The Landower Legacy

by Victoria Holt

  "I pin my hopes on Gwennie. You really scared her with the ghosts."

  "I rather thought I did."

  We started to laugh and ran the rest of the way to the smithy.

  I had agreed to meet Jago that afternoon. He looked excited and I guessed that he had one of his wild plans in his mind and that he wanted to talk to me about it. I was right.

  "Come to the house," he said. "I've got an idea."

  "What?" I asked.

  "I'll explain. First come along."

  We put our horses in the Landower stables and went into the house. He took me in by way of a side door and we were in a labyrinth of corridors. We mounted a stone spiral staircase with a rope banister.

  "Where are we?" I asked.

  "This part of the house isn't used much. It leads directly to the attics."

  "You mean the servants' quarters?"

  "No. The attics which are used for storage. I had an idea that there might be something of value tucked away there . . . something which would save the family fortunes. Some Old Master. Some priceless piece of jewellery . . . something hidden away at some time, perhaps during the Civil War."

  "You were on the side of the Parliament," I reminded him, "and saved everything by changing sides."

  "Not till they were victorious."

  "There is no virtue in that, so don't sound so smug."

  "No virtue . . . only wisdom."

  "I believe you're a cynic."

  "One has to be in this hard world. However, we saved Landower, whatever we did. I'd do a lot to save Landower, and that's been the general feeling in the family throughout the ages. Never mind that now. I'll show you what I'm driving at."

  "Do you mean you've really found something?"

  "I haven't found that masterpiece . . . that priceless gem or work of art or anything like that. But God works in a mysterious way and I think He has provided the answer to my prayers."

  "How exciting. But you are as mysterious as God. You are the most maddening creature I know."

  "God," he went on piously, "helps those who help themselves. So come on."

  The attic was long, with a roof almost touching the floor at one end. There was a small window at the other which let in a little light.

  "It's eerie up here," I said.

  "I know. Makes you think of ghosts. Dear ghosts, I think they are coming to our aid. The ancestors of the past are rising up in their wrath at the thought of Landower passing out of the family's hands."

  "Well, I'm waiting to see this discovery."

  "Come over here." He opened a trunk. I gasped. It was full of clothes.

  "There!" He thrust his hands in and brought out a pelisse of green velvet edged with fur.

  I seized it. "It's lovely," I said.

  "Wait," he went on. "You've seen nothing yet. What about this?" He brought out a dress with large slashed sleeves. It was made of green velvet and very faded in some places, but I was sure the lace on the collar had once been very fine. There was an overskirt which opened in the front to reveal a petticoat-type skirt beneath. This was of brocade with delicately etched embroidery. Some of the stitching had worn away and there was a faintly musty smell about the garment. It was not unlike a dress one of the Tressidor ancestresses was wearing in her portrait in the long gallery at the Manor, so I judged it to be the mid-seventeenth century. It was amazing to contemplate that the dress had been in the trunk all that time.

  "Look at this!" cried Jago. He had slipped off his coat and put on a doublet. It was rather tightly fitting, laced and braided, of mulberry velvet, and must have been very splendid in its day. Some of the braid was hanging off and it was badly faded in several places. He took out a cloak which he slung over one shoulder. It was of red plush.

  "What do you think?" he asked.

  I burst out laughing. "You would never be mistaken for Sir Walter Raleigh, I fear. I do believe that if we were out of doors in the mud you would spread your cloak for me to walk on."

  He took my hand and kissed it. "My cloak would be at your service, dear lady." I laughed, and he went on: "Look at these hose and shoes to go with it. I should be a real Elizabethan dandy in these. There's even a little hat with a feather."

  "Magnificent!" I cried.

  "Well, you in that dress and me in my doublet and hose . . . what impression do you think we'd make?"

  "They're different periods for one thing."

  "What does that matter? They'd never know. I thought that in the shadows ... in the minstrels' gallery, we'd make a good pair of ghosts."

  I stared at him, understanding dawning. Of course, the Arkwrights were coming to view the house this afternoon.

  "Jago," I said, "what wild scheme have you in mind just now?"

  "I'm going to stop those people buying our house."

  "You mean you're going to frighten them?"

  "The ghosts are," he said. "You and I will make a jolly good pair of ghosts. I've got it all planned. They're in the hall. You and I stand in the shadows in the minstrels' gallery. We'll appear and then . . . disappear. But not before Gwennie Arkwright has seen us. She'll be so scared that Mr. A. for all his brass will have to give way to entreaties."

  I laughed. It was typical of him.

  "Full marks for imagination," I said.

  "I'll have them for strategy as well. How could it fail? I want your help."

  "I don't like it. I think that girl would be really scared."

  "Of course she will be. That's the object of the exercise. She'll insist that Pa does not buy the place and they'll go off somewhere else."

  "It only postpones the evil day. Or do you propose that when the next prospective buyer comes along we perform our little ghostly charade again? You forget. I shan't be here to help you."

  "By that time I'm going to find something of real value in the attics. All I want is time. I'm also working on some way of keeping you here."

  "I'm afraid you'd never frighten Miss Bell away with ghosts."

  "My dear Caroline, I have so many ideas going round and round in my head. I shall think of something. There is still time. What we have to concentrate on now is the Arkwrights. You are going to help me, aren't you?"

  "Wouldn't one ghost do?"

  "Two's better. Male and female. Come on. Don't be a spoil-sport, Caroline. Put on the dress. Just see how you look."

  I couldn't help falling in with the plan. The dress was too big for me but it did look effective. There was an old mirror in the attic. It was mottled and gave back a shadowy vision. Reflected in it we certainly did look like two ghosts from the past.

  We rolled about, laughing at each other. I was sober suddenly, wondering how we could give way to such merriment with disaster hanging over both our heads. He was about to lose his beloved home and I was soon to leave a life which had become interesting and exciting to go back to one of dreary confined routine. Yet there could be these moments of sheer enjoyment. I was grateful to him for making me forget even for such a short while.

  I said: "I'll help."

  "All we have to do is stand there. We want to catch Gwennie on her own if we can. Perhaps while Pa is examining the panelling and calculating how much brass will be required to put it in order. There is a movement from the gallery. Gwennie looks up and sees standing there, glaring down at her, two figures from the past. Perhaps we shake our heads at her dismally . . . warningly . . . menacingly . . . but clearly indicating that she should not bring her father to Landower."

  "You make the wildest schemes."

  "What's wild about this? It's sheer logic."

  "Like keeping me in the dungeons with rats for company?"

  "That was a figure of speech. I hadn't worked that out properly. This is all carefully thought out."

  "When do they arrive?"

  "Any time now. Paul will show them round ... or my father will. We'll choose our moment. We must be prepared."

  "What about my hair?"

  "How did they wear it in those days?"

&nb
sp; "Frizzy fringes, as far as I know."

  "Just tie it right back. But perhaps if you have it piled up . . ."

  "I've no pins. I wonder if there is anything in the trunk. A comb or something."

  We looked. There were no combs but there were some ribbons. I tied my hair with a bow of ribbon, so that it stuck out like a tail at the top of my head. The ribbon didn't match the dress but it was quite effective.

  "Splendid!" cried Jago. "Now we'll take up our places in the gallery so that we are all ready for the great moment."

  I giggled at myself wearing the elaborate dress with my riding boots protruding incongruously from the skirt.

  "They won't see your feet," said Jago consolingly. "Now we reach the gallery by way of a side door. It's the door through which the musicians enter. It's concealed by a curtain. When we leave we can cut through a corridor to the stone staircase and up to the attics. Couldn't be better."

  I knew afterwards that I should never have agreed to this mad adventure. But who cannot be wise after the event?

  Trying to suppress our laughter we came down the stone staircase. I had to tread cautiously for such medieval staircases were dangerous at the best of times, but with a long skirt which was far too big for me trailing at my feet, I had to watch every step.

  Jago, ahead of me, impatiently urged me on, through the corridor to the side door. He drew aside the curtain and we walked in. For a fraction of a second, which seemed at least like ten, we stood there. Jago had miscalculated. Our intended victim was not in the hall as he had planned; she was actually in the gallery. I saw her face freeze into an expression of absolute fear and horror. She screamed. She stepped backwards and caught the rail of the balustrade. It came away in her hands and she fell forward, and down into the hall below.

  We stood there for a few seconds staring at her. There was a shout. Mr. Arkwright ran to her. I saw him bending over her. Paul was running towards them.

  Jago had turned pale. He drew me back hastily behind the curtain. I could hear Paul shouting orders.

  "Come . . . quickly," said Jago; and grasping my hand he pulled me out of the gallery.

  We stood in the attic, the open trunk before us.

  "Do you think she was badly hurt?" I whispered.

  Jago shook his head. "No ... no ... Just a fall . . . nothing more."

  "It was a long way to fall," I said.

  "They were all there to look after her."

  "Oh, Jago . . . what if she dies?"

  "Of course she won't die."

  "If she dies . . . we've killed her."

  "No ... no. She killed herself. She shouldn't have been so scared . . . just at two people dressed up."

  "But she didn't know we were dressed up. She thought we were ghosts. That's what we intended."

  "She'll be all right," he said. But I was not sure that I thought so.

  "We ought to go and see what's happened."

  "What good would that do? They're doing all that can be done."

  "But it was our fault."

  He took me by the arm and shook me. "Look! What good can it do? Let's get out of these clothes. No one will ever know that we wore them. What we've got to do now is slip out. We'll go the way we came. Get that dress off quickly." He had already stripped off his doublet and was getting into his riding coat.

  With trembling fingers I took off the gown. In a few moments we were completely dressed and the trunk was shut. He took my hand and pulled me out of the attic.

  We went out the way we had come in and reached the stables without being seen.

  We mounted our horses and rode away.

  I had said not a word. I was deeply shocked and filled with a terrible remorse.

  He said goodbye to me and I rode home to Tressidor. I stayed in my room until dinner time.

  I wanted to be alone to think.

  The next day I heard the news. Cousin Mary told me.

  She said: "There was an accident at Landower. Some people came to see the place and a young woman fell from the gallery into the hall. I told you the place was falling apart. The balustrade in the minstrels' gallery gave way. Apparently they had been warned about it, but the young woman fell all the same."

  "Is she badly hurt?"

  "I don't know. She's staying there apparently. The father is there, too. I think they couldn't move her."

  "She must be badly hurt then."

  "I should think that would put them off buying the place."

  "Did they say why she fell?"

  "I didn't hear. I take it she leaned against the woodwork and it gave way."

  I went about in a dream that day. I had forgotten even that my departure was imminent. I did not see Jago. I wondered whether he avoided me as I did him.

  Once more I had the news from Cousin Mary.

  "I don't think she's all that badly hurt but they're not sure yet. Poor girl. She says she saw ghosts in the gallery. The father pooh-poohs the idea. They're very practical, these Yorkshire types. The Landowers are making a great fuss of them . . . looking after them, showing them a bit of that gracious hospitality which they've come to find. At least that's what I've heard."

  "I don't suppose they'll want the place now."

  "I've heard to the contrary. They're growing more and more fond of it ... so one of the servants told our Mabel. I gather that the man has convinced his daughter that it was the shadows which made her fancy she saw the ghost."

  The time was passing. One more day and Miss Bell was due.

  I went round to say goodbye to the people I had known. I lingered at the lodge and had tea with Jamie McGill. He shook his head very sadly and said the bees had told him that I would be back one day.

  I did see Jago before I left. He looked sad and was a different person to me now. We were not young and carefree any more.

  Neither of us could forget what we had done.

  I said: "We ought not to have run away afterwards. We ought to have gone down to see what we could do."

  "There wasn't anything we could have done. We would have only made it worse."

  "At least she would have known that she had not seen any ghosts."

  "She's half convinced that she imagined she did. Her father keeps telling her so."

  "But she saw us."

  "He says it was a trick of the light."

  "And she believes him?"

  "She half does. She seems to have a high opinion of Pa. He's always been right. You want to confess, don't you, Caroline? I believe you've got a very active conscience. That's a terrible thing to go through life with. Get rid of it, Caroline."

  "Is she very bad?"

  "She can't walk yet, but she's by no means dying."

  "Oh, I wish we hadn't done it."

  "So do I. Moreover, it's had the opposite effect from what I planned. They're staying in the house. Paul's treating them like honoured guests . . . and so is my father. They're liking the place more. They've decided to buy it, Caroline."

  "It's a judgement," I said.

  He nodded mournfully.

  "Oh, I do hope she is not going to be an invalid for life."

  "Not Gwennie. Pa wouldn't allow it. They're tough, these Arkwrights, I can tell you. They didn't get all that brass by being soft."

  "And I shall be leaving tomorrow."

  He looked at me mournfully.

  So all our schemes had come to nothing. Landower was to be sold to the Arkwrights and I was going home.

  The next day Miss Bell arrived, and the day after that we left for London.

  THE

  MASKED BALL

  Three years had passed since my return from Cornwall and my seventeenth birthday was approaching.

  For the first six months I thought often of Cousin Mary at Tressidor Manor, James McGill at the Lodge and Paul and Jago at Landower Hall. I particularly thought of Paul. I experienced a feeling of nostalgic longing every morning when I awoke. I told and retold my adventures to Olivia, who was avid to hear of them and listened entranced. Mayb
e I embellished them a little. Perhaps Landower Hall sounded like the tower of London and Tressidor Manor a little like Hampton Court. I talked of Paul Landower more than anyone else. He had become a handsome hero endowed with every noble quality. He was something between Alexander the Great and Lancelot; he was Hercules and Apollo; he was noble and invincible. Olivia's lovely shortsighted eyes glowed with sentiment when I talked of him. I invented conversations with him. Olivia envied me my adventures; she was horrified at the outcome of the ghostly episode, and it never occurred to her to wonder why the omnipotent Paul had failed to save his own home. Cousin Mary had written only once. She was not a letter writer, I soon discovered, though I was sure that if I went back to the Manor we should take up our relationship where it had left off. In that one letter she did tell me that Landower Hall had been sold to the Arkwrights and that Miss Arkwright could not have been really badly hurt because she was now walking about. The Arkwrights were established in the Hall and the Landowers had moved to a farm on the edge of their estate. Apart from that everything was much the same as usual.

  I wrote back and that letter remained unanswered. I did not write to Jago but I was sure that the old farmhouse, which was now the home of the Landowers, would be a very melancholy household indeed.

  My father expressed no pleasure at my return. In fact I did not see him until I had been back three days; and then he scarcely looked at me.

  Resentment flamed into my heart and I felt wretchedly hurt and longed for the casual affection of Cousin Mary.

  Miss Bell was her old self. She behaved as though I had never been away; but my great consolation was Olivia, who implied a hundred times a day how pleased she was to have me back.

  She had her own problems and the greatest of these was her "coming out." She was extremely nervous and was being groomed by Aunt Imogen—an ordeal if ever there was one—and there were so many do's and don'ts that she was becoming quite bewildered.

  I had not been home more than three weeks when I heard I was to go away to school at the beginning of the September term. This was a blow no less to Olivia and Miss Bell than it was to me.

  Olivia had not gone away to school. I could only believe that my father still remembered that if it had not been for me he might have gone on in blissful ignorance of my mother's love affair with Captain Carmichael, and for this reason could not bear the sight of me.