East is East

by T. C. Boyle

  Well, the bacon fat sizzled and popped and the sweet oyster smell made a fancy Charleston kind of potted-palm restaurant out of the two-room clapboard shack—painted blue and with a blue pyramid slashed on the chimney to ward off hags—and Olmstead White thought nothing and the stirring fork moved in his hand as if by its own volition. The room was hushed. A fly buzzed at the screen. It was then, as the fly struggled and the world slowed down like a worn old carousel, that he came to himself and sensed another presence inhabiting the hazy space of the room. His back was to the door, his hand stirring, the radio whispering and Dale Murphy going down on strikes and nothing had changed, nothing at all, but as sure as he knew he was alive and breathing he knew there was someone—or something—there with him.

  He moved like a man coming out of a coma, like Br’er Rabbit stuck to the tarbaby, his hands trembling as he remembered Varner Arms and how he was found dead in his own kitchen, blood spattered on the walls and hag’s hair—wild black hanks of it—scattered across the linoleum like a greeting from the darkest pit. His shoulders were rigid, his neck like a flagpole planted deep in the earth. But slowly, ever so slowly, he swiveled his gray-bristling chin till he presented his profile and one wild eye to whatever or whoever stood in the doorway behind him.

  What he saw there, through the contracting lens of that one wild eye, froze his heart. What he saw was Wheeler, his brother Wheeler, risen from the grave and with his skin gone the color of leaf mulch, Wheeler, wearing the red cotton button-up shirt and denim overalls he’d left draped over the hard slab of the tombstone not three days ago. “Wheeler!” he cried, jerking around awkwardly and throwing up his arms in extenuation, “I didden mean it, I didden, I never should of called you them low mizzable things on the day you done pass on, but I—” and then he stopped cold. This wasn’t Wheeler standing there in his kitchen with a look on his face like he’d just gone and taken a dump in his own pants … this wasn’t Wheeler with the overalls pinched round the gut and stuck halfway up his shins and the slanting eyes and iron-straight hair hanging in his face … this was, this was some kind of Chinaman or something. But what was a Chinaman doing in Olmstead White’s kitchen in Hog Hammock on Tupelo Island? It mystified him. It baffled him. In the end, it upset him more than any six hags and apparitions could ever have. “Who you be?” he roared.

  For his part, Hiro was no less shocked than the black man who stood twitching and jerking before him. In a delirium he’d staggered out of the salt marsh and up onto solid ground, his dead mother and his lost father dancing round him like fairies, root beer floats and slurpies and stone jugs of cold sake in their fluttering hands, and he’d found a rain puddle there, nothing more than diluted mud really, and he’d buried his face in it. By then the smell of cooking fat was overpowering and near and he pushed himself up and went for it at a trot. That was when he’d found the gravestones—crude rock slabs poking up out of the weeds like something he’d seen in a spaghetti Western. The first of the markers caught him in the shin; the second grazed the side of his face as he went down. When he untangled his feet and pushed himself up, he saw the shirt and pants, an overturned plate, a string of dried peppers and a weathered deck of cards. He didn’t think, couldn’t think, the smell of deep-fried fish—oysters, yes, oysters—driving all else before it, and in half a minute he’d exchanged his torn and filthy clothes for the shirt and overalls. He was hopping, actually hopping as if in some child’s game, as if he were in a sack race, as he shrugged into the overalls and slashed through the garden toward that supreme and dictatorial smell.

  But now, here he was, in strange stolen clothes in a stranger’s house and the stranger was shouting at him. Worse: the stranger was a black man, a Negro, and he knew, as every Japanese does, that Negroes were depraved and vicious, hairier, sweatier and even more potent than their white counterparts, the hakujin. They were violent and physical, they were addicted to drugs and they thought only with their sexual organs. He’d seen one once, in the streets of Tokyo, a bēsubōru player named Clarence Hawkins, first baseman for the Hiroshima Carp. An awesome man, like a walking statue. But he had no heart—no hara—and he wasn’t a team player. Here was a man who could have hit a home run with every swing of the bat and yet he refused to take practice with the others, refused the calisthenics and the drill of the thousand fungoes and running in the outfield and the cold baths that demonstrated team spirit and a will to win and guts and determination. The pitchers gave him nothing to hit and the umpires called everything a strike, even if it bounced, and within the year he was back in America. That was a Negro. And here was another, shouting at him in his incomprehensible gibberish.

  “Shipwreck!” Hiro shouted back, waving his arms in imitation of the gaijin. “I am starving. Please, I beg you, give me something to eat!”

  Olmstead White heard him, but for all the good it did, Hiro might as well have been talking Japanese. “Somesing eat” was all that came through, and even that didn’t register, so alien was Hiro’s accent—and even if it had, the sequel would have been no different. Feeling trapped in his own kitchen, feeling scared and embarrassed and angry, delivered from the haunts and hags and into the hands of a stranger—an Asiotic Chinaman, no less—Olmstead White reacted in the only way he could. Before him, on the table, lay the butcher knife, the one he kept honed for punching through the stiff bristle of his Christmas hog and the soft underbelly of opossum and deer. He looked at Hiro, looked at the knife, and snatched it up.

  Hiro could sense that the situation had deteriorated. The veins stood out in the Negro’s neck and the whites of his eyes were swollen. He kept shouting and there were flecks of spittle on his lips. It was obvious that he hadn’t understood a word. And now he had a knife in his hand, the blade ugly with use. Behind him, the oysters sent up their ambrosial aroma.

  It looked bad. It did. Hiro should have turned and fled, he knew that, and he knew too that the blade was sharp and the old man tenacious, a wild beast surprised in its lair. But the oysters exerted their influence, and he recalled the words of Jōchō: A true samurai must never seem to flag or lose heart. He must push on courageously as though sure to come out on top. Otherwise he is utterly useless. “Somesing eat,” he repeated.

  What happened next came as a surprise to them both. Untended, the oysters smoldered, calcified, approached critical mass; in the next instant they burst into flame with a sudden startling rush of air while a thick black plume of smoke billowed up from the pan, growing thicker and blacker even as it rose. Instinctively, both antagonists went for the pan. In the process, Hiro, who despite the loss of twenty pounds was still a broad-beamed young man, jostled the elderly Olmstead White, and Olmstead White, suffering from a touch of arthritis in his right hip, lost his balance, and in losing his balance, thrust out a hand to brace himself. Unfortunately, that hand didn’t make contact with the tabletop or the corner of the stove. Instead, it came down squarely in the center of the pan of flaming grease and incinerated oysters, and Olmstead White let out a howl that would have unraveled the topknot of even the staunchest of samurai. The pan tottered a moment on the edge of the stove and then slammed to the floor in an explosion of flame.

  In an instant, the shack was ablaze. Jaws of flame chewed at the floorboards, the walls, devoured the dirty yellow curtains. Hiro took to his feet. He was out the door, across the porch and into the crude graveyard before he caught himself. What was he doing? Had he gone mad? He couldn’t leave the old Negro in there to burn to death, could he? He turned, Jōchō’s injunction on his lips—you had to act, without hesitation, or you were lost, disgraced, a coward—and started back for the house. It was then that the Negro appeared in the smoke-shrouded doorway, his hair singed, his right hand the color of steamed lobster. Hiro stopped again. What stopped him this time, what deflated the balloon of his resolve and rendered Jōchō meaningless, was the object cradled in the old man’s good arm. For Olmstead White stood there on the porch, the shack an inferno behind him, fumbling with a double-barreled
shotgun and a box of bright yellow shells.

  And then Hiro was running again, running from the thunder of the shotgun and the hiss of the flames and the shouts and cries of the aroused neighborhood. All at once there were people everywhere, screaming, running, crying, scrambling over one another like ants pouring out of an anthill. He dodged a fat old woman with a face like a Nō mask and veered away from a pair of startled boys in dirty shorts, and then he was cutting through a dusty yard, scattering chickens and hogs and howling brown babies in white plastic diapers. Running, he glanced over his shoulder and saw the flaming shack in the distance above a sea of black faces and gyrating limbs. It was a scene that made him catch his breath, a scene of utter horror and depravity, dusky faces and sharp white teeth, the cannibals of his boyhood picture books dancing round their hideous cookfire. Hiro ran, no hunger worth this, ran into the deepening shadows and through the muck and puddles and the strange tropical vegetation, ran till at long last the shouts and the curses and the barking of the dogs fell away from him like so much sloughed skin.

  All the next day he crouched in the bushes, chewing roots and leaves and the odd handful of sour berries, while voices flared round him and dogs whined and grunted at the leash. Vicious, vengeful, outraged, they were hunting him, these black men of the bush, looking to flush him out, settle the score, lynch him as they were lynched by the hakujin. At daybreak a grim-looking Negro with red-flecked eyes came within five paces of where he lay trembling in a thicket of holly and palmetto. The man had a gun, and he was so close Hiro could have reached out and unlaced his shoes. He was terrified. He was miserable. He was hungry. Day bled into night and he fumbled through the dark bush, putting as much distance as he could between himself and the porch lights and barking dogs.

  The truth is, he didn’t know where he was or where he was going. All he knew was that he was starving and that the gaijin authorities would be after him and that if they caught him he’d be imprisoned and sent home in disgrace. He wandered aimlessly, his feet battered and bleeding, mosquitoes and ticks and chiggers and gnats drawing yet more blood, venomous reptiles lying in wait for him. He was a city kid, an urban dweller, raised by his grandmother in the serried flats of Yokohama. Of the forests and mountains of Japan he knew little, and he knew even less about the wilderness of America. He knew only that it was vast and untamed and seething with bear, lion, wolf and crocodile. Unseen wings beat round his head in the darkness. Shrill voices screeched through the hollows of the night. Something bellowed in the swamp.

  On the third day—or was it the fourth?; he’d lost count—he staggered out of the woods in a swirl of mosquitoes, the too-tight shirt and overalls tattered and stiff with dried mud, and found himself on a blacktop road. It was a miracle. Pavement. The smell of it alone reassured him. If he followed it, he reasoned, the road would lead him to civilization, to some tidy little farmhouse where he could risk showing himself and beg for food in exchange for doing odd jobs, maybe sleep in the barn like in those black-and-white movies with the clanking jalopies and the smiling long-nosed old ladies in bonnets and dresses that hung to the floor. Or he could find a diner or a McDonald’s like the ones in Tokyo—he thought of the little green bills he’d tucked away in Jōchō’s book, buried deep now in the deep pocket of the Negro’s overalls—and he could purchase a meal, fries and a Big Mac, Chicken McNuggets and a shake. But he couldn’t just stroll on down the road as if he were shopping for shoes in the Ginza. They’d catch him in a minute, the Negroes, the police, and how could he explain what had happened in that shack and what the smell of those oysters could do to a desperate man?

  The sun arced over the road before him. He looked to his left, expecting barns and silos, rowhouses, streetlights, taxicabs, and there was nothing but blacktop and trees; he looked to his right and saw more blacktop and more trees. For a long moment he stood there, rooted to the spot with indecision. And then he flipped an imaginary coin and began working his way up the road to the right, not daring to walk along the blacktop itself, but tearing through the brambles and kudzu in the ditch that paralleled it. He had no plan, really, had never had one, not since he’d run afoul of Chiba and Unagi, anyway. He thought vaguely of heading inland, to New York or Miami or San Francisco, where he could lose himself among the mobs of gaijin mutts, where he could be, for the first time in his life, like anyone else. But geography—the geography of the West, at any rate—was not one of his strong suits. He did know that the Port of Savannah was in Georgia and that Georgia was in the South where the Negroes harvested cotton and the hakujin made them use separate toilets and drinking fountains, but he had no idea where he was in relation to Beantown or the Windy City, and he didn’t have even a clue that he was stranded on an island and that the only way off it was via Ray Manzanar’s ferry and that Ray Manzanar was related to half the people on the island and knew the other half as well as he knew his own kith and kin. Mercifully oblivious, faint with hunger and too weak even to lift a hand to brush away the horde of mosquitoes that settled on him like a second skin, Hiro forged on.

  After a time, the thicket ahead began to brighten with sun, and the tangle of branches became noticeably thinner. He paused, up to his ankles in the standing water of the ditch, and peered through a chink in the wall of vegetation. There was something unnatural, something red, just ahead of him and to the left, something bright and comforting and familiar. He moved closer. What he saw made his heart leap up. There, in the window of a freshly painted clapboard building just off the road, a bewitching and seductive red neon sign spoke to him in a universal tongue: COCA-COLA, it announced, COCA-COLA, and he went faint with gastric epiphany.

  He lurched forward, as overcome as he’d been by the scent of the Negro’s fateful oysters, beyond all sense and caring, till at the last moment he caught himself. All at once he dropped down with a grunt and hunkered low in the water. He was a mess. The stolen clothes were in tatters, he reeked as if he’d been dead a week, he was filthy and cut and torn in a hundred places. And his face—he was a Japanese, or half a Japanese—and they’d see that in a second and they’d know who he was and what he’d done and then the police would come and he’d be thrown in jail and brutalized by the half-breeds and child molesters and patricides that infested the dark gaijin cells like mold, COCA-COLA, flashed the sign, COCA-COLA. But what could he do?

  Cautiously, he emerged from the ditch and sat heavily in a clump of waist-high grass. There was no one in sight, not a car in the gravel lot, and from this angle he could see that the door of the shop stood wide open. He had to get cleaned up, had to disguise himself somehow, had to get in there and buy out the store before someone showed up. Yes. All right. He would wash the mud from his clothes as best he could, and from his feet too. But when he glanced down at his feet and calves he saw that they were nearly black with some sort of clinging shapeless things—sea slugs, they looked like. He had never encountered leeches and didn’t know that they were sucking his blood—or rather that they secreted an anticoagulant so that his heart pumped blood into them, as if they were extensions of his own veins and arteries—nor did he realize that in casually peeling them off he risked dislodging their mouth parts and causing an infection that could suppurate, turn gangrenous and threaten the limb itself. No, he merely pulled them off, wistfully regarding the plump writhing morsels of their compact bodies—he’d always had a weakness for sea slugs—before dropping them back into the ditch. He didn’t need them. Food—real food—was in sight.

  Next, he stripped off his clothing and attempted to wash the overalls in the ditch. The red shirt was beyond hope, and so he tore off a strip of it and wrapped it around his head, Ninja style, hoping it would help disguise him. Then he wrung the overalls out, shrugged back into them (no mean feat—it was like pulling on a wetsuit six sizes too small), and turned to the pages of Jōchō. The bills were still there, along with the cracked and bleached photo of his father. He smoothed them out, wondering at the arcane codes and symbols—a pyramid? wasn’t that supp
osed to be Egyptian?—only half believing that this was the real article. It was so—so whimsical, like the play money of a children’s game. There was a picture of a man in a wig on three of the notes, and he was wearing a high collar and a benign expression, THIS NOTE IS LEGAL TENDER FOR ALL DEBTS, PUBLIC AND PRIVATE, Hiro read. FEDERAL RESERVE NOTE. THE UNITED STATUS OF AMARICA.

  He shrugged. Akio Ajioka, the BR aboard ship and his only friend in the world, had traded him the bills in exchange for two bottles of Suntory whiskey and a stack of thumbed-over manga. “This is the real thing, mate,” Akio had said with a grin, “this is what they use in Times Square, Broadway and Miami Beach.” Akio wouldn’t lie to him, he knew that. After a moment he stood and smoothed out the wrinkles in his pants. Clutching the bills in one hand and Jōchō in the other, he crossed the gravel lot to the store.

  Inside, it was cool and fresh-smelling, lit only by the sunlight filtering through the windows. Hiro saw racks of food, junk food mostly, in garish plastic packages and brightly colored cans. There was a freezer, and against the back wall, two glowing huge coolers full of beer and soda, a shrine to thirst. Behind the cash register, a young woman—very young, sixteen, seventeen maybe—sat nursing a baby and watching him out of a pair of wide green eyes. “Kin Ah help y’all?” she said.

  Food. Hiro wanted food. And drink. But he didn’t know how to respond. Kinahhelpyall didn’t compute, not at all, but he wanted desperately to ingratiate himself, get through the exchange and then bow his way out the door, vanish into the bushes and gorge himself till he burst. He knew he had to have his wits about him, had to demonstrate his savoir-faire, convince her that he was all right, that he belonged and knew the ways of the gaijin as well as they knew them themselves. Already the pressure was killing him. He was sweating. He couldn’t seem to control his facial muscles. “Somesing eat,” he said, trying to sound casual, and he snatched a loaf of bread and a bag of nacho chips from the shelf, all the while bowing and bowing again.