Wine of the Dreamers: A Novel

by John D. MacDonald

  Praise for John D. MacDonald

  “My favorite novelist of all time.”

  —DEAN KOONTZ

  “For my money, John D. MacDonald’s Travis McGee is one of the great characters in contemporary American fiction—not crime fiction; fiction, period—and millions of readers surely agree.”

  —The Washington Post

  “MacDonald isn’t simply popular; he’s also good.”

  —ROGER EBERT

  “MacDonald’s books are narcotic and, once hooked, a reader can’t kick the habit until the supply runs out.”

  —Chicago Tribune Book World

  “Travis McGee is one of the most enduring and unusual heroes in detective fiction.”

  —The Baltimore Sun

  “John D. MacDonald remains one of my idols.”

  —DONALD WESTLAKE

  “A dominant influence on writers crafting the continuing series character.”

  —SUE GRAFTON

  “The Dickens of mid-century America—popular, prolific and … conscience-ridden about his environment.… a thoroughly American author.”

  —The Boston Globe

  “It will be for his crisply written, smoothly plotted mysteries that MacDonald will be remembered.”

  —USA Today

  “MacDonald had the marvelous ability to create attention-getting characters who doubled as social critics. In MacDonald novels, it is the rule rather than the exception to find, in the midst of violence and mayhem, a sentence, a paragraph, or several pages of rumination on love, morality, religion, architecture, politics, business, the general state of the world or of Florida.”

  —Sarasota Herald-Tribune

  BY JOHN D. MACDONALD

  The Brass Cupcake

  Murder for the Bride

  Judge Me Not

  Wine for the Dreamers

  Ballroom of the Skies

  The Damned

  Dead Low Tide

  The Neon Jungle

  Cancel All Our Vows

  All These Condemned

  Area of Suspicion

  Contrary Pleasure

  A Bullet for Cinderella

  Cry Hard, Cry Fast

  You Live Once

  April Evil

  Border Town Girl

  Murder in the Wind

  Death Trap

  The Price of Murder

  The Empty Trap

  A Man of Affairs

  The Deceivers

  Clemmie

  Cape Fear (The Executioners)

  Soft Touch

  Deadly Welcome

  Please Write for Details

  The Crossroads

  The Beach Girls

  Slam the Big Door

  The End of the Night

  The Only Girl in the Game

  Where Is Janice Gantry?

  One Monday We Killed Them All

  A Key to the Suite

  A Flash of Green

  The Girl, the Gold Watch & Everything

  On the Run

  The Drowner

  The House Guest

  End of the Tiger and Other Stories

  The Last One Left

  S*E*V*E*N

  Condominium

  Other Times, Other Worlds

  Nothing Can Go Wrong

  The Good Old Stuff

  One More Sunday

  More Good Old Stuff

  Barrier Island

  A Friendship: The Letters of Dan Rowan and John D. MacDonald, 1967–1974

  The Travis McGee Series

  The Deep Blue Good-by

  Nightmare in Pink

  A Purple Place for Dying

  The Quick Red Fox

  A Deadly Shade of Gold

  Bright Orange for the Shroud

  Darker Than Amber

  One Fearful Yellow Eye

  Pale Gray for Guilt

  The Girl in the Plain Brown Wrapper

  Dress Her in Indigo

  The Long Lavender Look

  A Tan and Sandy Silence

  The Scarlet Ruse

  The Turquoise Lament

  The Dreadful Lemon Sky

  The Empty Copper Sea

  The Green Ripper

  Free Fall in Crimson

  Cinnamon Skin

  The Lonely Silver Rain

  The Official Travis McGee Quizbook

  Wine of the Dreamers is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  2013 Random House eBook Edition

  Copyright © 1951 by John D. MacDonald

  Introduction copyright © 2013 by Dean Koontz

  All rights reserved.

  Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  RANDOM HOUSE TRADE PAPERBACKS and colophon are trademarks of Random House, Inc.

  eISBN: 978-0-307-82712-8

  Cover design: Joe Montgomery

  www.atrandom.com

  v3.1

  The Singular John D. MacDonald

  Dean Koontz

  When I was in college, I had a friend, Harry Recard, who was smart, funny, and a demon card player. Harry was a successful history major, while I passed more time playing pinochle than I spent in class. For the three and a half years that I required to graduate, I heard Harry rave about this writer named John D. MacDonald, “John D” to his most ardent readers. Of the two of us, Harry was the better card player and just generally the cooler one. Consequently, I was protective of my position, as an English major, to be the better judge of literature, don’t you know. I remained reluctant to give John D a look.

  Having read mostly science fiction, I found many of my professors’ assigned authors markedly less exciting than Robert Heinlein and Theodore Sturgeon, but I was determined to read the right thing. For every Flannery O’Connor whose work I could race through with delight, there were three like Virginia Woolf, who made me want to throw their books off a high cliff and leap after them. Nevertheless, I continued to shun Harry’s beloved John D.

  Five or six years after college, I was a full-time writer with numerous credits in science fiction, struggling to move into suspense and mainstream work. I was making progress but not fast enough to suit me. By now I knew that John D was widely admired, and I finally sat down with one of his books. In the next thirty days, I read thirty-four of them. The singular voice and style of the man overwhelmed me, and the next novel I wrote was such an embarrassingly slavish imitation of a MacDonald tale that I had to throw away the manuscript.

  I apologized to Harry for doubting him. He was so pleased to hear me proclaiming the joys of John D that he only said “I told you so” on, oh, twenty or thirty occasions.

  Over the years, I have read every novel by John D at least three times, some of them twice that often. His ability to evoke a time and place—mostly Florida but also the industrial Midwest, Las Vegas, and elsewhere—was wonderful, and he could get inside an occupation to give you the details and the feel of it like few other writers I’ve ever read. His pacing was superb, the flow of his prose irresistible, and his suspense watch-spring tight.

  Of all his manifest strengths as a writer, however, I am most in awe of his ability to create characters who are as real as anyone I’ve met in life. John D sometimes paused in the headlong rush of his story to spin out pages of background on a character. At first when this happened, I grumbled about getting on with the story. But I soon discovered that he could make the character so fascinating that when the story began to race forward again,
I wanted it to slow down so I could learn more about this person who so intrigued and/or delighted me. There have been many good suspense novelists in recent decades, but in my experience, none has produced characters with as much humanity and truth as those in MacDonald’s work.

  Like most who have found this author, I am an admirer of his Travis McGee series, which features a first-person narrator as good as any in the history of suspense fiction and better than most. But I love the standalone novels even more. Cry Hard, Cry Fast. Where Is Janice Gantry? The Last One Left. A Key to the Suite. The Drowner. The Damned. A Bullet for Cinderella. The Only Girl in the Game. The Crossroads. All These Condemned. Those are not my only favorites, just a few of them, and many deal with interesting businesses and occupations. Mr. MacDonald’s work gives the reader deep and abiding pleasure for many reasons, not the least of which is that it portrays the contemporary life of his day with as much grace and fidelity as any writer of the period, and thus it also provides compelling social history.

  In 1985, when my publisher, Putnam, wanted to send advance proof copies of Strangers to Mr. MacDonald among others, I literally grew shaky at the thought of him reading it. I suggested that they shouldn’t send it to him, that, as famous and prolific as he was, the proof would be an imposition on him; in truth, I feared that he would find the novel unsatisfying. Putnam sent it to him anyway, and he gave us an enthusiastic endorsement. In addition, he wrote to me separately, in an avuncular tone, kindly advising me how to avoid some of the pitfalls of the publishing business, and he wrote to my publisher asking her to please carefully consider the packaging of the book and not condemn it to the horror genre. She more or less condemned it to the genre anyway, but I took his advice to heart.

  In my experience, John D. MacDonald, the man, was as kind and thoughtful as his fiction would lead you to believe that he must be. That a writer’s work accurately reflects his soul is a rarer thing than you might imagine, but in his case, the reflection is clear and true. For that reason, it has been a special honor, in fact a grace, to be asked to write this introduction.

  Reader, prepare to be enchanted by the books of John D. MacDonald. And Harry, I am not as much of an idiot as I was in years gone by—though I know you won’t let me get away with claiming not to be to any degree an idiot anymore.

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  Introduction

  ONE

  TWO

  THREE

  FOUR

  FIVE

  SIX

  SEVEN

  EIGHT

  NINE

  TEN

  ELEVEN

  TWELVE

  THIRTEEN

  FOURTEEN

  FIFTEEN

  SIXTEEN

  SEVENTEEN

  EIGHTEEN

  NINETEEN

  Afterword

  About the Author

  ONE

  The soft purr of the turbine was almost lost in the roar of wind as the gray sedan traveled south through the New Mexico night. The night air, as always, was cool. Night in this land, he thought, is different. The land seems to rest from the heavy fist of the sun.

  Step out of the cool shadows of early morning and the sun is a vast white blow between the eyes. The sun sucks greedily at all liquids. A man lost for a full day in the wastes of rock and sand will be found in the blue dusk, curled in fetal position, lips black, body withered and mummified like the long-dead.

  Parched, wind-driven air dries the membranes of mouth and nose. The sun gaunts the men, pinches wrinkles into the flesh around the eyes. It fades colors and drabs the women.

  At night, in the blue desert dusk the jukes sing out the plaintive old ballads, and the young girls dance with a determined abandon. For the young girls know that the sun makes short work of youth, and juices are soon gone. Flat bronzed Indian faces look in at the dancers, and their eyes are polished obsidian. They know that they alone are bred for this land, and when the pallid laughing ones are gone, they will remain.

  There are racial memories, more of a faint pulse of blood and ache of bone than a true memory. The sun is a god. The god is angered because the tall pyramids are no longer used. The sun has long since baked away the faint stains on the pyramid crests, on the stone bowls, the time-worn channels. At dawn the sun hears no chant, sees no black upraised glint of stone knife, sees no blinded virgin awaiting the clever twisting thrust that rips the pulsing heart from its hot membranous nest.

  Maybe, he thought, big hands resting easily on the wheel as he drove, they are closer to truth than we are. We and our learned talk of hydrogen-helium reaction.

  Speed at night was a hypnotic. The speedometer needle held steady at ninety-five. Faint vibration from the road surface. White onrushing flick of an insect caught in the hard bright headlight beams. And weariness. Bard Lane knew that his weariness was of a very special type. An all-inclusive type, compounded of physical, intellectual and emotional strain, each carried to the threshold of tolerance. For a moment the car seemed to be standing still while the road ahead leaped toward him and was snatched under the wheels. He bunched his shoulders, shook his head violently to thrust back the impulse toward sleep that for a moment had brushed his eyelids. He adjusted the side vent a bit to throw a stronger current of the cool air against his face.

  Far ahead the Christmas tree of a truck appeared, heading in the same direction. He came up on it slowly, made a pass signal with his lights and swept by, noting that it was a truck train, with heavy quad trailers. Once by the truck he sat a bit higher in the seat so that he could use the rearview mirror and the diminishing glow of the truck lights to check on the prisoner who slept curled on the back seat.

  Far ahead he saw the lights of a lonesome town. He diminished speed gradually, saw the single traffic light ahead turn from green to red. In the glow of the lights along the deserted sidewalks, he glanced at the girl who slept beside him. She had slumped over toward the door so that her head appeared to be uncomfortably braced in the angle between door and seat back. Long legs were stretched out under the dash, and both hands, palms up, fingers curled, rested in her lap. She looked remarkably young and quite helpless. Bard Lane knew that there was nothing at all helpless about Sharan Inly. At the southern outskirts of the town he picked up speed again, and felt the heaviness of eyelids begin anew.

  He shook his head again, reached out and punched one of the radio buttons, turning the volume down so as not to disturb the girl.

  “… and remember, when you’re bored, drink Wilkins’ Mead, spelled em ee aye dee. Wilkins’ Mead is non-alcoholic, non-habitforming. Four out of five doctors know that Wilkins’ Mead cures boredom through a simple process of intensifying your reception to all stimuli. Three years ago, in May of 1972, Wilkins’ Mead was placed on the market. Since that time, one hundred and sixty million Americans have learned that you have never really seen a sunset, enjoyed a kiss, tasted a steak until you have first had your handy lip-sized bottle of Wilkins’ Mead. And now for your Wilkins’ Mead reporter, the man the Senate couldn’t silence, Melvin C. Lynn, with his nightly Wilkins’ Mead summary of news of the world.…”

  “This is Melvin C. Lynn, reporting the news for Wilkins’ Mead and the Wilkins Laboratories, where the secret of your happiness was developed.

  “This has been a quiet day on the international front. The Paris Conference continues and an informed source stated late this afternoon that the delegates have not yet lost hope of reaching an agreement on the basic problems confronting them. The Pan-Asia delegate has flown back to Moscow for further instructions on the Siberian agreement not to launch snooper satellites until new orbits have been assigned to each major power. The South American Coalition has refused to back down on their claim to five thousand miles of their moon base, even though they admit that it is almost a month since the last weak signals were received, and all expedition personnel must be assumed dead. Tom
orrow, and throughout the world, as well as at the conference, there will be the customary sixty seconds of silence to commemorate the anniversary of the loss of the first manned rocket to Mars …

  “And now for the national news front. Bliss Bailey, the Staten Island ferry boat captain who barricaded the ferry-boat bridge and chugged off toward Bermuda, was brought back under guard today. The commuters who took the inadvertent cruise with Captain Bailey have reported that once it was discovered that the ferryboat was heading east across a calm sea and nothing could be done, most of them turned it into a holiday. The identity of the nude blonde who jumped overboard the first night out has not yet been discovered. Bailey is quoted as saying, ‘It just seemed like a good idea at the time.’ Witnesses say Bailey appeared slightly dazed. His employers have not yet made public their decision regarding Captain Bailey. His cruise passengers are circulating a petition for his reemployment.

  “Well, tomorrow morning the new slot-machine divorce law goes into effect in Nevada. Thirty machines have been installed to handle the expected rush of business. Applicants will slide a fifty-dollar bill into the waiting slot, then give their name, address and reason for requesting a divorce in a clear, low voice into the mike, then press their right thumb firmly against the exposed sensitive plate. Six weeks later they will return to the same machine and duplicate the procedure and the decree will fall into the hopper.

  “Speaker of the House, Wally Blime, was severely reprimanded today in the public press and over the airwaves. This reporter feels, as others do after yesterday’s childish display, that bubble gum and a pea shooter are rather poor substitutes for the dignity expected of a public figure in high office. Blime’s only defense is that ‘Something told me to do it.’ And this, my friends, is from the same man who, two years ago, broke fourteen windows on New York’s Madison Avenue before he was restrained by the police. His defense, at that time, was the same. Wally, this is a word from a friend. This reporter feels that it is high time you returned to private life.