The Best American Noir of the Century

by Otto Penzler (ed)

  It was hot that night, and dry lightning leaped from the horizon to the top of the blue-black vault of sky over the Gulf. Weldon sat on the side of his bed in the dark, his shoulders hunched, his fists between his white thighs. His burr haircut looked like duck down on his head in the flicker of lightning through the window. When I was almost asleep he shook both me and Lyle awake and said, “We got to get rid of her. You know we got to do it.”

  I put my pillow over my head and rolled away from him, as though I could drop away into sleep and rise in the morning into a sun-spangled and different world.

  But in the false dawn I woke to both Lyles and Weldon’s faces close to mine. Weldon’s eyes were hollow, his breath rank with funk. The mist was heavy and wet in the pecan trees outside the window.

  “She’s not gonna hurt Drew again. Are you gonna help or not?” Weldon said.

  I followed them into the hallway, my heart sinking at the realization of what I was willing to participate in, my body as numb as if I had been stunned with Novocaine. Mattie was sleeping in the stuffed chair, her hose rolled down over her knees, an overturned jelly glass on the rug next to the can of spot cleaner.

  Weldon walked quietly across the rug, unscrewed the cap on the can, laid the can on its side in front of Mattie’s feet, then backed away from her. The cleaning fluid spread in a dark circle around her chair, the odor as bright and sharp as a slap across the face.

  Weldon slid open a box of kitchen matches and we each took one, raked it across the striker, and, with the sense that our lives at that moment had changed forever, threw them at Mattie’s feet. But the burning matches fell outside the wet area. The blood veins in my head dilated with fear, my ears hummed with a sound like the roar of the ocean in a seashell, and I jerked the box from Weldon’s hand, clutched a half-dozen matches in my fist, dragged them across the striker, and flung them right on Mattie’s feet.

  The chair was enveloped in a cone of flame, and she burst out of it with her arms extended, as though she were pushing blindly through a curtain, her mouth and eyes wide with terror. We could smell her hair burning as she raced past us and crashed through the screen door out onto the gallery and into the yard. She beat at her flaming clothes and raked at her hair as though it were swarming with yellow jackets.

  I stood transfixed in mortal dread at what I had done.

  A Negro man walking to work came out of the mist on the road and knocked her to the ground, slapping the fire out of her dress, pinning her under his spread knees as though he were assaulting her. Smoke rose from her scorched clothes and hair as in a depiction of a damned figure on one of my holy cards.

  The Negro rose to his feet and walked toward the gallery, a solitary line of blood running down his cheek where Mattie had scratched him.

  “Yo’ mama ain’t hurt bad. Get some butter or some bacon grease. She gonna be all right, you gonna see. You children don’t be worried, no,” he said. His gums were purple with snuff when he smiled.

  The volunteer firemen bounced across the cattle guard in an old fire truck whose obsolete hand-crank starter still dangled from under the radiator. They coated Mattie’s room with foam from a fire extinguisher and packed Mattie off in an ambulance to the charity hospital in Lafayette. Two sheriff’s deputies arrived, and before he left, one of the volunteers took them aside in the yard and talked with them, looking over his shoulder at us children, then walked over to us and said, “The fire chief gonna come out here and check it out. Y’all stay out of that bedroom.”

  His face was narrow and dark with shadow under the brim of his big rubber fireman’s hat. I felt a fist squeeze my heart.

  But suddenly Sister Roberta was in the midst of everything. Someone had carried word to the school about the fire, and she’d had one of the brothers drive her out to the house. She talked with the deputies, helped us fix cereal at the kitchen table, and made telephone calls to find a place for us to stay besides the welfare shelter. Then she looked in Mattie’s bedroom door and studied the interior for what seemed a long time. When she came back in the kitchen, her eyes peeled the skin off our faces. I looked straight down into my cereal bowl.

  She placed her small hand on my shoulder. I could feel her fingers tapping on the bone, as though she were processing her own thoughts. Then she said, “Well, what should we do here today? I think we should clean up first. Where’s the broom?”

  Without waiting for an answer she pulled the broom out of the closet and went to work in Mattie’s room, sweeping the spilled and unstruck matches as well as the burned ones in a pile by a side door that gave onto the yard. The soot and blackened threads from the rug swirled up in a cloud around her veils and wings and smudged her starched wimple.

  One of the deputies put his hand on the broomstick. “There ain’t been an investigation yet. You can’t do that till the fire chief come out and see, Sister,” he said.

  “You always talked like a fool, Gaspard,” she said. “Now that you have a uniform, you talk like a bigger one. This house smells like an incinerator. Now get out of the way.” With one sweep of the broom she raked all the matches out into the yard.

  ~ * ~

  We were placed in foster homes, and over the years I lost contact with Sister Roberta. But later I went to work in the oil fields, and I think perhaps I talked with my father in a nightclub outside of Morgan City. An enormous live oak tree grew through the floor and roof, and he was leaning against the bar that had been built in a circle around the tree. His face was puckered with white scar tissue, his ears burned into stubs, his right hand atrophied and frozen against his chest like a broken bird’s foot. But beyond the layers of mutilated skin I could see my father’s face, like the image in a photographic negative held up against a light.

  “Is your name Sonnier?” I asked.

  He looked at me curiously.

  “Maybe. You want to buy me a drink?” he said.

  “Yeah, I can do that,” I said.

  He ordered a shot of Beam with a frosted schooner of Jax on the side.

  “Are you Verise Sonnier from New Iberia?” I asked.

  He grinned stiffly when he took the schooner of beer away from his mouth. “Why you want to know?” he said.

  “I think I’m your son. I’m Billy Bob.”

  His turquoise eyes wandered over my face, then they lost interest.

  “I had a son. But you ain’t him. Buy me another shot?” he said.

  “Why not?” I replied.

  Sometimes he comes to me in my dreams, and I wonder if ironically all our stories were written on his skin back there in Texas City in 1947. Or maybe that’s just a poetic illusion purchased by time. But even in the middle of an Indian summer’s day, when the sugarcane is beaten with purple and gold light in the fields and the sun is both warm and cool on your skin at the same time, when I know that the earth is a fine place after all, I have to mourn just a moment for those people of years ago who lived lives they did not choose, who carried burdens that were not their own, whose invisible scars were as private as the scarlet beads of Sister Roberta’s rosary wrapped across the back of her small hand, as bright as drops of blood ringed round the souls of little people.

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  * * * *

  1993

  HARLAN ELLISON

  * * *

  MEFISTO IN ONYX

  Harlan Ellison (1934-) was born in Cleveland, Ohio, and had various jobs, mostly blue collar, in all parts of the country before settling in New York to become a full-time writer. Within the next two years, he produced and sold more than one hundred stories and articles before being drafted into the Army. Soon after his discharge, he moved to Chicago to work as an editor at Rogue magazine and Regency Books. His prolific writing career continued when he moved to California to write for motion pictures (including the 1966 blockbuster The Oscar) and, mostly, for television. Ellison supplied scripts for many series, including Burke’s Law, The Flying Nun, Route 66, The Man from U.N.C.L.E., The Outer Limits, and, most famously, Star
Trek — his “The City on the Edge of Forever” is regarded as the best episode in the history of that series, named Best Original Teleplay by the Writers Guild of America; his “Demon with a Glass Hand,” for The Outer Limits, and two other teleplays also won the award. He is among the most honored writers in America, especially among writers of speculative fiction, winning ten Hugos (World Science Fiction Society), including Grand Master; four Nebulas (Science Fiction and Fantasy Writers of America); five Bram Stoker Awards (Horror Writers Association), including lifetime achievement; and two Edgar Allan Poe Awards (Mystery Writers of America) for his memorable short stories “The Whimper of Whipped Dogs” and “Soft Monkey”; among many other genre and nongenre honors.

  It is uncommon to find fantasy and supernatural elements mixed with crime fiction, but Ellisons work successfully bridges and encompasses those genres frequently, as with this novella. “Mefisto in Onyx” originally appeared in the October 1993 issue of Omni magazine; several minor emendations were made for its first publication in book form three months later by the California publisher Mark V. Ziesing. The text for this volume is taken from that publication.

  ~ * ~

  O

  nce. I only went to bed with her once. Friends for eleven years—before and since—but it was just one of those things, just one of those crazy flings: the two of us alone on a New Year’s Eve, watching rented Marx Brothers videos so we wouldn’t have to go out with a bunch of idiots and make noise and pretend we were having a good time when all we’d be doing was getting drunk, whooping like morons, vomiting on slow-moving strangers, and spending more money than we had to waste. And we drank a little too much cheap champagne; and we fell off the sofa laughing at Harpo a few times too many; and we wound up on the floor at the same time; and next thing we knew we had our faces plastered together, and my hand up her skirt, and her hand down in my pants...

  But it was just the once, fer chrissakes! Talk about imposing on a cheap sexual liaison! She knew I went mixing in other peoples’ minds only when I absolutely had no other way to make a buck. Or I forgot myself and did it in a moment of human weakness.

  It was always foul.

  Slip into the thoughts of the best person who ever lived, even Saint Thomas Aquinas, for instance, just to pick an absolutely terrific person you’d think had a mind so clean you could eat off it (to paraphrase my mother), and when you come out—take my word for it—you’d want to take a long, intense shower in Lysol.

  Trust me on this: I go into somebody’s landscape when there’s nothing else I can do, no other possible solution...or I forget and do it in a moment of human weakness. Such as, say, the IRS holds my feet to the fire; or I’m about to get myself mugged and robbed and maybe murdered; or I need to find out if some specific she that I’m dating has been using somebody else’s dirty needle or has been sleeping around without she’s taking some extra-heavy-duty AIDS precautions; or a co-worker’s got it in his head to set me up so I make a mistake and look bad to the boss and I find myself in the unemployment line again; or...

  I’m a wreck for weeks after.

  Go jaunting through a landscape trying to pick up a little insider arbitrage bric-a-brac, and come away no better heeled, but all muddy with the guy’s infidelities, and I can’t look a decent woman in the eye for days. Get told by a motel desk clerk that they’re all full up and he’s sorry as hell but I’ll just have to drive on for about another thirty miles to find the next vacancy, jaunt into his landscape and find him lit up with neon signs that got a lot of the word nigger in them, and I wind up hitting the sonofabitch so hard his grandmother has a bloody nose, and usually have to hide out for three or four weeks after. Just about to miss a bus, jaunt into the head of the driver to find his name so I can yell for him to hold it a minute Tom or George or Willie, and I get smacked in the mind with all the garlic he’s been eating for the past month because his doctor told him it was good for his system, and I start to dry-heave, and I wrench out of the landscape, and not only have I missed the bus, but I’m so sick to my stomach I have to sit down on the filthy curb to get my gorge submerged. Jaunt into a potential employer, to see if he’s trying to lowball me, and I learn he’s part of a massive cover-up of industrial malfeasance that’s caused hundreds of people to die when this or that cheaply-made grommet or tappet or gimbal mounting underperforms and fails, sending the poor souls falling thousands of feet to shrieking destruction. Then just try to accept the job, even if you haven’t paid your rent in a month. No way.

  Absolutely: I listen in on the landscape only when my feet are being fried; when the shadow stalking me turns down alley after alley tracking me relentlessly; when the drywall guy I’ve hired to repair the damage done by my leaky shower presents me with a dopey smile and a bill three hundred and sixty bucks higher than the estimate. Or in a moment of human weakness.

  But I’m a wreck for weeks after. For weeks.

  Because you can’t, you simply can’t, you absolutely cannot know what people are truly and really like till you jaunt their landscape. If Aquinas had had my ability, he’d have very quickly gone off to be a hermit, only occasionally visiting the mind of a sheep or a hedgehog. In a moment of human weakness.

  That’s why in my whole life—and, as best I can remember back, I’ve been doing it since I was five or six years old, maybe even younger—there have only been eleven, maybe twelve people, of all those who know that I can “read minds,” that I’ve permitted myself to get close to. Three of them never used it against me, or tried to exploit me, or tried to kill me when I wasn’t looking. Two of those three were my mother and father, a pair of sweet old black folks who’d adopted me, a late-in-life baby, and were now dead (but probably still worried about me, even on the Other Side), and whom I missed very very much, particularly in moments like this. The other eight, nine were either so turned off by the knowledge that they made sure I never came within a mile of them—one moved to another entire country just to be on the safe side, although her thoughts were a helluva lot more boring and innocent than she thought they were—or they tried to brain me with something heavy when I was distracted—I still have a shoulder separation that kills me for two days before it rains—or they tried to use me to make a buck for them. Not having the common sense to figure it out, that if I was capable of using the ability to make vast sums of money, why the hell was I living hand-to-mouth like some overaged grad student who was afraid to desert the university and go become an adult?

  Now they was some dumb-ass muthuhfugguhs.

  Of the three who never used it against me—my mom and dad—the last was Allison Roche. Who sat on the stool next to me, in the middle of May, in the middle of a Wednesday afternoon, in the middle of Clanton, Alabama, squeezing ketchup onto her All-American Burger, imposing on the memory of that one damned New Year’s Eve sexual interlude, with Harpo and his sibs; the two of us all alone except for the fry-cook; and she waited for my reply.

  “I’d sooner have a skunk spray my pants leg,” I replied.

  She pulled a papkin from the chrome dispenser and swabbed up the red that had overshot the sesame-seed bun and redecorated the Formica countertop. She looked at me from under thick, lustrous eyelashes; a look of impatience and violet eyes that must have been a killer when she unbottled it at some truculent witness for the defense. Allison Roche was a Chief Deputy District Attorney in and for Jefferson County, with her office in Birmingham. Alabama. Where near we sat, in Clanton, having a secret meeting, having All-American Burgers; three years after having had quite a bit of champagne, 1930s black-and-white video rental comedy, and black-and-white sex. One extremely stupid New Year’s Eve.

  Friends for eleven years. And once, just once; as a prime example of what happens in a moment of human weakness. Which is not to say that it wasn’t terrific, because it was; absolutely terrific; but we never did it again; and we never brought it up again after the next morning when we opened our eyes and looked at each other the way you look at an exploding can of sardines, and bot
h of us said Oh Jeeezus at the same time. Never brought it up again until this memorable afternoon at the greasy spoon where I’d joined Ally, driving up from Montgomery to meet her halfway, after her peculiar telephone invitation.

  Can’t say the fry-cook, Mr. All-American, was particularly happy at the pigmentation arrangement at his counter. But I stayed out of his head and let him think what he wanted. Times change on the outside, but the inner landscape remains polluted.

  “All I’m asking you to do is go have a chat with him,” she said. She gave me that look. I have a hard time with that look. It isn’t entirely honest, neither is it entirely disingenuous. It plays on my remembrance of that one night we spent in bed. And is just dishonest enough to play on the part of that night we spent on the floor, on the sofa, on the coffee counter between the dining room and the kitchenette, in the bathtub, and about nineteen minutes crammed among her endless pairs of shoes in a walk-in clothes closet that smelled strongly of cedar and virginity. She gave me that look, and wasted no part of the memory.