Everything Was Good-Bye
Page 1
PENGUIN
EVERYTHING WAS GOOD-BYE
GURJINDER BASRAN’s debut novel, Everything Was Good-bye, was the winner of the Search for the Great B.C. Novel Contest in 2010 and was awarded the 2011 Ethel Wilson Fiction Prize for the most outstanding work of fiction by a B.C. author. As a manuscript, Everything Was Good-bye was a semifinalist for Amazon.com’s 2008 Breakthrough Novel Award and earned Basran a place in The Vancouver Sun’s annual speculative arts and culture article, “Ones to Watch.” Basran studied creative writing at Simon Fraser University and the BanffCentre, and currently lives in Delta, British Columbia, with her husband and two sons.
Gurjinder Basran
EVERYTHING
was GOOD-BYE
PENGUIN
an imprint of Penguin Canada
Published by the Penguin Group
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
First published by Mother Tongue Publishing Limited, 290 Fulford-Ganges Road, Salt Spring Island, B.C., V8K 2K6, 2010
Published in this edition, 2012
1 2 3 4 5 6 7 8 9 10 (WEB)
Copyright © Gurjinder Basran, 2010
All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
Publisher’s note: This book is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons living or dead, events, or locales is entirely coincidental.
Manufactured in Canada.
Book design by Mark Hand
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LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION
Basran, Gurjinder
Everything was good-bye : a novel / Gurjinder Basran.
ISBN 978-0-14-318257-3
I. Title.
PS8603.A789E93 2012 C813’.6 C2011-907810-4
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* * *
For my mother and my sisters,
who taught me that love and strength have many forms
ACKNOWLEDGEMENTS
Sat, Amit and Arun for their love and understanding in this and all things.
My publisher, Mona Fertig, for her kind partnership when it came to all aspects of the publication of this book. My editor, Cheryl Cohen, for her commitment to the writing and rewriting—the pursuit of perfection in both story and style. Betsy Warland for giving me my start in writing and guiding me every step of the way since. Pasha Malla and Wayde Compton for their fine mentorship at very different stages in my writing. Elee Kraljii Gardiner, my steadfast first reader, for her feedback and friendship that have spanned countless revisions and just as many years. Melinda Fabbro and Kulbinder Bains for their infinite faith in me. Caroline Adderson for her thoughtful insights on an early draft. Chris Labonté for his encouragement and good counsel. Ayelet Tsabari for telling me about the Search for the Great bc Novel. Jack Hodgins, Kathy Page, Karen X. Tulchinsky and all of those involved in the Search for the Great bc Novel. Shauna Singh Baldwin for sharing her thoughts on transliteration. The Wired Writing Studio at the BanffCentre for the Arts and The Writer’s Studio at Simon Fraser University for including me in such wonderful writing communities.
My friends and family for loving me always. May we all become stories.
CONTENTS
One for Loss
Two for Sorrow
Three for Love
Four for Tomorrow
ONE FOR LOSS
1.1
T he smell of chai—fennel, cloves and cinnamon—tucked me into my blanket like a seed in a cardamom pod. I steeped myself into the warmth of waking, listening to the sounds of Sunday morning. My mother was in the kitchen scrubbing the sink, her steel kara clinking against the basin—keeping time with the shabad on the radio. When I was fifteen, I’d told her I didn’t want to wear my kara anymore; I didn’t like the idea of being handcuffed to God. My mother, to my surprise, hadn’t argued with me but simply said that the kara was a symbol of the restraint I would learn to show whether I wore the bangle or not.
“Is Meena not awake?” my mother asked, her voice cracking through intermittent radio static.
“Get up, Meninder. It’s eleven o’ clock.” My sister Tej was the only one who used my real name; she knew how much I hated it.
I heard her footsteps in the hallway and pulled the blanket over my head.
“Just five minutes.”
“No, not five minutes. Mom wants you up now. I don’t know why you think you get to sleep in while I get stuck with all the chores. You’re such a brat.” Tej yanked the blanket offand looked at me with disgust. I was sleeping in a tank top and panties instead of the old-lady nightgowns that Masi had sewn for us from scraps salvaged from the textile mill.
“Fuck off, Tejinder.” I shut my eyes against the light and pulled the blanket over my shoulders.
“Why can’t you wear proper pyjamas like everyone else, or at the very least a bra?”
“You’re just jealous.”
Tej crossed her arms over her flat chest and stared me down, silent and saintly, until I felt the familiar beginnings of guilt harden in my stomach and take root in my toes.
She reached across the bed, drew the blinds and slid the window open, filling my room with the sounds of barking dogs, sprinkler jets and crows. When I turned my back on Tej, she shook my shoulder, stood over me, arms crossed, mouth zipped. She seemed unhinged.
“What?”
Tej stormed out of the room, muttering complaints to my mother, who yelled louder for me to wake up.
I kicked the covers off, stretching and collapsing my limbs before relaxing into my waking self. I lingered in my own touch, daring a quiet and quick exploration, cupping my breasts, running fingertips over flesh and folds. I wasn’t sure exactly when my body had changed but it seemed to have done so in secret. I’d woken up one day the previous summer with Bollywood breasts, curvy hips and long legs. My dreams realized were just the continuation of my mother’s nightmare. Like my
sisters, I was no longer allowed to play sports or wear shorts. Our sex was meant to be hidden, even from one another. We dressed modestly, hiding our flesh, living somewhere deep inside our skins—chaste and quiet.
My mother was seated at the kitchen table, the Sunday paper splayed in front of her, sliced and dissected to the weekly flyer section. She flipped through ads for laundry detergent and dog food while talking on the phone to my sister Serena, scrunching her face, pushing her oversized glasses up ever so slightly to magnify portions of the page. I sat next to her, drinking a cup of stale tea, wondering why she bothered with reading glasses when she could not read.
“Eighty-nine cents,” I told her impatiently. “Limit six.”
She stared curiously at the picture of canned beans before licking the tip of her middle finger and turning the page.
“Achcha, achcha… it’s expensive yes, but if you buy them in the case… When you were kids we used cloth diapers; it was so much work… Well you have to be disciplined, put him on the potty every few hours, he will get used to it… None of my children wore a diaper at his age… Tonight, the party… Who is it?… achcha achcha, his cousin’s wedding.”
Her voice skipped and jumped, picking up threads from the previous day–a patchwork of words. She flipped to the next flyer, told Serena that Similac Infant Formula was on sale at London Drugs, then sat squinting at the fine print.
“One case per household,” I read for her.
My mother nodded as though she expected as much; she probably did.
She knew which stores had the freshest vegetables, which had the cheapest; she knew the weekly sale cycle of all the local shops and had a well-stocked wallet of coupons grouped by date and commodity. She could figure out the price of toilet paper by the square, never fooled by the ever-changing sheet count per roll. She took her flyers and coupons to stores, looking for price matches and bulk buys. She knew the clerks and cashiers by face and at times attempted some small talk about the weather, but none of them ever returned the kindness. This only motivated her to count her change more closely, enumerating each penny on a rung of her finger the same way she counted minutes, hours and days. Once a cashier accused my mother of stealing a chocolate bar. The pimply faced security guard took her to the back office and went through her purse and pockets. After finding nothing, he sent her on her way with a warning. She came home upset and confused, much the same way I did when I was teased at school. When she told me what had happened I drove her back to the store and demanded to speak to the manager. He was apologetic about it and every time he’d seen her since, he was sure to ask her how she was doing, whether she needed anything. He even helped take her groceries to the car. My mother told everyone about it. “You should have seen how Meena talked to them. They even gave us a store gift certificate.”
“Get dressed,” my mother said, glancing at my jeans.
“I am dressed.’’
“Don’t argue. Not now. We are expecting guests.”
Phone still wedged between her ear and shoulder, she stood, moving like a pecking bird, as though in a hurry yet somehow unsure of her destination.
She put the dishes in the sink and stared out the window, her marionette frame bent in at the shoulders, her head lowered. The window looked out over the neighbours’ manicured lawn, the perfectly pruned boxwood hedge and the grapes that wound along the fence. As usual on a Sunday, the neighbours were out on the lawn playing bocce. Their loud Italian voices and exuberance for life kept my mother curious and she watched them through the broken slit in the blind, as though trying to decipher their happiness. Sometimes they saw her standing at the window and waved “hello” or beckoned “come over.” Today, as always, she turned away seeming both embarrassed and shy—feelings that for her and me were interchangeable.
“Why are you still standing there?” she said, turning on me. “I told you to change your clothes.”
In my room I pulled out a plain salwar kameez from the bottom dresser drawer. The satin made me sweat and the smell lingered into the next wear, reminding me that I hated wearing Indian suits almost as much as I hated this ritual of belated mourning. Even though my father had been dead for sixteen years there were still enough relatives to fill every Sunday with pity. It was always the same. We would get up, clean the house, do the laundry, mourn the past and go to sleep. We existed between past dreams and present realities, never able to do anything but wait. For what, I didn’t know.
When I was five, I’d thought we were waiting for my father to return. I had no memory of him but attempted to stitch his life together from the remnants that were everywhere. The house was full of black-and-white photographs of him from when we lived in England. Pictures of him standing next to the guards at Buckingham Palace and of the family in front of a tiny brick row house on Warwick Road still graced the mantel. Even my mother’s closet was full of him. His starched cotton dress shirts hung neatly alongside sports jackets that smelled like yesterday’s rain. His brown-and-black leather shoes were lined up beneath the shirts and jackets, next to a locked suitcase that I pulled out to stand on in order to reach the top of the closet.
Buried on the top shelf, I found an attaché case full of documents, which I could not yet read, and behind it a photo album and shoe polish kit. Re-sisting the urge to shine my father’s shoes, I sat cross-legged beneath the empty embrace of hollow-armed suit jackets and opened the album. The yellowing photos made every face look familiar. They were the usual assort-ment of pictures—birthdays, weddings, picnics—except for four photos on the last page that were turned over.
I sat for a moment, wondering what was on the other side, before pulling back the plastic protector and peeling one of the photos offthe sticky surface. It was a picture of my father in a pink satin-lined coffin. A long garland of spring flowers like the ones I’d seen worn by newlyweds was draped around his neck. His eyes were closed and weighted, his shoulders rigid, chest tight as though he were holding his breath.
My heart skipped and fell. The descending beats echoed in my chest, palpitated in my breath. I put the photo back in the album and the album back on the top shelf, preserving my father’s death just as my mother had so carefully preserved the details of his life. Just as my father’s mother—my dadi—had when she’d come to Canada to mourn her son five years after his death.
“How we remember,” my dadi told me and my sisters, “this is how we exist.”
“The past is the only thing that matters,” she said, shaking her head like a slow pendulum between bitter glances at our braids. “It is the only thing we know.”
“We cannot make something out of nothing. That is for God to do.”
This is what we were told. This is who we were.
After dressing, I returned to the kitchen to finish my breakfast. I was always a slow eater. My mother had to force-feed me as a child, every spoonful of curry followed by a gulp of water to wash it down; I hated the bitter subzi, soft and chunky mounds of potatoes and cauliflower. “Shit”— that’s what the white kids at school had said my leftover lunches looked like. “Meena eats shit.”
Tej shuffled by me, pushing the vacuum with one hand while balancing a laundry basket of wet clothes on her hip like a baby. She leaned against the table and pushed the basket towards me. “Your turn to put these on the line to dry. And you have to vacuum. Mom and I are going to the Indian store to get groceries.”
She held up a list of chores that I would need to complete by the time they returned. I took the list from her, crumpling it in my free hand as I opened the porch door to hang the laundry out. I closed the door on her curse words.
Our porch backed onto a fenced-in grid of suburban yards dotted with broken-down garden sheds and vegetable plots that were a haven for squirrels and other rodents. No matter how quickly we picked up and composted the rotten apples and spoiled cherries, the critters would come up from the nearby bog, skulking along the top of our rickety fence in search of a meal. Once, one of the kids at school sa
w me chasing a raccoon offour garbage bins with a broom handle and looked disgusted, as though having raccoons in our neighbourhood were somehow my fault. We lived in one of the older grids in North Delta, a suburb just outside of Vancouver, where the large evergreens and pines were dying a slow death, mostly by crowding and years of various untreated seasonal diseases that caused the bark to peel away in long, ragged strips.
The houses on our street had been bought and sold several times and were victim to shoddy renovations, like the slanted sunroom addition next door. New neighbourhoods were devoid of such things; the ones built on flattened forests above the ravine had courts, boulevards and crescents that wound around one another to panoramic views of Boundary Bay. Each new cedar house there looked onto both a dogwood tree planted in the sidewalk meridian and a carefully manicured postage stamp-sized front yard filled with some variation of tulips, daffodils and rhododendrons. Behind the cedar fences draped in clematis were the popular girls who spent their weekends sunbathing, sometimes topless (so the boys at school said), listening to Casey Kasem’s American Top 40. On a clear day I could hear them splashing in their pools and singing along with Madonna. None of them had to chase away raccoons or spend their Sundays hanging their knickers on a clothesline for the world to see.
I snapped the mismatched sheets in the air and pegged them onto the line. In the distance a squall of cloud was rising and I wondered how long it would be before the rain set in. The clouds were jagged at the ends, torn sheets of grey sky, not the kind of drifting childhood pictures that my sister Harj and I had imbued with meaning. “A boat! A car! A plane!” I’d yell. “How unoriginal,” she’d laugh. Of a cirrus cloud, I once said, “Whipped air and angel hair.” Harj was lying in the grass at the time, picking at a scab on her elbow. “Only white people can be angels,” she said, without looking up.