Halting State

by Charles Stross

  “Do it,” he says. “Ms. Barnaby first.”

  Elaine puts her hands on the table and tenses, rising out of her chair slowly. She’s got her head cranked round, looking over her shoulder with an expression of profound apprehension (or is it calculation?) on her face. You reach out and slowly slide your fingers into her pocket, finger the warm soap-bar shape of her mobile, and retract. “In the bin, Mr. Reed. Now.”

  Clonk. And a faint sigh as the gas strut under the chair takes Elaine’s weight again.

  “Take your glasses off and put them in the bin. Then put your hands behind your neck. Stay away from the keyboards.” Hackman is stripping you naked—not of clothing, but in a more significant way: stripping you of the right to volitional speech, stripping you of the ability to communicate, stripping you of identity. But he hasn’t reached your skin yet—if Sergeant Smith comes back…“Now turn round to face the door. Slowly.”

  “What do you want?” Elaine asks, getting the words out in a hurry.

  Hackman twitches. “Shut up.” He glances at you. “If I don’t call a certain number in sixteen minutes, your niece dies. Do you understand?”

  You nod, your heart in your mouth. You understand all too well: Hackman’s got hold of Barry’s crock of shit about Elsie, and now you know he’s lying. But he probably doesn’t know he’s lying, not if he’s going through Team Red—there’s no reason for any of them to know the truth about your family. Or for Elaine to know, for that matter. Which puts an uncomfortable complexion on things. Because if Sue Smith isn’t coming back, if Hackman’s used Team Red’s favours to lure her away, thinking Elsie is at risk from his friends could stop Elaine getting away. Inconvenient, and then some. You’re going to have to bite a bullet, if not take one for a team you never asked to join.

  “Why?” you croak.

  “Shut up. I’ve got a car downstairs, round the back. Auto-drive. We’re going for a little ride into the borders, then you’re going to spend an uncomfortable twenty-eight…no, twenty-seven…hours locked in a cellar. Then I’ll be in the clear, and you’ll be free. Do you understand?”

  Elaine is shaking her head. “Why?”

  “Follow the money, stupid.” He looks angry, and a bit bewildered now. “It was working fine until you showed up.” If it wasn’t for you pesky interfering kids, I’d have gotten away with it…

  “How much money?” Maybe, you think, you can convince him that you’re venal enough to switch sides to an obvious liar.

  “Twenty million in put options hedged against Hayek going down the tubes within two months of IPO, bought through a blind trust.” His cheek twitches. “I’m into covering my bets. Barry and Wayne were just way too confident. The writing’s been on the walls for months.”

  You realize your jaw’s gaping wide open. “You’ve been betting on your own company failing?”

  “You youngsters.” His expression is coolly cynical: “You were still in short pants during the first dot-com bubble, weren’t you? Fucking amateur get-rich-quick schemes. I made my first fortune and lost it before you were even out of school. I know the signs.” He twitches the gun barrel towards you, then back to Elaine. “Seen it before, twice over. But this time I was ready. All it takes is a couple of million and the right suit, and you can buy in, and be out before the starry-eyed optimists notice what’s going on.”

  “But you can’t…be…” Elaine is almost stuttering with surprise. And you can tell what’s going through her head. You were onto a winner! Chief executive of a Potemkin corporation, backed by the security services! Just lie back and let the money roll in! “I don’t believe it.”

  “Is that your bag?” Hackman asks, deceptively casual, with a nod towards the duffel bag and its cylindrical protuberance, where it sits beside the window.

  “Yes.” Elaine nods.

  “Stand up, slowly. Slowly now, go and stand beside it. You’ll notice I’m pointing my gun at Ms. Barnaby, Mr. Reed, so don’t do anything silly, or I shall have to shoot her.”

  Realizations crystallize in parallel as you see Elaine slide sideways towards the bag. Like: Hackman is a fruitcake. And: He doesn’t know you know about Wayne. And: Wayne’s dead, and who the hell do you think killed him? “Are you working for Team Red?” you ask.

  “Shut up. I’m working for myself.” So he’s been going through the blacknet, not knowing who’s on the other side of it, also tapping it for what it can give them. And he’s still pointing the gun at Elaine. Oh shit. Elaine is tense: She glances at you wide-eyed, like a woman about to stick her head in a hangman’s noose. You can read her expression, clear as day—I’m doing this for Elsie. And that’s what triggers the honesty attack as the mummy lobe, hitherto catatonic with fright, finally takes over your tongue:

  “Elsie died six years ago, Hackman. Your blacknet friends are lying to you.”

  And it’s true, and the confession rips you back to that horrible morning in the mortuary down south where they showed you the photographs, then waited while you got a grip on yourself and blew your nose and wiped your eyes—you didn’t throw up until later, after the sixth pint of the evening—and were very sorry, sir, to put you through this, but we need to know, we need to know who was in the car because after it came out from underneath the articulated lorry you had no family at all, you had no life, and that was when you began paying the Absent Friends subscription, because even the simulacrum of your sister and nieces gives you something to talk about, it’s better than nothing at all. People instinctively know when a member of the herd is the last of their kind, and you can’t live with the sympathetic glances, and you can’t live with the isolation, either, and how were you to know? It’s just your reality, these days, an embarrassing ghost you’ve dragged around with you ever since the accident. A bodyguard of ghosts.

  The ghosts surround you as you stand up and take a step away from Elaine, away from the desk where the zombie-haunted laptop is co-ordinating the automatic mop-up operation to a war Hackman doesn’t even know is happening, a second step to widen the gap and close with Marcus as the gun barrel turns to track you and shoots.

  BANG.

  You didn’t know it could be that loud: It’s not just a noise, like in the games, it’s a solid force hammering on your eardrums and punching at you. But you take another step and reach for the gun.

  BANG.

  This time you feel something like a punch in the ribs. But you’re close enough to grab at Hackman’s arm, now, even though your legs don’t seem to want to work properly. It’s very odd: You’ve almost got your hand on the gun-barrel, but it’s getting farther away, and what’s the ceiling doing? Something hits you appallingly hard in the back, and then your head’s in agony as you whack it on the floor, and the gun is still pointing at you, with Hackman’s face behind it, snarling like a shark that’s scented blood on the boardroom carpet and is about to bite your throat out—

  Then Elaine takes a brisk step forward, straightening up from where she’s grabbed something from her bag with both hands, pivots smartly on her left ankle, and swings a huge sword over him in a motion like the windscreen wiper from hell. Through your ringing ears you hear a crunch of bone. And the last thing you see is Hackman, a surprised expression on his face, toppling towards you, as Elaine staggers with the effort of halting the instinctive backstroke that would take his face off.

  Restart:

  A white plastic ceiling above you, lights, and a green shape hunched over your face. Some kind of mask. Whatever you’re lying on jars painfully as the wheels ride over speed pillows. And you wish they’d turn off the siren.

  Been here before. Didn’t like it any better the first time. “Looks like he’s coming round.”

  Nope, sorry.

  Restart:

  You’ve been shot in the chest, in case you hadn’t guessed. Twice—once wasn’t enough for you? So you had to go and be a hero, because you knew what Hackman didn’t know you knew, which is that his friends on the other end of the anonymously remixed blacknet link, T
eam Red, had already tried to kill you a couple of times over: And to make things better, Hackman had already iced his partner in insider trading, Wayne Richardson, and it therefore followed that he wasn’t about to leave you or Elaine behind to point the finger at him. Because that’s what blacknets are good for: buying illegal handguns, arranging executions, raising dirty money at insane short-term interest rates to invest in a gamble that your own corporation is going to tank within weeks.

  And you’d been meaning to tell Elaine about your lack of a real life sometime, anyway.

  But getting yourself shot wasn’t clever, was it? It hurts. It’s down to a dull ache now—either you’re dying, or they whacked you full of morphine—and you can breathe, but there’s something annoying in your nose. Maybe opening your eyes would be a good idea, although they’re hot and gummy, and you feel almost as fuzzy as that time in Amsterdam, sitting in a burning chair by a canal and a broken shop window.

  (Burning? Why did you think the chair was on fire?)

  You manage to crowbar your eyelids apart. It’s a huge effort, but it’s rewarded by a worried face, blurred but recognizable, a ferret sniffing over its prey as if unable to decide whether to bite or groom it. “Jack?” She squeezes your hand. “Jack?”

  “Grrrrumph.” That’s a highly compressed shorthand version of are you alright? Did Hackman get away? Where are the police? And what’s happening? Unfortunately, your throat didn’t work too well, so you cough and try again: “’Laine?”

  She squeezes your hand so hard you’re afraid she’s going to crush it. “Don’t you ever do that to me again!” Then she lets go abruptly, as if she’s suddenly realized what she’s doing and got self-conscious. “For fuck’s sake,” she bursts out suddenly. “You really scared me!”

  I scared you? you think, but it’s too much of an effort to say that. “Hackman?”

  She sniffs, misunderstanding. “Untrained handgun versus trained sword at that range? I was just waiting for a chance to draw on him.” She’s still holding your hand. There’s steel in those fingers, you realize. “Good thing for his sake it was blunt when I went into krumphau on him, or he’d be missing both hands.”

  Well, duh. You blink, feeling stupid. She told you she was into mediaeval sword-fighting, didn’t she? What did you expect?

  “Sorry. You scared the crap out of me, Jack.” Pause. “How do you feel?”

  Your throat feels like it’s on fire, and there’s definitely something wrong with your chest: It makes odd crackling noises when you breathe, and you can’t quite get enough air. “Water,” you say hopefully. You’re too tired to worry about anything else. Besides, she’s here, and she’s in the chair by your—hospital bed?—so she must be okay. “Phone?”

  “I phoned Sophie,” she says. “After they rebooted the phone system.” She looks apprehensive: that same facing-the-noose expression you saw earlier, back when…

  “You know, then.”

  She nods. “They told me everything.”

  The mummy lobe—what’s left of it—closes your eyes, out of embarrassment, or respect for the dead, or something. “I couldn’t handle it back then. Not six months after Mum died. I just couldn’t handle being on my own.” The mummy lobe is tired, too: tired of holding you together through lonely years of death-march work and playing at real life, tired of emulating the society you’ve been so cut off from for so long.

  “But to try blackmailing you—” She breaks off.

  “How were they to know that Sophie wasn’t real? They were sub-contracting hands-on stuff to a local blacknet. Probably gave it to some local muscle down south who’s laughing his rocks off. Like the story about the police who send this guy a photograph of his car, speeding, and a fine: So he sends them a photograph of a cheque. And they send him back a photograph of a pair of handcuffs…”

  Cold little fingers insert themselves into your hand, kneading. “But you don’t need to be alone, if you don’t want to,” she says hesitantly. “You do know that, don’t you?”

  “I do now.” You squeeze her fingers, as hard as you can, which is about drowned-rat strength right now. “Game over.”

  SUE: Plea Bargain

  “…So I was nattering wi’ the heid zombie in the hotel lobby when I heard the shots. The front-desk video take will show me lookin’ scunnered. It was two stories up, but I knew what they was immediately—that’s when I called, as I ran upstairs. It was all history by the time I got there, she had him on the floor with that sword of hers, and it was all over bar the bleedin’. But I feel like a right wally, skipper.”

  “You and me both, Sergeant, and you know who the enquiry’s going to blame for assigning an uncertified officer to personal protection duty.”

  That’s scant comfort, and ye ken the inspector knows it, but it’s a worse mess for her, you’ve got to admit—you’re not climbing the greasy pole after all. On the other hand—“We wuz in a collective tizzy, Liz, thanks to those bloody spooks and their full-dress crapfest. If they hadna sprung the terrorism alert at the same time we had to shut down CopSpace, we’d maybe hae stood a chance, and if we’d had CopSpace, again, we’d hae known what was happening. I blame myself—I should have told Bob to get his boots back upstairs the instant he’d spoken to the front desk.”

  “You’re trying to second-guess an IPCC enquiry, Sue. My advice? Drop it, it’s over.” Liz looks irritated. “Besides, we shouldn’t talk about it outside of school. It looks like collusion in the wrong light, and that would never do.”

  “Oh, okay.” Collusion is a political word, and you’ll take Liz’s word for it looking bad. You tighten your grip on your hat, realize what you’re doing, twitch it round in your lap, then let go again. It’s too much like sitting in a dentist’s waiting room for comfort. All it would need is a NO PHONES sign and a ticking clock on the mantelpiece above a dysfunctional gas fire to drive the message home. But this particular waiting room’s in better shape than your tooth doctor’s front room, right down to the extra-uncomfortable chairs and the civilian receptionist outside.

  Kavanaugh looks at her watch. “Not long now,” she remarks, and you realize she’s bloody nervous, too. And then the inner-office door opens.

  “Inspector Kavanaugh, Sergeant Smith, please take a seat.”

  There are two chairs waiting for you, opposite a desk the size of a wee conference-table. And on the other side of it is the top brass—Deputy Chief Constable McMullen, who is definitely not dressed for the golf course this morning, sitting with a face like a hanging judge beneath a photie of his boss, Andrew Sampson, chief constable of South East Scotland force, shaking hands with the last-but-one justice minister on the back steps outside Holyrood, just to rub it in. But you have to work hard not to raise an eyebrow, because sitting next to him is that fly-case, Michaels—and another character in a grey suit with a face like a horse and a look that says high-altitude civil service, so high you need an oxygen mask just to breathe up there.

  “At ease, sit down.” That’s McMullen. He glances to either side. “I want to make it clear right now that this is not a disciplinary hearing. Nothing is being recorded, and nothing you say here will go on any record. Is that understood?”

  You don’t dare look round, but you can just about hear the sonic boom from Liz’s eyebrows as they head for the stratosphere. It’s policing, but not as we know it—everything is on the record, these days, lest the clients start throwing themselves down the stairs and suing the force for compensation. “Isnae that a bit…radical?” you hear yourself asking, somewhat to your own disbelief.

  “It’s necessary.” McMullen doesn’t look terribly happy. “As Mr. Jones from the Joint Defense Ministry will explain…?”

  Jones—the high-flyer—has been looking at something in a leather folio. Now he closes it, puts in on the desk, and clears his throat. “I’m here to inform you that the events that took place at the West End Malmaison the Thursday before last are the subject of a classification order issued by the Ministry of Justice, at o
ur request. The Home Office down south is also playing along. You may not discuss those events with anyone outside this room, other than the direct participants, without breach of the Official Secrets Act. You will need to sign these forms before you leave”—he taps the folder—“to confirm that you have been so informed. That’s the bad news.” He pauses for a moment. “On the other hand, you won’t be facing a board of enquiry.”

  Really? But they didn’t need to call you here to tell you that in person, did they? So what’s going on?

  McMullen clears his throat. “This leaves us with a little problem.” He pointedly doesn’t glance at Michaels, who’s got his arms crossed and is looking smugly dishevelled, or at Jones, who appears to have turned back into a cardboard statue of a civil servant. “The disposal of one Marcus Hackman. Who I believe you arrested and charged with attempted murder, possessing an unlicensed firearm, and, Inspector…?”

  Liz clears her throat. “Also, two counts of murder—Wayne Richardson and Wu Chen—and that’s before we get into the esoteric stuff—solicitation of murder, conspiracy, membership of an organized criminal enterprise, whatever we can pin on him for the blacknet node he was running out of the MacDonald safe house, the various securities violations, insider trading, fraud, and you could probably nail him for spying if you were willing to drag everything up in court.” Now you spare her a glance: She rolls her eyes. “Of course, that’s all just fall-out from trying to cover up his first mistake, which was to have so little confidence in his own business venture that he expected it to fail and configured it as a honey trap for investors.”