MirrorWorld

by Jeremy Robinson

  A loud snapping sound turns the monster’s, and my, attention upward.

  A Dread Squad soldier descends through the sky, held aloft by a black parachute, no doubt made of oscillium. He’s made a mistake by entering the mirror world before landing. He’s probably too hopped up on BDO, itching for a fight. But he has captured the croc’s full attention for the moment.

  I look into the real world. Three Globemaster transport planes circle the forest. Small black figures spill from the back of each, which are like deer shitting pellets rapid-fire. Soldiers, hundreds of them, fall toward the ground, their black parachutes deploying at what appears to be the last second, and then, one by one, they wink out of reality.

  They’re parachuting into the mirror dimension. It’s not a bad tactic, really, except for the fact that they’re going to land in several feet of Dread-croc-infested water. It’s going to be a bloodbath, on both sides, as the drug-amped soldiers unleash their weaponry.

  Not that I’ll be around to see it. When the soldier sees the Dread croc, he shouts a battle cry and opens fire. The croc responds by submerging itself and pumping its tail. It surges through the water, heading for its new target.

  I can do this, I think.

  And then the water to my right flickers yellow.

  Then to my left.

  Flickering yellow bodies, each as big as the first, come to life, one after another, stretching as far as I can see. I stand still as the light grows brighter.

  No, not brighter … Closer to the surface.

  An array of glowing yellow eyes emerge from the water.

  Feeling what I believe is an appropriate level of earth-shattering fear, I burst back into the real world and sprint forward like a white Bronco from the LAPD. It’s just a hundred feet to the colony entrance.

  Luckily for me, all eyes in the mirror world are now looking up.

  After a few-second sprint, I slip back into the mirror world, just feet from the colony entrance.

  Screams erupt behind me.

  A Dread croc rises out of the water, propelled by its powerful tail. Its wide jaws open and shut over a man’s pelvis. He’s severed in half. While his legs are carried away, the still-living man shrieks, out of his mind, his insides splashing into the water below, acting as chum. Monsters swirl through the water, vying for position as the nearly lifeless man continues his descent.

  Two Dread crocs make their move at once, each catching a portion of the man, silencing his screams. It’s only a second before a fresh holler of pain fills the air, this time followed by the staccato roar of automatic gunfire. It’s followed by more and more, nearby and distant, thunderously announcing the arrival of the human race in the mirror world. The battle for the colony’s perimeter has begun.

  I want no part in it.

  I step inside the colony and am greeted by darkness. It lasts just a moment as my eyes adjust, faster than before. Luminous veins line the walls and ceiling, providing a rainbow of ebbing, flowing light. I take the smartphone out, intending to check on Maya’s position, but the screen is black and dripping water. I put the device away and move quietly, stepping down the smooth, curving grade. It appears this giant colony is designed similarly to the smaller one in New Hampshire, spiraling downward toward an open core. This means I’ve got a long journey ahead of me. I think the colony is a thousand feet across, give or take a hundred, so the perimeter is just over three thousand feet. After just my second revolution, I’ll have traveled a mile. At a run, I can cover the distance in six minutes, but there’s no way to know how many circuits the tunnel makes before reaching the bottom. As wide as this colony is, I might have to run several miles before reaching the bottom, and I don’t have a half hour to spare.

  But what other choice do I have?

  Throwing caution to the wind, I run, setting a fast but not impossible pace. The air smells rank, strong with ammonia, and stings my throat, but I haven’t passed out yet, so there is still enough oxygen to keep me alive.

  Three minutes into my run, I haven’t encountered any resistance.

  At three minutes, five seconds, everything changes.

  Alcoves line the walls on both sides up ahead. In the last colony, these spaces contained empty nests. With all the action outside and the commotion in New Orleans, I expect the same here. As I run by the first alcove and glance inside, I realize my mistake. With the closest thing I’ve seen to a stunned expression on a Dread, a bull watches me pass by.

  For a moment, I think it’s just going to let me pass, but then a cry rings out, echoing down the long, curved tunnel. The bellow is joined by a sharp surge of mental whispering.

  Barks from far beyond me and all around me explode into the air.

  I pour on the speed, instinct telling me to run from the danger while my intellect screams at me to stop because I’m simply putting myself deeper in Dread territory. My flight into danger is short-lived. Thumping feet turn my attention to the left.

  A Dread bull charges from an alcove, head down, perfectly aimed. A wave of fear explodes from the monster, tearing through my body, twisting my insides like a giant corkscrew spiraling through my gut. Its four eyes lock on target, confident. With only a second before impact, I freeze in place.

  51.

  Muscles spasm and lock.

  Lungs seize.

  My body becomes a statue. Unflinching. Unmoving.

  And still alive.

  I can’t see, smell, hear, or feel anything. That’s not entirely true. I feel cold. And wet. Trapped tightly on all sides, moisture seeping past my clothing to chill skin.

  And then I realize I have felt this before. Once. Locked in stone beneath the New Hampshire colony. I’ve left the mirror world and leapt into the very earth itself, which in New Orleans is so far below the water table there is actual water pressure. It squeezes in on me. My nose stings as water fills it, threatening to spill down my throat and fill my lungs.

  In a blink, it’s all gone. The pressure. The water. All of it. I’m standing in the Dread-colony hallway, no doubt looking a little stunned. The charging bull has just passed. It felt like minutes trapped in earth, but was just a second, maybe two. The bull, having already lunged, sails through the air and into an adjacent alcove, where it careens into the back wall.

  The thick but papery structure is no match for the bull. The wall tears, spilling the Dread into the space beyond. Hundreds of thin layers flutter away, butterflies in flight. A gaping hole is all that remains.

  As more bulls leap from their alcoves, turning their heads back and forth, huffing and sniffing, most craning their gaze toward me, I run. For the hole. Not only is it my only hope of escape, it should also help me avoid an entire revolution around the colony, saving me a long run.

  I sprint toward the alcove as the floor vibrates from the impact of so many charging bulls. It’s full of bunched-up debris, swirled into black nests, intertwined with glowing veins of surging liquid.

  A head rears up.

  I pull Faithful from my back, prepare to swing.

  But there is something in the Dread’s four large eyes that holds me back. Not anger, or hate, or even fear.

  It’s innocence. A complete lack of understanding of the danger I present. It merely regards me with interest. A baby, I realize, and then, a litter, as more heads rise. Dread or not, the rules of engagement still guide my hand, and I will not attack children. I have, in the course of my career, had my fair share of collateral damage. People get in the way sometimes. But the CIA is careful to avoid situations with children and would never actually target a child. Even secret agencies and assassins have standards. But what moves me most, when my eyes meet those of the Dread calves, is how they remind me of my son.

  It’s no wonder these bulls are out of their minds trying to kill me. I’ve just invaded their home and put their children in danger. The trouble for them is that I’m just the start. If any of Lyons’s drugged-up Dread Squad get inside, they’ll kill everything. But this is war, and the Dread are u
ltimately responsible for what happens here today. They should have moved their young from this place. Even if they didn’t know Lyons had targeted this colony, they’ve been inside my head. They must have known that I would come when Maya’s tracker signal began transmitting.

  Hopping from the edge of one nest to the next, I bounce through the alcove and leap toward the ruined wall. I’d like to say this is the old fearless Crazy shining through, but it’s really just desperation, hoping that whatever lies on the far side of this wall is less horrible than a horde of enraged, rhinoceros-sized parents.

  The remains of the papery wall slap against me but provide little resistance as I plow through. When I see what lies on the other side, I shout in surprise, not because some horrible monster awaits me, but because I’ve jumped out over a twenty-five-foot drop.

  It turns out that my fear of falling is misguided. As soon as my descent begins, it’s arrested. The bull, now clinging to the backside of the wall, has caught me. With a grunt, it slams me into the wall, once, twice, and then a third time, rattling my thoughts and snapping me into the past.

  I’m with Lyons. It’s my first day with Neuro and he’s just told me his long-term game plan for the Dread. He’s looking for a way to repel them and end what he calls their “reign of terror.” Without their influence on mankind, he thinks wars will end, fear will dwindle on a vast scale, and global peace will be attainable. He speaks with energy bordering on frantic. Hungry. Unable to understand the subtlety of fear at the time, I missed the cues that this fight was personal for him. It always was. The “better world” scenario he presented me was simply justification for a vendetta that began during his childhood.

  He asks my opinion.

  “In my experience,” I say, “the only way to truly squelch a longtime enemy is to beat them into submission and then reverse the flow of influence. Post–World War Two Japan is a good example.”

  His only response is a smile.

  The memory fades as my body is jolted.

  In the present, my new surroundings overshadow the surprise I feel about the World War II analogy, of which Lyons is so fond, which originated from me. I’m hanging sideways in the grasp of a bull as it lumbers down the tunnel on three limbs. Its grip is solid, my arms pinned by my sides. I’m stuck, and while the creature is moving in the right direction, I have no intention of reaching Maya as a prisoner. The sound of several sets of heavy footfalls tell me the bull is not alone. I open my eyes and confirm it. Bulls, pugs, and Medusa-hands. Too many to count. A mob of Dread is escorting me downward.

  Seeing no other option, I pull what is becoming the oldest trick in my “How to Outwit and Outmaneuver Dread” book. The quick plan is to hop into my home dimension and, while the bull is distracted by my disappearance, return to the mirror dimension, push the mob back with a burst of raw fear, put a few Desert Eagle rounds into the nearest alcove wall to weaken it, and dive right on through. It’s insane. I recognize that, but it’s all I can come up with, so I go for it.

  The plan falls to pieces the moment I put part 1 into action. I’m expecting moist but solid earth to hug and hold me in place. Instead, I get a raging torrent of flowing liquid. I’m yanked forward instead of stopping, spun around, slammed against hard stone, and lost in complete darkness. Near drowning, I reenter the mirror world, hoping to be tossed to the floor farther up the tunnel. But that’s not what happens.

  When I enter the mirror world, I’m not deposited on or above the tunnel floor, I’m embedded in it. Half of my body is locked in stone. The other half, lying sideways, is left to flail. With my one free eye, I see the bulls snap to attention, snorting at my return. The closest of them raises its thick foot to stomp on me.

  Choice is removed once again. I manage to suck in a breath through my one free nostril and then slip back into the raging waters far beneath New Orleans. I’m swept away again and brutalized by the tunnel walls. I cling to the air in my lungs, but the rapids seem determined to knock it free. Bubbles burst from my mouth with every jarring impact.

  Then my head hits something solid.

  I black out for a moment.

  When I come to, thrashing awake, the air in my lungs is gone.

  I reach out, hoping to feel open space, but how will I know it? Moving so quickly, spun like a pebble in a rock polisher, how will I ever recognize that fraction of a second of cool air being different from the water?

  I won’t.

  But then, as the raging water takes a sudden turn, I do.

  I don’t feel the change so much as I hear it. The gurgling, muffled cacophony of flowing water suddenly echoes in a tight space. The sound actually hurts my ears when I take a gasping breath, and then another, calming the burn in my lungs.

  The surface beneath me changes to a slanted solid stone. I can’t see it, but I claw my way over the surface, fighting to pull myself free of the devil’s waterslide. The gap is small, just enough room for me to pull my torso out of the water, but my legs remain wet, tugged at by the rapids, urging me to my death.

  The rock bed is cold against my head, but so very welcome. With each breath, my body normalizes. Calm down, I tell myself. Start thinking. What options do I have?

  Option one, check out the mirror world. I peek without moving my body between worlds. It’s a surreal experience. I’m encased in the black earth, but it’s intercut by thin, glowing roots. I don’t clearly understand the Dread or their world, but one thing is for certain, it’s all connected. Free to move, I look in all directions and see the same thing: earth, right in my face. I rub my eyes after returning to the pitch black of the underground river. I only looked into the other world, but my brain still thinks there’s dirt in my eyes.

  That means I’ve got only one possible escape route—the river. And who knows if it will even bring me in the right direction, or if I won’t have my back broken against a stone five seconds after getting back in the water?

  But no choice means no choice. As much as I don’t like the idea of being battered by the rough waters or drowned beneath them, I refuse to give in now. Sure, I could survive in this little world for a time. I’d die from hypothermia long before I starved, and I certainly wouldn’t die from lack of water. But I’d be letting the Dread have Maya without a fight, and if she’s still around when Dread Squad arrives …

  I sigh and roll onto my back.

  Despite the pitch black, I close my eyes and see Maya. Her smiling face. Her hands full of pumpkin gore, dripping freshly pillaged seeds. I wait, holding a carving knife, while Simon digs his small hands into the open gourd. He’s the closest thing I’ve seen to a true Halloween zombie. I smile at the memory. It returned recently, probably while I was being bashed about in the river.

  “I’m sorry,” I say into the darkness, warm tears on my cheeks. Dammit. I miss that kid.

  Miss his mother, too …

  I see the entire past year, spent in SafeHaven in a new light. Despite the company of Shotgun Jones and Seymour, I was very alone. My lack of fear and memory prevented me from experiencing it, but now that my memories are returning and I’m able to feel a full range of emotions, remembering that time is heartbreaking, lonely, and desperate. Looking back even further, I can see that my life before Maya was much the same. I depended on myself, leaned on my fearless nature to get past struggles. My own strength carried me. But when I found Maya, that changed. I was still fearless, but she removed the burden of self-sufficiency. She became my strength. So did Simon. Is that why I ran away? Despite my lack of fear, did I become powerless? Weak? It’s not impossible, and I certainly wouldn’t have feared ridicule for my mental retreat.

  But Maya wasn’t gone. She was alive. She needed me. Why would I have run from that? I still can’t remember, but I’m not going to make the same mistake again.

  I’m coming, baby. I’m coming.

  I roll myself into the river, content that it will either carry me where I need to go or usher me into the afterlife, from which I will do my best to torment the Dread
for what they’ve taken from me.

  52.

  Relaxing my body, I let myself drift through the darkness. I’m slammed into a side wall as the river takes a sharp left turn. That’s when I start checking the mirror world for open spaces. With my vision in the Dread world, I watch scores of glowing vein-roots slip past in a blur.

  The river batters me. The pain radiating through my body hides the burning in my lungs for a minute, but the ache to breathe soon dwarfs all other feelings. I crush my lips together, clinging to the air, absorbing each and every molecule of oxygen.

  I hold on, watching the subterranean mirror world slide past. I’m seconds from taking a breath. Seconds from death. Lights appear in my vision, choreographed twirling spots. It’s almost beautiful. But I can’t see. My view of the mirror world slides to black.

  No time left, I think. No time!

  I shift.

  And stop.

  Locked in densely packed earth. The only question left is, Which world do I want to die in? Home, I think. I’ll drown and be carried by the river, maybe ejected out to sea and found by a fisherman. Maybe I’ll even get a burial. Or perhaps just feed a hungry shark. As my mind starts to slip away, I focus on returning home one last time.

  Then I feel it.

  My foot can move!

  I slip back into the river, am tugged down hard. My mouth opens, sucking in water. As my body goes rigid, I shift back to the mirror world, leaving the river behind but carrying along the water in my lungs.

  I fall for just a moment and land on a hard surface.

  My body shakes, desperate to breathe, but unable to because of the water in my lungs. Still fading, it takes all of my remaining energy and willpower to roll myself over onto my hands and knees. My gut and chest convulse silently, pumping water out of my lungs, and then I can breathe.