The Changed Man

by Orson Scott Card

  You weren’t there, you didn’t hear them. You didn’t see them, sitting on my couch, legs crossed, nodding, gesturing like they were saying the most natural thing in the world. From them I learned how to write genuine insanity. Not somebody frothing at the mouth; just somebody sitting there like a good friend, saying impossible things, cruel things, and smiling and getting excited and—Jesus, you don’t know. Because I believed them. They knew, you see. And they were too insane, even a madman could have come up with a better hoax than that. And I’m making it sound as if I believed them logically, but I didn’t, I don’t think I can persuade you, either, but trust me—if I know when a man is bluffing or telling the truth, and I do, these two were not bluffing. A child had died, and they knew how many times I had turned the key in the ignition. And there was truth in those terrible eyes when Meek said, “If you willingly refrain from publishing, you will be allowed to live. If you refuse, then you will die within three days. Another writer will kill you—accidently, of course. We only have authority to work through authors.”

  I asked them why. The answer made me laugh. It seems they were from the Authors’ Guild. “It’s a matter of responsibility. If you refuse to take responsibility for the future consequences of your acts, we’ll have to give the responsibility to somebody else.”

  And so I asked them why they didn’t just kill me in the first place instead of wasting time talking to me.

  It was Tree who answered, and the bastard was crying, and he says to me, “Because we love you. We love everything you write. We’ve learned everything we know about writing from you. And we’ll lose it if you die.”

  They tried to console me by telling me what good company I was in. Thomas Hardy—they made him give up novels and stick to poetry which nobody read and so it was safe. Meek tells me, “Hemingway decided to kill himself instead of waiting for us to do it. And there are some others who only had to refrain from writing a particular book. It hurt them, but Fitzgerald was still able to have a decent career with the other books he could write, and Perelman gave it to us in laughs, since he couldn’t be allowed to write his real work. We only bother with great writers. Bad writers aren’t a threat to anybody.”

  We struck a sort of bargain. I could go on writing. But after I had finished everything, I had to burn it. All but the first three pages. “If you finish it at all,” says Meek, “we’ll have a copy of it here. There’s a library here that—uh, I guess the easiest way to say it is that it exists outside time. You’ll be published, in a way. Just not in your own time. Not for about eight hundred years. But at least you can write. There are others who have to keep their pens completely still. It breaks our hearts, you know.”

  I knew all about broken hearts, yes sir, I knew all about it. I burned all but the first three pages.

  There’s only one reason for a writer to quit writing, and that’s when the Censorship Board gets to him. Anybody else who quits is just a gold-plated jackass. “Swap” Morris doesn’t even know what real censorship is. It doesn’t happen in libraries. It happens on the hoods of cars. So go on, become a real estate broker, sell insurance, follow Santa Claus and clean up the reindeer poo, I don’t give a damn. But if you give up something that I will never have, I’m through with you. There’s nothing in you for me.

  So I write. And Doc reads it and tears it to pieces; everything except this. This he’ll never see. This he’d probably kill me for, but what the hell? It’ll never get published. No no I’m too vain. You’re reading it, aren’t you? See how I put my ego on the line? If I’m really a good enough writer, if my work is important enough to change the world, then a couple of guys in business suits will come make me a proposition I can’t refuse, and you won’t read this at all, but you are reading it, aren’t you? Why am I doing this to myself? Maybe I’m hoping they’ll come and give me an excuse to quit writing now, before I find out that I’ve already written as well as I’m ever going to. But here I thumb my nose at those goddam future critics and they ignore me, they tell exactly what my work is worth.

  Or maybe not. Maybe I really am good, but my work just happens to have a positive effect, happens not to make any unpleasant waves in the future. Maybe I’m one of the lucky ones who can accomplish something powerful that doesn’t need to be censored to protect the future.

  Maybe pigs have wings.

  THE CHANGED MAN AND THE KING OF WORDS

  ONCE THERE WAS a man who loved his son more than life. Once there was a boy who loved his father more than death.

  They are not the same story, not really. But I can’t tell you one without telling you the other.

  The man was Dr. Alvin Bevis, and the boy was his son, Joseph, and the only woman that either of them loved was Connie, who in 1977 married Alvin, with hope and joy, and in 1978 gave birth to Joe on the brink of death and adored them both accordingly. It was an affectionate family. This made it almost certain that they would come to grief.

  Connie could have no more children after Joe. She shouldn’t even have had him. Her doctor called her a damn fool for refusing to abort him in the fourth month when the problems began. “He’ll be born retarded. You’ll die in labor.” To which she answered, “I’ll have one child, or I won’t believe that I ever lived.” In her seventh month they took Joe out of her, womb and all. He was scrawny and little, and the doctor told her to expect him to be mentally deficient and physically uncoordinated. Connie nodded and ignored him. She was lucky. She had Joe, alive, and silently she said to any who pitied her, I am more a woman than any of you barren ones who still have to worry about the phases of the moon.

  Neither Alvin nor Connie ever believed Joe would be retarded. And soon enough it was clear that he wasn’t. He walked at eight months. He talked at twelve months. He had his alphabet at eighteen months. He could read at a second-grade level by the time he was three. He was inquisitive, demanding, independent, disobedient, and exquisitely beautiful, with a shock of copper-colored hair and a face as smooth and deep as a coldwater pool.

  His parents watched him devour learning and were sometimes hard pressed to feed him with what he needed. He will be a great man, they both whispered to each other in the secret conversations of night. It made them proud; it made them afraid to know that his learning and his safety had, by chance or the grand design of things, been entrusted to them.

  Out of all the variety the Bevises offered their son in the first few years of his life, Joe became obsessed with stories. He would bring books and insist that Connie or Alvin read to him, but if it was not a storybook, he quickly ran and got another, until at last they were reading a story. Then he sat imprisoned by the chain of events as the tale unfolded, saying nothing until the story was over. Again and again “Once upon a time,” or “There once was a,” or “One day the king sent out a proclamation,” until Alvin and Connie had every storybook in the house practically memorized. Fairy tales were Joe’s favorites, but as time passed, he graduated to movies and contemporary stories and even history.

  The problem was not the thirst for tales, however. The conflict began because Joe had to live out his stories. He would get up in the morning and announce that Mommy was Mama Bear, Daddy was Papa Bear, and he was Baby Bear. When he was angry, he would be Goldilocks and run away. Other mornings Daddy would be Rumpelstiltskin, Mommy would be the Farmer’s Daughter, and Joe would be the King. Joe was Hansel, Mommy was Gretel, and Alvin was the Wicked Witch.

  “Why can’t I be Hansel’s and Gretel’s father?” Alvin asked. He resented being the Wicked Witch. Not that he thought it meant anything. He told himself it merely annoyed him to have his son constantly assigning him dialogue and action for the day’s activities. Alvin never knew from one hour to the next who he was going to be in his own home.

  After a time, mild annoyance gave way to open irritation; if it was a phase Joe was going through, it ought surely to have ended by now. Alvin finally suggested that the boy be taken to a child psychologist. The doctor said it was a phase.

  “Which
means that sooner or later he’ll get over it?” Alvin asked. “Or that you just can’t figure out what’s going on?”

  “Both,” said the psychologist cheerfully. “You’ll just have to live with it.”

  But Alvin did not like living with it. He wanted his son to call him Daddy. He was the father, after all. Why should he have to put up with his child, no matter how bright the boy was, assigning him silly roles to play whenever he came home? Alvin put his foot down. He refused to answer to any name but Father. And after a little anger and a lot of repeated attempts, Joe finally stopped trying to get his father to play a part. Indeed, as far as Alvin knew, Joe entirely stopped acting out stories.

  It was not so, of course. Joe simply acted them out with Connie after Alvin had gone for the day to cut up DNA and put it back together creatively. That was how Joe learned to hide things from his father. He wasn’t lying; he was just biding his time. Joe was sure that if only he found good enough stories, Daddy would play again.

  So when Daddy was home, Joe did not act out stories. Instead he and his father played number and word games, studied elementary Spanish as an introduction to Latin, plinked out simple programs on the Atari, and laughed and romped until Mommy came in and told her boys to calm down before the roof fell in on them. This is being a father, Alvin told himself. I am a good father. And it was true. It was true, even though every now and then Joe would ask his mother hopefully, “Do you think that Daddy will want to be in this story?”

  “Daddy just doesn’t like to pretend. He likes your stories, but not acting them out.”

  In 1983 Joe turned five and entered school; that same year Dr. Bevis created a bacterium that lived on acid precipitation and neutralized it. In 1987 Joe left school, because he knew more than any of his teachers; at precisely that time Dr. Bevis began earning royalties on commercial breeding of his bacterium for spot cleanup in acidized bodies of water. The university suddenly became terrified that he might retire and live on his income and take his name away from the school. So he was given a laboratory and twenty assistants and secretaries and an administrative assistant, and from then on Dr. Bevis could pretty well do what he liked with his time.

  What he liked was to make sure the research was still going on as carefully and methodically as was proper and in directions that he approved of. Then he went home and became the faculty of one for his son’s very private academy.

  It was an idyllic time for Alvin.

  It was hell for Joe.

  Joe loved his father, mind you. Joe played at learning, and they had a wonderful time reading The Praise of Folly in the original Latin, duplicating great experiments and then devising experiments of their own—too many things to list. Enough to say that Alvin had never had a graduate student so quick to grasp new ideas, so eager to devise newer ones of his own. How could Alvin have known that Joe was starving to death before his eyes?

  For with Father home, Joe and Mother could not play.

  Before Alvin had taken him out of school Joe used to read books with his mother. All day at home she would read Jane Eyre and Joe would read it in school, hiding it behind copies of Friends and Neighbors. Homer. Chaucer. Shakespeare. Twain. Mitchell. Galsworthy. Elswyth Thane. And then in those precious hours after school let out and before Alvin came home from work they would be Ashley and Scarlett, Tibby and Julian, Huck and Jim, Walter and Griselde, Odysseus and Circe. Joe no longer assigned the parts the way he did when he was little. They both knew what book they were reading and they would live within the milieu of that book. Each had to guess from the other’s behavior what role had been chosen that particular day; it was a triumphant moment when at last Connie would dare to venture Joe’s name for the day, or Joe call Mother by hers. In all the years of playing the games never once did they choose to be the same person; never once did they fail to figure out what role the other played.

  Now Alvin was home, and that game was over. No more stolen moments of reading during school. Father frowned on stories. History, yes; lies and poses, no. And so, while Alvin thought that joy had finally come, for Joe and Connie joy was dead.

  Their life became one of allusion, dropping phrases to each other out of books, playing subtle characters without ever allowing themselves to utter the other’s name. So perfectly did they perform that Alvin never knew what was happening. Just now and then he’d realize that something was going on that he didn’t understand.

  “What sort of weather is this for January?” Alvin said one day looking out the window at heavy rain.

  “Fine,” said Joe, and then, thinking of “The Merchant’s Tale,” he smiled at his mother. “In May we climb trees.”

  “What?” Alvin asked. “What does that have to do with anything?”

  “I just like tree climbing.”

  “It all depends,” said Connie, “on whether the sun dazzles your eyes.”

  When Connie left the room, Joe asked an innocuous question about teleology, and Alvin put the previous exchange completely out of his mind.

  Or rather tried to put it out of his mind. He was no fool. Though Joe and Connie were very subtle, Alvin gradually realized he did not speak the native language of his own home. He was well enough read to catch a reference or two. Turning into swine. Sprinkling dust. “Frankly, I don’t give a damn.” Remarks that didn’t quite fit into the conversation, phrases that seemed strangely resonant. And as he grew more aware of his wife’s and his son’s private language, the more isolated he felt. His lessons with Joe began to seem not exciting but hollow, as if they were both acting a role. Taking parts in a story. The story of the loving father-teacher and the dutiful, brilliant student-son. It had been the best time of Alvin’s life, better than any life he had created in the lab, but that was when he had believed it. Now it was just a play. His son’s real life was somewhere else.

  I didn’t like playing the parts he gave me, years ago, Alvin thought. Does he like playing the part that I have given him?

  “You’ve gone as far as I can take you,” Alvin said at breakfast one day, “in everything, except biology of course. So I’ll guide your studies in biology, and for everything else I’m hiring advanced graduate students in various fields at the university. A different one each day.”

  Joe’s eyes went deep and distant. “You won’t be my teacher anymore?”

  “Can’t teach you what I don’t know,” Alvin said. And he went back to the lab. Went back and with delicate cruelty tore apart a dozen cells and made them into something other than themselves, whether they would or not.

  Back at home, Joe and Connie looked at each other in puzzlement. Joe was thirteen. He was getting tall and felt shy and awkward before his mother. They had been three years without stories together. With Father there, they had played at being prisoners, passing messages under the guard’s very nose. Now there was no guard, and without the need for secrecy there was no message anymore. Joe took to going outside and reading or playing obsessively at the computer; more doors were locked in the Bevis home than had ever been locked before.

  Joe dreamed terrifying, gentle nightmares, dreamed of the same thing, over and over; the setting was different, but always the story was the same. He dreamed of being on a boat, and the gunwale began to crumble wherever he touched it, and he tried to warn his parents, but they wouldn’t listen, they leaned, it broke away under their hands, and they fell into the sea, drowning. He dreamed that he was bound up in a web, tied like a spider’s victim, but the spider never, never, never came to taste of him, left him there to desiccate in helpless bondage, though he cried out and struggled. How could he explain such dreams to his parents? He remembered Joseph in Genesis, who spoke too much of dreams; remembered Cassandra; remembered Iocaste, who thought to slay her child for fear of oracles. I am caught up in a story, Joe thought, from which I cannot escape. Each change is a fall; each fall tears me from myself. If I cannot be the people of the tales, who am I then?

  Life was normal enough for all that. Breakfast lunch dinner, sleep wake
sleep, work earn spend own, use break fix. All the cycles of ordinary life played out despite the shadow of inevitable ends. One day Alvin and his son were in a bookstore, the Gryphon, which had the complete Penguin Classics. Alvin was browsing through the titles to see what might be of some use when he noticed Joe was no longer following him.

  His son, all the slender five feet nine inches of him, was standing half the store away bent in avid concentration over something on the counter. Alvin felt a terrible yearning for his son. He was so beautiful and yet somehow in these dozen and one years of Joe’s life, Alvin had lost him. Now Joe was nearing manhood and very soon it would be too late. When did he cease to be mine? Alvin wondered. When did he become so much his mother’s son? Why must he be as beautiful as she and yet have the mind he has? He is Apollo, Alvin said to himself.

  And in that moment he knew what he had lost. By calling his son Apollo he had told himself what he had taken from his son. A connection between stories the child acted out and his knowledge of who he was. The connection was so real it was almost tangible and yet Alvin could not put it into words could not bear the knowledge and so and so and so.

  Just as he was sure he had the truth of things it slipped away. Without words his memory could not hold it, lost the understanding the moment it came. I knew it all and I have already forgotten. Angry at himself, Alvin strode to his son and realized that Joe was not doing anything intelligent at all. He had a deck of tarot cards spread before him. He was doing a reading.