The Best American Noir of the Century

by Otto Penzler (ed)

  As he slowed for the intersection at Sixty-third Street, Sorrel smiled wryly at a suggestion that Evelyn, intrigued by the fact that they had never met, had made.

  “We know she’s not true to you, Johnny,” she had pointed out. “She has no right to point a finger. She doesn’t know me. So why can’t I strike up a drinking acquaintance with her, or take a job as her maid, or something, and get some concrete proof that would stand up in a divorce court?”

  Sorrel had refused to hear of it. Frances was shrewd. A scene between the two was unthinkable. Frances fought as they fought in back of the yards, where both of them had been born — for keeps. Then, too, a sense of guilt had assailed him. His own hands were not clean. He, and he alone, was responsible for Frances’s infidelities. She was merely reaching out for the love that he denied her. He had told Evelyn at the time that whatever was done, he would do. He was keeping his word now.

  There were few cars on Sixty-third Street. There were none on the darker residential street onto which he turned. He drove for another quarter mile and parked a half a block and across the street from his home.

  There were lights in both the kitchen and in Frances’s bedroom. The shades of the bedroom were drawn, but, as he watched, a vague figure crossed the room, too far back of the shade to seem more than a passing shadow.

  ~ * ~

  His eyes felt suddenly hot and strained. His throat contracted. His mouth was dry. His hands felt cold and clammy on the wheel. He sat a moment longer, wondering at himself, revolted by the thing he had come to do. This was murder. This was what other men had done for reasons no better than his own, and he, in his smug superiority, safe in the law’s ivory tower, had thundered against them and denounced them as cool-blooded conniving scoundrels.

  He stepped from the car with an effort and crossed the street. He had come a long way in his climb up — he intended to go still further. With Frances dead and Evelyn beside him, there was no goal to which he might not aspire.

  He stopped under a spreading elm tree in the yard and cursed his shaking hands. There was no reason to be afraid. The law would never touch him. He had planned too well. There would be no insurance angle. Frances had none. His only gain would be peace of mind and that wasn’t considered a motive for murder. A few of the boys in his own office might suspect him but no one would be able to prove a thing.

  ~ * ~

  Frances’s failings were well known. She had come home drunk. She had left the door unlocked. A night prowler had entered and killed her. No one would be more surprised and shocked than he when he returned with Jackson an hour from now and found her — dead.

  He slipped his key in the front door. The inner bolt was shot and it refused to open. He considered ringing the bell and killing her in the hall. He decided to stay, as far as possible, with his original plan. There was no convenient weapon in the hall. A single scream would shatter the stillness of the sleeping street. What he had to do must be done in silence.

  The back door leading into the kitchen was open but the screen door was locked. He slipped on a pair of gloves and fumbled in one corner of the porch where he had remembered seeing a rusty ice pick. His luck was holding. The pick was there. He probed it through the screen and lifted the hood from its eyes.

  ~ * ~

  The door open, he waited, listening, hearing nothing. There was a half-emptied bottle of milk, a clouded glass, and the remains of a peanut butter sandwich on the kitchen table.

  Frances, he decided, was playing the sober and repentant wife this time.

  Believe me, John. I love you. I’ll stop drinking. I’ll do anything you say. You’re all that matters to me. Why can’t we start all over?

  He had heard it so many times that he could play the record by heart. He noted that the kitchen shade was up. Anyone entering the kitchen would be visible from the darkened windows of the house next door. Sweat beading on his forehead, he slipped in a hand before him and snapped the switch, thankful that he had noticed the shade in time. It was the little things of murder that sent men to the chair.

  The darkness magnified his strain. His mouth grew even drier. He heard, or thought he heard, the pounding of his heart. He had to force himself to cross the kitchen, feeling his way along the wall to the rear stairs.

  Now he could hear sounds in the bedroom. She seemed to be opening and closing drawers, probably in search of one of the bottles she was always hiding from herself.

  He crossed the dark hall toward the closed bedroom door and his weight caused a board to creak. The light in the bedroom went out and the door opened. They stood only feet apart in the black hallway, aware of each other but unable to see.

  The blood, Sorrel thought suddenly. It will splatter. I’ll be covered with blood. Damn it! Why didn’t I think of that!

  Then he realized he still was clutching the rusted ice pick in his hand. It was as good a weapon as any, better than most. Murder Incorporated had used them as the chief tool of their trade. An ice pick had been used in the case of the State versus Manny Capper. The sweat on his brow turned cold. Manny had gone to the chair.

  Galvanized by his own terror, crying out hoarsely, Sorrel sprang forward. His groping hand felt teeth in time to clamp his palm over the welling scream. It died stillborn as he plunged the pick in his hand repeatedly into the yielding flesh. The body he held ceased squirming and sagged limply. He allowed it to fall to the floor, relieved to be rid of it.

  ~ * ~

  The ice pick fell from his nerveless hand. He tried to fumble a match from his pocket and could not. His hands were shaking too badly. Afraid of the dark, afraid of the woman whom he had killed, he squatted beside the body and felt for a pulse with the back of his wrist, where flesh gaped between glove and coat cuff. There was no pulse. It was over, done with, finis. He was free.

  He crept back down the stairs and out through the kitchen to the porch. Then he remembered the pick. It would have no fingerprints on it. He considered returning for it and his stomach rebelled.

  So there were no fingerprints on the death weapon. So what? Most house prowlers with the sense of gnats wore gloves. It was nothing for him to worry over.

  He walked silently, unseen, back to his car and examined his gloves in the dash light. One was slightly splattered with blood but there seemed to be none on the cuffs of his suit. All that remained to be done was to rid himself of the gloves.

  It was over, done. He was free. There was nothing to stop him now, nothing to stop the boys from running him for whatever office they pleased. Frances had made her last scene. He was young, under forty. His new life was just beginning.

  As he drove, the horror of the thing that he had been forced to do left him. He wanted to sing, to yell, to shout to the stars that he was free. He contented himself with a grin.

  It had been a relatively simple matter, after all. He wadded the gloves into a ball and tossed them out the car window. They could not be traced to him. There was nothing to tie him to the murder but the fact that he and Frances were married. Back at the Eldorado, he parked the coupe in the same space it had occupied before and glanced at his watch before switching off the lights. It was eleven minutes past one. He was four minutes ahead of schedule.

  He expended them by walking to the corner and peering around it cautiously. The doorman and Jackson were deep in some discussion. Satisfied that he had not been missed, he entered the side door.

  Telling Evelyn would take some doing. She would be horrified at first, but she was quick-witted enough to realize that no other course had been open to him. It didn’t matter now. All that mattered was that the thing was done.

  His throat and mouth were normal again. In the bright light of the cage he could see no bloodstains on his suit. He had been fortunate. He was whistling softly, almost cheerfully, as he inserted his key in the door.

  ~ * ~

  The radio was still playing softly. A bottle of his best scotch beside her, Frances was sitting in one of Evelyn’s easy chairs. “I knew you’d
come here first,” she said. “What’s a matter? Was your plane late?”

  He stared at her open-mouthed, screams he was unable to utter tearing at his throat.

  “You poor damn fool,” his wife continued. “Why didn’t you let me meet her? Why didn’t you make me realize what a swell kid she really was? Why didn’t you tell me that the boys wanted to run you for senator? You should have known me better, John. You’re my man. You always will be. No tramp was goin’ to take you from me. But a sweet kid like that is another matter.” She fluffed at her frowsy hair. “I feel kind of honored like.”

  Sorrel managed to gasp one word, “Evelyn ...”

  ~ * ~

  Frances nipped at the scotch. “Oh, you didn’t know. Well, she showed at the house this morning and gave me a song and dance about being a maid out of work, her with fingernails that long.” She laughed, shortly “So I hired her and I pumped her. She’s probably goin’ through all my things right now, spyin’ on me.” Frances picked an oblong scrap of yellow paper from the table. “She never even got a chance to see her telegram because I copped her key from her purse and come over here shortly after I got the telegram that you sent me. Mine was all right. But after I read this one I kinda wondered.” She read it aloud: “‘Sweetheart. Be in your apartment at twelve tonight. Don’t leave it for any reason. And don’t let anyone in but me. This is important, more important than you realize.’”

  His voice sounding strange to himself, Sorrel asked, “You — knew?”

  Frances Sorrel smiled thinly. “I know you,” she admitted. “But don’t worry. Think nothing of it. As long as your plane was late, you’ve got nothing to worry about.”

  <>

  * * * *

  1946

  DOROTHY B. HUGHES

  * * *

  THE HOMECOMING

  Dorothy B(elle) Hughes (1904-1993). Born in Kansas City, Missouri, Hughes received her journalism degree from the University of Missouri and did postgraduate work at the University of New Mexico and Columbia University. She worked as a journalist in Missouri, New York, and New Mexico before becoming a mystery writer.

  This underappreciated author is historically important as being the first female to fall squarely in the hard-boiled school. She wrote eleven novels in the 1940s, beginning with The So Blue Marble (1940) and including The Cross-Eyed Bear (1940), The Bamboo Blonde (1941), The Fallen Sparrow (1942), Ride the Pink Horse (1946), and In a Lonely Place (1947), the latter three all made into successful films noir. The Fallen Sparrow was filmed by RKO in 1943 and starred John Garfield and Maureen O’Hara; Ride the Pink Horse (Universal, 1947) starred Robert Montgomery and Thomas Gomez; In a Lonely Place (Columbia, 1950) was a vehicle for Humphrey Bogart, Gloria Grahame, and Martha Stewart, and was directed by Nicholas Ray. This classic film noir portrays an alcoholic screenwriter who is prone to violent outbursts and is accused of murdering a hatcheck girl. He is given an alibi by his attractive blond neighbor, who soon becomes fearful that he really did commit the crime, and that she might be next. In the book, the writer is, in fact, a psychopathic killer, but the director found it too dark and softened the plot.

  At the height of her powers and success, Hughes largely quit writing due to domestic responsibilities. She reviewed mysteries for many years, winning an Edgar Award from the Mystery Writers of America for her critical acumen in 1951; in 1978 the organization named her a Grand Master for lifetime achievement.

  “The Homecoming” was first published in Murder Cavalcade, the first Mystery Writers of America anthology (New York: Duell, Sloan and Pearce, 1946).

  ~ * ~

  I

  t was a dark night, a small-wind night, the night on which evil things could happen, might happen. He didn’t feel uneasy walking the two dark blocks from the streetcar to her house. The reason he kept peering over his shoulder was because he heard things behind him, things like the rustle of an ancient bombazine skirt, like footsteps trying to walk without sound, things like crawling and scuttling and pawing. The things you’d hear in a too-old forest place, not on the concrete pavement of a city street. He had to look behind him to know that the sounds were the ordinary sounds of a city street in the autumn. Browned leaves shriveled and fallen, blown in small whirlpools by the small wind. Warped elm boughs scraping together in lonely nakedness. The sounds you’d expect on a night in autumn when the grotesquerie of shadows was commonplace. Elm fingers beckoning, leaves drifting to earth, shadows on an empty street. The little moans of the wind quivering his own flung shadow, and his own steps solid in the night, moving to her house.

  He’d be there. The hero. Korea Jim. He’d be there a long time, since supper. She’d have asked him to supper because this was her folks’ night out. Her folks always went out Thursday nights, ladies’ night at the club. Cards and bingo and dancing and eats and they wouldn’t get home till after one o’clock at least.

  She’d say it cute, “Come over for supper Thursday. I’m a terrible cook. All I can fix is pancakes.” And you’d know there was nothing you’d rather eat Thursday night than her pancakes. Better than thick steak, better than chicken and dumplings, better than turkey and all the fixings would be pancakes on Thursday night. She’d say it coaxing, “If you don’t come I’ll be here all by myself. The family always goes out on Thursday night.” And even if there weren’t going to be pancakes with sorghum or real maple syrup, your choice, your chest would swell until it was tight enough to bust, wanting to protect her from a lonely night at home with the folks out.

  She was such a little thing. Not tall enough to reach the second shelf in the kitchen without standing on tiptoes. Not even in her pencil-point heels was she high enough to reach his chin. She was little and soft as fur and her hair was like yellow silk. She was always fooling you with her hair. You’d get used to the memory of her looking like a kid sister with her hair down her back, maybe curled a little, and the next time she’d have it pinned on top of her head like she was playing grownup. Or she’d have it curled up short or once or twice in two stiff pigtails with ribbon bows like a real kid. Wondering about her hair he forgot for a moment the dark and the wind and the things crawling in his mind and heart; he quickened his steps to cover the blocks to her house.

  Then he remembered. It wasn’t he who had been invited to pancakes for supper; it was the boy with the medals, the hero, Korea Jim. By now she and Jim would be sitting on the couch, sitting close together so they’d both avoid the place where the couch sagged. Her brother, the one in the Navy, had busted it when he was a kid.

  She and Jim would be sitting there close and only the one lamp on. Too much light hurt her eyes. Her eyes were big as cartwheels, blue sometimes, a smoky blue, and sometimes sort of purple-gray. You didn’t know what color her eyes were until you looked into them. It was like her hair only she did it to her hair and her eyes did themselves. Her nose didn’t change, it was little and cute like she was. Just turned up the least bit, enough to make her cuter when she put her eyelashes up at you and said, “Aw, Benny!” Her mouth changed colors, red like a Jonathan sometimes, sometimes like holly, sometimes like mulberries. Her father didn’t like that purple color. He’d say, “Take it off, Nan. You look like a stuck pig.” Red like blood. But the colors didn’t change her mouth really, red like fire, red like soft warm wool. Her mouth ...

  He picked up his steps and shadows flickered as he moved. This time he didn’t look over his shoulder. Nothing was back there. And beyond, a block beyond her house, he could see the blur of green light, the precinct police station house. It was somehow reassuring. There couldn’t be anything behind you with the police station ahead of you. Besides he had the gun.

  It was heavy in his overcoat pocket. On the streetcar riding out to her neighborhood he’d felt everyone’s eyes looking through the pocket and wondering why a nice young fellow was carrying a gun. He could have told them he was going to Nan’s house though she wasn’t expecting him. Though she’d told him for the twelfth night in a row, “I’m so sor
ry, Benny, but I’m busy tonight.” Except the one night he hadn’t phoned, the night he’d walked the streets in the chill autumn rain until his shoes were soggy and his mind a tight red knot.

  He could have told them he was going to surprise Nan and especially surprise Hero Jim, Korea Jim. He’d find out how much of a hero Jim was. He’d see what big bold Jim would do up against a real gun. She’d see, too.

  They’d be sitting on the couch so close, and the lamp over on the far table the only light. Not much light from that lamp. Her mother had made the lampshade. She’d bought a regular paper shade at the ten-cent store for thirty-nine cents, then she’d pasted on it colored pictures of kids and dogs and handsome sailors and soldiers and Marines. All put together sort of like a patchwork quilt in diamond shapes. After that she’d shellacked over the pictures and it made a swell shade. Only it didn’t give much light.