Complete Plays, The

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Complete Plays, The Page 117

by William Shakespeare

So, thanks to all at once and to each one,

  Whom we invite to see us crown’d at Scone.

  Flourish. Exeunt

  The Life of Timon of Athens

  TABLE OF CONTENTS

  CHARACTERS OF THE PLAY

  ACT I

  SCENE I. ATHENS. A HALL IN TIMON’S HOUSE.

  SCENE II. A BANQUETING-ROOM IN TIMON’S HOUSE.

  ACT II

  SCENE I. A SENATOR’S HOUSE.

  SCENE II. THE SAME. A HALL IN TIMON’S HOUSE.

  ACT III

  SCENE I. A ROOM IN LUCULLUS’ HOUSE.

  SCENE II. A PUBLIC PLACE.

  SCENE III. A ROOM IN SEMPRONIUS’ HOUSE.

  SCENE IV. THE SAME. A HALL IN TIMON’S HOUSE.

  SCENE V. THE SAME. THE SENATE-HOUSE. THE SENATE SITTING.

  SCENE VI. THE SAME. A BANQUETING-ROOM IN TIMON’S HOUSE.

  ACT IV

  SCENE I. WITHOUT THE WALLS OF ATHENS.

  SCENE II. ATHENS. A ROOM IN TIMON’S HOUSE.

  SCENE III. WOODS AND CAVE, NEAR THE SEASHORE.

  ACT V

  SCENE I. THE WOODS. BEFORE TIMON’S CAVE.

  SCENE II. BEFORE THE WALLS OF ATHENS.

  SCENE III. THE WOODS. TIMON’S CAVE, AND A RUDE TOMB SEEN.

  SCENE IV. BEFORE THE WALLS OF ATHENS.

  1.

  CHARACTERS OF THE PLAY

  Timon of Athens.

  Lucius, Lucullus and Sempronius, flattering lords.

  Ventidius, one of Timon's false friends.

  Alcibiades, an Athenian captain.

  Apemantus, a churlish philosopher.

  Flavius, steward to Timon.

  Flaminius, Lucilius and Servilius, Timon's servants.

  Caphis, Philotus, Titus and Hortensius, servants to Timon's creditors.

  Poet.

  Painter.

  Jeweller.

  Merchant.

  Mercer.

  An Old Athenian.

  Three Strangers.

  A Page.

  A Fool.

  Phrynia and Timandra, mistresses to Alcibiades.

  Cupid and Amazons, in the Masque.

  Lords, Senators, Officers, Soldiers, Servants, Thieves, and Attendants.

  Scene: Athens and the neighbouring woods.

  ACT I

  SCENE I. ATHENS. A HALL IN TIMON’S HOUSE.

  Enter Poet, Painter, Jeweller, Merchant, and others, at several doors

  Poet

  Good day, sir.

  Painter

  I am glad you’re well.

  Poet

  I have not seen you long: how goes the world?

  Painter

  It wears, sir, as it grows.

  Poet

  Ay, that’s well known:

  But what particular rarity? what strange,

  Which manifold record not matches? See,

  Magic of bounty! all these spirits thy power

  Hath conjured to attend. I know the merchant.

  Painter

  I know them both; th’ other’s a jeweller.

  Merchant

  O, ’tis a worthy lord.

  Jeweller

  Nay, that’s most fix’d.

  Merchant

  A most incomparable man, breathed, as it were,

  To an untirable and continuate goodness:

  He passes.

  Jeweller: I have a jewel here —

  Merchant

  O, pray, let’s see’t: for the Lord Timon, sir?

  Jeweller: If he will touch the estimate: but, for that —

  Poet

  [Reciting to himself] ‘When we for recompense have praised the vile,

  It stains the glory in that happy verse

  Which aptly sings the good.’

  Merchant

  ’Tis a good form.

  Looking at the jewel

  Jeweller

  And rich: here is a water, look ye.

  Painter

  You are rapt, sir, in some work, some dedication

  To the great lord.

  Poet

  A thing slipp’d idly from me.

  Our poesy is as a gum, which oozes

  From whence ’tis nourish’d: the fire i’ the flint

  Shows not till it be struck; our gentle flame

  Provokes itself and like the current flies

  Each bound it chafes. What have you there?

  Painter

  A picture, sir. When comes your book forth?

  Poet

  Upon the heels of my presentment, sir.

  Let’s see your piece.

  Painter

  ’Tis a good piece.

  Poet

  So ’tis: this comes off well and excellent.

  Painter

  Indifferent.

  Poet

  Admirable: how this grace

  Speaks his own standing! what a mental power

  This eye shoots forth! how big imagination

  Moves in this lip! to the dumbness of the gesture

  One might interpret.

  Painter

  It is a pretty mocking of the life.

  Here is a touch; is’t good?

  Poet

  I will say of it,

  It tutors nature: artificial strife

  Lives in these touches, livelier than life.

  Enter certain Senators, and pass over

  Painter

  How this lord is follow’d!

  Poet

  The senators of Athens: happy man!

  Painter

  Look, more!

  Poet

  You see this confluence, this great flood of visitors.

  I have, in this rough work, shaped out a man,

  Whom this beneath world doth embrace and hug

  With amplest entertainment: my free drift

  Halts not particularly, but moves itself

  In a wide sea of wax: no levell’d malice

  Infects one comma in the course I hold;

  But flies an eagle flight, bold and forth on,

  Leaving no tract behind.

  Painter

  How shall I understand you?

  Poet

  I will unbolt to you.

  You see how all conditions, how all minds,

  As well of glib and slippery creatures as

  Of grave and austere quality, tender down

  Their services to Lord Timon: his large fortune

  Upon his good and gracious nature hanging

  Subdues and properties to his love and tendance

  All sorts of hearts; yea, from the glass-faced flatterer

  To Apemantus, that few things loves better

  Than to abhor himself: even he drops down

  The knee before him, and returns in peace

  Most rich in Timon’s nod.

  Painter

  I saw them speak together.

  Poet

  Sir, I have upon a high and pleasant hill

  Feign’d Fortune to be throned: the base o’ the mount

  Is rank’d with all deserts, all kind of natures,

  That labour on the bosom of this sphere

  To propagate their states: amongst them all,

  Whose eyes are on this sovereign lady fix’d,

  One do I personate of Lord Timon’s frame,

  Whom Fortune with her ivory hand wafts to her;

  Whose present grace to present slaves and servants

  Translates his rivals.

  Painter

  ’Tis conceived to scope.

  This throne, this Fortune, and this hill, methinks,

  With one man beckon’d from the rest below,

  Bowing his head against the sleepy mount

  To climb his happiness, would be well express’d

  In our condition.

  Poet

  Nay, sir, but hear me on.

  All those which were his fellows but of late,

  Some better than his value, on the moment

  Follow his strides, his lobbies fill wit
h tendance,

  Rain sacrificial whisperings in his ear,

  Make sacred even his stirrup, and through him

  Drink the free air.

  Painter

  Ay, marry, what of these?

  Poet

  When Fortune in her shift and change of mood

  Spurns down her late beloved, all his dependants

  Which labour’d after him to the mountain’s top

  Even on their knees and hands, let him slip down,

  Not one accompanying his declining foot.

  Painter

  ’Tis common:

  A thousand moral paintings I can show

  That shall demonstrate these quick blows of Fortune’s

  More pregnantly than words. Yet you do well

  To show Lord Timon that mean eyes have seen

  The foot above the head.

  Trumpets sound. Enter Timon, addressing himself courteously to every suitor; a Messenger from Ventidius talking with him; Lucilius and other servants following

  Timon

  Imprison’d is he, say you?

  Messenger

  Ay, my good lord: five talents is his debt,

  His means most short, his creditors most strait:

  Your honourable letter he desires

  To those have shut him up; which failing,

  Periods his comfort.

  Timon

  Noble Ventidius! Well;

  I am not of that feather to shake off

  My friend when he must need me. I do know him

  A gentleman that well deserves a help:

  Which he shall have: I’ll pay the debt, and free him.

  Messenger

  Your lordship ever binds him.

  Timon

  Commend me to him: I will send his ransom;

  And being enfranchised, bid him come to me.

  ’Tis not enough to help the feeble up,

  But to support him after. Fare you well.

  Messenger

  All happiness to your honour!

  Exit

  Enter an old Athenian

  Old Athenian

  Lord Timon, hear me speak.

  Timon

  Freely, good father.

  Old Athenian

  Thou hast a servant named Lucilius.

  Timon

  I have so: what of him?

  Old Athenian

  Most noble Timon, call the man before thee.

  Timon

  Attends he here, or no? Lucilius!

  Lucilius

  Here, at your lordship’s service.

  Old Athenian

  This fellow here, Lord Timon, this thy creature,

  By night frequents my house. I am a man

  That from my first have been inclined to thrift;

  And my estate deserves an heir more raised

  Than one which holds a trencher.

  Timon

  Well; what further?

  Old Athenian

  One only daughter have I, no kin else,

  On whom I may confer what I have got:

  The maid is fair, o’ the youngest for a bride,

  And I have bred her at my dearest cost

  In qualities of the best. This man of thine

  Attempts her love: I prithee, noble lord,

  Join with me to forbid him her resort;

  Myself have spoke in vain.

  Timon

  The man is honest.

  Old Athenian

  Therefore he will be, Timon:

  His honesty rewards him in itself;

  It must not bear my daughter.

  Timon

  Does she love him?

  Old Athenian

  She is young and apt:

  Our own precedent passions do instruct us

  What levity’s in youth.

  Timon

  [To Lucilius] Love you the maid?

  Lucilius

  Ay, my good lord, and she accepts of it.

  Old Athenian

  If in her marriage my consent be missing,

  I call the gods to witness, I will choose

  Mine heir from forth the beggars of the world,

  And dispossess her all.

  Timon

  How shall she be endow’d, if she be mated with an equal husband?

  Old Athenian

  Three talents on the present; in future, all.

  Timon

  This gentleman of mine hath served me long:

  To build his fortune I will strain a little,

  For ’tis a bond in men. Give him thy daughter:

  What you bestow, in him I’ll counterpoise,

  And make him weigh with her.

  Old Athenian

  Most noble lord,

  Pawn me to this your honour, she is his.

  Timon

  My hand to thee; mine honour on my promise.

  Lucilius

  Humbly I thank your lordship: never may

  The state or fortune fall into my keeping,

  Which is not owed to you!

  Exeunt Lucilius and Old Athenian

  Poet

  Vouchsafe my labour, and long live your lordship!

  Timon

  I thank you; you shall hear from me anon:

  Go not away. What have you there, my friend?

  Painter

  A piece of painting, which I do beseech

  Your lordship to accept.

  Timon

  Painting is welcome.

  The painting is almost the natural man;

  or since dishonour traffics with man’s nature,

  He is but outside: these pencill’d figures are

  Even such as they give out. I like your work;

  And you shall find I like it: wait attendance

  Till you hear further from me.

  Painter

  The gods preserve ye!

  Timon

  Well fare you, gentleman: give me your hand;

  We must needs dine together. Sir, your jewel

  Hath suffer’d under praise.

  Jeweller

  What, my lord! dispraise?

  Timon

  A more satiety of commendations.

  If I should pay you for’t as ’tis extoll’d,

  It would unclew me quite.

  Jeweller

  My lord, ’tis rated

  As those which sell would give: but you well know,

  Things of like value differing in the owners

  Are prized by their masters: believe’t, dear lord,

  You mend the jewel by the wearing it.

  Timon

  Well mock’d.

  Merchant

  No, my good lord; he speaks the common tongue,

  Which all men speak with him.

  Timon

  Look, who comes here: will you be chid?

  Enter Apemantus

  Jeweller: We’ll bear, with your lordship.

  Merchant

  He’ll spare none.

  Timon

  Good morrow to thee, gentle Apemantus!

  Apemantus

  Till I be gentle, stay thou for thy good morrow;

  When thou art Timon’s dog, and these knaves honest.

  Timon

  Why dost thou call them knaves? thou know’st them not.

  Apemantus

  Are they not Athenians?

  Timon

  Yes.

  Apemantus

  Then I repent not.

  Jeweller: You know me, Apemantus?

  Apemantus

  Thou know’st I do: I call’d thee by thy name.

  Timon

  Thou art proud, Apemantus.

  Apemantus

  Of nothing so much as that I am not like Timon.

  Timon

  Whither art going?

  Apemantus

  To knock out an honest Athenian’s brains.

  Timon

  That’s a deed thou’lt die for.

  Apemantus

  Right
, if doing nothing be death by the law.

  Timon

  How likest thou this picture, Apemantus?

  Apemantus

  The best, for the innocence.

  Timon

  Wrought he not well that painted it?

  Apemantus

  He wrought better that made the painter; and yet he’s but a filthy piece of work.

  Painter

  You’re a dog.

  Apemantus

  Thy mother’s of my generation: what’s she, if I be a dog?

  Timon

  Wilt dine with me, Apemantus?

  Apemantus

  No; I eat not lords.

  Timon

  An thou shouldst, thou ’ldst anger ladies.

  Apemantus

  O, they eat lords; so they come by great bellies.

  Timon

  That’s a lascivious apprehension.

  Apemantus

  So thou apprehendest it: take it for thy labour.

  Timon

  How dost thou like this jewel, Apemantus?

  Apemantus

  Not so well as plain-dealing, which will not cost a man a doit.

  Timon

  What dost thou think ’tis worth?

  Apemantus

  Not worth my thinking. How now, poet!

  Poet

  How now, philosopher!

  Apemantus

  Thou liest.

  Poet

  Art not one?

  Apemantus

  Yes.

  Poet

  Then I lie not.

  Apemantus

  Art not a poet?

  Poet

  Yes.

  Apemantus

  Then thou liest: look in thy last work, where thou hast feigned him a worthy fellow.

  Poet

  That’s not feigned; he is so.

  Apemantus

  Yes, he is worthy of thee, and to pay thee for thy labour: he that loves to be flattered is worthy o’ the flatterer. Heavens, that I were a lord!

  Timon

  What wouldst do then, Apemantus?

  Apemantus

  E’en as Apemantus does now; hate a lord with my heart.

  Timon

  What, thyself?

  Apemantus

  Ay.

  Timon

  Wherefore?

  Apemantus

  That I had no angry wit to be a lord.

  Art not thou a merchant?

  Merchant

  Ay, Apemantus.

  Apemantus

  Traffic confound thee, if the gods will not!

  Merchant

  If traffic do it, the gods do it.

  Apemantus

  Traffic’s thy god; and thy god confound thee!

  Trumpet sounds. Enter a Messenger

  Timon

  What trumpet’s that?

  Messenger

  ’Tis Alcibiades, and some twenty horse,

  All of companionship.

  Timon

  Pray, entertain them; give them guide to us.

  Exeunt some Attendants

  You must needs dine with me: go not you hence

  Till I have thank’d you: when dinner’s done,

 

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