The Resistance Man

by Martin Walker

  ALSO BY MARTIN WALKER

  FICTION

  The Devil’s Cave

  The Crowded Grave

  Black Diamond

  The Dark Vineyard

  Bruno, Chief of Police

  The Caves of Périgord

  NONFICTION

  The Iraq War

  Europe in the Twenty-first Century (coauthor)

  America Reborn

  The President They Deserve

  The Cold War: A History

  Martin Walker’s Russia

  The Waking Giant: Gorbachev and Perestroika

  Powers of the Press

  The National Front

  THIS IS A BORZOI BOOKPUBLISHED BY ALFRED A. KNOPF

  Copyright © 2013 by Walker and Watson PLC

  All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House LLC, a Penguin Random House Company, New York. Originally published in slightly different form in Great Britain by Quercus Publishing PLC, London, in 2013.

  www.aaknopf.com

  Knopf, Borzoi Books, and the colophon are registered trademarks of Random House LLC.

  Library of Congress Cataloging-in-Publication Data

  Walker, Martin, [date]

  The Resistance Man : a Bruno, Chief of Police novel / Martin Walker.—First United States Edition.

  pages cm

  “This is a Borzoi book.”

  ISBN 9780385349543 (hardcover); eBook ISBN: 9780385349550

  1. Police—France—Fiction. 2. Mystery fiction. I. Title.

  PR6073.A413R47 2014

  823'.914—dc23

  2013022876

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  Map copyright © 2012 by Jamie Whyte

  Cover photograph by George Baier IV; (within, lower left) French Resistance fighters, 1944, AFP/Getty Images; (lower right) Luger pistol, Shutterstock

  Jacket design by Ben Denzer and Jason Booher

  ep_v4.0

  In memory of Christopher Hitchens and Peter Scott, two Balliol College friendships that lasted for over forty years

  Contents

  Cover

  Also by Martin Walker

  Title Page

  Copyright

  Dedication

  Map

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Acknowledgments

  A Note About the Author

  Prologue

  It was shortly after dawn on a day in late spring that carried all the promise of summer to come. The fresh green leaves were so bright they startled the eye, dew was already disappearing from the grass under the first rays of the sun, and the woods around the cottage were clamorous with birdsong. Benoît Courrèges, chef de police in the small French town of St. Denis and known to everyone as Bruno, could identify the different notes of warblers and hoopoes, woodlarks and woodpeckers, just a fraction of the birdlife of the beautiful valley of the River Vézère where he made his home.

  Bruno wore his old army tracksuit in which he had just taken his morning run through the woods. His eyes were fixed on Napoléon and Joséphine, his two geese. These monarchs of his chicken run paced forward with slow dignity to study the quivering puppy held firmly in Bruno’s grip. Behind the geese, twitching his head from side to side, came Blanco the cockerel, named after a French rugby hero. Blanco was followed by his hens and the two pheasants Bruno had added to his flock because he liked their smaller eggs and the careful way the hen pheasant would hide them in the undergrowth.

  Raising a basset hound to be a hunting dog is slow work, but Bruno was becoming convinced that Balzac was the most intelligent dog he had ever known. Already housebroken, Balzac would even abandon an alluring new scent to obey his master’s summons. Now he was being taught that the birds in Bruno’s chicken run were to be treated with courtesy as members of the extended family and to be protected against all comers. Balzac was eager to bounce forward to play and send the chickens squawking and jumping into the air. So Bruno held him down with one hand and stroked him with the other, speaking in a low and reassuring voice as the two geese advanced to see what new creature Bruno had brought onto their territory this time.

  Bruno had already familiarized Balzac with the deep and sensual scent of truffles and shown him the white oaks in the woods where they were usually to be found. He took the dog on his dawn and dusk checks of the security of the chicken coop and thought the time was approaching when Balzac would be able to run alongside when he exercised the horses. Bruno suspected he’d miss the now-familiar feel of the large binoculars case strapped to his chest, where the puppy was currently stowed when his master went riding.

  Napoléon and Joséphine, who had grown familiar with Bruno’s previous basset hound, Gigi, came closer. Blanco flapped his wings and squawked out his morning cocorico, as if to assert that however large the two geese, he was really in charge here. The puppy, accustomed to sleeping in the stable beside Bruno’s horse, Hector, was not in the least awed by the size of the geese. He cocked his head to one side to gaze up at them and made an amiable squeak of greeting. The geese cruised on past Bruno and his dog, leaving Blanco to stand on tiptoe and fluff out his feathers to enlarge his size and grandeur. Balzac looked suitably impressed.

  Watching his birds and stroking his hound, Bruno could not imagine a life without animals and birdsong and his garden. He delighted in eating apples plucked from his trees, tomatoes still warm from the sun and salads that had still been growing moments before he dressed them with oil and vinegar. At the back of his mind lurked the question of whether there would one day be a wife and children to share this idyll and enjoy the stately progress of the seasons.

  He turned his head to glance at his cottage, restored from ruin by his own hands and the help of his friends and neighbors in St. Denis. Repaired now from the fire damage inflicted by a vengeful criminal, the house had grown. Bruno had used the insurance money and much of his savings to install windows in the roof, lay floorboards and create two new bedrooms in the loft. The plan had long been in his mind, but the decision to carry it out felt like making a bet on his own future, that in time there would be a family to fill the space.

  On the desk in his study lay the estimate for installing solar panels on the roof, along with the paperwork explaining tax rebates he would receive and the terms of the bank loan he had been promised. Bruno had done the math and knew it would take him almost ten years to earn back his investment, but he supposed it was a gesture to the environment that he ought to make. Now, gazing at the honey-colored stone of his house topped with the traditional red tiles of the Périgord, he worried what the panels might do to the look of the place.

  His reverie was interrupted by the vibration of the phone in his pocket. As he extracted it, Balzac squir
med free and began creeping toward the grazing chickens. Bruno reached out to haul him back, missed, dropped his phone, and a furious squawking erupted as the puppy bounded forward and the hens half flew and half scurried back to the protection of their hut.

  “Sorry, Father,” Bruno said as he recovered the phone, having seen that his caller was the local priest, Father Sentout. He picked up Balzac with one hand and headed back to the house.

  “Sorry to disturb you so early, Bruno, but there’s been a death. Old Murcoing passed away, and there’s something here that I think you ought to see. I’m at his place now, waiting for his daughter to get here.”

  “I’ll take a shower and come straight there,” Bruno said. “How did you learn of his death?”

  “I called in to see him yesterday evening and he was fading then, so I sat with him through the night. He died just as the dawn broke.”

  Bruno thanked the priest, filled Balzac’s food and water bowls and headed for the shower, wondering how many towns were fortunate enough to have a priest who took his parochial duties so seriously that he’d sit up all night with a dying man. Murcoing had been one of the group of four or five old cronies who would gather at the cheaper of the town’s cafés. It had a TV for the horse races and off-track betting on the pari-mutuel. The old men would nurse a petit blanc all morning and tell one another that France and St. Denis were going to the dogs. Without knowing the details, Bruno recalled that Murcoing was one of the town’s few remaining Resistance veterans, which could mean a special funeral. If so, he’d be busy. The decision about the solar panels would have to wait.

  1

  As if determined to make it his last sight on earth, the dead man clutched what at first appeared to be a small painting on canvas or parchment. Bruno moved closer and saw that it was no painting but rather a large and beautiful banknote, nearly twice the size of the undistinguished but familiar euro notes in his wallet.

  Impeccably engraved in pastel hues stood Mercury with his winged heels before a port teeming with sailing vessels and steamships. Facing him was a bare-chested Vulcan with his forge against a backdrop of a modern factory with tall chimneys belching smoke. It was a Banque de France note for one thousand francs of a kind that Bruno had never seen before. On the quilted coverlet that was tucked up tightly to the corpse’s grizzled chin lay another banknote, of the same style and value. Picking it up, Bruno was startled by its texture, still thick and crinkly as if made more of linen than paper. It was the reverse side of the same kind of note the dead man held. Against a cornucopia of fruits and flowers, a proud cockerel and sheaves of wheat, two medallions contained the profiles of a Greek god and goddess. They stared impassively at each other against the engraved signatures of some long-dead bank officials, and above them was printed the date of issue: DECEMBER 1940.

  His eyebrows rose. For any Frenchman 1940 was a solemn year. It marked the third German invasion in seventy years and the second French defeat. But it was the first time Paris had fallen to German arms. In 1870, the capital had withstood months of siege before French troops, under the watchful eye of the kaiser’s armies, stormed the capital to defeat and slaughter the revolutionaries of the Paris Commune. The Germans who invaded in 1914 were eventually defeated. But in 1940, France had surrendered and signed a humiliating armistice. German soldiers had marched through the Arc de Triomphe and down the Champs-Élysées and launched an occupation that would last for more than four years. France under Marshal Pétain’s Vichy regime had retained some shred of sovereignty over a truncated half of the country, while the Germans took over Paris, the north and the whole Atlantic coastline. So it was a Vichy banknote Bruno held in his hands, and he wondered how long after the war’s end it had remained legal tender.

  There were more notes, for varying amounts, inside a black wooden box that lay open at the dead man’s side. Alongside them were some old photographs. The one on top showed a group of young men and boys carrying shotguns, revolvers and elderly submachine guns. They were grouped around a black Citroën Traction Avant, one of the most handsome cars France ever made. A French tricolore flag was draped across the hood.

  Bruno picked up the photo and turned it over to see the scrawled words Groupe Valmy, 3 juillet, 1944. Most of the individuals were dressed like farmers, some wore berets, and two had the old steel helmets from the 1914–1918 war. An older man sported a French officer’s uniform with leather straps across his chest and ammunition pouches. He held up a grenade in each hand. Each of the men had an armband with the letters FFI. Bruno knew it stood for Forces Françaises de l’Intérieur, the name de Gaulle had chosen for the Resistance fighters. Another photo showed the same car and an ancient truck parked beside a train. The doors of a freight car were open, and men in a human chain were passing sacks from the train to the truck. On the back of the photo were the words Neuvic, 26 juillet, 1944.

  “I’ve never been allowed to see inside his box before,” said the woman Father Sentout had introduced as Joséphine, one of the dead man’s three daughters. She eyed the photos but made no move to touch them or the banknotes. Her hands, work worn and gnarled, remained clenched in her lap. She looked to be in her sixties. The priest was packing away the breviary and holy oils he had used to give the last rites. Spots of oil gleamed on the dead man’s forehead, where the priest had made the last sign of the cross, and on his eyelids.

  “Eighty-six,” the priest said. “A good age, a long life and he served France. Your father is with our Father in heaven now.” He put his hand gently on the woman’s arm. She shook it off.

  “We could have done with that money when I was growing up,” she said, staring dry eyed at the banknotes. “They were hard times.”

  “It was the banknotes that made me call you,” said Father Sentout, turning to Bruno. “I don’t know what the law says about them, being out of date.”

  “They’re part of his estate, so they’ll go to his heirs,” said Bruno. “But those photos mean I’ll probably have to plan for a special funeral.” He turned to Joséphine. “Do you know if he had the Resistance medal?”

  She gestured with her head to a small picture frame on the wall above the bed, below a crucifix. Bruno leaned across the bed to look closer. The curtains were open, and the sun was shining, but only a modest light came from the tiny courtyard. He saw the stone wall of a neighbor’s house barely six feet away. A single lightbulb hanging from the ceiling in a dingy parchment lampshade did little to help, but he could make out the small brass circle with its engraved Cross of Lorraine hanging from a black-and-crimson ribbon. Beneath it in the frame was a faded FFI armband and a photograph of a young Murcoing wearing it and holding a rifle.

  “I’ll have to check the official list but it looks like he qualifies for a Resistance funeral with a guard of honor and a flag for the coffin,” Bruno said. “If that’s what you want, I’ll make the arrangements. The state pays for it all. You can either have him buried at the big Resistance cemetery at Chasseneuil or here in St. Denis.”

  “I was wondering if he’d left enough to pay for cremation,” she said, looking around the small bedroom with its faded floral wallpaper and a cheap wardrobe that had seen better days. “He was waiting for a place in the retirement home, so the mairie stuck him in here.”

  The old man had lived alone in the small apartment formed from the ground floor of a narrow three-story house in one of the backstreets of St. Denis. Bruno remembered when the mairie had bought the building and converted it for social housing. Four families were stuffed into the upstairs apartments, and another from the waiting list would be moved into this place as soon as the old man was removed. The recession had been hard on St. Denis.

  “Paul should be here by now,” she said, looking at her watch. “His grandson, my sister’s boy. I called him as soon as I called the priest. He’s the only one my dad ever had much time for, the only other man in the family.” She looked sourly at the corpse in the bed. “Three daughters weren’t enough for him.”

  “
I’ll need your phone number to let you know about the funeral,” Bruno said, taking out his notebook. “Do you know where he kept his papers, if there’s a will?”

  She shrugged and gave her number. “Nothing much to leave.” She looked at her watch again. “I have to go. I’ll take whatever food he’s left.” Through the open door they heard her rummaging in the small fridge and the food cupboard before she stomped down the narrow passage beside the garage that led to the street.

  “Not much sign of grief there,” said Bruno, taking out his phone to call the medical center. A doctor would have to certify death before Murcoing could be taken to the funeral parlor.

  “He didn’t have many visits from his family, except for Paul,” the priest said. “All the sisters live in Bergerac. Joséphine told me she works as a night nurse, so she probably sees more than enough of the old and sick.”

  “How sick was he? I haven’t seen him in the café for a while.”

  “He knew he was dying, and he didn’t seem to mind,” Father Sentout replied. “He had pneumonia but refused to go to the hospital. That was the sickness we used to call the old man’s friend. It’s a peaceful passing, they just slip away.”

  “I remember seeing him coming out of church. Was he a regular?”

  “His wife dragged him along. After she died he didn’t come so often at first, but this place is close to the church so he’d come along for Mass, for the company as much as anything.”

  “Did he ever talk about the money?” Bruno gestured at the open box on the bed and the banknote still held tightly in Murcoing’s dead hands.