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Tales of Chinatown

Page 15

by Sax Rohmer


  A pistol cracked in the darkness—and my fez was no longer on my head!

  Harley's repeater answered, and we stumbled through a heavily curtained door into a heated room, the air of which was laden with some Eastern perfume. In the dim light from a silken-shaded lantern a figure showed, momentarily, darting across the place before us.

  Again Harley's pistol spoke, but, as it seemed, ineffectively.

  I had little enough opportunity to survey my surroundings; yet even in those brief, breathless moments I saw enough of the place wherein we stood to make me doubt the evidence of my senses! Outside, I knew, lay a dingy wharf, amid a maze of mean streets; here was an opulently furnished apartment with a strong Oriental note in the decorations!

  Snatching an electric torch from his pocket, Harley leaped through a doorway draped with rich Persian tapestry, and I came close on his heels. Outside was darkness. A strong draught met us; and, passing along a carpeted corridor, we never halted until we came to a room filled with the weirdest odds and ends, apparently collected from every quarter of the globe.

  Crack!

  A bullet flattened itself on the wall behind us!

  "Good job he can't shoot straight!" rapped Harley.

  The ray of the torch suddenly picked out the head and shoulders of a man who was descending through a trap in the floor! Ere we had time to shoot he was gone! I saw his brown fingers relax their hold—and a bundle which he had evidently hoped to take with him was left lying upon the floor.

  Together we ran to the trap and looked down.

  Slowly moving tidal water flowed darkly beneath us! For twenty breathless seconds we watched—but nothing showed upon the surface.

  "I hope his swimming is no better than his shooting," I said.

  "It can avail him little," replied Harley grimly; "a river-police boat is waiting for anyone who tries to escape from that side of the house. We are by no means alone in this affair, Knox. But, firstly, what have we here!" He took up the bundle which the fugitive had deserted. "Something incriminating when Ali of Cairo dared not stay to face it out! He would never have deserted this place in the ordinary way. That fellow who was such a bad shot was left behind, when the news of our approach reached here, to make a desperate attempt to remove some piece of evidence! I'll swear to it. But we were too soon for him!"

  All the time he was busily removing the pieces of sacking and scraps of Oriental stuff with which the bundle was fastened; and finally he drew out a dress-suit, together with the linen, collar, shoes, and underwear—a complete outfit, in fact—and on top of the whole was a soft gray felt hat!

  Eagerly Harley searched the garments for some name of a maker by which their owner might be identified. Presently, inside the lining of the breast pocket, where such a mark is usually found, he discovered the label of a well-known West End firm.

  "The police can confirm it, Knox!" he said, looking up, his face slightly flushed with triumph; "but I, personally, have no doubt!"

  "You may have no doubt, Harley," I retorted, "but I am full of doubt! What is the significance of this discovery to which you seem to attach so much importance?"

  "At the moment," replied my friend, "never mind; I still have hopes—although they have grown somewhat slender—of making a much more important discovery."

  "Why not permit the police to aid in the search?"

  "The police are more useful in their present occupation," he replied. "We are dealing with the most cunning knave produced by East or West, and I don't mean to let him slip through my fingers if he is in this house! Nevertheless, Knox, I am submitting you to rather an appalling risk, I know; for our man is desperate, and if he is still in the place will prove as dangerous as a cornered rat."

  "But the man who dropped through the trap?"

  "The man who dropped through the trap," said Harley, "was not Ali of Cairo—and it is Ali of Cairo for whom I am looking!"

  "The hunchback we saw to-night?"

  Harley nodded, and having listened intently for a few moments, proceeded again to search the singular apartments of the abode. In each was evidence of Oriental occupancy; indeed, some of the rooms possessed a sort of Arabian Nights atmosphere. But no living creature was to be seen or heard anywhere. It was while the two of us, having examined every inch of wall, I should think, in the building, were standing staring rather blankly at each other in the room with the lighted lantern, that I saw Harley's expression change.

  "Why," he muttered, "is this one room illuminated—and all the others in darkness?"

  Even then the significance of this circumstance was not apparent to me. But Harley stared critically at an electric switch which was placed on the immediate right of the door and then up at the silk-shaded lantern which lighted the room. Crossing, he raised and lowered the switch rapidly, but the lamp continued to burn uninterruptedly!

  "Ah!" he said—"a good trick!"

  Grasping the wooden block to which the switch was attached, he turned it bodily—and I saw that it was a masked knob; for in the next moment he had pulled open the narrow section of wall—which proved to be nothing less than a cunningly fitted door!

  A small, dimly lighted apartment was revealed, the Oriental note still predominant in its appointments, which, however, were few, and which I scarcely paused to note. For lying upon a mattress in this place was a pretty, fair-haired girl!

  She lay on her side, having one white arm thrown out and resting limply on the floor, and she seemed to be in a semi-conscious condition, for although her fine eyes were widely opened, they had a glassy, witless look, and she was evidently unaware of our presence.

  "Look at her pupils," rapped Harley. "They have drugged her with bhang! Poor, pretty fool!"

  "Good God!" I cried. "Who is this, Harley?"

  "Molly Clayton!" he answered. "Thank heaven we have saved one victim from Ali of Cairo."

  V. THE HAREM AGENCY

  Owing to the instrumentality of Paul Harley, the public never learned that the awful riverside murder called by the Press in reference to the victim's shaven skull "the barber atrocity" had any relation to the Deepbrow case. It was physically impossible to identify the victim, and Harley had his own reasons for concealing the truth. The house on the wharf with its choice Oriental furniture was seized by the police; but, strange to relate, no arrest was made in connection with this most gruesome outrage. The man who dropped through the trap had been wounded by one of Harley's shots, and he sank for the last time under the very eyes of the crew of the police cutter.

  It was at a late hour on the night of this concluding tragedy that I learned the amazing truth underlying the case. Wessex was still at work in the East End upon the hundred and one formalities which attached to his office, and Harley and I sat in the study of my friend's chambers in Chancery Lane.

  "You see," Harley was explaining. "I got my first clue down at Deepbrow. The tracks leading to the motor-car. They showed—to anyone not hampered by a preconceived opinion—that the girl and Vane had not gone on together (since the man's footprints proved him to have been running), but that she had gone first and that he had run after her! Arguments: (a) He heard the approach of the car; or (b) he heard her call for help. In fact, it almost immediately became evident to me that someone else had met her at the end of the lane; probably someone who expected her, and whom she was going to meet when she, accidentally, encountered Vane! The captain was not attired for an elopement, and, more significant still, he said he should stroll to the Deep Wood, and that was where he did stroll to; for it borders the road at this point!

  "I had privately ascertained, from the postman, that Molly Clayton actually received a letter on that morning! This resolved my last doubt. She was not going to meet Vane on the night of her disappearance.

  "Then whom?"

  "The old love! He who some months earlier had had over fifty seductive pictures of this undoubtedly pretty girl prepared for a purpose of his own!"

  "Vane interfered?"

  "When the girl saw
that they meant to take her away, she no doubt made a fuss! He ran to the rescue! They had not reckoned on his being there, but these are clever villains, who leave no clues— except for one who has met them on their own ground!"

  "On their own ground! What do you mean, Harley? Who are these people?"

  "Well—where do you suppose those fifty photographs went?"

  "I cannot conjecture!"

  "Then I will tell you. The turmoil in the East has put wealth and power into unscrupulous hands. But even before the war there were marts, Knox—open marts—at which a Negro girl might be purchased for some 30 pounds, and a Circassian for anything from 250 pounds to 500 pounds! Ah! You stare! But I assure you it was so. Here is the point, though: there were, and still are, private dealers! Those photographs were circulated among the nouveaux riches of the East! They were employed in the same way that any other merchant employs a catalogue. They reached the hands of many an opulent and abandoned 'profiteer' of Damascus, Stambul—where you will. Molly's picture would be one of many. Remember that hundreds of pretty girls disappear from their homes—taking the whole of the world—every year. Clearly, English beauty is popular at the moment! And," he added bitterly, "the arch-villain has escaped!"

  "Ali of Cairo!" I cried. "Then Ali of Cairo———"

  "Is the biggest slave-dealer in the East!"

  "Good God! Harley—at last I understand!"

  "I was slow enough to understand it myself, Knox. But once the theory presented itself I asked Wessex to get into immediate touch with the valet he had already interviewed at Deepbrow. It was the result of his inquiry to which he referred when we met him at Scotland Yard to-night. Captain Vane had a large mole on his shoulder and a girl's name, together with a small device, tattooed on his forearm—a freak of his Sandhurst days———"

  "Then 'the man with the shaven skull'———"

  "Is Captain Ronald Vane! May he rest in peace. But I never shall until the crook-back dealer in humanity has met his just deserts."

  THE WHITE HAT

  I. MAJOR JACK RAGSTAFF

  "Hallo! Innes," said Paul Harley as his secretary entered. "Someone is making a devil of a row outside."

  "This is the offender, Mr. Harley," said Innes, and handed my friend a visiting card.

  Glancing at the card, Harley read aloud:

  "Major J. E. P. Ragstaff, Cavalry Club."

  Meanwhile a loud harsh voice, which would have been audible in a full gale, was roaring in the lobby.

  "Nonsense!" I could hear the Major shouting. "Balderdash! There's more fuss than if I had asked for an interview with the Prime Minister. Piffle! Balderdash!"

  Innes's smile developed into a laugh, in which Harley joined, then:

  "Admit the Major," he said.

  Into the study where Harley and I had been seated quietly smoking, there presently strode a very choleric Anglo-Indian. He wore a horsy check suit and white spats, and his tie closely resembled a stock. In his hand he carried a heavy malacca cane, gloves, and one of those tall, light-gray hats commonly termed white. He was below medium height, slim and wiry; his gait and the shape of his legs, his build, all proclaimed the dragoon. His complexion was purple, and the large white teeth visible beneath a bristling gray moustache added to the natural ferocity of his appearance. Standing just within the doorway:

  "Mr. Paul Harley?" he shouted.

  It was apparently an inquiry, but it sounded like a reprimand.

  My friend, standing before the fireplace, his hands in his pockets and his pipe in his mouth, nodded brusquely.

  "I am Paul Harley," he said. "Won't you sit down?"

  Major Ragstaff, glancing angrily at Innes as the latter left the study, tossed his stick and gloves on to a settee, and drawing up a chair seated himself stiffly upon it as though he were in a saddle. He stared straight at Harley, and:

  "You are not the sort of person I expected, sir," he declared. "May I ask if it is your custom to keep clients dancin' on the mat and all that—on the blasted mat, sir?"

  Harley suppressed a smile, and I hastily reached for my cigarette-case which I had placed upon the mantelshelf.

  "I am always naturally pleased to see clients, Major Ragstaff," said Harley, "but a certain amount of routine is necessary even in civilian life. You had not advised me of your visit, and it is contrary to my custom to discuss business after five o'clock."

  As Harley spoke the Major glared at him continuously, and then:

  "I've seen you in India!" he roared; "damme! I've seen you in India!—and, yes! in Turkey! Ha! I've got you now sir!" He sprang to his feet. "You're the Harley who was in Constantinople in 1912."

  "Quite true."

  "Then I've come to the wrong shop."

  "That remains to be seen, Major."

  "But I was told you were a private detective, and all that."

  "So I am," said Harley quietly. "In 1912 the Foreign Office was my client. I am now at the service of anyone who cares to employ me."

  "Hell!" said the Major.

  He seemed to be temporarily stricken speechless by the discovery that a man who had acted for the British Government should be capable of stooping to the work of a private inquiry agent. Staring all about the room with a sort of naive wonderment, he drew out a big silk handkerchief and loudly blew his nose, all the time eyeing Harley questioningly. Replacing his handkerchief he directed his regard upon me, and:

  "This is my friend, Mr. Knox," said Harley; "you may state your case before him without hesitation, unless———"

  I rose to depart, but:

  "Sit down, Mr. Knox! Sit down, sir!" shouted the Major. "I have no dirty linen to wash, no skeletons in the cupboard or piffle of that kind. I simply want something explained which I am too thick-headed—too damned thick-headed, sir—to explain myself."

  He resumed his seat, and taking out his wallet extracted from it a small newspaper cutting which he offered to Harley.

  "Read that, Mr. Harley," he directed. "Read it aloud."

  Harley read as follows:

  "Before Mr. Smith, at Marlborough Street Police Court, John Edward Bampton was charged with assaulting a well-known clubman in Bond Street on Wednesday evening. It was proved by the constable who made the arrest that robbery had not been the motive of the assault, and Bampton confessed that he bore no grudge against the assailed man, indeed, that he had never seen him before. He pleaded intoxication, and the police surgeon testified that although not actually intoxicated, his breath had smelled strongly of liquor at the time of his arrest. Bampton's employers testified to a hitherto blameless character, and as the charge was not pressed the man was dismissed with a caution."

  Having read the paragraph, Harley glanced at the Major with a puzzled expression.

  "The point of this quite escapes me," he confessed.

  "Is that so?" said Major Ragstaff. "Is that so, sir? Perhaps you will be good enough to read this."

  From his wallet he took a second newspaper cutting, smaller than the first, and gummed to a sheet of club notepaper. Harley took it and read as follows:

  "Mr. De Lana, a well-known member of the Stock Exchange, who met with a serious accident recently, is still in a precarious condition."

  The puzzled look on Harley's face grew more acute, and the Major watched him with an expression which I can only describe as one of fierce enjoyment.

  "You're thinkin' I'm a damned old fool, ain't you?" he shouted suddenly.

  "Scarcely that," said Harley, smiling slightly, "but the significance of these paragraphs is not apparent, I must confess. The man Bampton would not appear to be an interesting character, and since no great damage has been done, his drunken frolic hardly comes within my sphere. Of Mr. De Lana, of the Stock Exchange, I never heard, unless he happens to be a member of the firm of De Lana and Day?"

  "He's not a member of that firm, sir," shouted the Major. "He was, up to six o'clock this evenin'."

  "What do you mean exactly?" inquired Harley, and the tone of his voice sugges
ted that he was beginning to entertain doubts of the Major's sanity or sobriety; then:

  "He's dead!" declared the latter. "Dead as the Begum of Bangalore! He died at six o'clock. I've just spoken to his widow on the telephone."

  I suppose I must have been staring very hard at the speaker, and certainly Harley was doing so, for suddenly directing his fierce gaze toward me:

  "You're completely treed, sir, and so's your friend!" shouted Major Ragstaff.

  "I confess it," replied Harley quietly; "and since my time is of some little value I would suggest, without disrespect, that you explain the connection, if any, between yourself, the drunken Bampton, and Mr. De Lana, of the Stock Exchange, who died, you inform us, at six o'clock this evening as the result, presumably, of injuries received in an accident."

  "That's what I'm here for!" cried Major Ragstaff. "In the first place, then, I am the party, although I saw to it that my name was kept out of print, whom the drunken lunatic assaulted."

  Harley, pipe in hand, stared at the speaker perplexedly.

  "Understand me," continued the Major, "I am the person—I, Jack Ragstaff—he assaulted. I was walkin' down from my quarters in Maddox Street on my way to dine at the club, same as I do every night o' my life, when this flamin' idiot sprang upon me, grabbed my hat"—he took up his white hat to illustrate what had occurred—"not this one, but one like it—pitched it on the ground and jumped on it!"

  Harley was quite unable to conceal his smiles as the excited old soldier dropped his conspicuous head-gear on the floor and indulged in a vigorous pantomime designed to illustrate his statement.

  "Most extraordinary," said Harley. "What did you do?"

  "What did I do?" roared the Major. "I gave him a crack on the head with my cane, and I said things to him which couldn't be repeated in court. I punched him, and likewise hoofed him, but the hat was completely done in. Damn crowd collected, hearin' me swearin' and bellowin'. Police and all that; names an' addresses and all that balderdash. Man lugged away to guard-room and me turnin' up at the club with no hat. Damn ridiculous spectacle at my time of life."

 

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