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Brothers of the Head

Page 10

by Brian Aldiss


  His right hand still clutched a big scallop shell. After knocking the other out, he had performed an operation of his own. The other’s naked chest had been cut to pieces by the scallop. Beside the frightful wound lay Barry’s artificial heart. Tom had ripped it out of place after laying the chest open.

  He must have died almost as soon as the other. The load on his heart would have been great. Now his frenzy was past. The lines of his face were relaxed. From his twisted position, one eye looked up into the morning sky.

  Laura squatted down in front of him and began to weep.

  These painful events have now receded into the past. How vividly I recall crouching by that mutilated double body, my knees painful on the cobbles, crying, and hearing the flies buzz.

  Finally, Laura and I gathered ourselves up and went back along the strand. I summoned father. Later, Bert returned with a police officer. Bert took me and Laura away from the Head. The bodies followed later in another boat.

  I never knowingly failed my two brothers. Perhaps I failed the other. Perhaps I could have helped him too.

  Although I sometimes dream of him, those dreams have now shed their terror. His lost life – what did he think, experience … ? Was his a dream or a life? I don’t know what to make of it, any more than I know what to make of anyone’s life, come to that.

  The days are full enough, now that I have children of my own. They too are making their journey through the forests of life. Sometimes when they are in bed, Bert and I play the old Bang-Bang LPs to ourselves. Then I look out of the window and across the waters, to where father still lives out his solitary life on L’Estrange Head. Everything vanishes in time, like the music when the record stops playing.

  R.S.

  Appendix

  Big Lover

  Go to my lover and say

  That Earth is nothing but a star,

  It’s just the merest light-point

  To even its nearest neighbours.

  Serenade her with the facts

  Concerning life on Earth,

  Its startling brevity of tenure

  Give her cosmology and music

  To show her she is my lens

  Through which I view the universe,

  My eye, my sun/My big lover

  My galactic one.

  Love is a Forest

  The animal and the sublime

  Make you so versatile,

  You keep three lovers happy

  Yet torture them meanwhile.

  In this world I’m love’s tourist

  And take a package tour of solitude

  Our love is a forest.

  Oh you are all things to me

  Victim and vampire,

  You keep three lovers happy

  A phoenix of their fire.

  In this world I’m love’s tourist

  Another head is dreaming of your beauty

  Our love is a forest.

  Your loveliness is legend,

  A statue I would carve,

  You keep three lovers happy

  And satisfied to starve.

  In this world I’m love’s tourist

  Our love is a forest.

  Bacterial Action

  Although the world fills up with men

  Their numbers do not match

  The numbers of the swarming swarms

  Of creatures living in our skin.

  They have their nations and domains,

  Pleasant jungles, deserts, streams.

  They live, beget, and leave no trace

  For eye to see or mind to judge.

  They’ve no Byzantium or Rome,

  Yet they were there, in smock and gown;

  Proud Caesar was their planet too,

  In time their old prolific line

  Will speed commensally with us

  And all unknowing win the stars –

  Yes, ultimately win the stars

  Unknowing

  Star-Time

  We – who had survived the journey

  To the forty-seventh millennium

  Where dark starlight grows on bushes

  And eyes house laughing kookaburra birds –

  We sat drinking xwaszha in a café

  With boys and beauties whose grandfathers

  Were in their cots when we set out.

  It was triumph

  It was triumph

  My happiness took me to loving hearts and couches

  Yet we who had survived the journey

  Knew that all the while our memory

  Stayed with those elegant grey seas

  Curling over what was Europe.

  Just for a Moment

  Just for a moment think about spun glass spinning

  Moving in a low December’s sun,

  Shining above rough dark secret meadows

  Lying where the leaf-choked marshes run.

  Just for a moment think about a perfect colour

  Fading on the margins of the sea,

  Lapping against a pallid shingle pathway

  Leading to a castle tall and free.

  Just for a moment think about pure silence

  Shining above a distant mountain peak,

  Looking towards the radiant eye of moonlight

  Falling upon the contours of your cheek.

  Just for a moment visualize time absolute

  Dwelling through a planet’s unlived years,

  Passing over far untravelled tundras

  Turning where the long-haired comet steers.

  Or just for a moment think about a moment

  Let movement colour silence time all flow,

  About your lovely waiting head unknowing –

  And then you’ll know my love’s bounds,

  Then you’ll know.

  I was Never Deaf or Blind to Her Music

  No, I was never deaf or blind to your music, Laura

  I breathed more oxygen in her company,

  Reached higher speeds and a wider sort of skies

  And dredged for her secret salts and alkalis.

  It was just that the days closed in,

  A new motorway went up between her place and mine.

  We couldn’t agree on the merits of Stockhausen

  There were quarrels about my drinking habits

  We stopped going to gigs together

  And then there was that trouble with her employer

  Never properly explained

  I started breeding wire-haired terriers

  She said she lost her respect for me when

  I couldn’t give up smoking.

  But no, I was never impervious to her vistas

  Plunging into the lake of what she was

  She stormed me every day like valiant deeds

  And my head was as full of her as poppy seeds.

  It was just that the weather changed,

  My job took me up Sheffield every week.

  I felt a compulsion to join the scientologists

  She got mad on Dresden china pieces

  We became hooked on television

  She suddenly wanted to see the Sierra Nevadas

  And dance the true Flamenco

  With a bearded Dutchman studying zoology

  When I think of her driving round Granada

  I long for our time again.

  No, I was never deaf or blind to her music,

  Time was, her alchemy was all upon me.

  She packed every moment like a picnic box

  She was air and sea to my hills and rocks.

  I was never deaf or blind to your music, Laura.

  Footnotes

  1 Two-Way Romeo by Paul Day. Copyright © 1981 Bedderwick Walker Entertainments Ltd. All rights reserved.

  2 ‘Year By Year the Evil Gains’ in New Writings in SF 27, edited by Kenneth Bulmer, 1976.

  3 Colwyn Thomas, ‘The Two Shots that were Heard Round the World’, Sunday Times, 23 May 1982.

  About the Author

  Brian Aldiss, OBE, is a fiction and science fi
ction writer, poet, playwright, critic, memoirist and artist. He was born in Norfolk in 1925. After leaving the army, Aldiss worked as a bookseller, which provided the setting for his first book, The Brightfount Diaries (1955). His first published science fiction work was the story ‘Criminal Record’, which appeared in Science Fantasy in 1954. Since then he has written nearly 100 books and over 300 short stories, many of which are being reissued as part of The Brian Aldiss Collection.

  Several of Aldiss’ books have been adapted for the cinema; his story ‘Supertoys Last All Summer Long’ was adapted and released as the film AI in 2001. Besides his own writing, Brian has edited numerous anthologies of science fiction and fantasy stories, as well as the magazine SF Horizons.

  Aldiss is a vice-president of the international H. G. Wells Society and in 2000 was given the Damon Knight Memorial Grand Master Award by the Science Fiction Writers of America. Aldiss was awarded the OBE for services to literature in 2005.

  Copyright

  The Friday Project

  An imprint of HarperCollins

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  Hammersmith, London W6 8JB

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  First published in Great Britain in 1977 by Pierrot Publishing Ltd

  This edition published by The Friday Project in 2012

  Text copyright © Brian Aldiss 1977

  Brian Aldiss asserts the moral right to be identified as the author of this work.

  Source ISBN: 9780007482047

  Ebook Edition © October 2012 ISBN: 9780007482054

  Version 1

  FIRST EDITION

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