Delphi Complete Works of William Dean Howells

by William Dean Howells

  He formulated some phrases introducing himself in his newspaper character, as he walked up Broadway with his manuscript held tight under his arm, and with that lifting and glowing of the heart which a young man cannot help feeling if he walks up Broadway on a bright October morning. The sun was gay on the senseless façades of the edifices, littered with signs of the traffic within, and hung with effigies and emblems of every conceit and color, from the cornice to the threshold, where the show-cases crowded the passengers toward the curbstones, and to the cellarways that overflowed the sidewalks with their wares. The frantic struggle and jumble of these appeals to curiosity and interest jarred themselves to an effect of kaleidoscopic harmony, just as the multitudinous noises of the hoofs and wheels and feet and tongues broke and bruised themselves to one roar on the ear; and the adventurer among them found no offence in their confusion. He had his stake, too, in the tremendous game that all were playing, some fair and some foul, and shrieking out their bets in these strident notes; and he believed so much he should win that he was ready to take the chances of losing. From the stainless blue sky overhead the morning sun glared down on the thronged and noisy street, and brought out all its details with keen distinctness; but Ray did not feel its anarchy. The irregularity of the buildings, high and low, as if they were parts of a wall wantonly hacked and notched, here more and here less, was of the same moral effect to him as the beautiful spire of Grace Church thrilling heavenward like a hymn.

  He went along, wondering if he should happen to meet either of those young women whom he had befriended the evening before. He had heard that you were sure to meet somebody you knew whenever you stepped out on Broadway, and he figured meeting them, in fancy. He had decided to put them into his story of New York life, and he tried to imagine the character he should assign them, or rather one of them; the one who had given the old darkey a quarter out of his dollar. He did not quite know what to do with the child; something could be made of the child if it were older, but a mere baby like that would be difficult to manage in such a story as Ray meant to write. He wondered if it would do to have her deserted by her husband, and have the hero, a young literary adventurer, not at all like himself, fall in love with her, and then have them both die when the husband, a worthless, drunken brute, came back in time to prevent their marriage. Such a scheme would give scope for great suffering; Ray imagined a scene of renunciation between the lovers, who refused each other even a last kiss; and he felt a lump rise in his throat. It could be made very powerful.

  He evolved a character of reckless generosity for her from her beneficence to the old negro in the ferryboat Under that still, almost cold exterior, he made her conceal a nature of passionate impulse, because the story required a nature of that sort. He did not know whether to have the husband finally die, and the lovers marry, or whether to have the lovers killed in an accident. It would be more powerful to have them killed; it would be so conventional and expected to have them happily married; but he knew the reader liked a novel that ended well. It would be at once powerful and popular to have them elope together. Perhaps the best thing he could do would be to have them elope; there was a fascination in the guilty thought; he could make such a dénomment very attractive; but upon the whole he felt that he must not, for very much the same reason that he must not himself run off with his neighbor’s wife.

  All the time that this went on in his mind, Ray was walking up Broadway, and holding fast to the novel under his arm, which the novel in his brain was eclipsing. His inner eye was fixed on the remembered face of that strange girl, or woman, whom he was fashioning into a fictitious heroine, but his outward vision roved over the women faces it encountered, and his taste made its swift selection among them, and his ambidextrous fancy wove romances around such as he found pretty or interesting enough to give his heart to. They were mostly the silly or sordid faces that women wear when they are shopping, and they expressed such emotions as are roused by the chase of a certain shade of ribbon, or the hope of getting something rich and fashionable for less than its worth. But youth is not nice, or else its eyes are keener than those of after-life; and Ray found many beautiful and stylish girls where the middle-aged witness would have seen a long procession of average second-rate young women. He admired their New-Yorky dash; he saw their difference in look and carriage from the Midland girls; and he wondered what they would be like, if he knew them. He reflected that he did not know any one in New York; but he expected soon to be acquainted. If he got his novel taken he would very soon be known, and then his acquaintance would be sought. He saw himself launched upon a brilliant social career, and he suddenly had a difficulty presented to him which he had not foreseen a moment before; he had to choose between a brilliant marriage with a rich and well-born girl and fealty to the weird heroine of his story. The unexpected contingency suggested a new ending to his original story. The husband could die and the lovers be about to marry, when they could become aware that the rich girl was in love with the hero. They could renounce each other, and the hero could marry the rich girl; and shortly after the heroine could die. An ending like that could be made very powerful; and it would be popular, too.

  Ray found himself in a jam of people who had begun suddenly to gather at the corner he was approaching. They were looking across at something on the other corner, and Ray looked too. Trunks and travelling-bags had overflowed from a store in the basement there, and piled themselves on the sidewalk and up the house wall; and against the background they formed stood two figures. One was a decent-looking young man in a Derby hat, and wearing spectacles, which gave him a sort of scholarly air; he remained passive in the grip of another, probably the shopman, who was quite colorless with excitement, and who clung fast to the shoulder of the first, as if his prisoner were making violent efforts to escape. A tall young policeman parted the crowd, and listened a moment to the complaint the shopman made, with many gestures toward his wares. Then he turned to the passive captive, and Ray heard the click of the handcuffs as they snapped on the wrists of this scholarly-looking man; and the policeman took him by the arm and led him away.

  The intrusion of such a brutal fact of life into the tragic atmosphere of his revery made the young poet a little sick, but the young journalist avidly seized upon it The poet would not have dreamed of using such an incident, but the journalist saw how well it would work into the scheme of that first letter he was writing home to the Echo, where he treated of the surface contrasts of life in New York as they present themselves to the stranger. A glad astonishment at the profusion of the material for his letters possessed him; at this rate he should have no trouble in writing them; he could make them an indispensable feature; they would be quoted and copied, and he could get a rise out of Hanks Brothers on the price.

  He crossed to the next comer, where the shopman was the centre of a lessening number of spectators, and found him willing to prolong the interest he had created in the public mind. He said the thief had priced a number of bags in the place below, and on coming up had made a grab at one and tried to get off with it; but he was onto him like lightning. He showed Ray which bag it was, and turned it round and upside down as if with a fresh sense of its moral value. He said he should have to take that bag into court, and he set it aside so that he should not forget it.

  “I suppose,” said a tall, elderly gentleman, who seemed to have been listening to Ray’s dialogue with the shopman, “you wouldn’t be willing to sell me that bag?” He spoke slowly with a thick, mellow voice, deep in his throat.

  “Money wouldn’t buy that bag; no sir,” said the shopman; but he seemed uneasy.

  “You know,” urged the soft-voiced stranger, “you could show some other bag in court that was just like it.”

  “I couldn’t swear to no other bag,” said the shopman, daunted, and visibly relenting.

  “That is true,” said the stranger. “But you could swear that it was exactly like this. Still, I dare say you’re quite right, and it’s better to produce the corpus del
icti, if possible.”

  He glanced at Ray with a whimsical demand for sympathy; Ray smiled, and they walked off together, leaving the shopman in dubious study of his eventful bag. He was opening it, and scrutinizing the inside.

  VII.

  THE stranger skipped into step with Ray more lightly than would have been expected from one of his years. He wore a soft felt hat over locks of silken silver that were long enough to touch his beautiful white beard. He wore it with an effect of intention, as if he knew it was out of character with the city, but was so much in character with himself that the city must be left to reconcile itself to the incongruity or not, as it chose. For the same reason, apparently, his well-fitting frock-coat was of broadcloth, instead of modern diagonal; a black silk handkerchief tied in an easy knot at his throat strayed from under his beard, which had the same waviness as his hair; he had black trousers, and drab gaiters showing themselves above wide, low shoes. In his hands, which he held behind him, he dangled a stick with an effect of leisure and ease, enhanced somehow by the stoop he made towards the young fellow’s lower stature, and by his refusal to lift his voice above a certain pitch, whatever the uproar of the street about them. Ray screamed out his words, but the stranger spoke in what seemed his wonted tone, and left Ray to catch the words as he could.

  “I didn’t think,” he said, after a moment, and with some misgiving, that this stranger who had got into step with him might be some kind of confidence man — — “I didn’t think that fellow looked like a thief much.”

  “You are a believer in physiognomy?” asked the stranger, with a philosophic poise. He had himself a regular face, with gay eyes, and a fine pearly tint; lips that must have been beautiful shaped his branching mustache to a whimsical smile.

  “No,” said Ray. “I wasn’t near enough to see his face. But he looked so decent and quiet, and he behaved with so much dignity. Perhaps it was his spectacles.”

  “Glasses can do much,” said the stranger, “to redeem the human countenance, even when worn as a protest against the presence of one’s portrait in the rogues’ gallery I don’t say you’re wrong; I’m only afraid the chances are that you’ll never be proved right I should prefer to make a speculative approach to the facts on another plane. As you suggest, he had a sage and dignified appearance; I observed it myself; he had the effect — how shall I express it? — of some sort of studious rustic. Say he was a belated farm youth, working his way through a fresh-water college, who had great latent gifts of peculation, such as might have won him a wide newspaper celebrity as a defaulter later in life, and under more favorable conditions. He finds himself alone in a great city for the first time, and is attracted by the display of the trunk-dealer’s cellarway. The opportunity seems favorable to the acquisition of a neat travelling-bag; perhaps he has never owned one, or he wishes to present it to the object of his affections, or to a sick mother; he may have had any respectable motive: but his outlook has been so restricted that he cannot realize the difference between stealing a travelling-bag and stealing, say, a street; though I believe Mr. Sharp only bought Broadway of those who did not own it, and who sold it low; but never mind, it may stand for an illustration. If this young man had stolen a street, he would not have been arrested and handcuffed in that disgraceful way and led off to the dungeon-keep of the Jefferson Market Police Court — I presume that is the nearest prison, though I won’t be quite positive — but he would have had to be attacked and exposed a long time in the newspapers; and he would have had counsel, and the case would have been fought from one tribunal to another, till at last he wouldn’t have known whether he was a common criminal or a public benefactor. The difficulty in his case is simply an inadequate outlook.”

  The philosophic stranger lifted his face and gazed round over Ray’s head, but he came to a halt at the same time with the young fellow. “Well, sir,” he said, with bland ceremony, “I must bid you good-morning. As we go our several ways let us remember the day’s lesson, and when we steal, always steal enough.”

  He held out his hand, and Ray took it with a pleasure in his discourse which he was wondering how he should express to him. He felt it due himself to say something clever in return, but he could not think of anything. “I’m sure I shall remember your interpretation of it,” was all he could get out.

  “Ah, well, don’t act upon that without due reflection,” the stranger said; and he gave Ray’s hand a final and impressive downward shake. “Dear me!” he added, for Ray made no sign of going on. “Are we both stopping here — two spiders at the parlor of the same unsuspecting fly? But perhaps you are merely a buyer, not a writer, of books? After you, sir!”

  The stranger promoted a little polite rivalry that ensued between them; he ended it by passing one hand through the young man’s arm, and with the other pressing open the door which they had both halted at, and which bore on either jamb a rounded metallic plate with the sign, “H. C. Chapley & Co., Publisher.” Within, he released Ray with a courteous bow, as if willing to leave him now to his own devices. He went off to a distant counter in the wide, low room, and occupied himself with the books on it; Ray advanced and spoke to a clerk, who met him half-way. He asked for Mr. Chapley, and the clerk said he was not down yet — he seldom got down so early; but Mr. Brandreth would be in almost any minute now. When Ray said he had a letter for the firm, and would wait if the clerk pleased, the clerk asked if he would not take a chair in Mr. Brandreth’s room.

  Ray could not help thinking the civility shown him was for an imaginable customer rather than a concealed author, but he accepted it all the same, and sat looking out into the salesroom, with its counters of books, and its shelves full of them around its walls, while he waited. Chapley & Co were of the few old-fashioned publishers who had remained booksellers too, in a day when most publishers have ceased to be so. They were jobbers as well as booksellers; they took orders and made terms for public and private libraries; they had customers all over the country who depended on them for advice and suggestion about forth-coming books, and there were many booksellers in the smaller cities who bought through them. The bookseller in Midland, who united bookselling with a stationery and music business, was one of these, and he had offered Ray a letter to them.

  “If you ever want to get a book published,” he said, with a touch on the quick that made the conscious author wince, “they’re your men.”

  Ray knew their imprint and its relative value better than the Midland bookseller, stationer, and music-dealer; and now, as he sat in the junior partner’s neat little den, with the letter of introduction in his hand, it seemed to him such a crazy thing to think of having his book brought out by them that he decided not to say anything about it, but to keep to that character of literary newspaper man which his friend gave him in his rather florid letter. He had leisure enough to make this decision and unmake it several times while he was waiting for Mr. Brandreth to come. It was so early that, with all the delays Ray had forced, it was still only a little after nine, and no one came in for a quarter of an hour. The clerks stood about and chatted together. The bookkeepers, in their high-railed enclosure, were opening their ledgers under the shaded gas-burners that helped out the twilight there. Ray could see his unknown street friend scanning the books on the upper shelf and moving his person from side to side, and letting his cane rise and fall behind him as if he were humming to himself and keeping time to the tune.

  VIII.

  THE distant street door opened at last, and a gentleman came in. His entrance caused an indefinite sensation in the clerks, such as we all feel in the presence of the man who pays our wages. At the sound of his step, Ray’s street friend turned about from his shelf, but without offering to leave it “Ah, good-morning, good-morning!” he called out; and the other called back, “Ah, good-morning, Mr. Kane!” and pushed on up towards a door near that of Ray’s retreat A clerk stopped him, and after a moment’s parley he came in upon the young fellow. He was a man of fifty-five or sixty, with whiskers slightly frosted
, and some puckers and wrinkles about his temples and at the corners of his mouth, and a sort of withered bloom in his cheeks, something like the hardy self-preservation of the late-hanging apple that people call a frozen-thaw. He was a thin man, who seemed once to have been stouter; he had a gentle presence and a somewhat careworn look.

  “Mr. Brandreth?” Ray said, rising.

  “No,” said the other; “Mr. Chapley.”

  “Oh, I beg your pardon,” said Ray. “They showed me into Mr. Brandreth’s room, and I thought” —

  “It’s quite right, quite right,” said Mr. Chapley. “Mr. Brandreth will be in almost any moment if you wish to see him personally.” Mr. Chapley glanced at the parcel in Ray’s hand.

  “Oh no; I have a letter for the firm,” and Ray gave it to Mr. Chapley, who read it through and then offered his hand, and said he was glad to meet Mr. Ray. He asked some questions of commonplace friendliness about his correspondent, and he said, with the kind of melancholy which seemed characteristic of him: “So you have come to take a hand in the great game here. Well, if there is anything I can do to serve you, I shall be very glad.”

  Ray answered promptly, in pursuance of his plan: “You are very kind, Mr. Chapley. I’m going to write letters to the paper I’ve been connected with in Midland, and I wish to give them largely a literary character. I shall be obliged to you for any literary news you have.”