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Paris at the End of the World

Page 21

by John Baxter


  They walked out into the morning, past Cocteau, who was still talking to his spellbound friends.

  Paris didn’t seem like a city of darkness to Archie.

  It seemed wonderful.

  Epilogue

  But . . . it never happened!” said Peter van Diemen.

  “It might have.”

  “Well, anything might have. But where’s your evidence?”

  “Cocteau was in Paris. He went to places like Le Chat Qui Fume with Morand and other friends. . . .”

  “But we don’t know that your grandfather was ever even in Paris. Let alone that he met Cocteau.”

  “I’m not saying he met him.”

  Peter’s expression showed how little he thought of such hair-splitting. “You can’t simply invent things.”

  “How do you account for his behavior then? The decision to volunteer. The fascination with Paris. The refusal to return to his wife.”

  “I don’t have an explanation. A few speculations, perhaps.”

  “Like what?”

  “Well . . .” He laid a postcard on the table. “This was in the documents you gave me.”

  The photo side showed a naked baby, facedown on a rug. I turned it over. Someone had written in a studied, looping hand, “To My Daling Dady From his Darling little daughter Stella Baxter 74 Catherine St Leichhardt June 10th 1917 Send me a big doll dad.” It was addressed simply “Private W A Baxter on active Service abroad.”

  “This must be my aunt then,” I said. “Dad’s little sister. We always called her Mary.”

  I tried to square this infant with the bulky lady who’d been a fixture of my childhood and adolescence.

  “Do you know when she was born?” van Diemen asked.

  “No idea. From the look of this card, about 1916.”

  “1917. February 6, to be precise.”

  “So?”

  “This would mean that, assuming a normal pregnancy, she was conceived in May of 1916. Archie volunteered in May 1916.”

  “Meaning . . . ?”

  “Getting your wife pregnant doesn’t suggest a man who wanted to cut all ties with his family. Quite the reverse, in fact. He would have sailed in October knowing she was expecting.”

  He sorted through the papers.

  “Another thing . . . I found this.”

  It was a smudged copy of a three-line death notice from a newspaper.

  BAXTER. June 2, 1913, at his parents’ residence, 11 Catherine-street, Leichhardt, Claude Hector Robert, dearly-loved infant son of Mr. and Mrs. Archie Baxter, aged 5 weeks. “A bud In heaven.”

  “The house number is wrong.”

  “How many Archie Baxters can there be on one street?”

  “So my grandfather lost a son, almost at birth?”

  “Not one. Three.” Another paper. “This is his death certificate. He was sixty-one. Cause of death—auricular fibrillation, myocarditis, and hypertension. And look; under ‘children of the marriage,’ it lists John, your father; Neville, your uncle; and Stella Mary, your aunt, as living and ‘3 males, deceased.’ ”

  He laid his hand on the papers.

  “You know what I see here? A man who suffered a great deal of loss. Three sons dead in infancy. From what you say, a difficult domestic situation. A job he didn’t like. I see a man with a tendency to high blood pressure; probably inclined to mood swings; not an easy man to get on with.”

  “My cousins tell me the same thing. My father too. He had to move away from home as a boy, to live with another family.”

  “Some men respond to stress and loss by remaining and accepting. Some grieve and brood. Some run away. I would guess Archie belonged to that last group. He left his father’s farm for the city. He left his wife for France . . .”

  “And when he came back, he left her again, to try running his own business.”

  “I found out something about that too. You said he made condiments? Remember the branch of your family that set up a successful business in Scotland making canned goods and preserves? Look at this.”

  It was a printout from the Wikipedia entry for the Baxter company.

  Baxters is an international food company, based in Fochabers, Moray, Scotland. It has its roots in a grocer’s shop opened by George Baxter in 1868. Baxter’s shop became known for supplying pickles and preserves in the early 20th century, when Baxter’s son and daughter-in-law began preparing their own beetroot and selling it to other grocers.

  “Pickles and preserves. Not far from condiments.”

  I remembered that someone told me Archie made very good pickled onions.

  “You think he was trying to repeat what his . . . uncle? cousin? . . . achieved?”

  “Don’t you think it’s possible?”

  “Yes, it’s possible. But what about la cité des ténèbres and San fairy ann?”

  “Things he read. Things he heard. Who knows? Every life is a mystery. Sometimes one has to embrace the inexplicable.”

  When I got home, I walked out on our terrace and looked across the roofs of Paris toward Notre Dame.

  Archie had never lived in France. But here I was, two generations later, with a French wife and daughter and an apartment in the heart of Paris—a city in which I had never meant to settle but to which I had been drawn from the other side of the world.

  Drawn by what? A gene? A fragment, lodged somewhere in the genetic record, of my grandfather’s need for another and better life in a country far from his own?

  I might never know what Archie hoped to find in Paris or what he had found here. If it was to forget his life and family, to start again as his own man, he had come to the wrong place. In the city of Cocteau and Proust, the past was as real as the present. This is a city that remembered. Far from rejecting pain, it embraced it, transformed it. I loved it for that—loved it as one preserves the memory of lost loves and remembers with nostalgia rather than regret the illusions of youth. I loved it as had Rimbaud. He spoke for all us newcomers when he wrote in “The Drunken Boat”:

  If there is one water in Europe I want, it is the

  Black cold pool where into the scented twilight

  A child squatting full of sadness, launches

  A boat as fragile as a butterfly in May.

  Acknowledgments

  Our family is typical in having preserved too little of its past. What has been saved is due to the efforts of my brother, Philip, and my sister, Virginia, without whom it would not have been possible to write this book. Thanks are also due to Robyn Lopes, my cousin on my mother’s side, for her meticulous documentation.

  In London, Mary Troath was, as always, the most creative and indefatigable of researchers. I’m grateful to Neil Hornick for the generous access to his archives and for his cordial elucidation of the complexities of British society. In Australia, Michael Caulfield was unstinting with his time, expertise, and friendship. I’m particularly grateful to the Australian War Memorial and the National Archives of Australia, Canberra, for assistance and advice. In Paris, Dr. Barbara Santich, by inviting me to her lecture at the Australian embassy in Paris, brought this book a giant step closer to fruition. Simon Gallo at the American Library in Paris kindly arranged access to its files of Stars and Stripes. Thanks to my longtime editor at HarperCollins, Peter Hubbard, and to my agent, Jonathan Lloyd. I’m also grateful to the many others at Harper who have labored on my behalf, among them: Cole Hager, Amy Baker, Cal Morgan, Milan Bozic, Julie Hersh, Fritz Metsch, Gregory Henry, and Sarah Woodruff. And to “Peter van Diemen,” as he prefers to be known, my most heartfelt thanks. Ein Gespenst ist noch wie eine Stelle, dran dein Blick mit einem Klange stößt.

  Index

  The pagination of this electronic edition does not match the edition from which it was created. To locate a specific entry, please use your e-book reader’s search tools.

  Page numbers in italics refer to illustrations.

  Adams, Franklin P., 360

  Aeneid, The (Virgil), 66

  Aeropolis (Kistemaeckers), 101
–2, 102

  Agence Iris, 260–61, 263

  Aix-les-Bains, 247–48

  Alain-Fournier, 64

  A la Recherche du Temps Perdu (Proust), 33

  Albaret, Odilon, 207

  Albert, Prince, 175, 277

  alcohol, 152–53, 230, 306–7

  absinthe, 84, 229–30

  wine, see wine

  All Quiet on the Western Front (Remarque), 14–15, 149–51, 150

  Alsace, 45, 47–49, 48, 99, 105, 134, 143, 144, 172

  Also Sprach Zarathustra (Nietzsche), 263

  American Civil War, 25, 347, 361

  American Expeditionary Force (AEF), 160

  American Library Association, 354, 355

  American Library in Paris (ALP), 355, 359

  Americans, 313–19, 355–57, 360–61, 363

  doughboys, 42, 148, 247–48, 255, 268–69, 314, 353

  American Volunteer Corps, 158–59

  Angel of Mons, 325

  Annales des Maladies Vénériennes, 181

  années folles, les, 362

  Antoninus, 37–38

  ANZAC (Australian and New Zealand Army Corps), 30, 76

  Anzac Day, 72, 169

  apaches, 316

  Apollinaire, Guillaume, 292, 296, 298, 374

  Aragon, Louis, 296

  Armstrong, W. Watson, 191

  Arnoux, Guy, 313–14, 316

  Around the World in Eighty Days (Verne), 290

  artists, 146–47, 151

  art nouveau, 57–58, 59

  Arwr, Yr (Hedd Wyn), 303–4

  Assiette au Beurre, L’, 283, 284

  Auric, George, 292

  Austra-bloody-laise, The (Dennis), 163

  Australia, 106–7, 114, 118–19

  Australian Imperial Force (AIF), 18, 111, 167, 173, 242, 270, 271

  Australian volunteers, 163–74

  Australian War Memorial, 119, 203–4

  aviation, 100, 101–2, 102

  aviators, 285–86

  Bach, Johann Sebastian, 177

  Baïonnette, La, 146, 180, 180, 195, 196, 210, 234, 238–39, 244, 254, 264, 313–14, 315

  Balaclava, 25

  Ballets Russes, 32, 85, 217–19

  banks, 155

  Banque de France, 142

  Barbier, George, 231–32

  Barbusse, Henri, Under Fire (Le Feu), 212, 213–14

  Barney, Nathalie Clifford, 83–84

  Bateau-Lavoir, 63

  Battle of Dorking, The: Reminiscences of a Volunteer (Chesney), 101

  Baudelaire, Charles, 84, 336, 364

  Baxter, Archie, 13, 18, 38, 67–69, 71–78, 72, 75, 87, 90–91, 107–8, 110–11, 112–14, 117, 118, 163–66, 174, 185, 193, 199, 221–22, 227, 229, 300, 305, 306, 339, 345–52, 378–83

  documents on, 163–64, 202–6, 379, 380

  in London, 267–68, 270–71, 277, 279–81

  in Paris, 364–77, 378, 383

  varicose veins of, 206, 227–28, 308–9

  wedding photograph of, 108

  Baxter, James, 109–10

  Baxter, Stella Madden, 72, 73, 75, 77–78, 108, 108, 109, 110, 202

  Baxter family, 66–67, 109–10, 381

  Beach, Sylvester, 153–54

  Beach, Sylvia, 83, 154

  Beaumont, Edith de, 236, 292, 339, 340, 356

  Beaumont, Etienne de, 9–11, 12, 292, 339, 340, 356

  Beethoven, Ludwig van, 177, 182–83

  Begbie, Harold, 274

  Belgium, 181, 182, 216, 277, 323

  Bell, Clive, 330–31

  Bell, J. X., 331–32

  belle époque, la, 57

  Bellows, George, 234–35, 235

  Berlin, Irving, 71

  Binyon, Laurence, 139–40

  Birdwood, William, 272–73

  Biron, Gaston, 215

  Bismarck, Otto von, 44

  black French soldier guarding German prisoners, 346

  Black Sun Press, 154, 333

  Bleak House (Dickens), 278

  Blighty, 268

  Boer War, 24, 35, 171–72

  Bohème, La (Puccini), 82

  Bonnot gang, 63, 64

  boulevardier style, 287–88

  bouquinistes, 121–22

  “Bowman, The” (Machen), 325–26

  Boyle, Kay, 333–34

  Brancion, 122–28, 129

  Braque, Georges, 63, 297

  Breton, André, 89, 296

  Brewer, Hector, 294–95

  Bridges, Robert, 24

  Brittain, Vera, 204–5

  brocantes, 194–200

  Brooke, Rupert, 22–24, 22, 30

  Brophy, John, 20

  Brown, “Panama” Al, 32

  Bruyere, Georges, 55–56

  Bullard, Eugene, 153, 159, 285, 286

  Bulletin, The, 115

  Burrawang, 190

  cafard, 259, 263

  Cap de Bonne-Espérance, Le (Cocteau), 302, 340–43

  Carlton, Harry, 194

  Carlyon, Les, 115

  Castellane, Paul Ernest Boniface “Boni,” Marquis de, 81

  Catton Hall, 306

  Cavell, Edith, 30, 234–36, 235, 243

  Céline, Louis-Ferdinand, 282

  Ceramic, 164, 165, 167, 172, 205

  Cerne Abbas Giant, 225

  Chabanais, Le, 82–83

  Chanel, Coco, 33, 209–10

  Chaplin, Charlie, 219, 307, 356

  Charters, Jimmie, 288, 314

  Charters, John, 325

  Chauvel, Harry, 203

  Chekhov, Anton, v

  Chesney, George Tomkyns, 101

  Chinese embassy, 155–56

  Chronique Médicale, 182

  Churchill, Winston, 1, 35

  cigarettes, 230–31, 231, 360–61

  Cinderella (Perrault), 258

  Civil War, 25, 347, 361

  Clare (friend), 311–12, 320

  Clemenceau, Georges, 98

  Cocteau, Jean, 9–11, 10, 15, 29, 31–38, 42, 62, 86, 138, 143, 207, 208, 215–16, 238, 289, 290, 339, 344, 374, 377, 378, 383

  Le Cap de Bonne-Espérance, 302, 340–43

  opium addiction of, 60–61, 61

  Parade, 217–19, 289–99

  Codford, 205, 224, 225–26, 226, 228, 229

  Cody, Buffalo Bill, 316, 356

  Cohan, George M., 310

  Colette, 240

  Colonel Blimp, 30

  Conan Doyle, Arthur, 201, 321–22

  The Land of Mist, 321, 322, 328

  condoms, 199–200

  “Congo, The” (Lindsay), 357

  conscientious objectors, 275–76

  Coolidge, Calvin, 141

  Coward, Noël, 191, 221

  Cowley, Malcolm, 25–26, 35, 37, 161–62, 217

  Crane, Stephen, 7

  Crosby, Caresse, 154, 333, 335

  Crosby, Harry, 154, 332–35

  cummings, e.e., 154, 241–42, 292

  Curran, James, 166, 248–49

  Danton, Georges, 45

  Darmon, Pierre, 284

  Debussy, Claude, 57

  Denis, Saint, 323

  Dennis, C. J., 107–8, 163

  Départ des Poilus, Août, Le (Herter), 137–38, 137

  Deserted Village, The (Goldsmith), 185

  Diaghilev, Sergei, 85, 217, 219, 289, 290, 292, 296

  Dickens, Charles, 278

  Dietrich, Marlene, 234

  diggers, 114–15, 116–17, 120

  d’Indy, Vincent, 331

  Dingo Bar, 288

  Dishonored, 234

  Disney, Walt, 154

  Doctor Zhivago (Pasternak), 111

  Dos Passos, John, 154, 214

  doughboys, 42, 148, 247–48, 255, 268–69, 314, 353

  “Dreams of France” (Gellert), 174

  Dreyfus, Alfred, 43–44

  Drosso, 335

  drugs, 84–85, 336

  opium, 60–61, 61, 84, 335

  “Drunken Boat, The” (Rimbaud), 282, 383

  Dunne, John Gregory
, 58

  Edward VII, King, 83

  Edward the Confessor, 83

  Elgar, Edward, 177

  Eliot, T. S., 92, 124

  Enormous Room, The (cummings), 154

  Entertainments National Service Association (ENSA), 308

  Esperanto, 64–65

  espionage, 179, 180–81, 180, 312, 314–16, 336–37

  Esquire, 363

  Europe, James Reese, 247, 296, 356, 358–59, 358

  Evans, Ellis, 303–4

  Exploits d’une Petite Française, Les, 291

  Fairbanks, Douglas, 216

  faiseuses des anges, 266

  Fall-In (Begbie), 274

  Falls, Charles Buckles, 353

  Farewell to Arms, A (Hemingway), 154, 238

  Farjeon, Eleanor, 113–14

  fashion, 208–14, 209, 211, 216–17, 287–88

  Feu, Le (Under Fire) (Barbusse), 212, 213–14

  Field of Dreams, 110–11

  Figaro, Le, 177

  Finnegans Wake (Joyce), 87, 333

  Fitzgerald, F. Scott, 288, 357

  Flament, Albert, 337–38

  Flanders, 19–20, 21, 38, 227

  flâneur style, 287–88

  Folies Bergère, 252–53, 294–95

  food shortages, 300–302

  Foreign Legion, 113, 153, 158, 159, 331–32

  “For the Fallen” (Binyon), 139–40

  fourbancier, 149

  Fournier, Henri-Alban, 64

  Franco-Prussian War, 25, 39, 47, 101

  Franz Ferdinand, Archduke, 103–4

  fräuleins, 178–81, 180, 314–15

  French 75, 6

  froussards, 142

  Fuchs, Leonhart, 176

  Gaines, Ruth, 330

  Gallant, Mavis, 253–54

  Gallieni, Joseph-Simon, 8, 14, 30, 49–54, 51, 152, 323

  Gallipoli, 30, 118, 272

  Gallo, Simon, 359

  gambling, 168–69, 238–39

  Gammage, Bill, 227

  Gare de l’Est, 130, 131, 133, 134, 135–37, 148

  Garros, Roland, 31, 216, 340–42, 340, 344, 375

  gas poisoning, 204–5, 305–6, 351

  Gaudier-Brzeska, Henri, 151–52

  Gay, Noel, 39

  Gellert, Leon, 173–74

  Genet, Jean, 32

  Geneviève, Saint, 323

  George, Saint, 325–26

  George V, King, 175, 277

  Germans, 146–48, 175–78, 181–82, 216, 323

 

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