The Keep ac-1

by F. Paul Wilson

  As he followed Oster through the disassembled portions of the keep, Kaempffer realized that the thought of Klaus Woermann killing himself disturbed him more than if he had been killed like all the rest. It wasn't in Woermann's makeup. People do change, but Kaempffer could not imagine the teenager who had single-handedly sent a company of British soldiers running in the last war to be a man who would take his own life in this war, no matter what the circumstances.

  Still ... Woermann was dead. The only man who could point to him and say "Coward!" had been rendered forever mute. That was worth everything Kaempffer had endured since his arrival at this charnel house. And there was a special satisfaction to be gained from the manner of Woermann's death. The final report would hide nothing: Captain Klaus Woermann would go down on record as a suicide. A disgraceful death. Worse than desertion. Kaempffer would give much to see the look on the faces of the wife and the two boys Woermann had been so proud of—what would they think of their father, their hero, when they heard the news?

  Instead of leading him across the courtyard to Woermann's quarters, Oster made a sharp right turn that led Kaempffer down the corridor to where he had imprisoned the villagers on the night of his arrival. The area had been partially dismantled during the past few days. They made the final turn and there was Woermann.

  He hung by a thick rope, his body swaying gently as if in a breeze; but the air was still. The rope had been thrown over an exposed ceiling beam and tied to it. Kaempffer saw no stool and wondered how Woermann had got himself up there. Perhaps he had stood on one of the piles of stone block here and there...

  ... the eyes. Woermann's eyes bulged in their sockets. For an instant Kaempffer had the impression that the eyes shifted as he approached, then realized it was just a trick of the light from the bulbs along the ceiling.

  He stopped before the dangling form of his fellow officer. Woermann's belt buckle swung two inches in front of Kaempffer's nose. He looked up at the engorged, puffed face, purple with stagnant blood.

  ... the eyes again. They seemed to be looking down at him. He glanced away and saw Woermann's shadow on the wall. Its outline was the same—exactly the same—as the shadow of the hanging corpse he had seen in Woermann's painting.

  A chill ran over his skin.

  Precognition? Had Woermann foreseen his death? Or had suicide been in the back of his mind all along?

  Kaempffer's exultation began to die as he realized he was now the only officer in the keep. All the responsibility from this moment on rested solely on him. In fact, he himself might be marked for death next. What was he to—

  —Gunfire sounded from the courtyard.

  Startled, Kaempffer wheeled, saw Oster look down the corridor, then back to him. But the questioning look on the sergeant's face turned to one of wide-eyed horror as his gaze rose to a point above Kaempffer. The SS major was turning to see what could cause such a reaction when he felt thick, stone-cold fingers slip around his throat and begin to squeeze.

  Kaempffer tried to leap away, tried to kick behind him at whoever it was, but his feet struck only air. He opened his mouth to scream but no more than a strangled gurgle escaped. Pulling, clawing at the fingers that were inexorably cutting off his life, he twisted frantically to see who was attacking him. He already knew—in a horror-dimmed corner of his mind he knew. But he had to see! He twisted further, saw his attacker's sleeve, gray, regular army gray, and he followed the sleeve back ...up... to Woermann.

  But he's dead!

  In desperate terror, Kaempffer began to writhe and claw at the dead hands that encircled his throat. To no avail. He was being lifted into the air by his neck, slowly, steadily, until only his toes were touching the floor. Soon even they did not reach. He flung his arms out to Oster but the sergeant was useless. His face a mask of horror, Oster had flattened himself against the wall and was slowly inching himself away—away!—from him. He gave no sign that he even saw Kaempffer. His gaze was fixed higher, on his former commanding officer ... dead... but committing murder.

  Disjointed images flashed through Kaempffer's mind, a parade of sights and sounds becoming more blurred and garbled with each thump of his slowing heart.

  ... gunfire continuing to echo from the courtyard, mixing with screams of pain and terror ... Oster inching away down the corridor, not seeing the two walking dead men rounding the corner, one of them recognizable as einsatzkommando Private Flick, dead since his first night in the keep... Oster seeing them too late and not knowing which way to run ... more shooting from without, barrages of bullets ... shooting from within as Oster emptied his Schmeisser at the approaching corpses, ripping up their uniforms, rocking them backward, but doing little to impede their progress ... screams from Oster as each of the corpses grabbed one of his arms to swing him headfirst toward the stone wall... the screams ending with a sickening thud as his skull cracked like an egg...

  Kaempffer's vision dimmed ... sounds became muted... a prayer formed in his mind:

  O God! Please let me live! I'll do anything you ask if you'll just let me live!

  A snap ... a sudden fall to the floor ... the hangman's rope had broken under the weight of two bodies ... but no break in the pressure on his throat ... a great lethargy settled upon him ... in the fading light he saw Sergeant Oster's bloody-headed corpse rise and follow his two murderers out to the courtyard ... and at the very end, in his terminal spasms, Kaempffer caught sight of Woermann's distorted features...

  ... and saw a smile there.

  Chaos in the courtyard.

  The walking corpses were everywhere, ravaging soldiers in their beds, at their posts. Bullets couldn't kill them—they were already dead. Their horrified former comrades pumped round after round into them but the dead kept coming. And worse—as soon as one of the living was killed, the fresh corpse rose to its feet and joined the ranks of the attackers.

  Two desperate, black-uniformed soldiers pulled the bar from the gate and began to swing it open; but before they could squeeze through to safety, they were caught from behind and dragged to the ground. A moment later they were standing again, arrayed with other corpses before the open gate, making sure that none of their live comrades passed through.

  Suddenly, all the lights went out as a wild burst of 9mm slugs slammed into the generators.

  An SS corporal leaped into a jeep and started it up, hoping to ram his way to freedom; but when he slipped the clutch too quickly, the cold engine stalled. He was pulled from the seat and strangled before he could get it started again.

  A private, quaking and shivering under his cot, was smothered with his bedroll by the headless corpse he had once known as Lutz.

  The gunfire soon began to die off. From a continuous barrage of overlapping fusillades it diminished to random bursts, then to isolated shots. The men's screaming faded to a lone voice wailing in the barracks. Then that, too, was cut off. Finally, silence. All quiet as the cadavers, fresh and old, stood scattered about the courtyard, motionless, as if waiting.

  Suddenly, soundlessly, all but two of them fell to the courtyard floor and lay still. The remaining pair began to move, shuffling through the entry to the cellar, leaving a tall, dark figure standing alone in the center of the courtyard, undisputed master of the keep at last.

  As the fog swirled in through the open gates, inching across the stone, layering the courtyard and the inert cadavers with an undulating carpet of haze, he turned and made his way down to the subcellar.

  TWENTY-EIGHT

  Magda awoke with a start at the sound of gunfire from the keep. At first she feared the Germans had learned of Papa's complicity and were executing him. But that hideous thought lasted only an instant. This was not the orderly sound of firing on command. This was the chaotic sound of a battle.

  It was a short battle.

  Huddled on the damp ground, Magda noted that the stars had faded in the graying sky. The echoes of gunfire were soon swallowed by the chill, predawn air. Someone or something had emerged victorious over there. M
agda felt sure it was Molasar.

  She rose and went to Glenn's side. His face was beaded with sweat and he was breathing rapidly. As she pulled back the blanket to check his wounds, a small cry escaped her: His body was bathed completely in the blue glow from the blade. Cautiously, she touched him. The glow didn't burn, but it did make her hand tingle with warmth. Within the torn fabric of Glenn's shirt she felt something hard, heavy, thimblelike. She pulled it out.

  In the dim light it took her a moment to recognize the object that rolled about in her palm. It was made of lead. A bullet.

  Magda ran her hands over Glenn again. There were more of them—all over him. And his wounds—there weren't nearly so many now. The majority had disappeared, leaving only dimpled scars instead of gaping finger holes. She pulled the ripped and bloody shirt away from his abdomen to expose an area where she felt a lump beneath his skin. There to the right of the blade he clutched so tightly to his chest was an open wound with a hard lump just beneath its surface. As she watched, the lump broke through. It was another bullet, slowly, painfully extruding from the wound. It was as wonderful as it was terrifying: The sword blade and its glow were drawing the bullets from Glenn's body and healing his wounds! Magda watched in awe.

  The glow began to fade.

  "Magda..."

  She jumped at the sound. Glenn's voice was much stronger than it had been when she had covered him. She pulled the blanket back over him, tucking it around his neck. His eyes were open, staring at the keep.

  "Rest some more," she whispered.

  "What's happening over there?"

  "Some shooting before—a lot of it."

  With a groan, Glenn tried to sit up. Magda pushed him back easily. He was still very weak.

  "Got to get to the keep ... stop Rasalom."

  "Who's Rasalom?"

  "The one you and your father call Molasar. He reversed the letters of his name for you ... real name is Rasalom... got to stop him!"

  He tried to rise again and again Magda pushed him back.

  "It's almost dawn. A vampire can't go anywhere after sunrise, so just—"

  "He's no more afraid of sunlight than you are!"

  "But a vampire—"

  "He's not a vampire! Never was! If he were," Glenn said, a note of despair creeping into his voice, "I wouldn't bother trying to stop him."

  Dread caressed her, a cold hand against the middle of her back. "Not a vampire?"

  "He's the source of the vampire legends, but what he craves is nothing so simple as blood. That notion crept into the folk tales because people can see blood, and touch it. What Rasalom feeds on no one can see or touch."

  "You mean what you were trying to tell me last night before the soldiers ... came?" She did not want to remember last night.

  "Yes. He draws strength from human pain, misery, and madness. He can feed on the agony of those who die by his hand but gains far more from man's inhumanity to other men."

  "That's ridiculous! Nothing could live on such things. They're too ... too insubstantial!"

  "Is sunlight 'too insubstantial' for a flower to need for growth? Believe me: Rasalom feeds on things that cannot be seen or touched—all of them bad."

  "You make him sound like the Serpent himself!"

  "You mean Satan? The Devil?" Glenn smiled weakly. "Put aside every religion you've ever heard of. They mean nothing here. Rasalom predates them all."

  "I can't believe—"

  "He is a survivor of the First Age. He pretended to be a five-hundred-year-old vampire because that fit the history of the keep and the region. And because it generated fear so easily—another one of his delights. But he's much, much older. Everything he told your father—everything—was a lie ... except for the part about being weak and having to build his strength."

  "Everything? But what about saving me? What about curing Papa? And what about those villagers the major took hostage? They would have been executed if he had not saved them!"

  "He saved no one. You told me he killed the two soldiers guarding the villagers. But did he set the villagers free? No! He added insult to injury by marching the dead soldiers up to the major's quarters and making a fool out of him. Rasalom was trying to provoke the major into executing all the villagers on the spot. That's the sort of atrocity that swells his strength. And after half a millennium of imprisonment, he needed much strengthening. Fortunately, events conspired against him and the villagers survived."

  "Imprisonment? But he told Papa..." Her voice trailed off. "Another lie?"

  Glenn nodded. "Rasalom did not build the keep as he said. Nor was he hiding in it. The keep was built to trap and hold him... forever. Who could have foretold that it or anything else in the Dinu Pass might someday be considered of military value? Or that some fool would break the seal on his cell? Now, if he ever gets loose in the world—"

  "But he's loose now."

  "No. Not yet. That's another one of his lies. He wanted your father to believe he was free, but he's still confined to the keep by the other piece of this." He pulled the blanket down and showed her the butt end of the sword blade. "The hilt to this blade is the only thing on earth Rasalom fears. It's the only thing that has power over him. It can bind him. The hilt is the key. It locks him within the keep. The blade is useless without it, but the two joined together can destroy him."

  Magda shook her head in an attempt to clear it. This was becoming more incredible every minute!

  "But the hilt—where is it? What does it look like?"

  "You've seen its image thousands of times in the walls of the keep."

  "The crosses!" Magda's mind whirled. Then they weren't crosses after all! They were modeled on the hilt of a sword—no wonder the crosspiece was set so high! She had been looking at them for years and had never even come close to guessing. And if Molasar—or should she start thinking of him as Rasalom now?—were truly the source of the vampire legends, she could see how his fear of the sword hilt might have been transmuted into a fear of the cross in the folk tales. "But where—"

  "Buried deep in the subcellar. As long as the hilt remains within the walls of the keep, Rasalom is bound by them."

  "But all he has to do is dig it up and dispose of it."

  "He can't touch it, or even get too close to it."

  "Then he's trapped forever!"

  "No," Glenn said in a very low voice as he looked into Magda's eyes. "He has your father."

  Magda wanted to be sick, to shout No! at the top of her lungs, but she could not. She had been turned to stone by Glenn's quiet words ... words which for the life of her she could not deny.

  "Let me tell you what I think has happened," he said into the lengthening silence. "Rasalom was released the first night the Germans moved into the keep. He had strength enough then to kill only one. After that he rested and took stock. His initial strategy, I think, was to kill them one at a time, to feed on that daily agony and on the fear that increased among the living each time he claimed one of them. He was careful not to kill too many at once, especially not the officers, for that might drive them all away. He probably hoped for one of three things to occur: The Germans would become so frustrated that they would blow up the keep, thereby freeing him; or they would bring in more and more reinforcements, affording him more lives to take, more fear to grow strong on; or that he might find among the men a corruptible innocent."

  Magda could barely hear her own voice. "Papa."

  "Or you. From what you told me, Rasalom's attention seemed to be centered on you when he first revealed himself. But the captain put you over here, out of reach. Therefore Rasalom had to concentrate on your father."

  "But he could have used one of the soldiers!"

  "He gains his greatest strength from the destruction of everything that is good in a person. The corruption of the values of a single decent human being enriches him more than a thousand murders. It's a feast for Rasalom! The soldiers were useless to him. Veterans of Poland and other campaigns, they had killed proudly for their
Führer. Little of value in them for Rasalom. And their reinforcements—death camp troopers! Nothing left in those creatures to debase! So the only real use he's had for the Germans, besides the fear and death-agony gleaned from them, is as digging tools."

  Magda couldn't imagine... "Digging?"

  "To unearth the hilt. I suspect that the 'thing' you heard shuffling around in the subcellar after your father sent you away was a group of the dead soldiers returning to their shrouds."

  Walking corpses ... the thought was grotesque, too fantastic even to consider, and yet she remembered that story the major had told about the two dead soldiers who had walked from the place of their dying to his room.

  "But if he has the power to make the dead walk, why can't he have one of them dispose of the hilt?"

  "Impossible. The hilt negates his power. A corpse under his control would return to its inanimate state the instant it touched the hilt." He paused. "Your father will be the one to carry the hilt from the keep."

  "But as soon as Papa touches the hilt, won't Rasalom lose control over him?"

  Glenn shook his head sadly. "You must realize by now that he's helping Rasalom willingly ... enthusiastically. Your father will be able to handle the hilt with ease because he'll be acting of his own free will."

  Magda felt dead inside. "But Papa doesn't know! Why didn't you tell him?"

  "Because it was his battle, not mine. And because I couldn't risk letting Rasalom know I was here. Your father wouldn't have believed me anyway—he preferred to hate me. Rasalom has done a masterful job on him, destroying his character by tiny increments, peeling away layer after layer of all the things he believed in, leaving only the base, venal aspects of his nature."

  It was true. Magda had seen it happening and had been afraid to admit it, but it was true!

  "You could have helped him!"