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New Collected Poems

Page 21

by David Gascoyne


  In which it is not known which tree will be

  First to disturb the silent sultry grove

  With crack of doom, dead crackling and dread roar –

  Will be infallibly to learn that first

  One always owes a duty to oneself;

  This much at least is certain: one must live.

  And one may reach, without having to search

  For much more lore than this, a shrewd maturity,

  Equipped with adult aptitude to ape

  All customary cant and current camouflage;

  Nor be a whit too squeamish where the soul’s concerned,

  But hold out for the best black market price for it

  Should need remind one that one has to live.

  Yet just as sweetly, where no markets are,

  An unkempt rose may for a season still

  Trust its own beauty and disclose its heart

  Even to the woodland shade, and as in sacrifice

  Renounce its ragged petals one by one.

  p. 1950

  THE OTHER LARRY

  Inwardly corrosive, but to eyes outside most bland,

  Chubby and blonde and chuckling: O sardonic friend,

  Easily reconciled with, you are sorry after

  The black flicked barb has stung

  Some tiresome feeble person’s too exposed,

  Too tender epidermis, though not very and not long:

  Exacerbated not yet middle-aged patrician,

  Exiled by futile circumstances, ever too well-bred

  To make a show of bitterness except in smooth-tongued verse.

  Such comment can but seem inept, coming from one

  Who’s never seen the South of which you sing

  But still believes that you will not succeed

  In finally convincing all of those

  Whom your performance entertains

  And makes uncomfortable

  That you were meant to grow into a gargoyle

  Uttering artful chains of occult smoke-rings

  Outside a disbelieved-in anti-god’s abode.

  c. 1950

  EROS ABSCONDITUS

  ‘Wo aber sind die Freunde? Bellarmin

  Mit dem Gefahrten …’

  HÖLDERLIN

  Not in my lifetime, the love I envisage:

  Not in this century, it may be. Nevertheless inevitable.

  Having experienced a foretaste of its burning

  And of its consolation, although locked in my aloneness

  Still, although I know it cannot come to be

  Except in reciprocity, I know

  That true love is gratuitous, and will race through

  The veins of the reborn world’s generations, free

  And sweet, like, a new kind of electricity.

  The love of heroes and of men like gods

  Has been for long a strange thing on the earth

  And monstrous to the mediocre. They

  In whom such love is luminous can but transcend

  The squalid inhibitions of those only half alive.

  In blind content they breed who never loved a friend.

  p. 1949

  THE GOOSE-GIRL

  She at whose feet I’ll finally fall down

  With all my niggardly belated offering

  Of real emotion, is a lonely silent girl

  Who knows no more than I about love’s boon

  But sits and wonders – feeling at a loss

  Among the queens and conquerors who stroll

  So poised and pleased about the social scene –

  Waiting for no one from an old wives’ tale,

  But for a childless father and her father’s unborn son.

  p. 1949

  BEWARE BEELZEBUB

  Listen, lover of the glistening peril,

  The lure lascive and wistful, the sweet pain

  Young lacing limbs delight in: the Devil

  Will never after smile at you again

  When once your easy acquiescence

  To his swift-reckoned bargain has put you

  Within the power of his swarming lieutenants,

  Who lurk in dull disguise the world’s mart through

  Like fellow fallen men, until the sign

  By which the lustless single out a sinner

  Bids them to batten, faithful flock of flies,

  Dutiful doggers, buzz and drone and whine,

  Upon fresh ill-famed flesh for their King’s dinner,

  Rich-riddled with the worm that never dies.

  p. 1949

  RONDEL FOR THE FOURTH DECADE

  The mind if not the heart turns cold

  Seeing the calendar’s leaves flying;

  Still dare not yet cease trying

  To reconcile the heart with growing old.

  However often heart’s fortune be told

  By sceptic mind, the pulse beats on relying

  On sanguine heat for hope to hold

  Fast to for help when age comes sighing.

  But autumn’s leaves must cease defying

  Grave law and fall like Danae’s gold

  To stuff blind mouths when, as they turn to mould,

  The heart’s remains lie still denying

  Mind ever knew the truth while dying.

  p. 1949

  SEPTEMBER SUN: 1947

  Magnificent strong sun! in these last days

  So prodigally generous of pristine light

  That’s wasted only by men’s sight who will not see

  And by self-darkened spirits from whose night

  Can rise no longer orison or praise:

  Let us consume in fire unfed like yours

  And may the quickened gold within me come

  To mintage in due season, and not be

  Transmuted to no better end than dumb

  And self-sufficient usury. These days and years

  May bring the sudden call to harvesting,

  When if the fields Man labours only yield

  Glitter and husks, then with an angrier sun may He

  Who first with His gold seed the sightless field

  Of Chaos planted, all our trash to cinders bring.

  1981

  Those days and years! Glitter and husks: what more

  Have we to show now that the doomsday clock

  Implacably moves onwards to what may

  Well prove to be that dreaded final war

  So many faithful prophets have foretold? What shock

  Can wake to vigil rulers and ruled today?

  p. 1949, updated 1983

  THE POST-WAR NIGHT

  No, nowadays at night the flush of light

  Reflected anxiously by urban skies, impresses eyes

  In quest of soothing space between the stars, as with a sense

  Of guilt, not reassurance. This is Peace,

  Our nightly black-out dream; yet back to black skies fly

  Our eyes disheartened by futility, to seek

  Some sterner strength in the unmoonlit midnight’s zenith

  Above our heads rebuking light’s illusions … In our time

  We have had vision. Now our seeing tries

  Not to find blindness everywhere it peers,

  Relinquishing belief in any sight surpassing this.

  We must see how to justify ourselves

  Always. Perhaps indeed that is for ever all

  Our eyes are used to look for: We must stand

  Justified: – if not before the whole world then before

  Ourselves: if not before the candid inmost heart,

  Blandly at least before shrewd common-sense

  Sole supreme tribunal in this business-driven world,

  Still so remote from all the innate sense

  Of human destiny that we are born with knows

  To be truly our aim on earth: one God-ruled globe,

  Finally unified, at peace, free to create! That sense

  Is dull in all but few today … They are not listened to.
>
  They seldom speak. And how absurd they sound

  To such as do hear them, how like a child’s

  Sublime simplicity and sweet ineptitude,

  To talk of Brotherhood and of the beautiful

  Smooth-running Great Society that might tomorrow mean

  Our paradise regained! How well our guilt,

  Long versed in all the necessary lies

  Required to run the world in practice knows

  How always to remain the same calm, sane

  Comfortably compromised collusionists, still safe and sound

  At least as long as this false peacetime lasts.

  p. 1949

  DEMOS IN OXFORD STREET

  The Ages of the World, since Adam delved

  And Eve remained the perfect lady, still

  As innocent of culture as her spouse of apron-string,

  Having devolved, have brought us the mature

  And really average population passing by, away

  And onward down this thoroughfare, of all surely the most

  Average in any average modern capital. O Sting!

  Where is our life? Where is my neighbour, Love?

  We have hardened our faces against each other’s weariness

  Who walk this way; we are not bound to one another

  By bomb panic or famine and it is not Christmas Day.

  We are aware of Socialists in power at Westminster

  Who seem to be making a pretty mess of things: This evening’s Star

  Has bills that tell of Scandal and Enquiry being made

  Much in the interest of the Public (i.e. We,

  The People) by such as have its interest at heart …

  We too, while quite disinterested, have of course got hearts.

  The latter are as good as most; but who would dare

  Risk giving good away each day with maybe no returns?

  Besides, we have our families to think of,

  And our families have not got too much to spare

  Of time or money, tears or trouble. Stare

  As boldly as you like into our faces, we’ll not turn

  Aside out of your way. We’re not the Working-Class.

  p. 1949

  EVENING AGAIN

  Evening again.

  The lurid fuming light

  That red sky’s smouldering alkali spreads on reflecting stone

  Façades of ageing buildings seeming now to slant and strain

  Backwards against the leaden East, sheer haggard cliffs

  Pitted with windows, baffles with its glare

  Those gazing panes. They see nothing but the wrath

  Of still prolonged and future conflagrations. With the stain

  Of night arising stealthily behind them, fresh leaves shake

  Back on their rigid branches, shudder brusquely back and show

  How underneath their sparkling green profusion there are hung

  Shadows, dull undertone of mourning. Die down, die

  Away, brisk wind, let the lit leaves lie still.

  Let them with tranquil glitter once more hide

  Their secret. Heavy beneath all that is seen

  Hangs the forgotten.

  Heavily night falls.

  When shall I desire

  No more for rest from restlessness as evening ends?

  When no more into silence sinks the sigh that asks for joy.

  p. 1949

  THREE VENETIAN NOCTURNES

  1. BARCAROLLE

  Each blue sun-floodlit day floats through a green evening till Night

  Releases flows of indigo to stain sea, sky and shore;

  And deep into dark velvet folds are absorbed from the air

  The orchestrated murmurs of the crowd and bursts of bright

  Abruptly ebbing brassy music bruited from the Square.

  On the Lagoon drift shreds of serenade from lanterned boats

  That bob more quickly like a pulse when from the Lido steers

  Close past them the returning vaporetto; the heart beats

  More quickly for a moment, lifted on a wave of tears

  Upwelling but not breaking in the eyes of one who floats

  Reclining in a gondola alone and with the tide

  Being borne across the Bacino towards where all the stars

  In heaven like spilt pearls blur on the black robe Venice wears

  Slackly undulating round her when as a nocturnal bride

  She mourns her morning glory long drowned in the sea of years.

  2. LIDO GALA FIREWORKS

  Rockets released tonight rush up to rape the grapebloom sky:

  Rainbows of gelid jewellery smashed to flashlit smithereens

  And moulting molten-crystal plumes of birds of paradise

  Spontaneously splintering their mixed Murano tints

  Into a slowly dropping drift of dust of opals, Milky Way

  Stained with a long dynasty of fire-peacocks’ last blood;

  Till all night’s spark-sprayed dome is stunned with quick airquakes of gold,

  Precipitous ephemerae and crepitations, streaked

  With shivering scars of wounds stabbed by the rays of soaring stars,

  Stars piercing scarlet holes, holes bleeding light,

  Light strained through silk, silk blobbed with black,

  Black blurred with sea-water, blue …

  3. ON THE GRAND CANAL

  The palaces are sombre cliffs by night;

  Some pierced with square-hewn caves,

  Grottoes where chandeliers like stalactites

  Frosted with electricity blaze dangling in the midst

  Of sad high-ceilinged salons’ tepid haze;

  Or semi-concealed by casement shutter-slats

  The twilight velvet cloister-cells of lives

  Upon whose intimacy we may gaze

  As we slide by, nor stir to any flutter

  At solitary privacy intruded on

  The page-perusing half-glimpsed inmates’ eyes.

  Others among these wave-lapped marble fortresses

  Within which the patrician past lies passively besieged,

  Long before midnight look already left unoccupied

  Except by somnolent and unseen soldiery,

  As from their blank embrasures only blackness

  Broods on the glimmering oracle of the tides

  That slowly rise and fall about their feet.

  One summer night a passenger upon a steamer, I

  While we were floating past before them, tried

  To read the mystery of the city’s palaces

  In the framed scenes and silhouettes displayed

  To all that sail down the Canal, and when we paused

  A minute at a stazione raft, looked up and saw

  And seized on instantly, a young girl’s head

  In a near window, her sweet fresh-coloured face

  Vividly lit with eagerness, whose aspect made

  Me wonder what it was she held before her

  And seemed to read from, what the text and page

  Of Goldoni or Shakespeare she rehearsed.

  But as the steamer stirred again I saw

  It was a fan of playing-cards she held,

  A lucky hand, as her expression showed …

  I wished that lovely face good luck in love,

  Though my excitement at the glimpse of her

  Swiftly became an elegiac feeling

  As the boat’s motion swept her from my sight.

  p. 1950

  BIRTH OF A PRINCE

  Many of us remember, too, how very young

  And unlike the naïve idea of parents, our own were,

  (Though many also may have been less fortunate), when we

  Proudly were brought by them into a world of care –

  Such genuine gentle care and such brave faith

  In the great future which they knew that we should see.

  Many also were born within sound of the wind

  That can b
low no man good, the howling wind of war,

  National adversity and Winter. In the historic park

  A horn like Herne’s was heard; the times were dark;

  And the great royal oak creaked in the blast

  With grief, its branches cracking, though unshakable it stood.

  Another daybreak, and behold with dripping boughs

  Uprise after that storm a tree that stands because it stands

  For true Peace rooted in the right, from which no wind that blows

  Shall shake the many birds whose song is still heard in these lands.

  No bird but very bat is he who cannot see

  A smile best recognized in solitude

  In this momentous birth, nor hear another tongue

  Than that of public oratory still speaking through the roar

  Of loyal multitudes, asking God grant that we

  Give birth to the world’s only Prince, Puer Aeternus, He

  Whose swordlike Word comes not to bring us peace but war

  Within forever against falsehood and all fratricidal War.

  p. 1949

  REX MUNDI

  I heard a herald’s note announce the coming of a king.

  He who came sounding his approach was a small boy;

  The household trumpet that he flourished a tin toy.

  Then from a bench beneath the boughs that lately Spring

  Had hung again with green across the avenue, I rose

  To render to the king who came the homage subjects owe.

  And as I waited, wondered why it was that such a few

  Were standing there with me to see him pass; but understood

  As soon as he came into sight, this was a monarch no

  Crowds of this world can recognize, to hail him as they should.

  He drove past in a carriage that was drawn by a white goat;

  King of the world to come where all that shall be now is new,

  Calmly he gazed on our pretentious present that is not.

  Of morals, classes, business, war, this child

  Knew nothing. We were pardoned when he smiled.

  If you hear it in the distance, do not scorn the herald’s note.

  p. 1949

  FRAGMENTS TOWARDS A RELIGIO POETAE

  ‘Given that a man has genuine experience of the interior life, then let him boldly drop all outward disciplines, even those practices which thou art vowed to and from which neither pope nor prelate can release thee.’

 

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