The village. [Translation from the original Russian text by Isabel Hapgood]
Page 7
"'Tis deadly boresome!" thought Tikhon Hitch, and immediately emitted a fierce yell at the old man, who was dragging along a bundle of grain-straw: "Why are you dragging that through the mud, you vile profligate?"
The old man flung the bundle of straw on the ground, looked him over, and all at once remarked quietly: "I'm listening to a vile profligate."
Tikhon Hitch cast a swift glance around, to see whether the lad had gone out, and, on convincing himself that he had, stepped up to the old man and with apparent calmness gave him such a thwack in the teeth that his head shook to and fro, seized him by the collar, and hustled him to the gate with all his might. "Begone!" he bawled, panting for breath and turning as white as chalk. "Don't let me ever catch so much
THE VILLAGE
as the smell of you here in the future, you cursed tatterdemalion!"
The old man flew through the gate, and five minutes later, his bag on his shoulders and a stick in his hand, he was striding along the highway to his home in Ulia-novka. Meanwhile Tikhon Hitch, with shaking hands, had watered the stallion, had himself given the animal his portion of fresh oats—he had merely turned yesterday's oats over with his muzzle and slobbered on them—and with long strides, through the liquid mess and the manure, had betaken himself to his cottage.
"Are things ready?" he inquired, opening the door a crack.
"There's no hurry!" snarled the cook.
The cottage was beclouded with a warm, sweetish steam emanating from the pot where the potatoes were boiling. The cook, assisted by the lad, was energetically mashing them with a pestle, sprinkling in flour the while, and Tikhon Hitch did not hear the reply because of the noise. Slamming the door, he went to drink his tea.
XVI
IN the tiny ante-room he pushed aside with his foot a heavy, dirty horsecloth which lay across the threshold and went to one corner, where, over a stool surmounted by a pewter basin, a brass washstand was fastened, while on a small shelf lay a small, clammy piece of cocoanut-oil soap. As he rattled the
THE VILLAGE
water-tank, squinted, frowned, and puffed out his nostrils, he was not able to refrain from a malicious fugitive glance, and he remarked with peculiar distinctness: "H'm! No, who ever saw the like of the labourers? There's no getting on with them at all nowadays! Say one word to such a fellow, and he'll come back at you with ten words! Say a dozen to him, and he'll fling you back a hundred! They're gone dead crazy! Though it isn't summer time, there's plenty of you to be had, you devils! You'll want something to eat for the winter, brother—you'll come, you son of a dog, you'll co-ome, and bow lo-o-ow in entreaty!"
The towel, which served for the master as well as for the lodger-travellers, had been hanging beside the water-tank since St. Michael's Day. It was so filthy that Tikhon Hitch gritted his teeth when he looked at it. "Okh!" he ejaculated, closing his eyes and shaking his head. "Ugh! Holy Mother, Queen of Heaven!" And hurling the towel on the floor, he wiped himself on the embroidered skirt of his shirt, which flapped outside his waistcoat.
Two doors opened from the ante-room. One, on the left, led to the room assigned to travellers, which was long, half-dark, and with tiny windows that looked out on the barn; in it stood two large divans, hard as stone, covered with black oilcloth, filled more than full with living and with crushed and dried bugs, while on the partition-wall hung the portrait of some general with fierce beaver-like side whiskers. This portrait was bordered with small portraits of heroes of the Russo-
THE VILLAGE
Turkish war, and underneath was an inscription: "Long will our children and our dear Slavic brethren remember the glorious deeds; how our father, the courageous Suleiman Pasha, crushed and conquered the treacherous foemen and marched with his lads along such crags as only clouds and the feathered Kings of the air were wont to scale." The second door led into the master's room. There, on the right alongside the door, glittered the glass of a cupboard, on the left a stove-bench gleamed white; the stove had cracked at some past day, and over the white it had been smeared with clay, which had imparted to it the outline of something resembling a thin, dislocated man, which seriously displeased Tikhon Hitch. Beyond the stove rose aloft a double bed: above the bed was nailed up a rug of dull-green and brick-coloured wool, bearing the-image of a tiger with whiskers and ears which stood erect like those of a cat. Opposite the door, against the wall, stood a chest of drawers covered with a knitted tablecloth, and on the table-cloth Nastasya Petrovna's wedding-casket. In the casket lay contracts with the labourers, phials containing medicines long since spoiled with age, matches.
"Wanted in the shop!" screamed the cook, opening the door a crack.
"There's no hurry—the goats in the bazaar can wait!" replied Tikhon Hitch wrathfully—but he hurried out.
The distance was veiled by a watery mist; the effect resembled that of twilight. The rain still drizzled on, but the wind had veered round; it was now blowing
THE VILLAGE
from the North, and the air had grown colder. The freight train, which was just pulling out of the station, rattled more cheerfully and resoundingly than it had for many days past.
'"Morning, Hitch," said the hare-lipped peasant, who was holding a wet piebald horse at the porch, as he nodded his soaking fur cap, which was of the tall Mandzhurian shape.
'"Morning," nodded Tikhon Hitch, casting a sidelong glance at the strong white tooth which gleamed through the peasant's cleft lip. "What do you need?" And, hastily providing the salt and kerosene required, he hurried back to his chamber. "The dogs, they don't give a man time to make the sign of the cross on his brow!" he grumbled as he went.
The samovar, which stood on a table against the partition-wall, was bubbling and boiling hard; the small mirror which hung above the table was enveloped in a thin layer of white steam. The windows and the chromo-lithograph which was nailed to the wall under the mirror—it depicted a giant in a yellow kaftan and red morocco boots, with a Russian banner in his hand, from beneath which peeped the towers and domes of the Moscow Kremlin—were also veiled in steam. Photographic portraits framed in shell-work surrounded this picture. In the place of honour hung the portrait of a priest in a moire cassock, with a small, sparse beard, plump cheeks, and extremely small penetrating eyes. And, with a glance at him, Tikhon Hitch crossed himself violently towards the holy pictures in the cor-
THE VILLAGE
ner. Then he removed from the samovar a smoke-begrimed teapot and poured out a cup of tea, which smelled very much like a steamed bathroom.
"They don't give a man a chance to cross himself," he said, wrinkling his face with the expression of a person suffering martyrdom. "They fairly cut my throat, curse them!"
It seemed as if there were something which he ought to call to mind, to take under consideration, or as if he ought simply to go to bed and get a good sleep. He longed for warmth, repose, clearness, firmness of thought. He rose, went to the glass cupboard with its rattling panes and cups and saucers, and took from one of the shelves a bottle of liqueur flavoured with mountain-ash berries and a cask-shaped glass on which was inscribed-:- "Even monks take this." "But perhaps I oughtn't," he said aloud. However, he lacked firmness. Through his mind, against his will, flashed the old saw: "Drink and you'll die, and don't drink and you'll die just the same." So he poured out a glassful and tossed it off, poured out another and gulped that down, also. And, munching at a thick cracknel, he sat down at the table.
He became conscious of an agreeable burning sensation inside, and eagerly sipped the boiling tea from his saucer, sucking at a lump of sugar which he held in his teeth. He felt better, so far as his body was concerned. But his soul went on living its own life, which was both gloomy and melancholy. Thoughts followed thoughts, but there was no sense in them. As
THE VILLAGE
he sipped his tea, he cast an abstracted and suspicious glance sidelong at the partition-wall, at the man in the yellow kaftan, at the photographs in the shell-work frames, and even at the priest in his water
ed-silk cassock. "Lerigion means nothing to us pigs!" he said to himself; and, as though by way of justifying himself to some one, he added roughly: "Just you try living in the village, and drinking sparkling kvas, like us!"
As he gazed askance at the priest he felt that everything was dubious; even his habitual reverence for that priest seemed doubtful, not founded on reason. When one really came to think about it. . . .
But at this point he made haste to transfer his glance to the Moscow Kremlin. "Shame on me!" he muttered. "I've never been in Moscow since I was born!" No, he had not. And why? His pigs wouldn't let him! Now it was his petty trading which hindered, now the posting-station, then the pot-house, then Dur-novka. And now he could not get away because of the stallion and the boar-pigs. But why speak of Moscow? For the last ten years he had been intending, without success, to get as far as the little birch grove that lay the other side of the highway. He had kept on hoping that somehow or other he would manage to tear himself free for an evening, carry a rug and samovar with him, sit on the grass in the cool air, in the greenery—and he simply had not been able to get away. The days flowed past like water between the fingers, and before one had time to gather one's
THE VILLAGE
wits together, one's fiftieth year had knocked at the door, and that meant the end of everything, and it didn't seem so very long ago that one was running about without any breeches, did it? Just as if it had been yesterday!
XVII
THE faces gazed out in complete immobility from their shell-work frames. Here was a scene which had never taken place and could not take place: In the field, amid the thick-growing rye, lay two persons—Tikhon Hitch himself and a young merchant named Rostovtzeff, holding in their hands glasses exactly half filled with dark beer. What a close friendship had sprung up between Rostovtzeff and Tikhon Hitch! How well he remembered that grey day in Carnival Week when the picture was taken! But in what year had that happened? What had become of Rostovtzeff? Perhaps he had died in Voronezh— and now no one knew for a certainty whether he were still alive in this world or not. And yonder stood three petty burghers, drawn up in military style and perfectly wooden, with their hair parted in the middle and very smooth, dressed in embroidered Russian shirts opening at the side and long coats, with their boots well polished—Butchneff, Vystavkin, and Bogo-moloff. Vystavkin, the one in the middle, was hold-
THE VILLAGE
ing in front of his breast the bread and salt of hospitality on a wooden platter, covered with a towel embroidered with cocks, while Butchneff and Bogomoloff each held a holy picture. They had been photographed on a dusty, windy day, when the grain-elevator had been blessed—when the Bishop and the Governor had come for the ceremony, when Tikhon Hitch had felt so proud that he had been one of the crowd appointed to greet the officials. But what had his memory retained about that day? Merely this—that they had waited beside the elevator for five hours, on the new brown rails of the track, that the white dust had been blown in clouds by the wind, that the railway carriages and the trees were all covered with dust, that the Governor, a long, lean man, exactly like a corpse in white trousers with gold stripes, a uniform embroidered in gold, and a three-cornered hat, walked towards the deputation in a remarkably deliberate manner—that it was very alarming when he began to speak as he accepted the bread and salt, that every one had been surprised at the thinness and whiteness of his hands, and the skin on them, as delicate and gleaming as the hide stripped from a snake, the brilliant, polished gold rings and rings with gems on his dry, slender fingers with their long transparent nails. Now that Governor was no longer among the living, and Vystavkin was dead, also. And in another five or ten years people would be saying, in speaking of Tikhon Hitch, too: "The late Tikhon Hitch." The room had grown warmer and more cosy, now
THE VILLAGE
that the stove had got to going well; the little mirror had cleared off; but nothing was to be seen through the windows, which were white with a dull steam, indicating that the weather had grown colder outside. The insistent grunting of the hungry pigs made itself more and more audible. And suddenly the grunt was transmuted into a mighty unanimous roar: obviously the pigs had heard the voices of the cook and Oska, who were lugging to them the heavy tub with their mess. And, without finishing his reflections on death, Tikhon Hitch flung his cigarette into the slop-basin, drew on his overcoat, and hurried out to the barn. With long strides, sinking deep in the sloppy manure, he opened the door of the sty with his own hands, and for a long time kept his greedy, melancholy eyes riveted on the pigs, which hurled themselves on the trough into which the steaming mess had been poured.
The thought of death had been interrupted by another: "the late," as applied to himself, was all right, but possibly this particular dead man might serve as an example. Who had he been? An orphan, a beggar, who had often had no bread to eat for a couple of days at a stretch. But now? "Your biography ought to be written," Kuzma had said one day, in jest. But there was no occasion for jesting, if you please. He must have had a noddle on his shoulders, if the wretched little urchin who barely knew how to read had turned out not Tishka, but Tikhon Hitch: that was what it meant.
But all of a sudden the cook, who had also been
THE VILLAGE
staring intently at the pigs as they jostled one another and got their forefeet into the trough, hiccoughed and remarked: "Okh, O Lord! I only hope some calamity won't happen to us today! Last night I had a dream—I thought cattle were being driven into our farmyard: sheep, cows, all sorts of pigs were being driven to us. And they were all black, every last one of them was black!"
And once more his heart sank within him. Yes, there were those cattle! The cattle alone were enough to drive a man to hang himself. Not three hours had elapsed—and again you had to seize your keys, again drag fodder for the whole farmyard. In the common stall were three milch cows; in special stalls were the red calf and the bull Bismarck: now they must be supplied with hay. The horse and sheep got bran for their dinner, but the stallion—the devil himself couldn't tell what that beast wanted! He was completely spoiled. He thrust his muzzle against the grated top of his door, sniffed at something, and made grimaces: he curled back his upper lip, bared his rose-coloured gums and white teeth, distorted his nostrils. And Tikhon Hitch, in a rage which surprised even himself, suddenly yelled at him: "You spoiled pet, curse you, may the lightning strike you!"
Again he had got his feet wet; he had a chill; it began to sleet—and again he had recourse to the mountain-ash-berry brandy. He ate some potatoes with sunflower-seed oil, and salted cucumbers, sour cabbage soup with mushrooms added to it, and wheat groats. His face got red, his head grew heavy.
THE VILLAGE
XVIII
HE began to feel drowsy, thanks to the vodka, what he had eaten, and his incoherent thoughts. Without undressing, merely pulling his muddy boots off by the simple expedient of rubbing one foot against the other, he threw himself on his bed. But he was disturbed by the necessity of rising again almost immediately: before night oat-straw must be given to the horses, the cows, and the sheep, and also to the stallion—or, no, it would be better to mix it with hay and moisten and salt it well. Only, if he let himself go he would certainly fall asleep. Tikhon Hitch reached out to the chest of drawers, grasped the alarm-clock, and began to wind it up. And the alarm-clock came to life and began to tick—and the atmosphere in the chamber seemed to become more tranquil, more cheerful, under the influence of its rapid, even ticking. His thoughts began to get confused.
But no sooner had they become drowsily obscure than a rough, loud sound of ecclesiastical chanting suddenly made itself audible. Opening his eyes with a start, Tikhon Hitch at first could make out only one thing: two peasants were roaring through their noses, and a gust of cold air mingled with the odour of wet great-coats penetrated from the ante-room. Then he sprang up, sat on the side of his bed, and scrutinized the peasants to see what sort of men they were, and
THE VILLAGE
sudd
enly became conscious that his heart had started beating. One was blind—a big pockmarked fellow with a small nose, a long upper lip, and a large round skull—and the second was none other than Makar Ivanovitch!
Makar Ivanovitch had been known, once on a time, as Makarka—everybody called him "Makar-the-Pil-grim"—and one day he entered Tikhon Hitch's dramshop. He was roaming somewhither along the highway, arrayed in bast-slippers, a pointed skull-cap of ecclesiastical cut, and a dirty under-cassock—and he had entered. In his hand was a long staff, painted the hue of verdigris, with a cross on its upper extremity and a spear-like point at its lower, a wallet and a soldier's canteen on his back; his face was broad and the colour of cement, his nostrils were like two gun-barrels, his nose was broken across the middle like a saddle-tree, and his eyes were of the sort which often goes with such noses, light-hued and sharply brilliant. Shameless, shrewd, greedily smoking one cigarette after another and emitting the smoke through his nostrils, speaking in a rough, abrupt tone which completely excluded any reply, he had made an extremely pleasant impression on Tikhon Hitch, in particular by that tone, because it was immediately evident that he was "a thoroughgoing rascal."