Flights

by Olga Tokarczuk

  CONTENTS

  HERE I AM

  THE WORLD IN YOUR HEAD

  YOUR HEAD IN THE WORLD

  SYNDROME

  CABINET OF CURIOSITIES

  SEEING IS KNOWING

  SEVEN YEARS OF TRIPS

  GUIDANCE FROM CIORAN

  KUNICKI: WATER (I)

  BENEDICTUS, QUI VENIT

  PANOPTICON

  KUNICKI: WATER (II)

  EVERYWHERE AND NOWHERE

  AIRPORTS

  RETURNING TO ONE’S ROOTS

  TRAVEL SIZES

  MANO DI GIOVANNI BATTISTA

  THE ORIGINAL AND THE COPY

  TRAINS FOR COWARDS

  ABANDONED APARTMENT

  THE BOOK OF INFAMY

  GUIDEBOOKS

  NEW ATHENS

  WIKIPEDIA

  CITIZENS OF THE WORLD, PICK UP YOUR PENS!

  TRAVEL PSYCHOLOGY: LECTIO BREVIS I

  THE RIGHT TIME AND PLACE

  INSTRUCTIONS

  ASH WEDNESDAY FEAST

  NORTH POLE EXPEDITIONS

  THE PSYCHOLOGY OF AN ISLAND

  PURGING THE MAP

  IN PURSUIT OF NIGHT

  SANITARY PADS

  RELICS: PEREGRINATIO AD LOCA SANCTA

  BELLY DANCE

  MERIDIANS

  UNUS MUNDUS

  HAREM (MENCHU’S TALE)

  ANOTHER OF MENCHU’S TALES

  CLEOPATRAS

  A VERY LONG QUARTER OF AN HOUR

  APULEIUS THE DONKEY

  MEDIA PRESENTERS

  ATATÜRK’S REFORMS

  KALI YUGA

  WAX MODEL COLLECTIONS

  DR BLAU’S TRAVELS (I)

  JOSEFINE SOLIMAN’S FIRST LETTER TO FRANCIS I, EMPEROR OF AUSTRIA

  AMONG THE MAORI

  DR BLAU’S TRAVELS (II)

  PLANE OF PROFLIGATES

  PILGRIM’S MAKE-UP

  JOSEFINE SOLIMAN’S SECOND LETTER TO FRANCIS I, EMPEROR OF AUSTRIA

  SARIRA

  THE BODHI TREE

  HOME IS MY HOTEL

  TRAVEL PSYCHOLOGY: LECTIO BREVIS II

  COMPATRIOTS

  TRAVEL PSYCHOLOGY: CONCLUSION

  THE TONGUE IS THE STRONGEST MUSCLE

  SPEAK! SPEAK!

  FROG AND BIRD

  LINES, PLANES AND BODIES

  THE ACHILLES TENDON

  THE HISTORY OF FILIP VERHEYEN, WRITTEN BY HIS STUDENT AND CONFIDANT, WILLEM VAN HORSSEN

  LETTERS TO THE AMPUTATED LEG

  TRAVEL TALES

  THREE HUNDRED KILOMETRES

  30,000 GUILDERS

  THE TSAR’S COLLECTION

  IRKUTSK-MOSCOW

  DARK MATTER

  MOBILITY IS REALITY

  МОБИЛЬНОСТЬ СТАНОВИТСЯ РЕАЛЬНОСTЮ.

  FLIGHTS

  WHAT THE SHROUDED RUNAWAY WAS SAYING

  JOSEFINE SOLIMAN’S THIRD LETTER TO FRANCIS I

  THINGS NOT MADE BY HUMAN HANDS

  PURITY OF BLOOD

  KUNSTKAMMER

  MANO DI CONSTANTINO

  MAPPING THE VOID

  ANOTHER COOK

  WHALES, OR: DROWNING IN AIR

  GODZONE

  FEAR NOT

  DAY OF THE DEAD

  RUTH

  RECEPTION AT LARGE FANCY HOTELS

  POINT

  CROSS SECTION AS LEARNING METHOD

  CHOPIN’S HEART

  DRY SPECIMENS

  NETWORK STATE

  SWASTIKAS

  VENDORS OF NAMES

  DRAMA AND ACTION

  EVIDENCE

  NINE

  ATTEMPTS AT TRAVEL STEREOMETRY

  EVEN

  ŚWIEBODZIN

  KUNICKI: EARTH

  ISLAND SYMMETRIES

  AIR-SICKNESS BAGS

  THE EARTH’S NIPPLES

  POGO

  WALL

  AMPHITHEATRE IN SLEEP

  MAP OF GREECE

  KAIROS

  I’M HERE

  ON THE ORIGIN OF SPECIES

  FINAL TIMETABLE

  THE POLYMER PRESERVATION PROCESS, STEP BY STEP:

  BOARDING

  ABOUT THE AUTHOR

  ABOUT THE TRANSLATOR

  ITINERARIUM

  LIST OF MAPS AND DRAWINGS

  TRANSLATOR’S ACKNOWLEDGEMENTS

  COPYRIGHT PAGE

  HERE I AM

  I’m a few years old. I’m sitting on the window sill, surrounded by strewn toys and toppled-over block towers and dolls with bulging eyes. It’s dark in the house, and the air in the rooms slowly cools, dims. There’s no one else here; they’ve left, they’re gone, though you can still hear their voices dying down, that shuffling, the echoes of their footsteps, some distant laughter. Out the window the courtyard is empty. Darkness spreads softly from the sky, settling on everything like black dew.

  The worst part is the stillness, visible, dense – a chilly dusk and the sodium-vapour lamps’ frail light already mired in darkness just a few feet from its source.

  Nothing happens – the march of darkness halts at the door to the house, and all the clamour of fading falls silent, makes a thick skin like on hot milk cooling. The contours of the buildings against the backdrop of the sky stretch out into infinity, slowly lose their sharp angles, corners, edges. The dimming light takes the air with it – there’s nothing left to breathe. Now the dark soaks into my skin. Sounds have curled up inside themselves, withdrawn their snail’s eyes; the orchestra of the world has departed, vanishing into the park.

  That evening is the limit of the world, and I’ve just happened upon it, by accident, while playing, not in search of anything. I’ve discovered it because I was left unsupervised for a bit. I’ve clearly found myself in a trap now, and I can’t get out. I’m a few years old, I’m sitting on the window sill, and I’m looking out onto the chilled courtyard. The lights in the school’s kitchen are extinguished; everyone has left. All the doors are closed, hatches down, blinds lowered. I’d like to leave, but there’s nowhere to go. My own presence is the only thing with a distinct outline now, an outline that quivers and undulates, and in so doing, hurts. And all of a sudden I know: there’s nothing anyone can do now, here I am.

  THE WORLD IN YOUR HEAD

  The first trip I ever took was across the fields, on foot. It took them a long time to notice I was gone, which meant I was able to make it quite some distance. I covered the whole park and even – going down dirt roads, through the corn and the damp meadows teeming with cowslip flowers, sectioned into squares by ditches – reached the river. Though of course the river was ubiquitous in that valley, soaking up under the ground cover and lapping at the fields.

  Clambering up onto the embankment, I could see an undulating ribbon, a road that kept flowing outside of the frame, outside of the world. If you were lucky, you might catch sight of a boat there, one of those great flat boats gliding over the river in either direction, oblivious to the shores, to the trees, to the people who stand on the embankment, unreliable landmarks, perhaps, not worth remarking, just an audience to the boats’ own motion, so full of grace. I dreamed of working on a boat like that when I grew up – or even better, of becoming one of those boats.

  It wasn’t a big river, only the Oder, but I, too, was little then. It had its place in the hierarchy of rivers, which I later checked on the maps – a minor one, but present, nonetheless, a kind of country viscountess at the court of the Amazon Queen. But it was more than enough for me. It seemed enormous. It flowed as it liked, essentially unimpeded, prone to flooding, unpredictable. Occasionally along the banks it would catch on some underwater obstacle, and eddies would develop. But the river flowed on, parading, concerned only with its hidden aims beyond the horizon, somewhere far off to the north. Your eyes couldn’t
keep focused on the water, which pulled your gaze along up past the horizon, so that you’d lose your balance.

  To me, of course, the river paid no attention, caring only for itself, those changing, roving waters into which – as I later learned – you can never step twice.

  Every year it charged a steep price to bear the weight of those boats – because each year someone drowned in the river, whether a child taking a dip on a hot summer’s day or some drunk who somehow wound up on the bridge and, in spite of the railing, still fell into the water. The search for the drowned always took place with great pomp and circumstance, with everyone in the vicinity waiting with bated breath. They’d bring in divers and army boats. According to adults’ accounts we overheard, the recovered bodies were swollen and pale – the water had rinsed all the life out of them, blurring their facial features to such an extent that their loved ones would have a hard time identifying their corpses.

  Standing there on the embankment, staring into the current, I realized that – in spite of all the risks involved – a thing in motion will always be better than a thing at rest; that change will always be a nobler thing than permanence; that that which is static will degenerate and decay, turn to ash, while that which is in motion is able to last for all eternity. From then on, the river was like a needle inserted into my formerly safe and stable surroundings, the landscape comprised of the park, the greenhouses with their vegetables that grew in sad little rows, and the pavement with its concrete slabs where we would go to play hopscotch. This needle went all the way through, marking a vertical third dimension; so pierced, the landscape of my childhood world turned out to be nothing more than a toy made of rubber from which all the air was escaping, with a hiss.

  My parents were not fully the settling kind. They moved from place to place, time and time again, until finally they paused for longer near a country school, far from any proper road or a train station. Then travelling simply became crossing the unploughed ridge between the furrows, going into the little town nearby, doing the shopping, filing paperwork at the district office. The hairdresser on the main square by the Town Hall was always there in the same apron, washed and bleached in vain because the clients’ hair dye left stains like calligraphy, like Chinese characters. My mum would have her hair dyed, and my father would wait for her at the New Café, at one of the two little tables set up outside. He’d read the local paper, where the most interesting section was always the one with the police reports, gherkins and jam jars stolen out of cellars.

  And then the holidays, their timid tourism, their Škoda packed to the gills. Endlessly prepared for, planned in the evenings in the early spring when the snow had all but stopped, though the ground had yet to come back to its senses; you had to wait until it finally gave itself to plough and hoe, when you could plant in it again, and from that moment forward it would take up all their time, from morning to eve.

  Theirs was the generation of motor homes, of tugging along behind them a whole surrogate household. A gas stove, little folding tables and chairs. A plastic cord to hang laundry up to dry when they stopped and some wooden clothes pegs. Waterproof tablecloths. A ready-made picnic set: coloured plastic plates, utensils, salt and pepper shakers, and glasses.

  Somewhere along the way, at one of the flea markets that he and my mother particularly loved to visit (since they were not interested, for instance, in having their pictures taken at churches or monuments), my father had purchased an army kettle – a brass device, a vessel with a tube in the middle that you would fill up with tinder you lit on fire. Though you could get electricity at the campsites, he would heat up water in that smoking, spluttering pot. He’d kneel down over the hot kettle, taking no small pride in the gurgle of the boiling water he’d then pour over our tea bags – a true nomad.

  They’d set up in the designated areas, at campsites where they were always in the company of others just like them, having lively conversations with their neighbours surrounded by socks drying on tent cords. The itineraries for these trips would be determined with the aid of guidebooks that painstakingly highlighted all the attractions. In the morning a swim in the sea or the lake, and in the afternoon an excursion into the city’s history, capped off by dinner, most often out of glass jars: goulash, meatballs in tomato sauce. You just had to cook the pasta or the rice. Costs were always being cut, the Polish zloty was weak – penny of the world. There was the search for a place where you could get electricity and then the reluctant decamping after, although all journeys remained within the same metaphysical orbit of home. They weren’t real travellers: they left in order to return. And they were relieved when they got back, with a sense of having fulfilled an obligation. They returned to collect the letters and bills that stacked up on the chest of drawers. To do a big wash. To bore their friends to death by showing pictures as everyone attempted to conceal their yawns. This is us in Carcassonne. Here’s my wife with the Acropolis in the background.

  Then they would lead a settled life for the next year, going back every morning to the same thing they had left in the evening, their clothes permeated by the scent of their own flat, their feet tirelessly wearing down a path in the carpet.

  That life is not for me. Clearly I did not inherit whatever gene it is that makes it so that when you linger in a place you start to put down roots. I’ve tried, a number of times, but my roots have always been shallow; the littlest breeze could always blow me right over. I don’t know how to germinate, I’m simply not in possession of that vegetable capacity. I can’t extract nutrition from the ground, I am the anti-Antaeus. My energy derives from movement – from the shuddering of buses, the rumble of planes, trains’ and ferries’ rocking.

  I have a practical build. I’m petite, compact. My stomach is tight, small, undemanding. My lungs and my shoulders are strong. I’m not on any prescriptions – not even the pill – and I don’t wear glasses. I cut my hair with clippers, once every three months, and I use almost no make-up. My teeth are healthy, perhaps a bit uneven, but intact, and I have just one old filling, which I believe is located in my lower left canine. My liver function is within the normal range. As is my pancreas. Both my right and left kidneys are in great shape. My abdominal aorta is normal. My bladder works. Haemoglobin 12.7. Leukocytes 4.5. Haematocrit 41.6. Platelets 228. Cholesterol 204. Creatinine 1.0. Bilirubin 4.2. And so on. My IQ – if you put any stock in that kind of thing – is 121; it’s passable. My spatial reasoning is particularly advanced, almost eidetic, though my laterality is lousy. Personality unstable, or not entirely reliable. Age all in your mind. Gender grammatical. I actually buy my books in paperback, so that I can leave them without remorse on the platform, for someone else to find. I don’t collect anything.

  I completed my degree, but I never really mastered any trade, which I do regret; my great-grandfather was a weaver, bleaching woven cloth by laying it out along the hillside, baring it to the sun’s hot rays. I would have been well suited to the intermingling of warp and weft, but there’s no such thing as a portable loom. Weaving is an art of sedentary tribes. When I’m travelling I knit. Sadly in recent times some airlines have banned the use of knitting needles and crochet hooks on board. I never learned, as I say, any particular line of work, and yet in spite of what my parents always used to tell me, I’ve been able to get by, working different jobs as I go, staying afloat.

  When my parents went back to the city after their twenty-year experiment, when they had finally tired of the droughts and the frosts, healthy food that ailed all winter in the cellar, the wool from their own sheep assiduously stuffed inside the gaping mouths of comforters and pillows, they gave me a little bit of money, and I set off on my first trip.

  I took odd jobs wherever I happened to be. In an international factory on the outskirts of a large metropolis I assembled antennae for high-end yachts. There were a lot of people like me there. We were paid under the table, and never questioned about where we came from or what our plans were for the future. Every Friday we got our money, and
whoever didn’t feel like it anymore simply didn’t come back on Monday. There were school graduates taking a break before applying to university. Immigrants still en route to that fair, idyllic country they were sure was somewhere in the West, where people are brothers and sisters, and a strong state plays the role of parent; fugitives from their families – from their wives, their husbands, their parents; the unhappily in love, the confused, the melancholic, those who were always cold. Those running from the law because they couldn’t pay off their debts. Wanderers, vagabonds. Crazy people who’d wind up in the hospital the next time they fell ill again, and from there they’d get deported back to their countries of origin on the basis of rules and regulations shrouded in mystery.

  Just one person worked there permanently, an Indian man who had been there for years, though in reality his situation was no different from ours. He didn’t have insurance or paid holidays. He worked in silence, patiently, at an even keel. He was never late. He never found any need to take time off. I tried to talk some people into setting up a trade union – these were the days of Solidarity – if only for him, but he didn’t want to. Touched by the interest I’d taken in him, however, he began to share with me the spicy curry he brought in a tiffin-carrier every day. I no longer remember what his name was.

  I was a waitress, a maid in an upscale hotel, and a nanny. I sold books. I sold tickets. I was employed in a small theatre for one season to work in wardrobe, making it through that long winter ensconced backstage amidst heavy costumes, satin capes and wigs. Once I’d finished my studies, I also worked as a teacher, a rehab counsellor, and – most recently – in a library. Whenever I managed to save any money, I would be on my way again.

  YOUR HEAD IN THE WORLD

  I studied psychology in a big, gloomy communist city. My department was located in a building that had been the headquarters of an S.S. unit during the war. That part of the city had been built up on the ruins of the ghetto, which you could tell if you took a good look – that whole neighbourhood stood about three feet higher than the rest of the town. Three feet of rubble. I never felt comfortable there; between the new communist buildings and the wretched squares there was always a wind, and the frosty air was particularly bitter, stinging you in the face. Ultimately it was a place that, despite reconstruction, still belonged to the dead. I still have dreams about the building where my classes were – its broad hallways that looked like they’d been carved into stone, smoothed down by people’s feet; the worn edges of the stairs; the handrails polished by people’s hands, traces imprinted in space. Maybe that was why we were haunted by those ghosts.