Selected Stories of Bret Harte

by Harte, Bret

  He paused. A sudden and overwhelming idea took possession of me, and I looked impulsively into his face. Was it possible that for once Enriquez' ironical extravagance had been understood, met, and vanquished by a master hand? But the Rev. Mr. Mannersley's self-satisfied face betrayed no ambiguity or lurking humor. He was evidently in earnest; he had complacently accepted for himself the abandoned Enriquez' serenade to his niece. I felt a hysterical desire to laugh, but it was checked by my companion's next words.

  "I informed my niece of the occurrence in the morning at breakfast. She had not heard anything of the strange performance, but she agreed with me as to its undoubted origin in a grateful recognition of my liberal efforts toward his coreligionists. It was she, in fact, who suggested that your knowledge of these people might corroborate my impressions."

  I was dumfounded. Had Miss Mannersley, who must have recognized Enriquez' hand in this, concealed the fact in a desire to shield him? But this was so inconsistent with her utter indifference to him, except as a grotesque study, that she would have been more likely to tell her uncle all about his previous performance. Nor could it be that she wished to conceal her visit to the fandango. She was far too independent for that, and it was even possible that the reverend gentleman, in his desire to know more of Enriquez' compatriots, would not have objected. In my confusion I meekly added my conviction to hers, congratulated him upon his evident success, and slipped away. But I was burning with a desire to see Enriquez and know all. He was imaginative but not untruthful. Unfortunately, I learned that he was just then following one of his erratic impulses, and had gone to a rodeo at his cousin's, in the foothills, where he was alternately exercising his horsemanship in catching and breaking wild cattle and delighting his relatives with his incomparable grasp of the American language and customs, and of the airs of a young man of fashion. Then my thoughts recurred to Miss Mannersley. Had she really been oblivious that night to Enriquez' serenade? I resolved to find out, if I could, without betraying Enriquez. Indeed, it was possible, after all, that it might not have been he.

  Chance favored me. The next evening I was at a party where Miss Mannersley, by reason of her position and quality, was a distinguished—I had almost written a popular—guest. But, as I have formerly stated, although the youthful fair of the Encinal were flattered by her casual attentions, and secretly admired her superior style and aristocratic calm, they were more or less uneasy under the dominance of her intelligence and education, and were afraid to attempt either confidence or familiarity. They were also singularly jealous of her, for although the average young man was equally afraid of her cleverness and her candor, he was not above paying a tremulous and timid court to her for its effect upon her humbler sisters. This evening she was surrounded by her usual satellites, including, of course, the local notables and special guests of distinction. She had been discussing, I think, the existence of glaciers on Mount Shasta with a spectacled geologist, and had participated with charming frankness in a conversation on anatomy with the local doctor and a learned professor, when she was asked to take a seat at the piano. She played with remarkable skill and wonderful precision, but coldly and brilliantly. As she sat there in her subdued but perfectly fitting evening dress, her regular profile and short but slender neck firmly set upon her high shoulders, exhaling an atmosphere of refined puritanism and provocative intelligence, the utter incongruity of Enriquez' extravagant attentions if ironical, and their equal hopelessness if not, seemed to me plainer than ever. What had this well-poised, coldly observant spinster to do with that quaintly ironic ruffler, that romantic cynic, that rowdy Don Quixote, that impossible Enriquez? Presently she ceased playing. Her slim, narrow slipper, revealing her thin ankle, remained upon the pedal; her delicate fingers were resting idly on the keys; her head was slightly thrown back, and her narrow eyebrows prettily knit toward the ceiling in an effort of memory.

  "Something of Chopin's," suggested the geologist, ardently.

  "That exquisite sonata!" pleaded the doctor.

  "Suthin' of Rubinstein. Heard him once," said a gentleman of Siskiyou. "He just made that pianner get up and howl. Play Rube."

  She shook her head with parted lips and a slight touch of girlish coquetry in her manner. Then her fingers suddenly dropped upon the keys with a glassy tinkle; there were a few quick pizzicato chords, down went the low pedal with a monotonous strumming, and she presently began to hum to herself. I started—as well I might—for I recognized one of Enriquez' favorite and most extravagant guitar solos. It was audacious; it was barbaric; it was, I fear, vulgar. As I remembered it—as he sang it—it recounted the adventures of one Don Francisco, a provincial gallant and roisterer of the most objectionable type. It had one hundred and four verses, which Enriquez never spared me. I shuddered as in a pleasant, quiet voice the correct Miss Mannersley warbled in musical praise of the PELLEJO, or wineskin, and a eulogy of the dicebox came caressingly from her thin red lips. But the company was far differently affected: the strange, wild air and wilder accompaniment were evidently catching; people moved toward the piano; somebody whistled the air from a distant corner; even the faces of the geologist and doctor brightened.

  "A tarantella, I presume?" blandly suggested the doctor.

  Miss Mannersley stopped, and rose carelessly from the piano. "It is a Moorish gypsy song of the fifteenth century," she said dryly.

  "It seemed sorter familiar, too," hesitated one of the young men, timidly, "like as if—don't you know?—you had without knowing it, don't you know?"—he blushed slightly—"sorter picked it up somewhere."

  "I 'picked it up,' as you call it, in the collection of medieval manuscripts of the Harvard Library, and copied it," returned Miss Mannersley coldly as she turned away.

  But I was not inclined to let her off so easily. I presently made my way to her side. "Your uncle was complimentary enough to consult me as to the meaning of the appearance of a certain exuberant Spanish visitor at his house the other night." I looked into her brown eyes, but my own slipped off her velvety pupils without retaining anything. Then she reinforced her gaze with a pince-nez, and said carelessly:

  "Oh, it's you? How are you? Well, could you give him any information?"

  "Only generally," I returned, still looking into her eyes. "These people are impulsive. The Spanish blood is a mixture of gold and quicksilver."

  She smiled slightly. "That reminds me of your volatile friend. He was mercurial enough, certainly. Is he still dancing?"

  "And singing sometimes," I responded pointedly. But she only added casually, "A singular creature," without exhibiting the least consciousness, and drifted away, leaving me none the wiser. I felt that Enriquez alone could enlighten me. I must see him.

  I did, but not in the way I expected. There was a bullfight at San Antonio the next Saturday afternoon, the usual Sunday performance being changed in deference to the Sabbatical habits of the Americans. An additional attraction was offered in the shape of a bull-and-bear fight, also a concession to American taste, which had voted the bullfight "slow," and had averred that the bull "did not get a fair show." I am glad that I am able to spare the reader the usual realistic horrors, for in the Californian performances there was very little of the brutality that distinguished this function in the mother country. The horses were not miserable, worn-out hacks, but young and alert mustangs; and the display of horsemanship by the picadors was not only wonderful, but secured an almost absolute safety to horse and rider. I never saw a horse gored; although unskillful riders were sometimes thrown in wheeling quickly to avoid the bull's charge, they generally regained their animals without injury.

  The Plaza de Toros was reached through the decayed and tile-strewn outskirts of an old Spanish village. It was a rudely built oval amphitheater, with crumbling, whitewashed adobe walls, and roofed only over portions of the gallery reserved for the provincial "notables," but now occupied by a few shopkeepers and their wives, with a sprinkling of American travelers and ranchmen. The impalpable adobe dust of t
he arena was being whirled into the air by the strong onset of the afternoon trade winds, which happily, however, helped also to dissipate a reek of garlic, and the acrid fumes of cheap tobacco rolled in cornhusk cigarettes. I was leaning over the second barrier, waiting for the meager and circuslike procession to enter with the keys of the bull pen, when my attention was attracted to a movement in the reserved gallery. A lady and gentleman of a quality that was evidently unfamiliar to the rest of the audience were picking their way along the rickety benches to a front seat. I recognized the geologist with some surprise, and the lady he was leading with still greater astonishment. For it was Miss Mannersley, in her precise, well-fitting walking-costume—a monotone of sober color among the parti-colored audience.

  However, I was perhaps less surprised than the audience, for I was not only becoming as accustomed to the young girl's vagaries as I had been to Enriquez' extravagance, but I was also satisfied that her uncle might have given her permission to come, as a recognition of the Sunday concession of the management, as well as to conciliate his supposed Catholic friends. I watched her sitting there until the first bull had entered, and, after a rather brief play with the picadors and banderilleros, was dispatched. At the moment when the matador approached the bull with his lethal weapon I was not sorry for an excuse to glance at Miss Mannersley. Her hands were in her lap, her head slightly bent forward over her knees. I fancied that she, too, had dropped her eyes before the brutal situation; to my horror, I saw that she had a drawing-book in her hand and was actually sketching it. I turned my eyes in preference to the dying bull.

  The second animal led out for this ingenious slaughter was, however, more sullen, uncertain, and discomposing to his butchers. He accepted the irony of a trial with gloomy, suspicious eyes, and he declined the challenge of whirling and insulting picadors. He bristled with banderillas like a hedgehog, but remained with his haunches backed against the barrier, at times almost hidden in the fine dust raised by the monotonous stroke of his sullenly pawing hoof—his one dull, heavy protest. A vague uneasiness had infected his adversaries; the picadors held aloof, the banderilleros skirmished at a safe distance. The audience resented only the indecision of the bull. Galling epithets were flung at him, followed by cries of "ESPADA!" and, curving his elbow under his short cloak, the matador, with his flashing blade in hand, advanced and—stopped. The bull remained motionless.

  For at that moment a heavier gust of wind than usual swept down upon the arena, lifted a suffocating cloud of dust, and whirled it around the tiers of benches and the balcony, and for a moment seemed to stop the performance. I heard an exclamation from the geologist, who had risen to his feet. I fancied I heard even a faint cry from Miss Mannersley; but the next moment, as the dust was slowly settling, we saw a sheet of paper in the air, that had been caught up in this brief cyclone, dropping, dipping from side to side on uncertain wings, until it slowly descended in the very middle of the arena. It was a leaf from Miss Mannersley's sketchbook, the one on which she had been sketching.

  In the pause that followed it seemed to be the one object that at last excited the bull's growing but tardy ire. He glanced at it with murky, distended eyes; he snorted at it with vague yet troubled fury. Whether he detected his own presentment in Miss Mannersley's sketch, or whether he recognized it as an unknown and unfamiliar treachery in his surroundings, I could not conjecture; for the next moment the matador, taking advantage of the bull's concentration, with a complacent leer at the audience, advanced toward the paper. But at that instant a young man cleared the barrier into the arena with a single bound, shoved the matador to one side, caught up the paper, turned toward the balcony and Miss Mannersley with a gesture of apology, dropped gaily before the bull, knelt down before him with an exaggerated humility, and held up the drawing as if for his inspection. A roar of applause broke from the audience, a cry of warning and exasperation from the attendants, as the goaded bull suddenly charged the stranger. But he sprang to one side with great dexterity, made a courteous gesture to the matador as if passing the bull over to him, and still holding the paper in his hand, re-leaped the barrier, and rejoined the audience in safety. I did not wait to see the deadly, dominant thrust with which the matador received the charging bull; my eyes were following the figure now bounding up the steps to the balcony, where with an exaggerated salutation he laid the drawing in Miss Mannersley's lap and vanished. There was no mistaking that thin lithe form, the narrow black mustache, and gravely dancing eyes. The audacity of conception, the extravagance of execution, the quaint irony of the sequel, could belong to no one but Enriquez.

  I hurried up to her as the six yoked mules dragged the carcass of the bull away. She was placidly putting up her book, the unmoved focus of a hundred eager and curious eyes. She smiled slightly as she saw me. "I was just telling Mr. Briggs what an extraordinary creature it was, and how you knew him. He must have had great experience to do that sort of thing so cleverly and safely. Does he do it often? Of course, not just that. But does he pick up cigars and things that I see they throw to the matador? Does he belong to the management? Mr. Briggs thinks the whole thing was a feint to distract the bull," she added, with a wicked glance at the geologist, who, I fancied, looked disturbed.

  "I am afraid," I said dryly, "that his act was as unpremeditated and genuine as it was unusual."

  "Why afraid?"

  It was a matter-of-fact question, but I instantly saw my mistake. What right had I to assume that Enriquez' attentions were any more genuine than her own easy indifference; and if I suspected that they were, was it fair in me to give my friend away to this heartless coquette? "You are not very gallant," she said, with a slight laugh, as I was hesitating, and turned away with her escort before I could frame a reply. But at least Enriquez was now accessible, and I should gain some information from him. I knew where to find him, unless he were still lounging about the building, intent upon more extravagance; but I waited until I saw Miss Mannersley and Briggs depart without further interruption.

  The hacienda of Ramon Saltillo, Enriquez' cousin, was on the outskirts of the village. When I arrived there I found Enriquez' pinto mustang steaming in the corral, and although I was momentarily delayed by the servants at the gateway, I was surprised to find Enriquez himself lying languidly on his back in a hammock in the patio. His arms were hanging down listlessly on each side as if in the greatest prostration, yet I could not resist the impression that the rascal had only just got into the hammock when he heard of my arrival.

  "You have arrived, friend Pancho, in time," he said, in accents of exaggerated weakness. "I am absolutely exhaust. I am bursted, caved in, kerflummoxed. I have behold you, my friend, at the barrier. I speak not, I make no sign at the first, because I was on fire; I speak not at the feenish—for I am exhaust."

  "I see; the bull made it lively for you."

  He instantly bounded up in the hammock. "The bull! Caramba! Not a thousand bulls! And thees one, look you, was a craven. I snap my fingers over his horn; I roll my cigarette under his nose."

  "Well, then—what was it?"

  He instantly lay down again, pulling up the sides of the hammock. Presently his voice came from its depths, appealing in hollow tones to the sky. "He asks me—thees friend of my soul, thees brother of my life, thees Pancho that I lofe—what it was? He would that I should tell him why I am game in the legs, why I shake in the hand, crack in the voice, and am generally wipe out! And yet he, my pardner—thees Francisco—know that I have seen the mees from Boston! That I have gaze into the eye, touch the hand, and for the instant possess the picture that hand have drawn! It was a sublime picture, Pancho," he said, sitting up again suddenly, "and have kill the bull before our friend Pepe's sword have touch even the bone of hees back and make feenish of him."

  "Look here, Enriquez," I said bluntly, "have you been serenading that girl?"

  He shrugged his shoulders without the least embarrassment, and said: "Ah, yes. What would you? It is of a necessity."

  "Well,"
I retorted, "then you ought to know that her uncle took it all to himself—thought you some grateful Catholic pleased with his religious tolerance."

  He did not even smile. "BUENO," he said gravely. "That make something, too. In thees affair it is well to begin with the duenna. He is the duenna."

  "And," I went on relentlessly, "her escort told her just now that your exploit in the bull ring was only a trick to divert the bull, suggested by the management."

  "Bah! her escort is a geologian. Naturally, she is to him as a stone."

  I would have continued, but a peon interrupted us at this moment with a sign to Enriquez, who leaped briskly from the hammock, bidding me wait his return from a messenger in the gateway.

  Still unsatisfied of mind, I waited, and sat down in the hammock that Enriquez had quitted. A scrap of paper was lying in its meshes, which at first appeared to be of the kind from which Enriquez rolled his cigarettes; but as I picked it up to throw it away, I found it was of much firmer and stouter material. Looking at it more closely, I was surprised to recognize it as a piece of the tinted drawing-paper torn off the "block" that Miss Mannersley had used. It had been deeply creased at right angles as if it had been folded; it looked as if it might have been the outer half of a sheet used for a note.