Shadowplay s-2

by Tad Williams

  No. No, they’ve...stopped, he realized. Instead of finishing them off, the Longskulls watched the trio with calm interest, small eyes gleaming beneath heavy browridges, some of them opening and closing their bony, toothless mouths like fish. The two scouts Gyir had killed the night before had been better caparisoned than most of these club-wielding creatures, who wore little more than rags and shreds of chain mail and leather, but there were far more than enough of them to make up for any deficiency in their arms.

  Gyir made the first speech-sound Vansen had ever heard from him, a hiss of air like a snake’s warning, so loud it could be heard even above the gabble of the surrounding Longskulls. The fairy raised his sword, and Vansen knew beyond doubt that he was about to leap into the nearest mass of them and sell his life dearly, shedding blood and breaking bones, but Vansen knew just as clearly that even a fierce fighter like Gyir would fail and quickly be dragged down by sheer weight of numbers, and that he and Barrick would then follow him into death.

  “Gyir, no! Barrick, stop him!” he shouted. “They’re not going to kill us.”

  The fairy-man took a step forward. Vansen leaned down to grab at Gyir. He caught the collar of the fairy-man’s cloak and hung on. The Storm Lantern’s strength was surprising —Vansen was almost dragged out of the saddle, even with both legs gripping and his hand locked on the horn. “Curse you, give over!” he grunted at the fairy. “They mean to take us alive! Look at them!”

  Barrick, after a moment of indecision, suddenly leaped forward and grabbed at Gyir’s other arm. Trembling, the fairy-warrior turned on the young prince with a look of something like hatred, his eyes the only part of his face that lived, two burning slashes in the ivory mask. After a moment, though, he lowered his bloodstained blade. The Longskulls moved closer, hooting quietly, and began to disarm their new prisoners.

  “We are a catch, it seems,” Vansen said to the prince. “Better to surrender than die needlessly, Highness. For the living, there is always hope.”

  “Or torture.” Barrick was shoved roughly to the ground even as he spoke. The prince’s voice was flat and lifeless. “We will be slaves if we are lucky, or meat for their larders.” A moment later Vansen had been shoved down to his knees beside him. The Longskulls fastened heavy chains around his arms and a hard, rough rope around his throat, then the same was done to Barrick and Gyir.

  One of the Longskulls stepped forward and honked imperiously as he tugged on the rope around the prince’s neck, forcing him to rise. For a moment it looked like Gyir might go mad when his own rope was pulled, but Vansen put out his hand and Gyir stilled, then allowed himself to be led. The Longskulls shared a gabbling hiss that might have been laughter. The creatures smelled of swamp mud and something else, an odor sharp and sour as vinegar.

  As they trudged back up the dark hill they had ridden down such a short while before, Ferras Vansen could hear the heart-rending screams of his horse in the valley behind them as the Longskulls began to hack it into pieces.

  Slaves or meat, he thought, feeling as hollow as a lightning burned tree. My horse is meat, but we are slaves—and still alive. At least for now.

  Part Two

  MUMMERS

  15. The Boy in the Mirror

  Zhafaris became a tyrant who did not observe the laws, and who cheated his relatives of their due, my children, and they began to whisper against him and his authority. Fiercest of all when it came to talking were the three sons of Shusayem, but in truth they were all afraid of their father.

  Then Argal Thunderer said to his brothers, “I hear that in far off Xandos there is a mountain, and on that mountain lives a shepherd named Nushash, who is as strong as any man who ever lived.” And it was true, because Nushash and his brother and sister were the true and first children of Zhafaris, although they had lived long in hiding.

  —from The Revelations of Nushash, Book One

  The wind had blown the clouds into tatters, and although what remained was enough to keep the sun dodging in and out, for once the skies were dry. All over the castle people were emerging, eager to feel something other than rain on their faces.

  A dozen young women came out into the garden of the royal residence. Matt Tinwright, who had been feeling sorry for himself and searching fruitlessly for something that rhymed with “misunderstood,” stood and straightened his jerkin. His mood had suddenly improved, and not only because he could show his well-turned legs and new beard to some pretty girls: their arrival, bright and lively as a flock of migrating birds, felt like a harbinger of spring, although winter still had weeks to run. As he watched them scatter across the formal garden, some wiping the benches dry so they could sit, others forming a circle on the central lawn to toss a ball of feather-stuffed cloth, Tinwright could almost believe that things in Southmarch might again become ordinary, despite all evidence to the contrary.

  He took off his soft hat and ran his fingers through his hair, wondering whether it would be more enjoyable to insert himself into the proceedings directly or wait a while, watching the play and smiling in a friendly but slightly superior manner. A moment later all thought of the ball game fled his mind.

  She walked slowly, like a much older woman, and with the young maid beside her she might have been someone’s dowager aunt—especially since on this day, when everyone else had chosen to wear something with a little color in it, she was still dressed head to foot in funeral black. But there was no mistaking that pale, resolute face, the fine, slightly sharp chin, the long fingers twined in prayer beads. At least she had left off her veil today.

  What would have been quite sufficient for a casual game of ball and some seemingly accidental contact with the players was no longer enough to pass muster. Tinwright paused and pulled up his stockings, brushed a few crumbs from his chest—he had been eating bread and hard cheese while contemplating the unfairness of life—then made his way down the path looking only at plants, as if too taken by the harsh beauty of the winter garden to notice the arrival of several nubile young women showing more skin around the neck and bosom than they had in months. He wound in and out among the box hedges by a path so circuitous he might have been a foraging ant, crunching along gravel paths unraked since late autumn, until at last he approached the bench where the object of his garden quest sat with her maid.

  Elan M’Cory was sewing something stretched on a wooden hoop; her eyes did not lift even when he stopped and stood for long moments, waiting. At last, his courage dying quickly, he coughed a little. “Lady Elan,” he said. “I bid you good afternoon.”

  She finally looked up, but with such an unseeing, uncaring gaze that he found himself wondering against all sense whether he had approached the wrong woman, whether Elan M’Cory might have a blind or idiot sister. Then something like ordinary humanity came into her eyes. An expression that was not quite a smile, but almost, tugged at her lips.

  “Ah, the poet. Master...Tinwright, was it?”

  She remembered him! He could almost hear trumpets, as if the royal heralds had been called out to celebrate his now unmistakable and confirmed existence. “That is right, lady. You honor me.”

  Her gaze dropped to her sewing. “And are you enjoying the afternoon, Master Tinwright?”

  “Much more for your presence, my lady.”

  Now she looked at him again, amused but still distant. “Ah. Because I am a vision of loveliness in my spring finery? Or perhaps because of the cloud of good cheer that surrounds me like a Xandian perfume?”

  He laughed, but not confidently. She had wit. He wasn’t certain how he felt about that. He didn’t generally get on very well with women of that sort. On those occasions when he received compliments he wanted to be sure he understood them and that they were sincere. Still, there was something about her that pulled at him, just like the flameloving moth he had so often cited in his poetry. So this was what it felt like! All poets should be forced to feel all the things they wrote about, Tinwright decided. It was a most novel way to understand the figures of poet
ry. It might change the craft entirely.

  “Have I lost you, good sir? You were going to explain the subtle charm that draws you to me.”

  He started, ashamed at his own foolishness, standing slack-jawed when he had been asked a question, however sardonic. “Because you are beautiful and sad, Lady Elan,” he said, uncertain whether he might not be overstepping the boundaries of propriety. He shrugged: too late—it had been said. “I wish there were something I could do to make you less so.”

  “Less beautiful?” she said, lifting an eyebrow, but there was something underneath the gibing that hurt him to hear— something naked and miserable.

  “My lady points out rightly that I have made a fool of myself with my clumsy talk.” He bowed. “I should go and leave you to your work.”

  “I hate my work. I sew like a farm laborer. I am more of an executioner than a chirurgeon when it comes to handcraft.”

  He didn’t know what that meant, but she hadn’t agreed he should go away. He felt a surge of joy but tried to hide it. “I am sure you underestimate yourself, lady.”

  She stared at him for a long moment. “I only like you when you tell the truth, Tinwright. Can you do that? If not, you may continue on you way.”

  What was she asking? He swallowed—discreetly, he hoped—and said, “Only the truth then, my lady.”

  “Promise?”

  “On Zosim, my patron.”

  “Ah, the drunkard godling—and patron of criminals, too, I believe. A good enough choice, I suppose, and certainly appropriate for any conversation with me.” She turned to the young maid beside her, who had been listening to them and watching openmouthed. “Lida, you go,” she said. “Play with the other girls.”

  “But, Mistress...!”

  “I will be fine. I will sit right here. Master Tinwright will protect me from any danger. It is well known that poets fear nothing. Is that not right, Master Matthias?”

  Tinwright smiled. “Known only to poets, perhaps, and not to this one. But I do not think your mistress will be in any danger, child.”

  Lida, who was all of eight or nine years old, frowned at being called a child, but gathered her skirts and rose from the bench, a miniature of dignity. She spoiled the effect a little by sullenly scuffing her feet all the way down the path.

  “She is a good girl,” Elan said. “She came with me from home.”

  “Summerfield?”

  “No. My own family lives miles from the city. Our estate is called Willowburn.”

  “Ah. So you are a country girl?”

  She looked at him, her expression suddenly flat once more. “Do not flirt with me, Master Tinwright. I was about to ask you to sit down. Am I to regret my decision?”

  He hung his head. “I meant no offense, Lady Elan. I only wondered. I was raised in the city and I’ve often wondered what it would mean to smell country air every day.”

  “Really? Well, sometimes it smells wonderful, and sometimes it is just as bad as anything to be found in the worst stews of a city. If you have not spent much time around pigs, Master Tinwright, you haven’t missed a great deal.”

  He laughed. She might have more wit than was fitting in a woman, but she also spoke more engagingly than most of the women he knew—or the men either, for that matter. “Point taken, my lady. I will try not to over-burnish the joys of country living.”

  “So you grew up in a city. Where?”

  “Here. Well, across the bay, to be precise, in the outer city. A place called Wharfside. Not a very nice place.”

  “Ah. So your family was poor, then?”

  He hesitated. He wanted to agree, to make himself seem as admirable as possible. Since he couldn’t pass for nobility, he could at least be the opposite, someone who had lifted himself up from dire misery by bravery and brilliance.

  “Truth,” she reminded, seeing him hesitate. “Most in Wharfside are poor, yes, but we were better off than the largest part of them. My father was a tutor to the children of some of the merchants. We could have lived better, but my father was...he wasn’t good with money.” But good with spending it on drink, and a little too forthcoming in his opinions as far as some of his employers thought, Tinwright recalled, not without some bitterness even with the old man now years dead. “But we always had food on the table. My father studied at EastmarchUniversity. He taught me to love words.”

  Which was not exactly the strict truth, as promised—what Kearn Tinwright had actually taught him was to love words enough to be able to talk yourself out of bad situations and into good ones.

  “Ah, yes, words,” said Elan M’Cory, musingly. “I used to believe in them. Now I do not.”

  Tinwright wasn’t sure he’d understood her. “What do you mean?”

  “Nothing. I mean nothing.” She shook her head; for a moment the brittle look of ordinary social cheerfulness crumbled. She looked down at her needlepoint work for the span of several breaths. “I have kept you too long,” she said at last. “You must get on with your day and I must get on with ruining my sewing.”

  He recognized a dismissal, and for once was too gratified to try to tug loose a little more of something he coveted. “I enjoyed speaking with you, my lady,” he said, and meant it. “May I hope to have the pleasure of doing it again sometime?”

  The shrieks of the girls playing ball rose up and filled the long silence. She looked at him carefully, and this time it was as though she had retreated behind a high wall and peered down at him from the battlements. “Perhaps,” she said at last. “If you do not hope too much. My company is nothing to hope for.”

  “Now it is you who does not tell the truth, my lady.” She frowned, but thinking, not disagreeing. “It is possible that some afternoons, when it does not rain, you may find me here, in this garden, at about this time of the day.”

  He stood, and bowed. “I will look forward to such days.” She smiled her sad smile. “Go on and join the living, Matt Tinwright. Perhaps we will meet, as you say. Perhaps we shall.”

  He bowed again and walked away. It took all his strength not to look back, or at least not to do so immediately. When he did, the bench where she had sat was empty.

  Duchess Merolanna hesitated at the bottom of the tower steps as the door creaked shut behind them. “Oh, I’m a fool.”

  The creak ended in a low, shuddering thump as the door swung closed. The breeze set the torches fluttering in their brackets. “What do you mean, Your Grace?”

  “I have brought us here without a single guard. What if these are murderers?”

  “But you wished this kept a secret. Don’t worry yourself too much, Duchess—I am reasonably fit, and I can use one of these torches to defend you, if necessary.” Utta stretched up to lift one from its socket. “Even a murderer will not relish being struck in the face with this.”

  Merolanna laughed. “I was worrying about you, good Sister Utta, rather than myself. You do not deserve to be harmed because of these strange games I find myself playing. I care not what happens to me. I am old, and all my chicks are dead or fled or lost...” For a moment her face became painfully sober and her lip trembled. “Ah, well. Ah, well.” The duchess took a breath and straightened, swelling her sizable bosom so that she seemed suddenly a small but daunting ship of war. “It does us no good to stand here whispering like frightened girls. Come, Utta. You have the torch. Lead the way.”

  They made their way up the winding staircase. The first floor was unoccupied. The single, undivided chamber contained several large tables bearing plaster models of the castle, some true to life and others showing possible improvements, the fruits of one of King Olin’s enthusiasms now as forgotten as the dusty, mummified corpse of a mouse that lay in the middle of the doorway.

  Merolanna eyed the tiny body with distaste. “Somebody should do something. What use is it having cats if they do not eat the mice instead of leaving them around to rot?”

  “Cats don’t always eat their prey, Your Grace,” Utta said. “Sometimes they only play with them and th
en kill them for sport.”

  “Nasty creatures. I never did like cats. Give me a hound any day. Stupid but honest.” Merolanna looked around for eavesdroppers—a reflex because they were quite alone. Still, when she spoke again it was in a low voice. “That’s why I preferred Gailon Tolly, for all his faults, to his brothers. Hendon is a cat if ever there was one. You can see the cruelty—he wears it like a fancy outfit, with pride.”

  Utta nodded as they returned to the stairs, leaving the cobwebbed models behind. Even Zoria herself, she felt sure, would have found it hard to feel charitable toward Hendon Tolly.

  The doors on the second and third floors were smaller, and locked. She guessed that at least the upper one contained part of King Olin’s famous library. This tower had always been his private sanctuary, and even with him gone so long she felt disrespectful poking around without royal permission.

  But I am with Merolanna—the king’s own aunt, she reminded herself. If that is not permission enough, what is?

  The door to the chamber which took up the entire top floor was open, although Utta felt oddly sure that in any ordinary circumstances it would be locked just like the floors below it. No light burned inside, and from where the two women stood on the landing at the top of the stairs, their torch barely threw light past the doorway. As Utta moved closer the shadows inside bent and stretched. Suddenly she felt short of breath. Zoria, preserve me from dangers known and unknown, she prayed, from peril of the body and peril of the soul. “Your Grace?”

  Merolanna frowned as if irritated at herself. She had not left the top of the stairs. “Very well. I’m coming.” She hesitated a moment longer, then walked forward to stand at Utta’s side. Together they stepped into the doorway, both of them holding their breath. Utta lifted the torch.