Complete Plays, The

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Complete Plays, The Page 313

by William Shakespeare


  That Hermia should give answer of her choice?

  Egeus

  It is, my lord.

  Theseus

  Go, bid the huntsmen wake them with their horns.

  Horns and shout within. Lysander, Demetrius, Helena, and Hermia wake and start up

  Good morrow, friends. Saint Valentine is past:

  Begin these wood-birds but to couple now?

  Lysander

  Pardon, my lord.

  Theseus

  I pray you all, stand up.

  I know you two are rival enemies:

  How comes this gentle concord in the world,

  That hatred is so far from jealousy,

  To sleep by hate, and fear no enmity?

  Lysander

  My lord, I shall reply amazedly,

  Half sleep, half waking: but as yet, I swear,

  I cannot truly say how I came here;

  But, as I think,— for truly would I speak,

  And now do I bethink me, so it is,—

  I came with Hermia hither: our intent

  Was to be gone from Athens, where we might,

  Without the peril of the Athenian law.

  Egeus

  Enough, enough, my lord; you have enough:

  I beg the law, the law, upon his head.

  They would have stolen away; they would, Demetrius,

  Thereby to have defeated you and me,

  You of your wife and me of my consent,

  Of my consent that she should be your wife.

  Demetrius

  My lord, fair Helen told me of their stealth,

  Of this their purpose hither to this wood;

  And I in fury hither follow’d them,

  Fair Helena in fancy following me.

  But, my good lord, I wot not by what power,—

  But by some power it is,— my love to Hermia,

  Melted as the snow, seems to me now

  As the remembrance of an idle gaud

  Which in my childhood I did dote upon;

  And all the faith, the virtue of my heart,

  The object and the pleasure of mine eye,

  Is only Helena. To her, my lord,

  Was I betroth’d ere I saw Hermia:

  But, like in sickness, did I loathe this food;

  But, as in health, come to my natural taste,

  Now I do wish it, love it, long for it,

  And will for evermore be true to it.

  Theseus

  Fair lovers, you are fortunately met:

  Of this discourse we more will hear anon.

  Egeus, I will overbear your will;

  For in the temple by and by with us

  These couples shall eternally be knit:

  And, for the morning now is something worn,

  Our purposed hunting shall be set aside.

  Away with us to Athens; three and three,

  We’ll hold a feast in great solemnity.

  Come, Hippolyta.

  Exeunt Theseus, Hippolyta, Egeus, and train

  Demetrius

  These things seem small and undistinguishable,

  Like far off mountains turned into clouds.

  Hermia

  Methinks I see these things with parted eye,

  When every thing seems double.

  Helena

  So methinks:

  And I have found Demetrius like a jewel,

  Mine own, and not mine own.

  Demetrius

  Are you sure

  That we are awake? It seems to me

  That yet we sleep, we dream. Do not you think

  The duke was here, and bid us follow him?

  Hermia

  Yea; and my father.

  Helena

  And Hippolyta.

  Lysander

  And he did bid us follow to the temple.

  Demetrius

  Why, then, we are awake: let’s follow him

  And by the way let us recount our dreams.

  Exeunt

  Bottom

  [Awaking] When my cue comes, call me, and I will answer: my next is, ‘Most fair Pyramus.’ Heigh-ho! Peter Quince! Flute, the bellows-mender! Snout, the tinker! Starveling! God’s my life, stolen hence, and left me asleep! I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was: man is but an ass, if he go about to expound this dream. Methought I was — there is no man can tell what. Methought I was,— and methought I had,— but man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called Bottom’s Dream, because it hath no bottom; and I will sing it in the latter end of a play, before the duke: peradventure, to make it the more gracious, I shall sing it at her death.

  Exit

  SCENE II. ATHENS. QUINCE’S HOUSE.

  Enter Quince, Flute, Snout, and Starveling

  Quince

  Have you sent to Bottom’s house ? is he come home yet?

  Starveling

  He cannot be heard of. Out of doubt he is transported.

  Flute

  If he come not, then the play is marred: it goes not forward, doth it?

  Quince

  It is not possible: you have not a man in all

  Athens able to discharge Pyramus but he.

  Flute

  No, he hath simply the best wit of any handicraft man in Athens.

  Quince

  Yea and the best person too; and he is a very paramour for a sweet voice.

  Flute

  You must say ‘paragon:’ a paramour is, God bless us, a thing of naught.

  Enter Snug

  Snug

  Masters, the duke is coming from the temple, and there is two or three lords and ladies more married: if our sport had gone forward, we had all been made men.

  Flute

  O sweet bully Bottom! Thus hath he lost sixpence a day during his life; he could not have ’scaped sixpence a day: an the duke had not given him sixpence a day for playing Pyramus, I’ll be hanged; he would have deserved it: sixpence a day in Pyramus, or nothing.

  Enter Bottom

  Bottom

  Where are these lads? where are these hearts?

  Quince

  Bottom! O most courageous day! O most happy hour!

  Bottom

  Masters, I am to discourse wonders: but ask me not what; for if I tell you, I am no true Athenian. I will tell you every thing, right as it fell out.

  Quince

  Let us hear, sweet Bottom.

  Bottom

  Not a word of me. All that I will tell you is, that the duke hath dined. Get your apparel together, good strings to your beards, new ribbons to your pumps; meet presently at the palace; every man look o’er his part; for the short and the long is, our play is preferred. In any case, let Thisby have clean linen; and let not him that plays the lion pair his nails, for they shall hang out for the lion’s claws. And, most dear actors, eat no onions nor garlic, for we are to utter sweet breath; and I do not doubt but to hear them say, it is a sweet comedy. No more words: away! go, away!

  Exeunt

  ACT V

  SCENE I. ATHENS. THE PALACE OF THESEUS.

  Enter Theseus, Hippolyta, Philostrate, Lords and Attendants

  Hippolyta

  ’Tis strange my Theseus, that these lovers speak of.

  Theseus

  More strange than true: I never may believe

  These antique fables, nor these fairy toys.

  Lovers and madmen have such seething brains,

  Such shaping fantasies, that apprehend

  More than cool reason ever comprehends.

  The lunatic, the lover and the poet

  Are of imagination all compact:

  One sees more devils than vast hell can hold,

  That is, the madman: the lover, all as frantic,


  Sees Helen’s beauty in a brow of Egypt:

  The poet’s eye, in fine frenzy rolling,

  Doth glance from heaven to earth, from earth to heaven;

  And as imagination bodies forth

  The forms of things unknown, the poet’s pen

  Turns them to shapes and gives to airy nothing

  A local habitation and a name.

  Such tricks hath strong imagination,

  That if it would but apprehend some joy,

  It comprehends some bringer of that joy;

  Or in the night, imagining some fear,

  How easy is a bush supposed a bear!

  Hippolyta

  But all the story of the night told over,

  And all their minds transfigured so together,

  More witnesseth than fancy’s images

  And grows to something of great constancy;

  But, howsoever, strange and admirable.

  Theseus

  Here come the lovers, full of joy and mirth.

  Enter Lysander, Demetrius, Hermia, and Helena

  Joy, gentle friends! joy and fresh days of love

  Accompany your hearts!

  Lysander

  More than to us

  Wait in your royal walks, your board, your bed!

  Theseus

  Come now; what masques, what dances shall we have,

  To wear away this long age of three hours

  Between our after-supper and bed-time?

  Where is our usual manager of mirth?

  What revels are in hand? Is there no play,

  To ease the anguish of a torturing hour?

  Call Philostrate.

  Philostrate

  Here, mighty Theseus.

  Theseus

  Say, what abridgement have you for this evening?

  What masque? what music? How shall we beguile

  The lazy time, if not with some delight?

  Philostrate

  There is a brief how many sports are ripe:

  Make choice of which your highness will see first.

  Giving a paper

  Theseus

  [Reads] ‘The battle with the Centaurs, to be sung

  By an Athenian eunuch to the harp.’

  We’ll none of that: that have I told my love,

  In glory of my kinsman Hercules.

  Reads

  ‘The riot of the tipsy Bacchanals,

  Tearing the Thracian singer in their rage.’

  That is an old device; and it was play’d

  When I from Thebes came last a conqueror.

  Reads

  ‘The thrice three Muses mourning for the death

  Of Learning, late deceased in beggary.’

  That is some satire, keen and critical,

  Not sorting with a nuptial ceremony.

  Reads

  ‘A tedious brief scene of young Pyramus

  And his love Thisbe; very tragical mirth.’

  Merry and tragical! tedious and brief!

  That is, hot ice and wondrous strange snow.

  How shall we find the concord of this discord?

  Philostrate

  A play there is, my lord, some ten words long,

  Which is as brief as I have known a play;

  But by ten words, my lord, it is too long,

  Which makes it tedious; for in all the play

  There is not one word apt, one player fitted:

  And tragical, my noble lord, it is;

  For Pyramus therein doth kill himself.

  Which, when I saw rehearsed, I must confess,

  Made mine eyes water; but more merry tears

  The passion of loud laughter never shed.

  Theseus

  What are they that do play it?

  Philostrate

  Hard-handed men that work in Athens here,

  Which never labour’d in their minds till now,

  And now have toil’d their unbreathed memories

  With this same play, against your nuptial.

  Theseus

  And we will hear it.

  Philostrate

  No, my noble lord;

  It is not for you: I have heard it over,

  And it is nothing, nothing in the world;

  Unless you can find sport in their intents,

  Extremely stretch’d and conn’d with cruel pain,

  To do you service.

  Theseus

  I will hear that play;

  For never anything can be amiss,

  When simpleness and duty tender it.

  Go, bring them in: and take your places, ladies.

  Exit Philostrate

  Hippolyta

  I love not to see wretchedness o’er charged

  And duty in his service perishing.

  Theseus

  Why, gentle sweet, you shall see no such thing.

  Hippolyta

  He says they can do nothing in this kind.

  Theseus

  The kinder we, to give them thanks for nothing.

  Our sport shall be to take what they mistake:

  And what poor duty cannot do, noble respect

  Takes it in might, not merit.

  Where I have come, great clerks have purposed

  To greet me with premeditated welcomes;

  Where I have seen them shiver and look pale,

  Make periods in the midst of sentences,

  Throttle their practised accent in their fears

  And in conclusion dumbly have broke off,

  Not paying me a welcome. Trust me, sweet,

  Out of this silence yet I pick’d a welcome;

  And in the modesty of fearful duty

  I read as much as from the rattling tongue

  Of saucy and audacious eloquence.

  Love, therefore, and tongue-tied simplicity

  In least speak most, to my capacity.

  Re-enter Philostrate

  Philostrate

  So please your grace, the Prologue is address’d.

  Theseus

  Let him approach.

  Flourish of trumpets

  Enter Quince for the Prologue

  Prologue

  If we offend, it is with our good will.

  That you should think, we come not to offend,

  But with good will. To show our simple skill,

  That is the true beginning of our end.

  Consider then we come but in despite.

  We do not come as minding to contest you,

  Our true intent is. All for your delight

  We are not here. That you should here repent you,

  The actors are at hand and by their show

  You shall know all that you are like to know.

  Theseus

  This fellow doth not stand upon points.

  Lysander

  He hath rid his prologue like a rough colt; he knows not the stop. A good moral, my lord: it is not enough to speak, but to speak true.

  Hippolyta

  Indeed he hath played on his prologue like a child on a recorder; a sound, but not in government.

  Theseus

  His speech, was like a tangled chain; nothing impaired, but all disordered. Who is next?

  Enter Pyramus and Thisbe, Wall, Moonshine, and Lion

  Prologue

  Gentles, perchance you wonder at this show;

  But wonder on, till truth make all things plain.

  This man is Pyramus, if you would know;

  This beauteous lady Thisby is certain.

  This man, with lime and rough-cast, doth present

  Wall, that vile Wall which did these lovers sunder;

  And through Wall’s chink, poor souls, they are content

  To whisper. At the which let no man wonder.

  This man, with lanthorn, dog, and bush of thorn,

  Presenteth Moonshine; for, if you will know,

  By moonshine did these lovers think no scorn

  To meet at Ninus’ tomb, there, there to woo
.

  This grisly beast, which Lion hight by name,

  The trusty Thisby, coming first by night,

  Did scare away, or rather did affright;

  And, as she fled, her mantle she did fall,

  Which Lion vile with bloody mouth did stain.

  Anon comes Pyramus, sweet youth and tall,

  And finds his trusty Thisby’s mantle slain:

  Whereat, with blade, with bloody blameful blade,

  He bravely broach’d his boiling bloody breast;

  And Thisby, tarrying in mulberry shade,

  His dagger drew, and died. For all the rest,

  Let Lion, Moonshine, Wall, and lovers twain

  At large discourse, while here they do remain.

  Exeunt Prologue, Thisbe, Lion, and Moonshine

  Theseus

  I wonder if the lion be to speak.

  Demetrius

  No wonder, my lord: one lion may, when many asses do.

  Wall

  In this same interlude it doth befall

  That I, one Snout by name, present a wall;

  And such a wall, as I would have you think,

  That had in it a crannied hole or chink,

  Through which the lovers, Pyramus and Thisby,

  Did whisper often very secretly.

  This loam, this rough-cast and this stone doth show

  That I am that same wall; the truth is so:

  And this the cranny is, right and sinister,

  Through which the fearful lovers are to whisper.

  Theseus

  Would you desire lime and hair to speak better?

  Demetrius

  It is the wittiest partition that ever I heard discourse, my lord.

  Enter Pyramus

  Theseus

  Pyramus draws near the wall: silence!

  Pyramus

  O grim-look’d night! O night with hue so black!

  O night, which ever art when day is not!

  O night, O night! alack, alack, alack,

  I fear my Thisby’s promise is forgot!

  And thou, O wall, O sweet, O lovely wall,

  That stand’st between her father’s ground and mine!

  Thou wall, O wall, O sweet and lovely wall,

  Show me thy chink, to blink through with mine eyne!

  Wall holds up his fingers

  Thanks, courteous wall: Jove shield thee well for this!

  But what see I? No Thisby do I see.

  O wicked wall, through whom I see no bliss!

  Cursed be thy stones for thus deceiving me!

  Theseus

  The wall, methinks, being sensible, should curse again.

  Pyramus

  No, in truth, sir, he should not. ‘Deceiving me’ is Thisby’s cue: she is to enter now, and I am to spy her through the wall. You shall see, it will fall pat as I told you. Yonder she comes.

  Enter Thisbe

  Thisbe

  O wall, full often hast thou heard my moans,

 

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