Siegfried. It followed inevitably that the presence of the other members of the family proved embarrassing when we wanted to talk over and discuss these various subjects. If we felt somewhat troubled at having to confess to ourselves that Mrs. Taylor would certainly never be able to understand why I was being offered assistance, I was still more disconcerted at realising after a time the complete want of harmony between the young couple, particularly from an intellectual point of view. The fact that Laussot had for some time been well aware of his wife's dislike for him was plainly shown when he one day so far forgot himself as to complain loudly and bitterly that she would not even love a child of his if she had one, and that he therefore thought it fortunate that she was not a mother. Astonished and saddened, I suddenly gazed into an abyss which was hidden here, as is often the case, under the appearance of a tolerably happy married life. About this time, and just as my visit, which had already lasted three weeks, was drawing to a close, I received a letter from my wife that could not have had a more unfortunate effect on my state of mind. She was, on the whole, pleased at my having found new friends, but at the same time explained that if I did not immediately return to Paris, and there endeavour to secure the production of my overture with the results anticipated, she would not know what to think of me, and would certainly fail to understand me if I returned to Zurich without having effected my purpose. At the same time my depression was intensified in a terrible way by a notice in the papers announcing that Rockel, Bakunin, and Heubner had been sentenced to death, and that the date of their execution was fixed. I wrote a short but stirring letter of farewell to the two first, and as I saw no possibility of having it conveyed to the prisoners, who were confined in the fortress of Konigstein, I decided to send it to Frau von Luttichau, to be forwarded to them by her, because I thought she was the only person in whose power it might lie to do this for me, while at the same time she had sufficient generosity and independence of mind to enable her to respect and carry out my wishes, in spite of any possible difference of opinion she might entertain. I was told some time afterwards that Luttichau had got hold of the letter and thrown it into the fire. For the time being this painful impression helped me to the determination to break with every one and everything, to lose all desire to learn more of life or of art, and, even at the risk of having to endure the greatest privations, to trust to chance and put myself beyond the reach of everybody. The small income settled upon me by my friends I wished to divide between myself and my wife, and with my half go to Greece or Asia Minor, and there, Heaven alone knew how, seek to forget and be forgotten. I communicated this plan to the only confidante I had left to me, chiefly in order that she might be able to enlighten my benefactors as to how I intended disposing of the income they had offered me. She seemed pleased with the idea, and the resolve to abandon herself to the same fate seemed to her also, in her resentment against her position, to be quite an easy matter. She expressed us much by hints and a word dropped here and there. Without clearly realising what it would lead to, and without coming to any understanding with her, I left Bordeaux towards the end of April, more excited than soothed in spirit, and filled with regret and anxiety. I returned to Paris, for the time being, stunned and full of uncertainty as to what to do next. Feeling very unwell, exhausted, and at the same time excited from want of sleep, I reached my destination and put up at the Hotel Valois, where I remained a week, struggling to gain my self-control and to face my strange position. Even if I had wished to resume the plans which had been instrumental in bringing me to Paris, I soon convinced myself that little or nothing could be done. I was filled with distress and anger at being called upon to waste my energies in a direction contrary to my tastes, merely to satisfy the unreasonable demands made upon me. I was at length obliged to answer my wife's last pressing communication, and wrote her a long and detailed letter in which I kindly, but at the same time frankly, retraced the whole of our life together, and explained that I was fully determined to set her free from any immediate participation in my fate, as I felt quite incapable of so arranging it so as to meet with her approval. I promised her the half of whatever means I should have at my disposal now or in the future, and told her she must accept this arrangement with a good grace, because the occasion had now arisen to take that step of parting from me which, on our first meeting again in Switzerland, she had declared herself ready to do. I ended my letter without bidding her a final farewell. I thereupon wrote to Bordeaux immediately to inform Jessie of the step I had taken, though my means did not as yet allow of my forming any definite plan which I could communicate to her for my complete flight from the world. In return she announced that she was determined to do likewise, and asked for my protection, under which she intended to place herself when once she had set herself free. Much alarmed, I did all in my power to make her realise that it was one thing for a man, placed in such a desperate situation as myself, to cut himself adrift in the face of insurmountable difficulties, but quite another matter for a young woman, at least to all outward appearances, happily settled, to decide to break up her home, for reasons which probably no one except myself would be in a position to understand. Regarding the unconventionality of her resolve in the eyes of the world, she assured me that it would be carried out as quietly as possible, and that for the present she merely thought of arranging to visit her friends the Ritters in Dresden. I felt so upset by all this that I yielded to my craving for retirement, and sought it at no great distance from Paris. Towards the middle of April I went to Montmorency, of which I had heard many agreeable accounts, and there sought a modest hiding-place. With great difficulty I dragged myself to the outskirts of the little town, where the country still bore a wintry aspect, and turned into the little strip of garden belonging to a wine merchant, which was filled with visitors only on Sundays, and there refreshed myself with some bread and cheese and a bottle of wine. A crowd of hens surrounded me, and I kept throwing them pieces of bread, and was touched by the self-sacrificing abstemiousness with which the cock gave all to his wives though I aimed particularly at him. They became bolder and bolder, and finally flew on to the table and attacked my provisions; the cock flew after them, and noticing that everything was topsy-turvy, pounced upon the cheese with the eagerness of a craving long unsatisfied. When I found myself being driven from the table by this chaos of fluttering wings, I was filled with a gaiety to which I had long been a stranger. I laughed heartily, and looked round for the signboard of the inn. I thereby discovered that my host rejoiced in the name of Homo. This seemed a hint from Fate, and I felt I must seek shelter here at all costs. An extraordinarily small and narrow bedroom was shown me, which I immediately engaged. Besides the bed it held a rough table and two cane-bottomed chairs. I arranged one of these as a washhand-stand, and on the table I placed some books, writing materials, and the score of Lohengrin, and almost heaved a sigh of content in spite of my extremely cramped accommodation. Though the weather remained uncertain and the woods with their leafless trees did not seem to offer the prospect of very enticing walks, I still felt that here there was a possibility of my being forgotten, and being also in my turn allowed to forget the events that had lately filled me with Midi desperate anxiety. My old artistic instinct awoke again. I looked over my Lohengrin score, and quickly decided to send it to Liszt and leave it to him to bring it out as best he could. Now that I had got rid of this score also, I felt as free as a bird and as careless as Diogenes about what might befall me. I even invited Kietz to come and stay with mo and share the pleasures of my retreat. He did actually come, as he had done during my stay in. Mendon; but he found me eve
n more modestly installed than I had been there. He was quite prepared to take pot-luck, however, and cheerfully slept on an improvised bed, promising to keep the world in touch with me upon his return to Paris. I was suddenly startled from my state of complacency by the news that my wife had come to Paris to look me up. I had an hour's painful struggle with myself to settle the course I should pursue, and decided not to allow the step I had taken in regard to her to be looked upon as an ill-considered and excusable vagary. I left Montmorency and betook myself to Paris, summoned Kietz to my hotel, and instructed him to tell my wife, who had already been trying to gain admittance to him, that he knew nothing more of me except that I had left Paris. The poor fellow, who felt as much pity for Minna as for me, was so utterly bewildered on this occasion, that he declared that he felt as though he were the axis upon which all the misery in the world turned. Hut he apparently realised the significance and importance of my decision, as it was necessary he should, and acquitted himself in this delicate matter with intelligence and good feeling. That night t left Paris by train for Clermont-Tonnerre, from whence I travelled on to Geneva, there to await news from Frau Ritter in Dresden. My exhaustion was such that, even had I possessed the necessary means, I could not as yet have contemplated undergoing the fatigue of a long journey. By way of gaining time for further developments I retired to Villeneuve, at the other end of the Lake of Geneva, where I put up at the Hotel Byron, which was quite empty at the time. Here I learned that Karl Ritter had arrived in Zurich, as he said he would, with the intention of paying me a visit. Impressing upon him the necessity for the strictest secrecy, I invited him to join me at the Lake of Geneva, and in the second week in May we met at the Hotel Byron. The characteristic which pleased me in him was his absolute devotion, his quick comprehension of my position and the necessity of my resolutions, as well as his readiness to submit without question to all my arrangements, even where he himself was concerned. He was full of my latest literary efforts, told me what an impression they had made on his acquaintances, and thereby induced me to spend the few days of rest I was enjoying in preparing my poem of Siegfried's Tod for publication.
My Life, Volume I Page 62