You Must Change Your Life

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You Must Change Your Life Page 32

by Rachel Corbett


  Knoop, Wera, 258

  Kunst und Künstler, 55, 165, 185, 186, 256

  La Closerie des Lilas café, 56

  Laon, France, 243

  Larue’s nightclub, 218

  Last of Their Line, The (Rilke), 73

  Law of Separation (France) (1904), 173–74

  Lecoq de Boisbaudran, Horace, 6–8, 36, 55, 88

  Legion of Honor, 128, 178

  Legros, Alphonse, 55

  Leipzig, Germany, 215, 217, 247

  Leonardo da Vinci, 74, 206

  Letters on Cézanne (Rilke), 182

  Letters to a Young Painter (Rilke), 263

  Letters to a Young Poet (Rilke), vii–viii, x, 109, 219

  Lévi-Strauss, Claude, 220

  Life and Songs (Rilke), 19

  Linz, Austria, 19

  Lipps, Theodor, 21–24, 99, 100, 117, 164, 261

  Lipscomb, Jessie, 43

  London, England, 139, 249, 250

  Lorrain, Claude, 45

  Lorrain, Jean, 61

  Louis-Philippe, King of France, 4

  Louvre, 7, 36, 92, 93, 102, 127, 181, 209, 218, 260

  Ludovici, Albert, 153

  Ludovici, Anthony, 153–55

  Luke, Book of, 155

  Luxembourg Gardens, 9, 91, 95, 127

  Macke, August, 166

  Mackensen, Fritz, 56, 63

  Mahler, Alma, 146

  Mahler, Gustav, 128, 146

  Maillol, Aristide, 167–68, 218

  Major Barbara (Shaw), 139

  Mâle, Émile, 245

  Manet, Édouard, 33, 74, 176

  Mann, Thomas, 204

  Mannheim, Germany, 240

  Man with the Broken Nose (Rodin), 32–34, 36, 54

  Marc, Franz, 166

  Marne, Battle of the (1914), 249

  Mary Magdalene, 103

  Mastbaum, Jules, 171

  Matin, Le, 225

  Matisse, Henri, 166, 172–75, 179

  Ballet Russes and, 225

  Hôtel Biron and, 172–75, 214

  Rodin and, 168–69, 172

  Max, Édouard de, 175, 195–96, 214, 226

  McLaren, Ottilie, 55

  Medici, Lorenzo de, 36

  Medici Chapel, 36

  Meier-Graefe, Julius, 74

  Mendès, Catulle, 196

  “Metropolis and Mental Life, The” (Simmel), 122

  Metropolitan Museum of Art, 41, 151, 167, 170–71, 214

  Meudon, France, 83–90, 91, 106–7, 126–37, 138–43, 150–55, 186, 190, 191, 200–201, 207, 208, 227, 240, 244, 245–47, 248, 249, 252, 253

  Michelangelo Buonarroti, 9, 36–37, 38, 42, 62, 95, 123, 209, 254

  Michelet, Jules, 121

  Mirbeau, Octave, 44

  mirroring, 216

  Misérables, Les (Hugo), 4

  Mitsou (Balthus), 257–58, 259, 263

  Modersohn, Mathilde, 187, 188

  Modersohn, Otto, 63, 67, 68–69, 70, 72, 74, 104–5, 106, 107, 118, 124–25, 155, 157, 177, 188

  Modersohn-Becker, Paula, see Becker, Paula

  Modigliani, Amedeo, 168

  Mona Lisa (Leonardo da Vinci), 218

  Monet, Claude, 4, 33, 44, 57, 84, 163, 191, 224

  Mont Sainte-Victoire (Provence, France), 181

  Monument to Balzac (Rodin), 51–54, 52, 61, 141, 192, 201

  Moore, George, 54

  Morice, Charles, 129, 244–45

  Moulin Rouge cabaret, 56, 190

  Munich, Germany, 99, 100, 165

  Rilke and, 20, 24, 26, 28, 80, 233, 235, 247, 248, 251, 254, 255

  Westhoff and, 56, 221, 238, 240–41

  Munich, University of, 20, 24, 28

  Munich Secession (1892), 20

  muscular empathy, 22

  Musée Rodin, 48, 254

  Muslims, Islam, 220

  Muther, Richard, 74, 106

  Muzot chateau (Switzerland), 256–63, 261

  Nádherný, Sidonie, 241

  Napoleon III, Emperor of France, 5

  narcissism, 216

  “Narcissus” (Rilke), 259

  Nast, Condé, 149

  Nausea (Sartre), 219

  neurology, 50

  New Poems (Rilke), 102, 158, 185, 190, 191, 192, 198–99, 200, 201, 209, 224, 239

  New York Press, 170

  New York Review of Books, 102

  New York Times, 229

  Niels Lyhne (Jacobsen), 24, 98, 111

  Nietzsche, Friedrich, 20, 103, 154, 209, 219, 259

  Andreas-Salomé and, 24–25, 25

  Nietzsche Archive (Weimar, Germany), 219

  Nijinsky, Vaslav, 218, 225, 226

  Noailles, Anna de, 203–4

  Nordau, Max, 50, 138

  Notebooks of Malte Laurids Brigge, The (Rilke), 118, 119, 121, 122, 161, 183, 185, 197, 200, 201–2, 209, 215–17, 219–20, 224

  “Notes of a Painter” (Matisse), 214

  Notre Dame Cathedral, 93, 133, 134, 135, 176

  Nouvelle Revue Française, Le, 218, 219

  “One O’clock in the Morning” (Baudelaire), 96

  “On Transience” (Freud), 235–36, 237

  Osbach, Joseph, 39

  Panthéon (Paris, France), 135–36, 138, 141, 151, 152

  “Panther, The” (Rilke), 101–2, 103

  Paolo, 40

  Paris, France:

  Bagatelle Palace in, 176

  Balthus and, 259–60

  Becker and, 56–57, 59, 62, 105–7, 155–59, 177

  Champs Élysées in, 60, 196

  Eiffel Tower in, 60, 60

  Galerie Bernheim-Jeune in, 176, 183–84

  Haussmann’s redesign of, 5–6, 34

  horse fair in, 13

  Hôtel Biron in, 170–71, 172–75, 173, 190, 191–208, 213–15, 217, 223–30, 237, 245, 248, 250, 252, 254

  Hôtel du Quai Voltaire in, 176–77

  Jardin des Plantes in, 13, 32, 49, 99, 176–77

  Klossowska and, 256

  Larue’s nightclub in, 218

  Louvre in, 7, 36, 92, 93, 102, 127, 181, 209, 218, 260

  Marble Depot in, 38, 39, 81

  Métro subway in, 60

  Montmartre in, 56, 80, 191

  Montparnasse in, 56, 189

  Moulin Rouge in, 56, 190

  Musée Rodin in, 254

  Notre Dame Cathedral in, 93, 133, 134, 135, 176

  Panthéon in, 135–36, 138, 141, 151, 152

  Pont Alexandre III in, 60

  Revolution of 1848 and, 4–5

  Rilke and, viii, 79–81, 88, 92–94, 114–15, 116, 127, 155–60, 161–62, 176–84, 187, 189–205, 209, 213–15, 217, 218–20, 223–24, 239–41, 245–48, 254, 256

  Rodin’s academy in, 54–55, 56

  Rodin’s studio in, 32–35, 38–40, 42, 45, 58, 81–83, 100, 106, 129, 139, 144–50

  Rodin’s withdrawal from, 242

  Salon d’Automne in, 166, 174, 179–82, 183, 187

  Salpêtrière in, 49–50

  Trocadéro Museum in, 164, 166–67

  Villa Montmorency in, 218

  Westhoff and, 55, 56–59, 62, 97–98, 104–7, 111, 112, 114, 124, 175, 190, 191, 240, 254

  World’s Fair (1878) in, 164

  World’s Fair (1900) in, 58–62, 60, 63, 86, 128, 153

  World War I and, 248–49

  Paris Album (Cocteau), 197

  Paris Opera, 33

  Paris Salon, 13–14, 33, 34, 36, 37

  Paris Spleen (Baudelaire), 96

  Paris Uprising (1832), 4

  Paris Zoo, 99, 100

  Parliament, British, 249

  Parthenon, 244

  Pasternak, Boris, 28

  Péladan, Joséphin, 138

  Personal Reminiscences of Auguste Rodin (Ludovici), 153

  Petrarch, 204

  phenomenology, 21

  Philadelphia, Pa., Rodin Museum in, 171

  Picasso, Pablo, 80, 166–67, 172, 180, 190, 225, 251

  Piper, Reinhard, 165

  Plato, 132

  Poincaré
, Raymond, 224, 226

  Postimpressionists, 258

  Pound, Ezra, 102

  Poussin, Nicolas, 260

  Prague, Bohemia, 17, 19–20, 73, 74, 104, 137–38, 184–85, 223

  Prayer (Rodin), 159

  Prodigal Son, The (Rodin), 159

  Prodigal Son parable, 155, 158–59, 202–3, 209, 215–16

  Profound Thought (Claudel), 61

  Proust, Marcel, 22, 53

  Provence, France, 181, 201

  Puvis de Chavannes, 50–51, 242, 253

  psychoanalysis, 21, 23, 50, 145, 216, 221, 233–36, 237–39

  Psychoanalytic Congress, 233

  psychology, 21, 23, 49–51, 59, 117, 216

  Pulitzer, Joseph, 128

  Pygmalion (Shaw), 140

  Pygmalion and Galatea (Rodin), 171

  Raphael, 9

  Redon, Odilon, 4

  Red Rider, The (Kappus), 212

  Rée, Paul, 24–26, 25

  Reims cathedral, 243–44, 249–50, 249

  Rembrandt van Rijn, 7

  Renaissance, 24, 123, 164

  Renoir, Pierre Auguste, 6, 33, 61, 182, 242, 245

  “Requiem to a Friend” (Rilke), 197–98, 200, 202

  “Return of the Prodigal Son, The” (Gide), 202–3, 219

  Rilke and, 218–19

  Revolution of 1848, 4–5

  Riegl, Alois, 22, 23, 100

  Rilke, Jaroslav von, 19

  Rilke, Josef, 16–17, 73, 137–38, 262

  Rilke, Rainer Maria, vii–viii, 80

  Africa and, 220–21

  Andreas-Salomé and, 24, 26–31, 64, 69, 114–18, 122, 123, 126, 129, 137, 156, 160–61, 165, 200–201, 204, 216, 220, 221, 237–39, 240, 247, 248

  animals and, 99–102

  Apollo statue and, 209–11

  Balthus and, 257–58, 257, 259–60, 263

  Becker and, 65–67, 69, 72, 105–7, 111, 155–58, 176, 177–78, 187

  Becker’s death and, 189, 193, 197–98, 206

  Becker’s portrait of, 157–58, 157

  Berlin and, 28, 29, 31, 124, 160, 217

  Beuret and, 84, 85–86, 88, 132–34, 133, 162

  birth of, 15

  Cézanne and, 179–83

  Chartres cathedral and, 134–35, 158, 184

  childhood and youth of, 15–19, 16

  Cocteau and, 197, 198

  daughter of, 70–71, 73

  death as concern of, 235, 262

  death of, 262–63

  dreams and, 15, 114, 239

  early writings of, 18, 19

  education and, 17–19, 20, 24, 28, 103, 104

  European wandering and, 119–26

  family and, 69–70, 71, 72–73, 74, 134, 160–61, 189

  father’s death and, 137–38, 262

  Freud and, 233, 234–36, 237

  Gide and, 218–19, 259

  given name and, 15, 251, 256

  health issues and, 18, 107, 111, 114, 116, 120, 189, 201–2, 206, 238, 262

  “Homeric elders” of, 182

  Hôtel Biron and, 191–208, 215, 223, 237

  inseeing and, 99–100, 218

  Italy and, 111–14, 189, 217, 236–39

  Kappus and, viii, 103–4, 108–10, 112, 113, 119–20, 121, 122, 211–12, 216

  Klossowska and, 256–57, 257, 259, 260, 262

  languages and, 17, 28, 111–12, 255–56

  letters to Rodin by, 90–91, 156, 184, 190, 192, 199, 240

  letters to Westhoff by, 69, 83, 88, 90, 125, 156, 160–61, 178, 181, 182, 183, 185–86, 187, 193–94, 208–9, 221, 254

  letter writing habit and, 109

  Louvre and, 93, 181, 209, 218

  love and, 121–22, 192

  manners and, 204

  marriage mythology and, 72

  medicine and, 220

  Mediterranean trip and, 111–14

  Munich and, 20, 24, 26, 28, 80, 233, 235, 247, 248, 251, 254, 255

  name change and, 28

  naming of, 15

  Nietzsche and, 209

  Nijinsky and, 225

  Paris and, viii, 79–81, 88, 92–94, 114–15, 116, 127, 155–60, 161–62, 176–84, 187, 189–205, 209, 213–15, 217, 218–20, 223–24, 239–41, 245–48, 254, 256

  Provence and, 201

  psychoanalysis and, 237–39

  readings and lectures by, 65, 137, 184–85, 186–87, 189, 256

  Rodin compared to, viii–ix

  Rodin as inspiration to, 112, 182

  Rodin monograph and, 74–76, 92, 95–97, 98, 104, 106, 107, 113–14, 115, 125, 154–55, 185, 210, 240, 256

  Rodin’s death and, 253–54

  Rodin’s final break with, 240–41, 242–45

  Rodin’s first meeting with, 81–83

  Rodin’s Kiss and, 75

  Rodin’s letters to, 185, 186, 190

  Rodin’s Man with the Broken Nose and, 33

  Rodin’s Meudon villa and studio and, 83–90, 91, 127–37, 138–43, 150–52, 207, 208, 240, 245–47

  Rodin’s reconciliation with, 190, 191–93, 208

  Rodin’s secretaryship and, 129–32, 134, 136–37, 150–52, 156, 190

  Rodin’s Thinker and, 41, 75

  self-study course of, 121–22

  Shaw and, 141, 151, 152

  Simmel and, 23, 122–23, 124, 125, 126

  sister and, 15, 217

  Switzerland and, 256–63, 257, 261

  Thurn und Taxis and, 203–5, 208, 217, 223, 224, 237, 238, 251

  Tolstoy and, 28–29, 64, 84, 106, 182, 202

  “Visions of Christ” cycle and, 26

  Vogeler collaboration and, 64

  Westerwede and, 70, 70

  Westhoff courted by, 65–68

  Westhoff’s divorce from, 221–22

  Westhoff’s engagement to, 68–69

  Westhoff’s marriage to, 70, 70, 160–61, 162, 176, 189, 217, 221–22

  windows and, 260

  women and, ix, 192–93

  “worldinnerspace” and, 260–61

  World War I and, 247–48, 250–52, 255

  Worpswede and, 64–70, 71, 74, 94, 114, 118–19, 120, 126

  Rilke, Ruth, 70–71, 73, 109, 119, 124, 134, 160, 175, 221, 248, 258–59, 262

  Rilke, Sophia, 15–17, 185

  Rodin, Auguste, 11, 80, 243, 257

  abstract art and, 126, 163–69

  American art market and, 170–71

  animals and, 98–99, 100–101

  antiquities and, 169

  Barye and, 13–14, 98–99, 101

  Becker and, 106–7

  Beuret and, 34–36, 37, 38, 44, 45–46, 84, 85–86, 88, 132–34, 133, 153, 227–28, 229, 230, 246, 249, 250, 252

  birth of, 4

  Cambodian drawings by, 183–84, 185, 220

  Cathédral Saint-Pierre and, 3–4

  cathedral visits and, 132–35, 242–45

  Cézanne and, 44–45, 169, 182

  Chartres cathedral and, 134–35, 184, 243

  Choiseul and, 148–50, 150, 169–71, 194–95, 213, 226, 227–29

  Claudel and, 42–44, 45–48, 51, 61, 84, 148, 149, 228

  Coburn’s photograph of, 142, 143

  death of, 253–54

  despotic behavior and, 151–52, 153

  Duncan and, 147–48

  education of, 3–10, 13, 32, 36, 55, 88, 136

  England and, 54–55

  English exile and, 249–50

  fabrication and manufacturing of works of, 153, 171, 207

  fear of death and, 207, 237, 262

  female models and, 144–46

  Fourquet and, 9

  Gates of Hell project of, 38–42, 39, 43, 51, 61, 87, 113

  Gregorian chants and, 195

  hands as specialty of, 87

  health issues of, 137, 139, 230, 237, 253

  Hôtel Biron and, 194–95, 198, 206–8, 213–15, 217, 223–30, 245, 248, 252, 254

  human form and, 9, 12–14, 34, 36

  Italy and, 36–37, 38, 95, 250

  Kiss and
, viii, 8, 44, 61, 75, 82, 171

  Lecoq and, 6–8, 36, 55, 88

  letters to Rilke from, 185, 186, 190

  Letters to a Young Poet and, viii, 110, 112, 120, 212

  literature and, 74–75

  Louvre and, 7, 36, 92, 102, 127

  Ludovici and, 153–55

  Man with the Broken Nose of, 32–34, 36, 54

  Matisse and, 168–69, 172

  Metropolitan Museum and, 41, 170–71, 214

  Meudon villa and studio of, 83–90, 91, 106–7, 126–37, 138–43, 150–55, 186, 190, 191, 200–201, 207, 208, 227, 240, 244, 245–47, 248, 249, 252, 253

  Monument to Balzac of, 51–54, 52, 61, 141, 192, 201

  nature and, 11–12, 89, 230

  nude drawings of, 145, 146, 169, 170, 223, 225

  Paris studio of, 32–35, 38–40, 42, 45, 58, 81–83, 100, 106, 129, 139, 144–50

  Paris World’s Fair and, 58–62, 86, 128, 153

  Prague and Secession exhibitions and, 74

  press and, 225–26

  Reims cathedral and, 243–44, 249–50

  Renoir and, 242, 245

  Rilke compared to, viii–ix

  Rilke’s final break with, 240–41, 242–45

  Rilke’s first meeting with, 81–83

  Rilke’s letters to, 90–91, 156, 184, 190, 192, 199, 240

  Rilke’s monograph on, 74–76, 92, 95–97, 98, 104, 106, 107, 113–14, 115, 125, 154–55, 185, 210, 240, 256

  Rilke’s New Poems and, 199

  Rilke’s reconciliation with, 190, 191–93, 208

  Rilke’s secretaryship and, 129–32, 134, 136–37, 150–52, 156, 190

  Rodin museum proposal and, 213–14, 217, 223, 224–26

  sexuality and, 145–48, 169–70

  Shaw and, 139–43, 143, 151, 152

  Simmel and, 124, 145, 146, 164

  Simon and, 11–12

  son of, see Beuret, August-Eugène

  Spanish trip and, 126, 167

  style developed by, 8, 14

  success and, 127–28, 136, 153, 171

  “Sultan of Meudon” nickname and, 146

  surmoulage charge and, 37–38

  tactile intelligence and, 6

  teaching and, 54–55, 56, 58, 59

  Thinker and, viii, 36, 40–41, 61, 75, 135–36, 138, 141, 151, 152, 243, 252

  tomb of, 253

  trade sculpting work and, 10–12, 32, 35

  Varèse and, 126–27

  vision problems and, 6–7

  Westhoff and, 58, 75, 114, 125, 175, 191, 240, 246

  women and, ix, 44, 97, 144–50, 153, 169–70, 192–93, 206, 207, 229–30

  work as ideal of, 85, 93, 106, 107, 199, 207, 211, 246, 247

  working style of, 91–92

  World War I and, 248–50

  Zola’s falling out with, 53–54

  Rodin, Jean-Baptiste, 4–5, 10

  Rodin, Marie, 5

  Rodin Museum (Philadelphia, Pa.), 171

  “Rodin’s Work as an Expression of the Modern Spirit” (Simmel), 123

  Roman Catholic Church, 221–22

 

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