It's Only a Movie
Page 33
1930 (GB) Murder! (director/co-adaptation/ appearance)
1930 (GB) Mary (German version of Murder!) (director)
1931 (GB) The Skin Game (director/co-scriptwriter)
1931 (GB) Rich and Strange (director)
1932 (GB) Lord Camber’s Ladies (producer)
1932 (GB) Number 17 (director/co-scriptwriter)
1934 (GB) Waltzes from Vienna (director)
1934 (GB) The Man Who Knew Too Much (director)
1935 (GB) The 39 Steps (director/appearance)
1936 (GB) Secret Agent (director)
1936 (GB) Sabotage (director)
1937 (GB) Young and Innocent (director/appearance)
1938 (GB) The Lady Vanishes (director/appearance)
1939 (GB) Jamaica Inn (director)
1940 (US) Rebecca (director/appearance)
1940 (US) Foreign Correspondent (director/appearance)
1940 (US) The House Across the Bay (shot additional scenes)
1941 (US) Mr. and Mrs. Smith (director/appearance)
1941 (US) Suspicion (director)
1942 (US) Saboteur (director/appearance)
1942 (US) Shadow of a Doubt (director/appearance)
1943 (US) War bonds short (director)
1944 (US) Lifeboat (director/appearance)
1944 (GB) Bon Voyage (director)
1944 (GB) Aventure malgache (director)
1945 (US) Spellbound (director/appearance)
1945 (GB) F3080 (Memory of the Camps, later A Painful Reminder) (advisor)
1946 (US) Notorious (director/story/ appearance)
1947 (US) The Paradine Case (director/appearance)
1948 (US) Rope (director/appearance)
1949 (GB) Under Capricorn (director)
1949 (GB) Stage Fright (director/appearance)
1951 (US) Strangers on a Train (director/appearance)
1953 (US) I Confess (director/appearance)
1954 (US) Dial M for Murder (director/appearance)
1954 (US) Rear Window (director/appearance)
1954 (US) To Catch a Thief (director/appearance)
1954 (US) The Trouble with Harry (director/appearance)
1954 (US) Safe-driving campaign trailer (appearance)
1955 (US) The Man Who Knew Too Much (director/appearance)
1956 (US) The Wrong Man (director/appearance)
1957 (US) Vertigo (director/appearance)
1959 (US) North by Northwest (director/appearance)
1960 (US) The Gazebo (voice on telephone)
1960 (US) Ford Motor Company promotion (host)
1960 (US) Psycho (director/appearance)
1963 (US) The Birds (director/appearance)
1964 (US) Marnie (director/appearance)
1965 (US) The Dark Intruder (TV pilot) (producer)
1966 (US) Torn Curtain (director/appearance)
1969 (US) Topaz (director/appearance)
1970 (US) Makin’ lt (appearance from 1930s)
1972 (GB) Frenzy (director/appearance)
1976 (US) Family Plot (director/appearance)
TELEVISION (director credits only)
Alfred Hitchcock Presents
1955 Breakdown (director/introduction/producer)
1955 The Revenge (director/introduction/producer)
1955 The Case of Mr. Pelham (director/introduction/producer)
1956 Back for Christmas (director/introduction/producer)
1956 Wet Saturday (director/introduction/producer)
1957 One More Mile to Go (director/introduction/producer)
1957 Perfect Crime (director/introduction/producer)
1958 A Dip in the Pool (director/introduction/producer)
1958 Poison (director/introduction/producer)
1958 Lamb to the Slaughter (director/introduction/producer)
1959 Banquo’s Chair (director/introduction/producer)
1959 Arthur (director/introduction/producer)
1959 Crystal Trench (director/introduction/producer)
1960 Mrs. Bixby and the Colonel’s Coat (director/introduction/producer)
1961 The Horseplayer (director/introduction/producer)
1961 Bang! You’re Dead (director/introduction/producer)
Other Television
1957 Four O’Clock (Suspicion) (director/producer)
1960 Incident at the Corner (Ford Startime) (director)
1962 I Saw the Whole Thing (The Alfred Hitchcock Hour) (director/introduction)
Index
Abbey Players
Abel, Alfred
Academy Awards
Addison, John
After the Verdict
Alfred Hitchcock Hour
Alfred Hitchcock Presents
Alfred Hitchcock’s Mystery Magazine
Allardice, Jimmy
Allen, Jay Presson
Allgood, Sara
Alten, Theo von
Altman, Robert
Always Tell Your Wife (Hicks)
Amann, Betty
Ambler, Eric
American Film Institute
Hitchcock tribute of
Amphitryon
Anderson, Judith
Anderson, Mary
Anderson, Maxwell
Andrews, Julie
Angel, Heather
Animal House
Anthelme, Paul
Antonioni, Michelangelo
Appearances
Armstrong, Anthony
Arnold, Tom
Arosenius, Per-Axel
Ashcroft, Peggy
Ashenden (Maugham)
Astaire, Fred
Auber, Brigitte
Ault, Marie
Aventure malgache
plot of
Topaz compared with
Axt, William
Bagdasarian, Ross
Baker, Diane
Baker, Roy Ward
Balaban, Barney
Balcon, Michael:
at Ealing
at Gainsborough Pictures
at Gaumont-British
Hitchcock’s break with
Hitchcock’s career launched by
Islington Studios bought by
Balestrero, Manny
Balfour, Betty
Balsam, Martin
Bankhead, Tallulah
Banks, Leslie
Banky, Vilma
Baring, Norah
Barnes, George
Barrie, James M.
Barry, Joan
Barrymore, Ethel
Bass, Saul
Bassermann, Albert
Baxter, Anne
BBC television
Beeding, Francis
Before the Fact (Cox)
Before the Fact (film project)
Bel Geddes, Barbara
Bell Book and Candle
Belloc Lowndes, Marie
Benchley, Robert
Bendix, William
Benjamin, Arthur
Bennett, Charles
Blackmail film and
Blackmail play and
Bentley, Thomas
Berger, Ludwig
Bergman, Ingmar
Bergman, Ingrid
at AFI Hitchcock tribute
divorce and remarriage of
in Notorious
seriousness of
in Spellbound
Under Capricorn and
Bernstein, Sidney
Hitchcock’s concentration camp documentary and
Rope and
Transatlantic Pictures venture of
Under Capricorn and
Best, Edna
Bevill, Dicky
Birds, The
plot of
technical problems of
“Birds, The” (du Maurier)
Björk, Anita
Black, Karen
Blackboard Jungle, The
Blackguard, The
Blackmail (Bennett)
Blackmail (film)
as Hitchcock’s last silent and first sound film
/> plot of
Bloch, Robert
Blood and Sand
Blythe, John
Bogarde, Dirk
Boileau, Pierre
Bolton, Guy
Bon Voyage
plot of
Topaz compared with
Booth, Edwin
Booth, John Wilkes
Boyer, Charles
Boyle, Robert
Bradin, Jean
Brando, Marlon
Bream, Herbert
Bridie, James
Brisson, Carl
British-American Chamber of Commerce
British Film Institute
British International Pictures
British Ministry of Information
Brodel, Joan
Brown, David
Brownlow, Kevin
Bruce, Nigel
Buchan, John
Bulldog Drummond
Bumstead, Henry
Burgess, Guy
Burks, Robert
Burr, Raymond
Cabaret (Allen)
Cady, Frank
Caine, Hall
Callas, Maria
Calthrop, Donald
Canning, Victor
Captain’s Paradise, The
Cardiff, Jack
Carey, Harry, Sr.
Carey, Macdonald
Carroll, Leo G.
Carroll, Madeleine
Cartwright, Veronica
Casson, Ann
CBS
Champagne
plot of
Chandler, Joan
Chandler, Raymond
Chaplin, Charles
Hitchcock contrasted with
Chaplin, Oona O’Neill
Chapman, Edward
Chasen’s restaurant
Chekhov, Michael
Chesney, Arthur
Chesterton, G. K.
Chirico, Giorgio De
Churchill, Winston S.
Church of the Good Shepherd
Cinémathèque Française
Cinematograph Films Act (1927)
Citizen Kane
Clair, René
Clarousse, Paul
Clift, Montgomery
Clock, The
Clouzot, Henri-Georges
Cohn, Harry
Colbert, Claudette
Coleman, Herbert
on Hitchcock’s technical skills
on Hitchcock’s U.S. citizenship
Collier, Constance
Collins, Wilkie
Columbia
Compson, Betty
Compton, Fay
Connery, Sean
Conrad, Joseph
Cook, Whitfield
Cooper, Gary
Cooper, Gladys
Cooper, Wilkie
Coppel, Alec
Coppleman, Rusty
Corey, Wendell
Corn Is Green, The
Cotten, Joseph
Countess from Hong Kong, A
Coward, Noël
Cox, Anthony Berkely
Cox, Jack
Crisp, Donald
Croise, Hugh
Cronyn, Hume
Cukor, George
Cummings, Robert
Curtis, Tony
Cutts, Graham
Dahl, Roald
Dali, Salvador
Dall, John
Dane, Clemence
Dano, Royal
Darcy, Georgine
Darnborough, Anthony
Datas (memory expert)
Dawson, Anthony
Day, Doris
Day, Laraine
Death in Venice
de Banzie, Brenda
De Marney, Derrick
Dern, Bruce
Deutsches Theater
Devane, William
Diabolique
Dial M for Murder (film)
plot of
3—D effects in
Dial M for Murder (Knott)
Dickens, Charles
Dietrich, Marlene
Disney, Walt
Dixon, Campbell
Dodge, David
Donat, Robert
Dor, Karin
Double Indemnity
Downhill
plot of
Doyle, Arthur Conan
Dufy, Raoul
du Maurier, Daphne
du Maurier, Gerald
Dunnock, Mildred
Ealing Studios
Easy Virtue
plot of
Eden, Anthony
87th Precinct series (McBain)
Elastic Affair, An
Elizabeth II, queen of England
Elliott, Laura
Ellis, Mollie
Elstree Calling
Elstree Studios
Elvey, Maurice
Emelka Studios
Emery, John
Enter Sir John (Dane and Simpson)
Entre les Mortes, d’ (Boileau and Narcejac)
Erickson, C. O. “Doc,”
Evans, Ray
Evelyn, Judith
Evergreen
F3080 (concentration camp film)
Fairbanks, Douglas, Jr.
Falkenberg, Karl
Family Plot
as Hitchcock’s last film
plot of
Famous Players-Lasky
Farebrother, Violet
Farjeon, J. Jefferson
Farmer’s Wife, The (film)
plot of
Farmer’s Wife, The (Phillpotts)
Fellini, Federico
film industry:
in England
in Germany
in Great Britain
in Russia
sound recording and
women in
Film Society of Lincoln Center
Finch, Jon
Fisher, Terence
Fitzgerald, Barry
Flame of New Orleans, The
Fleming, Erin
Floradora (Stuart)
Folies Bergère
Fonda, Henry
Fonda, Jane
Fontaine, Joan
in Rebecca
in Suspicion
Foreign Correspondent
MacGuffin in
plot of
Forsythe, John
Foster, Barry
Fowler, Elizabeth Japp
France, C. V.
France, 1968 revolution in
Freeman, David
Frenzy
plot of
success of
Fresnay, Pierre
“frightmares,”
“Funeral March of a Marionette” (Gounod)
Fury
Gable, Clark
Gainsborough Pictures
founding of
Hitchcock hired by
Hitchcock’s career launched at
Hitchcock’s departure from
Galeen, Henrik
Galsworthy, John
“Gas” (Hitchcock)
Gassmann, Remi
Gaumont-British
Gavin, John
Gelin, Daniel
Geraghty, Carmelita
Gielgud, John
Gish, Lillian
Goetzke, Bernard
Goldman, Milton
Gone With the Wind
Goodbye Piccadilly, Farewell Leicester Square (La Bern)
Good Companions, The
Gounod, Charles
Graham, Winston
Granger, Farley
Grant, Cary
at AFI Hitchcock tribute
Billy Wilder on
as Hitchcock’s alter ego
at Hitchcock’s knighting ceremony
in North by Northwest
in Notorious
in Suspicion
in To Catch a Thief
Grapes of Wrath, The
Great Expectations (Dickens)
Green, Hilton
at AFI Hitchcock tribute
on Hitchcock’s love of films
on Psycho
&nb
sp; Green, Pamela
Greenwood, Edwin
Grey, Anne
Griffies, Ethel
Griffith, D. W.
Griffith, Melanie
Guilaroff, Sydney
Guy, Alice
Gwenn, Edmund
Haas, Dolly
“Hairless Mexican, The” (Maugham)
Hale, Sonny
Hall-Davis, Lillian
Hamilton, John
Hamilton, Patrick
Handford, Peter
Haney, Carol
Hardwicke, Cedric
Harker, Gordon
Harlan, Veit
Harmony Heaven
Harrington, Curtis
Harris, Barbara
Harris, Robert A.
Harrison, Joan
Harvard Film Archive
Harvey, Laurence
Hasse, O. E.
Hasty Heart, The
Hatful of Rain
Haye, Helen
Hayes, John Michael
Hays Office
Hayward, Leland
Hayward, Susan
Head, Edith
favorite film of
first Hitchcock screen credit for
on Grace Kelly
on Kim Novak’s coat in Vertigo
Hecht, Ben
Hedren, Nathalie “Tippi,”
in The Birds
in Marnie
Helmore, Tom
Henley Social Club Magazine
Hepburn, Audrey
Hepburn, Katharine
Herrmann, Bernard
first Hitchcock score by
last Hitchcock score by
Psycho score by
Hichens, Robert
Hicks, Seymour
Highsmith, Patricia
Hiller, Arthur
Hindenburg, The
Hirschfeld, Al
Hitchcock, Alfred:
Academy Awards and nominations of
actors as treated by
American Film Institute tribute to
American relocation by
art collection of
as assistant director
Balcon’s break with
birth of
cameo appearances by
on casting’s importance
childhood and youth of
citizenship of
as connoisseur
death of
drawings and sketches by
early career of
education of
favorite film of
fears of
filmography of see also specific film and TV show titles
as film producer
on films as “frightmares,”
Film Society of Lincoln Center tribute to
first film directed by
first film job of
first sound film of
on his life and aging
as Hollywood outsider
homes of
homosexuality in films of
honeymoon of
Houseman’s friendship with
illnesses of
inspirations of
knighthood of
last silent film of
at London opening of To Catch a Thief
MacGuffins in films of
marriage of
marriage proposal of
Mary Rose project of
mother’s influence on
movie scene ideas of
nickname of
personality of