A People's Tragedy: The Russian Revolution, 1891-1924

by Orlando Figes

  This 'Russian Bastille' not only held captive dangerous subversives; it captured the popular imagination. Folksongs and ballads portrayed the fortress as a living hell. Legends abounded of how its prisoners were tortured, of how they languished in dark and vermin-ridden dungeons, or were driven mad by its tomb-like silence (enforced as part of the prison regime). Tales were told of prisoners kept in cells so small that they could neither stand nor lie down but had to curl up like a ball; after a while their bodies became twisted and deformed. There were stories of secret executions, of prisoners being forced to dig their own graves on the frozen river at night before being drowned beneath the ice. In the minds of the common people the fortress became a monstrous symbol of the despotism under which they lived, a symbol of their fears and lack of freedom, and the fact that it was located right in the middle of St Petersburg, that people daily passed by its secret horrors, only made it seem more terrible.

  In fact, conditions in the prison were not as bad as people believed. Compared with the conditions which the tyrannies of the twentieth century have

  provided for their victims, the fortress was like a comfortable hotel. Most of the inmates had access to food and tobacco, books and writing paper, and could receive letters from their relatives. The Bolshevik, Nikolai Bauman, was even allowed to read Marx's Capital during his stay in the prison. Several classics of Russian literature were composed in the silence of its cells, including Dostoevsky's story The Little Hero, Gorky's play The Children of the Sun, and Chernyshevsky's novel What Is To Be Done?, which became a seminal text of the revolutionary movement.* The public image of the prison — crammed full to bursting point with tens of thousands of long-term inmates — could not have been further from the truth. There were never more than a hundred prisoners there at any time, and after 1908 never more than thirty. Few stayed more than a month or so before being transferred to provincial jails. In February 1917, when the fortress was finally taken by the crowd, the anti-climactic reality of liberating a mere nineteen prisoners (all of them mutinous soldiers imprisoned only the previous day) was not allowed to intrude on the revolutionaries' mythic expectations. The event was portrayed as Freedom's triumph over Despotism.

  This reinvention of the fortress was a vital aspect of the revolutionaries' demonology. If the tsarist regime was to be depicted as cruel and oppressive, secretive and arbitrary in its penal powers, then the fortress was a perfect symbol of those sins. During the latter half of the nineteenth century, as in reality it became more benign, its prison regime was described in the writings of its former inmates with increasingly exaggerated horror. There was a fashion for gothic prison memoirs during the last decades of the old regime, and these tales fed the public's appetite for revolutionary martyrs. As Gorky put it, when once asked why he had refused to add his memoirs to the pile: 'Every Russian who has ever sat in jail, if only for a month, as a "political", or who has spent a year in exile, considers it his holy duty to bestow on Russia his memoirs of how he has suffered.'1

  To its critics the Peter and Paul Fortress was a microcosm of the tsarist system. Russia, remarked the Marquis de Custine after visiting the fortress in the 1830s, is 'in itself a prison; a prison whose vast size only makes it the more formidable'. The basic structure of the tsarist police state had been built up under Nicholas I after the Decembrist uprising of 1825, when a small coterie of liberal noblemen had conspired — as Pushkin put it, 'between the claret and champagne' — to impose a constitution on the monarchy after Alexander Is death. Nicholas introduced sweeping laws — including a new code of censorship in 1826 that (uniquely in Europe at the time) obliged all printed matter to gain clearance from the censor before publication — to stamp out all political dissent.

  * Chernyshevsky's novel was published while he was still in the Peter and Paul Fortress — only to be subsequently banned!

  The Third Section, or secret police, established that year, had — and this was once again unique in Europe — the power to detain and even send into administrative exile in Siberia anyone suspected of 'political crimes'. No other country in the world had two kinds of police — one to protect the interests of the state, the other to protect its people.

  Yet it was not until the late nineteenth century, with the arrival of telegraphs and telephones, that the machinery of the police state became really efficient. The Okhrana, which took over the functions of the Third Section in 1881, fought what can only be described as a secret war, using special powers outside the law, to stamp out revolutionaries. It had thousands of agents and informers, many of them posing as revolutionaries, who reported on conditions in the factories, the universities, the army and the institutions of the state itself. House porters filed daily reports to the police. Hundreds of bureaucrats were employed in a 'Black Office' to read people's intercepted mail. 'The whole of St Petersburg is aware that its letters are read by the police,' complained Countess Vorontsova to Nicholas II. There was a huge list of activities — from putting on a concert or opening a shop to consulting the works of Darwin — for which even the most high-born citizen required a licence from the police. Indeed, from the perspective of the individual, it could be said that the single greatest difference between Russia and the West, both under Tsarism and Communism, was that in Western Europe citizens were generally free to do as they pleased so long as their activities had not been specifically prohibited by the state, while the people of Russia were not free to do anything unless the state had given them specific permission to do it. No subject of the Tsar, regardless of his rank or class, could sleep securely in his bed in the knowledge that his house would not be subject to a search, or he himself to arrest.2

  This constant battle with the police state engendered a special kind of mentality among its opponents. One can draw a straight line from the penal rigours of the tsarist regime to the terrorism of the revolutionaries and indeed to the police state of the Bolsheviks. As Flaubert put it, 'inside every revolutionary there is a policeman'. Felix Dzerzhinsky (1877—1926), the founding father of the Cheka, was a classic case in point. By 1917 he had spent the best part of his adult life in jails and penal exile, including the last three in the Orel prison, notorious for its sadistic tortures, where, as the leader of a hunger strike, he was singled out for punishment (his body was said to be covered with scars). Once installed in power, he was to copy many of these torture methods during the Red Terror. Yet Dzerzhinsky was only one of many poachers turned gamekeepers. By 1917, the average Bolshevik Party activist had spent nearly four years in tsarist jails or exile; the average Menshevik nearly five. Prison hardened the revolutionaries. It prepared them for 'the struggle', giving them a private reason to hate the old regime and to seek revenge against its representatives. Kanatchikov,

  who spent several years in tsarist jails, claimed that for Bolshevized workers like himself prison acted as a form of 'natural selection': 'the weak in spirit left the revolution, and often life, but the strong and steadfast were toughened and prepared for future battles'. Many years later, in 1923, Kanatchikov was told that one of the judges who had sentenced him to jail in 1910 had been shot by the Bolsheviks. 'When I heard this', Kanatchikov confessed, 'it gave me great satisfaction'.3

  Justifying violence in the name of revolution was not exclusive to the revolutionaries. Among the educated elite there was a general cult of revolutionism. The Russian 'intelligentsia' (a Russian word by derivation) was less a class than a state of mind: it meant by definition a stance of radical and uncompromising opposition to the tsarist regime, and a willingness to take part in the struggle for its overthrow. The history of the revolutionary movement is the history of the intelligentsia. Most of the revolutionary leaders were first and foremost intellectuals. Their heads were full of European literature and history, especially the history of the French Revolutions of 1789 and 1848. 'I think', recalled Lydia Dan, a Menshevik, 'that as people we were much more out of books than out of real life.'4 No other single group of intellectuals has had such a huge impact on
the twentieth-century world.

  Those who thought of themselves as intelligenty (students, writers, professionals, etc.) had a special set of ethics, and shared codes of dress and language, notions of honour and comradeship, not to mention salons and coffeehouses, clubs and social circles, newspapers and journals, which set them apart as a sort of sub-culture from the rest of the privileged society from which most of them had sprung. Many of them even shared a distinct 'look' — unkempt, long-haired, bearded and bespectacled — which became the hallmark of left-wingers and revolutionaries across the world.* The philosopher Nikolai Berdyaev once compared the Russian intelligentsia to a 'monastic order' or 'religious sect'; and there was much in their mentality akin to Christianity. Take, for example, their rejection of the existing order as sinful and corrupt; or their self-image as the righteous champions of the 'people's cause'; or indeed their almost mystical belief in the existence of absolute truth. The radical intelligentsia had a religious veneration for the revolutionary literary canon. Ariadna Tyrkova-Williams recalls, for example, how in the 1880s her teenage sister 'used to smuggle a volume of revolutionary verses into Church during afternoon prayers and, while

  * Lydia Dan's father had a nice way of poking fun at these self-conscious radicals. Boys, he said, did not cut their hair on the grounds that they did not have time; but women cut their hair short also to save time. Women went to university on the grounds that this was a mark of progress; but men dropped out of the education system on the grounds that this was also progressive.

  the others read from the Bible, she would recite their summons to revolt and terror'.5

  This self-conscious tradition stemmed from the Decembrists. Their execution in 1826 produced the first martyrs of 'the movement'. Younger generations took romantic inspiration from the self-sacrifice of these noble Jacobins. From that point on — and here was born the cult of opposition — it became the fashion for the sons of noblemen to shun careers in the Civil Service 'out of principle'. It was seen as a moral betrayal to let oneself be used, as Chicherin put it, 'as a direct tool of a government which was repressing mercilessly every thought and all enlightenment'. Bloody-minded opposition to the tsarist state and all its officials, however petty, was a matter of honour. Consider the story of Anatolii Dubois, a student of the University of St Petersburg in 1902, who refused ('on principle') to shake the hand of a police sergeant who, whilst registering his new address, had engaged him in a friendly conversation and had offered to shake hands as a parting gesture. A police report was made to the rector of the university and Dubois was expelled — only to join the revolutionary movement and get himself arrested in 1903. It was a typical example of the tsarist police state, by a stupid act of repression, forcing a middle-class dissident into the revolutionary underground out of which the terrorist tradition developed (Lenin's own story was very similar). The radical intelligentsia contemptuously rejected any act of compromise with 'the regime': only violent struggle could bring about its end. Liberalism was denounced as a weak half-measure. The law was despised as a tool of the state: it was said to be morally inferior to the peasants' ancient customs and to the interests of social justice — which justified breaking the law. This was the shaky moral foundation of the revolutionary sentiment that gripped the minds of the educated middle classes during the later nineteenth century. Vera Figner, who was herself a terrorist, spoke of a 'cult of the bomb and the gun' in which 'murder and the scaffold took on a magnetic charm'. Within the intelligentsia's circles it was deemed a matter of 'good taste' to sympathize with the terrorists and many wealthy citizens donated large sums of money to them.6

  It is impossible to understand this political extremism without first considering the cultural isolation of the Russian intelligentsia. This tiny elite was isolated from official Russia by its politics, and from peasant Russia by its education. Both chasms were unbridgeable. But, perhaps even more importantly, it was cut off from the European cultural world which it sought to emulate. The consequence, as Isaiah Berlin has so elegantly argued, was that ideas imported from the West (as nearly all ideas in Russia were) tended to become frozen into abstract dogmas once the Russian intelligentsia took them up. Whereas in Europe new ideas were forced to compete against other doctrines and attitudes, with the result that people tended towards healthy scepticism about claims to

  absolute truth, and a climate of pluralism developed, in Russia there was a cultural void. The censor forbade all political expression, so that when ideas were introduced there they easily assumed the status of holy dogma, a panacea for all the world's ills, beyond questioning or indeed the need to test them in real life. One European intellectual fashion would spread through St Petersburg after another — Hegelianism in the 1840s, Darwinism in the 1860s, Marxism in the 1890s — and each was viewed in turn as a final truth.7 There was much that was endearing in this strangely Russian search for absolutes — such as the passion for big ideas that gave the literature of nineteenth-century Russia its unique character and power — and yet the underside of this idealism was a badgering didacticism, a moral dogmatism and intolerance, which in its own way was just as harmful as the censorship it opposed. Convinced that their own ideas were the key to the future of the world, that the fate of humanity rested on the outcome of their own doctrinal struggles, the Russian intelligentsia divided up the world into the forces of 'progress' and 'reaction', friends and enemies of the people's cause, leaving no room for doubters in between. Here were the origins of the totalitarian world-view. Although neither would have liked to admit it, there was much in common between Lenin and Tolstoy.

  Guilt was the psychological inspiration of the revolution. Nearly all of these radical intellectuals were acutely conscious of their wealth and privilege. 'We have come to realise', the radical thinker Nikolai Mikhailovsky wrote, 'that our awareness of the universal truth could only have been reached at the cost of the age-old suffering of the people. We are the peoples debtors and this debt weighs down on our conscience.' As the children of noblemen brought up by serf domestics on the estate, many of them felt a special personal sense of guilt, since, as Marc Raeff has pointed out, these 'little masters' had usually been allowed to treat their serf nannies and 'uncles' (whose job it had been to play with them) with cruel contempt.* Later in life these conscience-stricken nobles would seek to repay their debt to 'the people' by serving them in the revolution. If only, they thought, they could bring about the people's liberation, then their own original sin — that of being born into privilege — would be redeemed. Nineteenth-century Russian literature was dominated by the theme of repentance for the sin of privilege. Take, for example, Prince Levin in Tolstoy's Anna Karenina, who works alongside the peasants in his fields and dreams of giving them the profits of his farm so as to bring about a 'bloodless revolution': 'in place of poverty there would be wealth and happiness for all; in place of hostility, concord and a bond of common interest'.8

  " These peasant nannies and domestic servants would not even be called by their proper names but by a pet name such as Masha or Vanka. They were thus denied the most basic recognition of a personality.

  The first step towards this reconciliation was to immerse oneself in the people's daily lives. The romantic interest in folk culture which swept through Europe in the nineteenth century was felt nowhere more keenly than among the Russian intelligentsia. As Blok wrote (with just a touch of irony) in 1908:

  the intelligentsia cram their bookcases with anthologies of Russian folksongs, epics, legends, incantations, dirges; they investigate Russian mythology, wedding and funeral rites; they grieve for the people; go to the people; are filled with high hopes; fall into despair; they even give up their lives, face execution or starve to death for the people's cause.

  Riddled with the guilt of privilege, the intelligentsia worshipped at the altar of 'the people'. They believed profoundly in their mission of service to the people, just as their noble fathers had believed in their duty of service to the state. And in their world-view the
'good of the people' was the highest interest, to which all other principles, such as law or morals, were subordinate. Here was the root of the revolutionaries' maxim that any means could be justified in the interests of the revolution.

  For all too many of these high-born revolutionaries, the main attraction of 'the cause' lay not so much in the satisfaction which they might derive from seeing the people's daily lives improved, as in their own romantic search for a sense of 'wholeness' which might give higher meaning to their lives and end their alienation from the world. This was certainly the case with Mikhail Bakunin, the founding father of Russian Anarchism, as Aileen Kelly has so brilliantly shown in her biography of him. It was, as she puts it, his own need 'to identify with a meaningful collective entity' that led this wealthy nobleman to sublimate his (quite enormous) ego in the abstract notion of the people's cause. The history of the revolutionary movement is to a large extent the prosopography of such noble and bourgeois intellectuals seeking this sense of belonging. They thought they had found it in the clan-like atmosphere of the revolutionary underground.

  As for their commitment to 'the people', it was essentially abstract. They loved Man but were not so sure of individual men. M. V Petrashevsky, the Utopian theorist, summed it up when he proclaimed: 'unable to find anything either in women or in men worthy of my adherence, I have turned to devote myself to the service of humanity'. In this idealized abstraction of 'the people' there was not a little of that snobbish contempt which aristocrats are inclined to nurture for the habits of the common man. How else can one explain the authoritarian attitudes of such revolutionaries as Bakunin, Speshnev, Tkachev, Plekhanov and Lenin, if not by their noble origins? It was as if they saw the people as agents of their abstract doctrines rather than as suffering individuals